Author: Kyra

Kyle Kyra (they/them) writes fiction, nonfiction, and poetry. They live in a sleepy Nebraska town. Yes, corn lives outside their back door. They hold a BFA in creative writing from the University of Nebraska at Omaha, and their work has appeared in Menacing Hedge, Spank the Carp, Danse Macabre, The Door is a Jar, The Collidescope, and other journals and anthologies.

Whatcha Watching, Geekly: July 15, 2026

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Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been watching over the past month. This’ll be movies and shows. Anything goes. Feel free to share what you’ve been watching over the past month, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching over the past month.

Kyra’s Movies

I’m a true crime junkie, and the genre dominated the films I watched this past month. I’ll begin with The Murder of Rachel Nickell. Oh, boy. This one hurts. Rachel Nickell was slain in front of her toddler child, the one pictured above. I can’t even imagine the horror, the guilt, the fear, and the trauma that caused. Nickell bargained her life for her son’s. Nickell’s son has to live with that for the rest of his life. He blamed himself. He blamed his father for not protecting the family. It wasn’t until after the Bisset Murders (a mother and daughter killed by the same murderer, Robert Napper) trial and conviction that Nickell’s case was solved, and she found justice.

Again, I can’t imagine witnessing the murder of one’s mother at two and a half years old. The Murder of Rachel Nickell spends plenty of time interviewing André Hanscombe (Nickell’s partner and father of her son). We get a great window into his mindset, leaving the UK for France because he was scared the killer would return for his son. We don’t get as much of Alexander Louis, the pair’s son, but I may soon watch The Witness, which is a Netflix docudrama told from Alexander Louis’s perspective. Or I might not. The Murder of Rachel Nickell isn’t an easy watch. I took frequent breaks.

I’ve seen so many documentaries and docudramas on the Murdaugh family over the past year or so, and just when you think you’ve seen it all, Alex Murdaugh gets released by a technicality. Instadocs: Alex Murdaugh, Unconvicted deals primarily with disgraced county clerk Becky Hill. In short, Becky Hill was writing a novel about the Murdaugh family’s various scandals. With her ties as a county clerk, Hill had insider information. She also stood to gain from a guilty verdict. If Murdaugh was guilty, she’d sell more books. Instadocs: Alex Murdaugh, Unconvicted briefly describes what happens and shares a couple of viewpoints. Hill may have had a juror kicked off the case, and more likely, she told the jurors to beware of Alex Murdaugh because he lies. Regardless of what former county clerk Becky Hill did, she did enough to throw out Alex Murdaugh’s murder conviction.

Instadocs: Alex Murdaugh, Unconvicted is what the title suggests, it’s an instadoc, meaning a quickly made documentary in reaction to an event. It clocks in at thirty minutes. While I like the idea of a documentary of this type (especially for a follow-up or update to a larger documentary series like Netflix’s Murdaugh Murders, which I’ve also seen), this format doesn’t give the documentary enough time to flesh out either side of the argument. Hill denies most everything. The dismissed juror escalates the allegations against Hill. The truth is most likely in the middle, but the result is the same. Alex Murdaugh is “unconvicted” of the murders of his wife and son because of a mistrial.

Netflix’s The Crash has plenty of time to show multiple viewpoints. This documentary centers on Mackenzie Shirilla and whether she purposefully crashed her car into a building at 100 miles per hour to kill the other two occupants of her vehicle. Shirilla has been convicted, and her appeals have been denied. Two major pieces of evidence led to this conviction: automobile feedback and Shrilla mentioned killing her then boyfriend, Dominic Russo, by crashing her car a week before the event.

The latter piece of evidence is self-explanatory. Russo and Shirilla had a turbulent relationship. Russo even recorded Shirilla during a violent outburst. This wasn’t when Shirilla threatened to crash her car with Russo inside, but it illustrated the couple’s relationship. Numerous witnesses corroborated Shirilla threatened to kill Russo by crashing her car. Many of those same witnesses viewed it as an offhand comment, not one Shirilla would enact. But the former piece of evidence (automobile feedback) proves more compelling.

