





Happy Saturday, Geekly Gang! Kyra Kyle here with the first of two reviews/reactions today. Our writers watched Spider-Man: Brand New Day last weekend, and we have some thoughts to share. I’ll kick things off with my thoughts on Spider-Man: Brand New Day.
I enjoyed Spider-Man: Brand New Day. The trailers promised a character-driven Spider-Man story, and Spider-Man: Brand New Day delivers on this promise. Peter’s story continues where Spider-Man: No Way Home concluded. He has yet to reach out to his friends, Ned and MJ, and his journey toward self-acceptance mirrors the storyline of Spider-Man: Brand New Day’s “villain.” Before we go any further, I must give a spoiler warning to anyone who hasn’t seen Spider-Man: Brand New Day. Consider yourself warned.
Jean Grey–yes, The X-Men’s Jean Grey–is Spider-Man: Brand New Day’s villain, sort of. Her mutant powers have awakened, and she’s on the look for her sister, Sarah. Jean’s mother abandoned her and her sister because of who they were; a stark contrast to Spider-Man’s Aunt May embracing her nephew/son after he gained his powers. This is relevant to the story. Trust me. After all, Jean’s a telepath.

During Spider-Man: Brand New Day, Spider-Man’s powers are growing and “mutating.” Again, Jean Grey’s powers awakening and amplifying echo Spider-Man’s changes. Narratively, this is a great choice. Peter Parker followed Tony Stark/Iron Man’s lead. At one point of his career, Peter submitted himself to government monitoring and regulation; this was the whole point of Captain America: Civil War and the Sokovia Accords. Peter continues to work with the government. Jean Grey fights against government regulation and monitoring as most X-Men would do. If the MCU were to include or introduce the X-Men in a Spider-Man film, the way Spider-Man: Brand New Day does it is near flawless. But I’m not a huge fan of a Spider-Man film introducing the X-Men.
There has never been a Spider-Man MCU film where Spider-Man was the only superhero in the film. Repeat: No Spider-Man MCU film has been a solo Spider-Man movie. Spider-Man: Homecoming had Iron Man as Spidey’s father figure (one extra superhero). Spider-Man: Far From Home featured an Iron Man cameo and Nick Fury working behind the scenes (two extra superheroes). Spider-Man: No Way Home had two other versions of Spider-Man and Doctor Strange (three extra superheroes). Spider-Man: Brand New Day has appearances from Jean Grey, The Punisher, The Hulk, and Black Widow (four extra superheroes). What’s next for Spider-Man 5? Five extra superheroes. It may as well be an Avengers film. Kind of like Captain America: Civil War.

Don’t get me wrong, most–if not all–of these guest-staring superheroes had a purpose in Spider-Man: Brand New Day. Jean Grey begins as the antagonist, only to be vindicated as a scared young woman makes for a good volta (turn) with Damage Control becoming the “real villain.” This is great. It shatters Peter’s worldview that he’s held since he was introduced into the MCU (ten years ago). The Punisher works as comic relief and at the end, he reminds Peter that extreme measures aren’t always needed. The Punisher is also the man Peter fears he’ll become if he keeps himself closed. Great stuff. The Hulk shows a path Peter’s mutation could take; Peter even calls his continued mutation a “monster” like The Hulk. The Hulk is the monster Spider-Man doesn’t want to become. Bruce gives Peter the idea of inhibiting his mutation and this gives Peter the means to subdue Jean. And Black Widow is just fun. She doesn’t steal a lot of screen time. But that’s four extra superheroes. Four!
We’ll probably never get a Spider-Man solo film in the MCU. That isn’t the worst thing in the world. The MCU is an interconnected universe. Fortunately, viewers didn’t need to do any “homework” before Spider-Man: Brand New Day. Sure, you could watch the recent Punisher Special on Disney+, but it isn’t “required” viewing to understand this movie’s plot. As long as you vaguely know who Yelena (Black Widow) and Bruce (The Hulk) Banner are, you don’t need to watch or rewatch any of their previous movies or shows. All of this is great. The MCU has learned to eliminate–or at least reduce–audience “homework,” and the confluence of superheroes Spider-Man: Brand New Day used worked for the movie’s character-driven story. But I miss the days of the MCU’s solo superhero movies or even the Spider-Man films with fewer guest superheroes.
Off-topic, but I’ve heard some people describe Jean Grey’s actions in this film as “evil.” I don’t believe that is the case, but I may be too quick to forgive Jean’s actions. She does kill people for her family. At least two Damage Control goons passed away during Jean’s assault on the organization’s headquarters. She may have been responsible for more. In the comics, Jean Grey is a more morally gray–or grey–character than most might think. Sink’s performance is great for a young Jean Grey with a mean streak. But I can see why people would call Jean’s actions in Spider-Man: Brand New Day evil. I view her actions as destructive. I also served in the military during three wars. I have a much larger body count than Jean when it comes to killing for my family. So, I’m biased.

