Tag: tv

Daredevil: Born Again Season Two “The Southern Cross” Review

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Happy Friday, Geekly Gang! Kyra Kyle here with another review/reaction to this week’s episode of Daredevil: Born Again, “The Southern Cross.” Simply put, I liked Daredevil: Born Again Season Two’s finale. It works if Daredevil: Born Again wants to continue with a third season–we already know that Daredevil: Born Again has been picked up for at least a third season–or if the show wants to end with this season. That’s the mark of a good ending. I also love the symmetry between this season’s opening episode title (“The Northern Star”) and its closing episode title (“The Southern Cross”). In the comics, Daredevil has always leaned into religious undertones. “The Southern Cross” works.

Yes. I have some gripes, and they’re ones you’ve heard before in previous episode reviews/reactions, so I’ll continue with what I liked about “The Southern Cross,” for now. Matt Murdock and Kingpin’s showdown in court was inevitable. What occurs in court pays off many of Daredevil: Born Again Season Two’s story threads. Great! Honestly, I don’t think the original Netflix Daredevil spent much time in the courthouse beyond its first season. The fact that Daredevil: Born Again Season Two’s final fight occurs at that same courthouse fits. It’s a little hokey, but I like it. Treating this episode as an extended bottle episode was a good idea. Sure, we see the courthouse’s exterior, and a few shots occur around the courthouse, but “The Southern Cross” is the closest a show like Daredevil: Born Again would ever get to a bottle episode.

Narrowing the final episode to predominantly one location allowed Daredevil: Born Again to focus on its characters. You don’t need to establish another locale if the location of the shot seldom changes. Love. Love. Love. Daredevil: Born Again made the right call. The acting was on point. What else would you expect from Charlie Cox (Daredevil) and Vincent D’Onofrio (Kingpin)? I’ve mentioned it before, but Daredevil: Born Again is a passion project for Cox and D’Onofrio, and it shows. Like I said, “The Southern Cross” manages to tie up several loose ends. Daredevil and Kingpin receive satisfying/interesting conclusions to this season. BB working at the same newspaper as her father made me smile. Heather Glenn’s descent into the new Muse could be terrifying, and I’m here for it. I don’t want to spoil it here, but Glenn’s closing scene legitimately gave me chills.

Other storylines were touched on. I got a better sense of McDuffie. White Tiger got a decent close to her story. It was rushed (more on that in a minute), but functionally, it worked. Jessica Jones and Luke Cage’s moment near the end was equal parts fan service and earned. I questioned bringing in Jessica Jones more than halfway through the season, but for the most part, she worked. Sure, I enjoyed Netflix’s Jessica Jones series, and that may have blinded me to her character being rushed into the season’s story. But Kristen Ritter knows this character. Jessica Jones may have aged since we last saw her, but she still takes a swig of Scotch before punching faces. And Jones felt less of a distraction than The Punisher last season. She didn’t hijack the narrative in any way. Conversely, The Punisher became the symbol the AVTF (Anti-Vigilante Task Force) wears.

Jones (and by extension, Luke Cage) justifies Matthew Lillard’s character’s existence. Funny how Bullseye takes Luke Cage’s place at the end of “The Southern Cross.” That served as another great development. But I hope Lillard’s Mr. Charles and Bullseye don’t serve a sole purpose of linking Daredevil: Born Again to the larger MCU. Yes. I know Daredevil: Born Again belongs to the greater MCU, but I like that it’s mostly its own thing. And I don’t want a heap of crossovers in Season Three.

I’m sure I mentioned last year that the Born Again title is one of several where Matt Murdock’s secret identity of Daredevil gets discovered. It should come as no surprise that Murdock’s secret identity was revealed, but in classic MCU fashion, Daredevil: Born Again takes liberties. In the comics, Karen Page sells out Daredevil for drugs. That wasn’t going to fly on a Disney+ show. And I liked that Daredevil: Born Again gave Matt Murdock agency over his identity. Daredevil has been incarcerated in the comics before, which is where we leave him at the end of “The Southern Cross.” This should lead to more nods to the comics, which are always appreciated.

I’ve staved off my critiques, but it’s time to discuss them. Daredevil: Born Again rushes its story. This stems from a combination of a few too many characters and a shorter episode tally than the original Netflix Daredevil. Again, I don’t think Daredevil: Born Again seasons need to run 13 episodes, but a couple more would help establish some of these characters. While I liked Heather Glenn’s transformation, her arc was rushed. We hadn’t seen White Tiger in a couple of episodes (rightfully so, as the show developed other characters, but again, too many characters), and suddenly, White Tiger appears. Okay. I’m unsure of Buck’s fate. I think he lived. And many of Kingpin’s cabinet members and aides got lost in the shuffle. And that gets us back to Kingpin.