Newer automobiles have the equivalent of an airplane’s black box. Shirilla’s car shows she had her foot firmly on the gas pedal ten seconds before impact. Not once did she take her foot off the pedal. This most likely debunks her excuse that she blacked out. The prosecution argued that if Shirilla blacked out, she wouldn’t have been able to slam her foot on the gas. Shirilla wasn’t drunk. She did have THC in her system, but she had less than her usual amount and had plenty of practice driving while under the influence. Is The Crash a tragic accident? Or did Shirilla murder her boyfriend (who some say planned to break up with her) Death Proof style?

Kyra’s Show

I’m in the middle of compiling a deep dive on The Pitt’s autism representation (Dr. Mel King) for a future post. I won’t go into too much detail about that here. Simply put, Taylor Dearden does a phenomenal job of portraying a neurodivergent character. I can’t wait to share that post with you in November. Yikes! We still have some time, but not much. Anyway, I don’t mind rewatching The Pitt. It’s the most accurate medical drama. That’s not me saying it. I’ve heard medical professionals who worked in an ER sing The Pitt’s praises. So, I guess it shouldn’t come as a surprise that The Pitt also has great autism representation. Okay. I’m done with that aspect.

The Pitt plays out over a single twelve-hour shift, complete with heading in early for a shift handoff and staying late for the same thing. Each episode hops from one patient and their family to the next. Some build off each other in satisfying ways. All of them show different aspects of an emergency room worker’s job. I prefer the first season slightly more than the second because you’re flying into the series blind. I also watched the two seasons back-to-back. I may have been more surprised by the second season if I didn’t watch them immediately back-to-back. Still, love the characters. The pacing is on point. The frenetic pace drives The Pitt. And I didn’t know how The Pitt would attempt to keep up the energy from season one to season two. It accomplished that. Minor spoiler: the second season takes place on July Fourth.

Oh, boy! The fact that The Pitt chose July Fourth as the date for its second season proves it understands the ER better than most shows. More accidents occur on July Fourth than on any other day in the United States. Mrs. Geekly, a nurse, has worked plenty of July Fourths. Based on Mrs. Geekly’s tales, I wrote down all the injuries I expected to see, and The Pitt delivered. If you like medical dramas, you should watch The Pitt.

That’s all we have for this month. Season and Skye will join us next month. Thank you for reading, and wherever you are, I hope you’re having a great day.

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X-Men ’97 “Rise of Apocalypse: Part 2” Review

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Hey, hey, Geekly Gang! This post is our fourth post of the day. Fourth! That’s coconuts. We’ve watched the first four episodes of X-Men ’97 season 2 and have shared our thoughts on each episode. This post will only cover “Rise of Apocalypse: Part 2.” If you’re interested in reading what we had to say about the previous episode, “Rise of Apocalypse: Part 1,” check out that post here. Let’s get into the climax of Apocalypse’s story: “Rise of Apocalypse: Part 2.”

X-Men ’97 is officially the best X-Men adaptation. I don’t think it’s up for debate. Sure. One may like any number of the Fox X-Men movies. Logan may still be the greatest Wolverine story told on camera. The original X-Men: Animated Series also did a great job of bringing Marvel’s mutants to the small screen. But “Rise of Apocalypse: Part 2” is the moment X-Men ’97 leaves no doubt that it is the definitive X-Men adaptation, like the entire X-Men team. I held off saying this for a few episodes, but this entire season (and the one before it) does a great job of articulating each mutant’s desire and viewpoint of life. And that’s the crux of X-Men. Numerous mutants have similar goals, but they pursue those goals in different ways, causing friction.

By this point, Magneto has joined Xavier’s non-violent vision wholesale, but he remembers a time when he tried to solve conflicts with violence and can empathize with En Sabah Nur. Rogue, who has some amazing scenes in this episode, envisions a world where the Genosha attack (from Season 1) didn’t occur, and Remi (Gambit) won’t die, so her end goal of turning En Sabah Nur peaceful aligns with Magneto’s. And this is just one strand of the web X-Men ’97 weaves. Most characters have similar goals but different means or similar means but different goals. “Rise of Apocalypse: Part 2” is a master class in character development.