My final thought is on Damage Control itself, and Spider-Man: Brand New Day’s use of Bill Metzger. In the comics, William Metzger was an anti-mutant leader. His was an organization similar to the mutant hate-group Friends of Humanity. As soon as I heard the name Metzger, I knew he was a villain, and it all but confirmed Jean Grey, instead of any number of Spider-Man villains with mind control or possession (as Black Widow put it) powers as this film’s antagonist. Going into this film, I thought Mister Negative or Carrion would’ve been better served as the movie’s villain. Heck, Carrion’s abilities closely match what Jean does during the film (a pseudo-possession), and Mister Negative was the main villain in the comic story titled Spider-Man: Brand New Day. So, I guess I’m a little disappointed that we didn’t see another great Spidey villain take centerstage. Spider-Man has one of the greatest rogues galleries in comics.
Heck. Spider-Man has the second best rogues galleries in comics, second only to Batman. So, Spider-Man: Brand New Day plays like a Batman movie with none of Batman’s rogues present. Odd. It worked, but I don’t want this as a steady diet with Spider-Man movies.
Ultimately, Spider-Man: Brand New Day was a great popcorn flick. I’ll probably watch it once or twice after it lands on Disney+. If the MCU had to introduce the X-Men in a Spider-Man film, this is almost perfect. I just wished the MCU didn’t choose to introduce the X-Men in this film. Despite the X-Men’s inclusion, Spider-Man: Brand New Day kept its trailers’ promise of a Spider-Man character-driven film. It’s a fun movie. Those are my thoughts on Spider-Man: Brand New Day. Let’s see what Season thinks.
I was a bit surprised to see Jean Grey as an anti-hero in Spider-Man: Brand New Day. Sadie Sink did an amazing job as Jean Grey. The character was very believable. The plot of Spider-Man: Brand New Day was well-written and can work as a stand alone movie. There were enough flashbacks to the previous Spider-Man movies that the audience could understand what happened without having to watch the other installments. The flashbacks were a bit too overdone; they could have cut down the runtime without some of them.
Before I watched Spider-Man: Brand New Day, I didn’t know who William Metzger was. What made me suspicious of him initially was how he spoke to the Hand. He spoke Japanese (without subtitles), and didn’t use an ounce of polite speech while introducing Spider-Man as an ally of the Hand. He referred to the Hand as “omae (oh-ma-eh)” or “you all.” “Omae” is either a familiar way of speaking to someone, but is considered to be very rude. He also referred to himself as “ore (oh-ray)” or “I.” This is normally an arrogant way to refer to oneself. He also didn’t use “desu” or “masu” at the end of his sentences, which is also either rude or familiar. I’m not sure how many Japanese speakers watched Spider-Man: Brand New Day, but this instance stood out to me.
I wish we could have seen some underused members of Spider-Man’s rogues gallery, so I was a bit disappointed when that didn’t happen. It looks like we’ll be seeing Venom in the future fifth Spider-Man movie. Here’s hoping it’ll blow Spider-Man 3 out of the water.
Hey, hey! Kyra Kyle here again. I left the Metzger Japanese speech to Season; She spent a year and a half in Japan. I remember looking at Season when the scene occurred. I don’t speak Japanese, but I could tell something was off with Metzger’s speech. Anyway, thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Monday, Geekly Gang! Kyra Kyle here with a new entry in an older comic book series: Underrated and/or Underused Villains. Today, we focus on Spider-Man’s overlooked rogues’ gallery. The webhead has plenty of villains to his name, so it makes sense that a handful of villains may qualify. Notice how this list isn’t titled a Top 5. Numerous characters could make this list. If you don’t see your favorite underrated Spider-Man villain on this list, comment who would add.
The characters on this list may lean more toward underrated rather than underused or vice versa. Spidey has a wealth of villains, so we have more than one honorable mention. Let’s get to our list of five underrated/underused Spider-Man Villains.