But wait, there’s more. Yes. I deliberately wanted to sound like a salesperson there. We’re entering spoiler territory here. You’ve been warned. X-Men ’97 also managed to throw in some fan service. The mid-credit scene shows Wolverine reuniting with Captain America and Black Widow, reimagining the classic Uncanny X-Men #268 cover. Wait! Comic books only cost a $1 in 1990. Ah! I wish that were still the case. Weapon X intrigue is sure to ensue. I can’t wait. Before then, “Rise of Apocalypse: Part 2” reveals who Rama-Tut really is. Kang. Yes! I knew this twist would come, and I’m glad X-Men ’97 stayed true to the source material. We haven’t seen much in the way of Marvel Animated Universe (MAU) shows crossing over, but there’s a chance Kang could return in a different MAU series. The Marvel Cinematic Universe failed to deliver on Kang’s promise. Fingers crossed that Kang will get a better adaptation. And there’s Candra.

Candra is the Egyptian woman Rama-Tut speaks to as he makes his escape to the future he’s molding in his image. Candra has ties to Gambit. When Rama-Tut says, “Fear not, your destiny starts today, for his power can only be challenged by a force that is external.” Ah. John de Lancie is a treasure. He’s going to make a great MAU Kang. Anyway, Candra is an External, an immortal subset of mutants. She becomes the God of Thieves, so a clear tie with Gambit. X-Men ’97 is pitch perfect.

The show continues in the footsteps of the original X-Men: Animated Series by not being afraid to sideline or kill fan-favorite characters. Alright, the next bit is a huge spoiler. If you haven’t yet watched “Rise of Apocalypse: Part 2,” you should skip to the next paragraph. Apocalypse atomizes Magneto. X-Men ’97 shows as much as it can, mostly through the horrified look on Charles’s face and the reflection in his eyes. Brilliant!

X-Men ’97 hasn’t spared viewers of classic and potentially gory details of the X-Men’s past. Last season, viewers were treated to Magneto stripping the adamantium from Wolverine’s skeleton. This show goes as far as it can with its visuals, while remaining true to the original X-Men: Animated Series. I can’t wait to see where the show goes next. I mentioned season two building up toward the Age of Apocalypse storyline. I had my doubts if X-Men ’97 would do the storyline justice. I no longer have those doubts. X-Men ’97 and Your Friendly Neighborhood Spider-Man serve as excellent cornerstones of the Marvel Animated Universe. The MAU is on a roll.

Those are my thoughts on X-Men ’97 “Rise of Apocalypse: Part 2.” Let’s hear Season’s thoughts.

Season’s Take

Wow. Just wow. “Rise of Apocalypse: Part 2” is an emotionally mixed cliffhanger to leave on until next week. I loved “Rise of Apocalypse: Part 2.” En Sabah Nur becoming Apocalypse was inevitable. I know. I’m stating the obvious. I loved the way X-Men ’97 handled Apocalypse’s origin story. Brilliant.

I won’t rehash the details, but the pacing in “Rise of Apocalypse: Part 2” was amazing. It did a great job of picking up where “Rise of Apocalypse: Part 1” left off. If this is the definitive storyline of the MAU, that’s cool with me. I haven’t read the comic Rise of Apocalypse, but I’m unsure what kind of outcome I’m hoping for this storyline. I really want to see Kang again. He is pure evil personified.

Hey, hey! Kyra Kyle here again. Those are our thoughts on X-Men ’97: Rise of Apocalypse: Part 2.” What are your thoughts on “Rise of Apocalypse: Part 2?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

X-Men ’97 “Rise of Apocalypse: Part 1” Review

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Hey, hey, Geekly Gang! Kyra Kyle here again with a third post. We’re back for a third installment of X-Men ’97. This post will cover the third episode of X-Men ’97’s second season, “Rise of Apocalypse: Part 1.” If you’d like to see Geekly’s thoughts on X-Men ’97 season two’s previous episodes, you can find them here: “Days of Past Future” and “A Force to Be Reckoned With.” I’ll kick off this post with my thoughts on X-Men ’97 season two, “Rise of Apocalypse: Part 1.”