I cheated with Tombstone. He shows up plenty in the comics, receives great adaptations in other media (I can’t wait for Your Friendly Neighborhood Spider-Man’s second season), and seldom gets overlooked as one of Spidey’s better second-tier villains. But I wanted to mention Tombstone. I love this character. One can never have enough Tombstone stories. I can’t wait to see Marvin Jones III (also known as Krondon) portrayal of Tombstone in Spider-Man: Brand New Day. Brilliant casting. Krondon also provided Tombstone’s voice in the Spider-Verse series of animated films. I can’t wait.

Beetle meets the criteria for underrated and underused. His redemption story (told through Thunderbolts) is wildly underrated; I’d love to see a Beetle redemption story in the MCU. Abe Jenkins (the original and most famous Beetle) seldom gets used in media outside comics, and the comics haven’t featured him recently because he’s dead. But no one stays dead in comics forever. Oddly enough, Tombstone’s daughter, Janice Lincoln, has taken the mantle as the new Beetle. So, there’s a chance we could see Janice in the MCU.
No version of Beetle is primarily a Spider-Man villain, and that’s why they make the honorable mention list. Beetle threatens the larger MCU, giving preference to Iron Man and Spider-Man. Abe’s origin story was reworked a bit and used as Mysterio’s backstory in Spider-Man: Far From Home. He craved respect and recognition, so he stole tech, made a super suit, and terrorized the normies. When he joined the Thunderbolts, originally pretending to be a hero, he found the respect and recognition he always craved as a hero, so he became one. Ah! What could’ve been in the MCU? Beetle is certainly one of the most criminally overlooked Marvel villains. But his freelance villainy causes him to just miss the list.

A third honorable mention? Yeah, Spidey has a ton of fantastic villains. We could’ve made a list of 20 underrated/underused Spider-Man villains. Let us know if you’d like to see a second part to this list.
Hammerhead has some of the worst adaptations for a Spider-Man villain. Outside the comics, media portray him as an underling. That isn’t true. Hammerhead is Kingpin’s rival, an equal in every sense. Readers of Spider-Man comics know this, but anyone who only consumes Spidey content outside the comics will wildly underrate Hammerhead as a villain. And Hammerhead has one of the most tragic childhoods among Spidey villains. I won’t spoil it. It’s brutal. There’s a reason Hammerhead’s skull has been replaced with adamantium. Yikes!
Hammerhead just misses our list because he may soon get a good adaptation. Rumors of Hammerhead joining Spider-Man: Brand New Day abound. I’m writing this early and before the second season of Daredevil: Born Again, and there’s a chance Hammerhead could become the Kingpin rival he was always supposed to be. We’ll have to see.
That wraps up our honorable mentions. Let’s see who made the proper list.

Sure, Doppelganger has low intelligence. He barely says more than one word, but Doppelganger has a ton of potential, inside and outside of comics. Doppelganger hails from the dimension of manifestations. The Magus created all of the doppelgangers–they created a doppelganger for everyone in Marvel Comics (kind of like the Bizarros in DC Comics)–to combat their counterparts. Spider-Man’s doppelganger was the only one who made it to Earth 616 (Marvel’s main timeline). Lost, Doppelganger didn’t know what to do and attacked Spider-Man. It was defeated. But Doppelganger was rescued and adopted, in a way, by Shriek. Doppelganger only hates Spider-Man because the one it calls “Mother” (Shriek) hates Spider-Man. Despite its villain status, Doppelganger has conducted heroic deeds, and that’s interesting.
Within Marvel Comics, few creative teams have explored Doppelganger, but when they do, those stories slap. There have been rumblings of a potential Doppelganger sighting in Spider-Man: Brand New Day, but unlike Hammerhead, I doubt Doppelganger will get a good story. Fingers crossed.

Hobgoblin fits the bill of an underrated Spider-Man villain, but he also poses a good question. Can someone be overused and underused at the same time? When Hobgoblin makes it into a Spider-Man story, he dominates for a few years, and then he disappears for almost a decade. And the pattern repeats. Most creative teams who include Hobgoblin in a story are passionate about the character. That’s why Hobgoblin dominates the storylines. This shields Hobgoblin from a lot of “bad” storylines. In fact, Hobgoblin is one of the few Spider-Man villains on this list, and in the honorable mentions, without an awful story.
One does need to establish a Green Goblin before introducing Hobgoblin. Typically, Hobgoblin “borrows” Green Goblin’s gadgets and rebrands them. The Nineties Spider-Man animated series is the only exception I can think of when Hobgoblin appears before Green Goblin. It helps that Mark Hamill voiced Hobgoblin.
Honestly, I like Hobgoblin’s aesthetic more than Green Goblin’s, and I love the purple and green combination. Heck, those are Geekly’s colors. It must be Hobgoblin’s outfit, his more demonic and unhinged look, and that’s ironic. Green Goblin always has some form of mental illness, but usually, Hobgoblin has full control of his mental faculties. That can give Hobgoblin a more sinister vibe. He knows exactly what he’s doing.

Chameleon is Spider-Man’s first villain. In his first tale, Chameleon dresses up as Spider-Man to frame him for stealing government plans. This happens a lot for Chameleon. He frames Spidey for crimes he didn’t commit, but Chameleon is more of an espionage character. He has an awesome backstory. Without Chameleon, we may not get as fleshed out a Kraven the Hunter. The two are half-brothers. But Spider-Man creators miscast Chameleon. So, Chameleon may be more of a misused villain than an underused villain, but he is also underused.
Despite being Spider-Man’s oldest villain, Chameleon rarely shows up in other media, and when he does, it’s usually a cameo. I’m hopeful for Chameleon’s role in Your Friendly Neighborhood Spider-Man’s second season. This version of Chameleon has potential. It also helps that Peter Parker’s father (Spoiler: Peter’s dad is alive in this cartoon series) worked as a spy. That could play into Chameleon’s background. We need Spidey to flex his detective muscle. Mysterio triggers Peter’s tingle, forcing him to rely on his Spider Sense. A full-thrust Spider Sense for Mysterio makes sense because Mysterio envelops the area around him with illusions. I could see a low-level twinge with the Chameleon, like Peter knows something’s amiss, but he can’t put his finger on it. Chameleon’s abilities only affect himself. We need better Chameleon stories.

Before making this list, I knew who would reach the top. One can rearrange or replace any of the previous Spider-Man villains on this list, but the top two are chiseled in stone. You could swap one and two with each other, but we’ll get to number one in a minute. First, we’re talking about Vermin.
Vermin may take the mantle of the most underrated and underused Spider-Man villain. Most Spidey fans (who read the comic book) would say Kraven’s Last Hunt and The Child Within are two of the top three or four stories in Spider-Man history. Vermin features in both stories. Despite those two tales occurring decades ago, Vermin shows up in few other stories. See what I mean about underused? Some Spidey fans may forget Vermin was in Kraven’s Last Hunt. Talk about underrated. Sure, Vermin was Kraven’s pawn, but there’s a killer moment when Spider-Man loses his temper with Vermin. Love this story. We covered it more in a previous post.
And then we get to The Child Within. Ah! So good. A nine or ten-year-old child wanders into the sewers and asks Vermin to accompany him home. Vermin (a rat person) takes the kid to a mansion, but the kid refuses to go inside. By this point, we realize the kid is Vermin’s inner child. The mansion belongs to his parents. At first, Vermin’s parents don’t recognize him. We get Vermin’s tragic backstory, and I’m not going to spoil it here. You should read The Child Within.
Not only does Vermin have few–if any–“bad stories,” he’s featured in two of Spider-Man’s greatest stories. Who could possibly claim the top spot over Vermin?