Kyra’s Take

Oh my! I can see why X-Men ’97 released three episodes during its opening event. Each episode showed what our three sets of intrepid mutants are up to since the end of season one. “Days of Past Future” took us to the future, where Cyclops and Jean Grey reunite with their son, Nathan (Cable). “A Force to Be Reckoned With” brought us back to the present day (the Nineties) and what’s occurred since the X-Men disappeared. But the third episode (“Rise of Apocalypse: Part 1”) delivers on season one’s cliffhanger. And it also ends with yet another cliffhanger, but we’ll get to that in a minute. When I saw X-Men ’97’s release schedule, I originally thought Marvel wanted to drop as many episodes before Spider-Man: Brand New Day’s release date. Spider-Man’s next cinematic installment could’ve played a factor, but X-Men ’97 made the right decision to release the first three episodes of season two. Anything less would’ve felt incomplete.

I’m sure some viewers waited for X-Men ’97 to show the goods, revealing Apocalypse’s origin, and X-Men ’97 sure does deliver. “Rise of Apocalypse” gets its story from the comic book mini-series of the same name. We’re going to Ancient Egypt. I like how Magneto tries to rewrite mutant history by guiding En Sabah Nur (Apocalypse’s original name) toward a path of peace. This continues the dynamic between Magneto and Charles Xavier from the previous season. The two have a tenuous truce. They may both want the same thing (peace between humans and mutants), but they have very different means to accomplish this goal. Classic.

X-Men ’97’s showrunners know their characters. I had my doubts when the show was first announced several years ago, but X-Men ’97 has exceeded my most optimistic expectations. The new series maintains everything the original X-Men: Animated Series built, while working toward something new and exciting. The show has built up characters like Cable and Jubilee. “Rise of Apocalypse: Part 1” does the same for Apocalypse. He was already one of the X-Men’s most impressive foes. X-Men ’97 season two looks to humanize him. And watching Magneto try and teach Apocalypse a path to non-violence showed how much he’s grown. His actions end the way one might think they would (he fails), but I love how Magneto tries to reach Apocalypse. He notices they aren’t that different.

I don’t want to get into too many spoilers with these posts. Needless to say, the X-Men attempt multiple times to find their way to their timeline and fail. Tensions rise. And we’re left with another cliffhanger. Since “Part 1” is included in the episode’s title, “Rise of Apocalypse: Part 1” sets up the following episode, which we’ll cover later today. I’ve been writing these reviews/reactions as soon as I finish one episode. I haven’t yet watched “Rise of Apocalypse: Part 2,” but X-Men ’97 has my full confidence. I love the direction the Marvel Animated Universe has taken. I’ve been more excited about X-Men ’97 and Your Friendly Neighborhood Spider-Man’s second seasons than most of the Marvel Cinematic Universe’s offerings this year. I can’t wait to watch the next episode.

Those are my thoughts on X-Men ’97 “Rise of Apocalypse: Part 1.” Let’s see what Season thinks.

Season’s Take

As soon as En Sabah Nur said, “He was not fit to live,” I shouted, “You are not worthy.” I really hope En Sabah Nur says that in “Rise of Apocalypse: Part 2.” He has to finish the quote. It’s a requirement. Side note: Apocalypse looks good with long, wavy hair. He should bring that back.

I appreciated the tender moments between Magnus and Charles in “Rise of Apocalypse: Part 1.” Magnus wanting to try things Charles’ way was endearing. Something tells me it won’t last when they inevitably part ways, but I hope we get to see more of these moments in X-Men ’97. “Rise of Apocalypse: Part 1” was very human.

Hey, hey! Kyra Kyle here again. Those were our thoughts on X-Men ’97: “Rise of Apocalypse: Part 1.” What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

X-Men ’97 Season 2 “A Force to Be Reckoned With” Review

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Hey, hey, Geekly Gang! This is our second of four planned posts today. Four posts in one day? Yikes! X-Men ’97 graced us with three episodes last week–we’re still catching up on those episodes–and a fourth episode dropped this week. If you want to read our review of the previous episode, “Days of Past Future,” you can check that out here. In this post, we’ll only discuss the events of “A Force to Be Reckoned With.” I’ll kick things off with my thoughts.