If you were to rank Spider-Man’s most important villains (the ones necessary to tell Spider-Man’s story), the list would look like the following:
1) Green Goblin
2) Doctor Octopus
3) Jackal
Spider-Man fans who read the comics know who Jackal is and would agree with this list–for the most part. Spidey fans who don’t read the comics are scratching their heads, wondering who the hell is Jackal? That’s why Jackal is number one on this list. He is one of Spidey’s most important villains, and not enough people know him. Jackal introduced The Punisher, hiring him to take down Spider-Man (during The Punisher’s first appearance), and he’s behind most, if not all, clone storylines. And Spidey has a ton of clone stories. The Clone Saga is the longest storyline in Spider-Man comic book history.
The original Jackal, Miles Warren, was one of Peter Parker’s college professors. Warren, in his mid to late fifties, crushed on Gwen Stacy. Ew. She’s more than half your age, creeper. After Gwen died, Warren blamed Spider-Man for her death. Spidey did web Gwen’s foot, causing her neck to snap. Jackal, pointing out this detail to Spider-Man, poured extra salt into Peter’s guilt. Peter already blamed himself for Gwen’s death. What ensued was a lot of cloning, cloning of Gwen Stacy, Peter Parker, and others. Eventually, Jackal would clone himself in an attempt to achieve immortality.
Jackal’s lack of a good adaptation outside of comics reminds me of Hobgoblin’s issue. Jackal is difficult to explain without a lot of setup, like Hobgoblin needing Green Goblin to exist first. Typically, Jackal needs Gwen Stacy to exist. You may even need her to perish. Often, Miles Warren gets introduced, and we never see his transformation into Jackal. And then there’s Jackal’s age. Since Warren is in his fifties, whenever he gets introduced as a side character in a movie or show, people overlook him. Warren appeared in The Amazing Spider-Man film series and Sony’s Spider-Man adjacent movies. Blink, and you’ll miss him. I hope the MCU takes its time to introduce Jackal in the future. Gwen may soon make her debut in the MCU. Jackal may not be far behind.
That’s our list of five underrated and/or underused Spider-Man Villains. There are plenty more villains who could’ve made this list. Let us know who you would add in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.





Happy Saturday, Geekly Gang! Kyra Kyle here with another reaction/review of a Marvel-themed television show. A live-action show of Spider-Man Noir wouldn’t have made my Bingo card for 2026, but I’m glad Spider-Noir exists. I had little to no expectations going into this show. Full disclosure: I’ve never read the Spider-Man Noir comic book series, and I only watched Spider-Noir one and a half times before writing this reaction (it’s more of a reaction than a review) because I don’t have an ad-free Amazon Video Account. Pay walls. Yay! I enjoyed my time with Spider-Noir. If I had an ad-free option for this show, I would’ve watched it another time or two. It held my interest. We have another caveat to discuss before getting into Geekly’s Reaction/Review of Spider-Noir.

You may have noticed that Spider-Noir is Spider-Man Noir in the comic books. That’s a name change. The title character refers to himself as The Spider, and so does every other character, but that isn’t the only name change. Canonically, Spider-Man Noir is an alternate reality version of Peter Parker. Spider-Man Noir is even Peter Parker in the Spider-Verse Series of films. Spider-Noir refers to its lead as Ben Reilly. Ben Reilly does come from the comics. He’s the Peter Parker clone during the Clone Saga. But why did Spider-Noir change its main character’s name?
I don’t know for sure. Several factors could weigh into Spider-Noir changing Spider-Man Noir’s character name from Peter Parker to Ben Reilly. The leading cause could be Spider-Noir’s darker tone (Spider-Noir kills others and uses a gun) and Ben Reilly’s use of alcohol and smoking. Marvel and Sony (with its Spider-Verse movies) may want to retain Peter Parker’s clean image. Spider-Noir can get really dark. And only a lawyer could understand the deal between Marvel and Sony with Spider-Man. I’m not even going to try to unpack all that legalese. I just needed to draw your attention to Spider-Man Noir’s multiple name changes.