Kyra’s Take

“A Force to Be Reckoned With” may have done the near impossible. It made Jubilee cool. Seriously. Her breakout scene, near the end of the episode, catapulted her into one of X-Men ’97 season two’s better characters. And that’s saying something. But I’m getting ahead of myself. X-Men ’97: A Force to Be Reckoned With” didn’t need as much setup as the previous episode. The episode’s title originates from X-Force, which is famously Cable’s team from the Nineties, and how they fight for mutant freedom against X-Factor, a government-sanctioned team of mutants. The power struggle between these two teams is comic book accurate and excellent.

Neither team embodies the X-Men. X-Factor is a government lapdog; they’re an extension of the mutant registration program. And Cable assembled X-Force to take down Apocalypse by any means necessary. He doesn’t care as much about human-mutant relations and mutant freedom, and this gets me back to Jubilee. She joins Cable’s side of the aisle because it’s closer to the X-Men’s ideals.

When she has a chance, Jubilee frees mutant children held captive by X-Factor. I want to take a moment and take note of the volume of various lesser-known mutants held captive in X-Factor’s helicarrier and/or shown during “A Force to Be Reckoned With.” Here are a few: M, Mark, Kid Omega, Chamber, Penance, and the Stepford Cuckoos. The Stepford Cuckoos may be the best example of how callous X-Factor treats these mutants. Each one of the Stepford Cuckoos has a power dampener around their necks, and X-Factor still placed one of the triplet sisters in a different cell. Sure. The Stepford Cuckoos use their powers as a trio, but they have power dampeners. Separating them was cruel.

Through her act of freeing the captive mutants, Jubilee did the most to live up to Charles Xavier’s example. She reminded the rest of X-Force what they’re fighting for. Cable’s mission to take down Apocalypse is a noble one, but he often gets blinded by this goal. Again, all of this is mostly comic book accurate. The original X-Men: Animated Series made sure to stay as close to the source material as possible, and X-Men ’97 continues that tradition.

There’s little else to discuss with “A Force to Be Reckoned With.” This episode feels tighter than “Days of Past Future,” not that the previous episode meandered too much. I just wanted to note “A Force to Be Reckoned With’s” great pacing. Maybe that’s the trick with making Jubilee cool. Leave the audience wanting more. The original X-Men: Animated Series used Jubilee as a surrogate, so Jubes showed up in most scenes. We physically see less of Jubilee during “A Force to Be Reckoned With,” but the episode does a lot to show her true character. And shout out to Polaris and Havok. I love Jubilee’s snide remark of Havok being “Knock-Off Cyclops.” LOL

Those are my thoughts on X-Men ’97 “A Force to Be Reckoned With.” Let’s see what Season has to say.

Season’s Take

I can’t believe I was actually rooting for Jubilee. Outside of being cool and sticking to her guns, her cheeky moments were cute, too. The scene of her jumping off the roof was iconic.

I appreciated the lack of exposition in “A Force to Be Reckoned With.” “Days of Past Future” was good and had a lot of emotionally charged moments, but there was a lot of repetition with Jean Grey’s and Cyclops’ dialogue. Their feelings about leaving Nathan behind were sad, but they lost some impact each time they expressed themselves. The emotional moments in “A Force to Be Reckoned With” combine punchy dialogue with action. It feels like each moment doesn’t linger.

Also, kudos to the alternate intro. X-Force ’97 has a nice ring.

Hey, hey! Kyra Kyle again. Those are our thoughts on X-Men ’97: “A Force to Be Reckoned With.” What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

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X-Men ’97 “Days of Past Future” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here. X-Men ’97 returned with the first few episodes of season two last week. We didn’t cover the animated series when it first launched because we were in the middle of writing our Supergirl review. We’ve had time to watch each of these episodes. I may be joined by Season in this post. Woo hoo! I can’t wait to talk about X-Men ’97 Season Two’s first few episodes. We’ll be releasing separate posts for each of the released episodes (four in total), so let’s begin with “Days of Past Future.”

Kyra’s Take

Geekly hadn’t returned when X-Men ’97’s first season originally aired, so I may take a quick moment to discuss the series as a whole. X-Men ’97 is a joy. I love how they brought back most of the cast and the creative team behind the scenes of the original Nineties X-Men Animated Series. This show mainlines Nineties nostalgia. With the exception of a few modifications, like a new voice actor for Rogue, who took some getting used to, X-Men ’97 captured the original’s charm. X-Men’s animation hadn’t aged the best, and while X-Men ’97 updated the animation style, it kept most of the visuals intact. Fantastic.

I also liked how X-Men ’97’s first season picked up right where the original X-Men Animated Series ended. This makes X-Men ’97 a continuation of the original. This is not a reboot. Sort of. And I liked how the showrunners decided to incorporate characters who were introduced (in the comics) during the original show’s run. Mild spoiler ahead. The first season’s main villain, Bastion, wouldn’t have been in the original X-Men Animated Series run because he was too new a character. Still, he fits into the animated series because the X-Men comic book was wildly popular in the early to mid-Nineties. Say what you will about X-Men #1’s role in the comic book collection market’s collapse, but X-Men had the it factor. Including characters and story arcs from the Nineties run of X-Men is a great choice.

Okay. Now, let’s talk about “Days of Past Future.” X-Men ’97 picks up immediately where the first season concludes. Apocalypse returns. Yay! X-Men ’97 continues to include characters from that Nineties run of X-Men comics. Brilliant! We’re going to go into more minor spoilers for “Days of Past Future.” You’ve been warned. Mother Askani (1993-1994) has a deceptive name. She’s actually Rachel Summers, Jean Grey and Cyclops’s daughter, from a different timeline. In fact, she is able to manipulate the timestream, so X-Men ’97’s reveal that Mother Askani was the one who sent the two X-Men teams into the past and future to stop Apocalypse makes sense with the original comic book. The show takes liberties. This isn’t a one-to-one, but I like Mother Askani’s inclusion.

Mother Askani harkens to a 1994 mini-series (The Adventures of Cyclops and Phoenix), where Jean and Cyclops bond with a young Nathan Summers (Cable). Even better, the tail end of X-Men ’97 season one foreshadowed that Jean and Cyclops’s relationship with their son would be explored. X-Men ’97 kept its promise in “Days of Past Future.” I can’t say enough great things about this series. I squeed. I did, and we get another season of episodes after this one airs. Yay!

Most of “Days of Past Future” focuses on the X-Men team sent into the future. I’m reviewing these episodes as I watch them, so there may be a few things I don’t notice in one episode that will become more important in the next. I love the direction X-Men ’97 is taking Cyclops, Jean Grey, and Cable (Nathan). X-Men ’97 has done a lot with fleshing out Cable’s backstory. The original X-Men Animated Series showed Cable as a random guy trying to save his future. Heck, Deadpool 2 portrayed Nathan Summers in a similar light. I liked both depictions of Cable. But X-Men ’97 has given Cable depth.

Supposition time: X-Men ’97 season two will build toward the classic X-Men Event, Age of Apocalypse. Sure, X-Men ’97 season two is borrowing elements from Age of Apocalypse, but I believe the animated series will fully embrace Age of Apocalypse with its following season. The post-apocalyptic world where Mother Askani exists paved the way for Age of Apocalypse. Fans and the writers enjoyed a world in the distant future without the X-Men and controlled by Apocalypse, so they wanted a world with the X-Men and controlled by Apocalypse (Age of Apocalypse). We’re only getting a taste of Age of Apocalypse this season. We’ll have to wait until the tail end of season two or next season to meet Sugar Man.

Those are my thoughts on X-Men ’97 “Days of Past Future.” Let’s see what Season thinks.

Season’s Take

I’m also watching these episodes one at a time before reviewing them, so we’ll see what I pick up on in future episodes. I’m a sucker for familial relationships being explored, and “Days of Past Future” did that more than I thought it would. A lot of characters were featured in “Days of Past Future,” but they each got adequate screen time. Actually, it’s more like each character was given plenty of depth despite the episode only being thirty-three minutes. I’ve never read Age of Apocalypse, so I’m unfamiliar with the plot. I know. I need to up my comic book game.

I’m excited to see where X-Men ’97 takes us next. I’m a huge fan of Rogue, so any chance I get to see her in action is amazing. I’m not the biggest fan of her voice in X-Men ’97, though. Girl, cough. Or, like, clear your throat.

Hey, hey! Kyra Kyle again. Those are our thoughts on X-Men ’97: Days of Past Future.” Feel free to share yours in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.