Spider-Noir offered two viewing experiences: authentic black and white, and true-hue color. I chose to watch Spider-Noir in authentic black and white, but my device has an option–and many smart devices have this option–to switch between the two versions. I accidentally clicked on “Switch Versions,” and True-Hue Color looked great from what I saw. But I have to be upfront about which version I watched.
Wow! Spider-Noir really is a different kind of television show. So many exceptions.
The accents in Spider-Noir can get difficult to decipher. Silvermane’s accent is over-the-top in the best possible way. I’m glad I had subtitles on while I watched, but kudos for the commitment to Silverman’s Irish brogue. Nicolas Cage’s accent often came and went. Typically, I enjoyed Cage’s performance, but his accent could get distracting. I couldn’t place Cage’s accent.
The majority of Spider-Noir’s cast does a good job of approximating 1930’s American speech. I’d even say Cage does a good job, but he goes a little over the top in classic Nicolas Cage fashion. We’ll get to Cage’s performance in a minute, but I enjoyed him as Ben Reilly.

Nicolas Cage gave his best ham-tastic performance with Ben Reilly and The Spider, and it was hilarious hearing Lamorne Morris (more on him in a minute) do his best Cage as The Spider impersonation. Cage is having fun. His brand of overacting worked so well with this character. From his lying down like a dead spider to his odd accent, Nicolas Cage gave his all in this performance. It was equal parts hardboiled detective and Universal Monster movie. I can’t wait to see more of Spider-Noir. I don’t care what the form a new Cage performance takes: video game, animated movie or show, or another season of Spider-Noir. Like Robert Downey Jr as Iron Man or Ryan Reynolds as Deadpool, Nicolas Cage was born to play this role.

Since his appearance on a beer commercial where he complimented his girlfriend on her teef, I’ve always been a Lamorne Morris fan. The man has charisma. He’s a great fit for Robbie. His chemistry with Nicholas Cage and the rest of Spider-Noir’s cast is fantastic. Heck, the entire cast has great chemistry. In other Spider-Man properties, Robbie tends to get overlooked. He takes center stage in Spider-Noir. Excellent.
Robbie needs to be featured in more Spider-Man movies and shows. And I’ll always take more Lamorne Morris.
Li Jun Li’s Cat Hardy shares some fantastic banter with Nicolas Cage’s Ben Reilly, but she does a great job with her love interest, Flint Marko, played by Jack Huston. Huston also nails his 30s speech. The entire cast does. Brendan Gleeson makes for a fabulous Silvermane. He’s the kind of guy you love to hate. Abraham Popoola’s Lonnie Lincoln shares some heartfelt moments with Robbie Robertson. I even liked to hate Andrew Lewis Caldwell’s Dirk Leyden. Oh. And Amy Aquino (Dr. Faber) and Andrew Robinson (Ogden Faber) share some excellent scenes with Nicolas Cage and Silvermane with his goons. Oh! Oh! Karen Rodriguez made a sensational secretary/investigator, Janet Ruiz. Ruiz has some of the funniest moments.
I enjoyed almost every minute of Spider-Noir; the commercials were my main gripe. I’m not paying to go ad-free, Amazon.

Sure, Spider-Noir plays out pretty much as I expected, but that isn’t always a bad thing. The show follows tropes. At times, it subverts them, but this may be a function of Spider-Noir’s status as a superhero story. When you genre blend and find ways to honor each inspiration, you’ll end up with some tropes, but hopefully, done in a manner that has yet to be seen. Spider-Noir knew what it wanted to build toward and did it. It was a hardboiled detective/superhero mini-series with a dollop of gory monsters. More, please.
I know I just asked for more Spider-Noir. I said that on more than one occasion, but I kind of like that it remains a mini series. The cast is fabulous, and the writing is well-done. I wouldn’t say no to another season of Spider-Noir, but the story also wrapped up neatly. Are there any more huge stories to tell? Maybe. I didn’t expect Spider-Noir on the 2026 schedule. I didn’t expect to enjoy it as much as I did. I don’t expect another season. Does that mean that we will see another season?
Those are my thoughts on Spider-Noir. I may rewatch the series in True-Hue to see which version I prefer. I’ve heard this is a hot-button topic. Which version do you like? Let us know in the comments. And let us know if you’d like to see another season of Spider-Noir. Thank you for reading, and wherever you are, I hope you’re having a great day.

Happy Friday, Geekly Gang! Kyra Kyle here with a review/reaction to The Punisher: One Last Kill Special Presentation. This special has an uneven distribution of action and character exploration/backstory, but this imbalance works for The Punisher: One Last Kill. In short, it’s a bloody good time.
I really liked how Jon Bernthal loses himself as Frank Castle. He pulls off a tortured marine well. His ex-platoon members haunt him. The cinematography drives home the claustrophobic nature of these ghosts. Frank can’t escape his former partners or the family he failed to protect. The Punisher has a clear goal (end the crime family that destroyed his family), and at the beginning of The Punisher: One Last Kill, he’s accomplished that goal. No wonder he’s ready to say his final goodbyes while visiting his daughter’s grave. But Frank Castle hasn’t completed his goal. One member of the Gnucci remains. Ma Gnucci.
I love Judith Light’s portrayal of Ma Gnucci. The character makes sense for The Punisher: One Last Kill, and one of Ma Gnucci’s chief storylines echoes a storyline from Daredevil: Born Again. Ma Gnucci creates an Anti-Vigilante Task Force. The Punisher: One Last Kill reworks this into a bunch of goons trying to kill The Punisher on Ma Gnucci’s behalf. That’s a good interpretation. I also like how succinctly The Punisher: One Last Kill introduces Ma Gnucci. Kudos all around.

And getting back to Frank Castle, I liked how disorienting his portrayal of post-traumatic stress was and how he couldn’t tell who was real. He’s not okay. He’ll live with the ghosts of his past. The Punisher: One Last Kill managed to address PTSD well, while still remaining true to the MCU. Not an easy task. It took an appearance by Karen Page (Deborah Ann Woll) to slap a little sense into the protagonist. Because of Castle’s mental state, I’m still unsure if we actually saw the real Karen Page. Actually, I’m almost eighty-five percent sure Karen’s appearance was in Frank’s head. He could be recalling a previous exchange with Karen, and The Punisher: One Last Kill found the perfect time to pivot toward action.
At first, I thought about taking The Punisher: One Last Kill to task for presenting an uneven story. All psychological drama upfront; a lot of gory action on the backend. But like I said, it works. In the beginning, Frank’s interior sucked all the oxygen out of the room. Just as it enters the realm of too much self-loathing, The Punisher: One Last Kill introduces Ma Gnucci, and we get reprieve from Frank’s inner thoughts. Again, great job setting up Ma Gnucci. Shortly after Gnucci threatens Frank, Karen Page appears, attempting to get through to Frank, and that’s when Ma Gnucci’s goons attack everyone in the neighborhood. Good pacing.

What comes next are a mixed bag of action sequences. There are some hokey visual effects (Castle falling on an air conditioning unit), but the majority of the action is well done and represents some of the better actions sequences in recent MCU history. I especially liked The Punisher taking down a heavily tattooed muscle man with a ballpoint pen. Nice!
The Punisher: One Last Kill offers up as much blood and gore as any Deadpool movie or Logan, and this is in the span of twenty minutes. Wow! Just wow! While several may view this as “overkill”–get it?–these action sequences serve as Frank Castle working through his demons. They feature plenty of character moments, not the least of which is when Frank watches Ma Gnucci make her escape. Frank has the option to hunt her and claim his “last kill” of the Gnucci family, but he doesn’t. Those same goons Gnucci hired to attack Frank Castle cause havoc in The Punisher’s home streets.
After subsequent viewings, I love The Punisher: One Last Kill’s symmetry. In the opening moments, we see the city as its own character, performing its daily routine. Frank seldom interacts with his neighbors. Toward the end, Frank engages. He aids a family not too unlike the one he lost. During the special’s closing moments, he helps a former Marine fight back against a bully. Frank Castle has found a connection with humanity. He’s found purpose. Is it a little spelled out for the viewer? Sure. But it’s effective. The Punisher: One Last Kill offers plenty of blood. It unleashes The Punisher with rated R action. But it also gives Frank Castle his humanity. It gives him hope. It gives The Punisher a reason to live. And that’s beautiful. Bombastic, gory, beauty.
I always thought Jon Bernthal was a good choice as The Punisher, but his moments to shine in the role were spotty at best. The Punisher: One Last Kill showcases what Bernthal can do in the role. Those are my thoughts on The Punisher: One Last Kill. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.