Wilson Fisk’s ending was jarring, and I don’t understand how it took place. And I watched this sequence multiple times. The attorney general offers Mayor Fisk a deal to exile himself in return for not pressing charges against him. Okay. I don’t think that’s a thing, but perhaps. We’ll go with it. But before Fisk takes the deal, he goes on a rampage in the courthouse. The offer should’ve been for giving Fisk immunity for the crimes he committed as Mayor before he rejected the attorney general’s offer. How can Fisk escape any punishment after killing at least a few New York citizens and hospitalizing a dozen more? Wouldn’t the deal be voided? That’s a nitpick. We got to see Kingpin fight, and that was cool.

Daredevil: Born Again Season Two was miles better than the first season. I enjoyed this season of the show and eagerly await the next season. Daredevil: Born Again is Marvel’s flagship Disney+ series and for good reason. Clearly, Charlie Cox and Vincent D’Onofrio love playing these characters, and I love watching them. Those are my thoughts. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again “The Hateful Darkness” Review

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Hey, hey, Geekly Gang! Kyra Kyle here with another review/reaction to this week’s episode of Daredevil: Born Again, “The Hateful Darkness.” First off, amazing episode title. I love that title, “The Hateful Darkness.” Metal! I had some issues with this week’s episodes, but I’m not gonna lie. That ending kills.

Literarily. Oh. Spoilers are in effect. You’ve been warned. We’ll begin with what worked in “The Hateful Darkness.” I’ve said it a few times already, Daniel Blake’s story has been one of Daredevil: Born Again Season Two’s best stories. Michael Gandolfini did a great job. That was in the past tense for a reason. Blake’s story comes to an abrupt end in “The Hateful Darkness’s” closing moments. Blake’s passing at the hands of his buddy Buck’s hands was not in the original plan.

Daredevil: Born Again had intended to bring Blake back for Season Three. But Blake had a full circle moment in “The Hateful Darkness.” What made Blake’s story so great was how he was pulled in two directions. He cared for BB, and he wanted power through Mayor Fisk. Blake had every intention of handing over BB to Buck, but he had a hero moment and let her go. Not all hero moments require tights. Not all hero moments need to include world-wide or even city-wide stakes. Not all hero moments end with the hero prevailing. Blake made the choice to be BB’s hero. He did what was right in the moment. Blake living after making this choice would’ve cheapened his heroic choice. And I loved how Buck looked gutted.

Like I said, Blake’s death scene was not the original plan, but Daredevil: Born Again is a labor of love by producers Charlie Cox (Daredevil) and Vincent D’Onofrio (Kingpin). Along with Gandolfini (Daniel Blake), they felt as if the character was better served if he died in this moment–for all the reasons I mentioned. The showrunners knew Gandolfini’s Blake was a fan favorite. This wasn’t an easy decision. It was the right decision. Kudos! Arty Froushan’s Buck looked as conflicted as he did because the crew returned to shoot Blake’s death. Froushan thought the extra shoots were to clean up a prior day of filming. He didn’t know his character would kill his friend. Those were real emotions. The scene was phenomenal.

“The Hateful Darkness” also sprinkled in some other great moments: Matt Murdock returning to the courtroom, Karen Page and Heather Glenn’s showdown, and the opening scene with Page and Wilson Fisk. All of these were executed well, but they did feel off, and here’s where I talk about Daredevil: Born Again’s shortcomings. Jessica Jones’s presence still feels forced. She shares another rooftop scene with Daredevil. Jones even jokes about it. Marvel is so bad with self-referential jokes. They’ll joke about the thing they often include, while still using the thing they often include. Have the two meet somewhere else. Maybe a bar? Maybe not, because I’m sure Jones is trying to stay sober for her daughter.

We do receive news of Luke Cage’s involvement with the United States government. Jones and Mr. Charles (Matthew Lillard) share a scene in Charles’s hotel room. I mentioned it before but Daredevil: Born Again has too many characters it’s trying to juggle. Charles and New York’s governor disappear for long periods of time until the plot needs them to return. McDuffie (Murock’s partner) has had little to do before this episode, taking place in court. Better to show up for the penultimate episode than not at all, I guess. White Tiger has all but disappeared. I don’t know if I care enough about the character yet for that to bother me, but the fact that she’s vanished is a symptom of too many characters. Heck. I had forgotten about Cherry until this episode.

Daredevil: Born Again feels different than the original Netflix Daredevil series. Sure, I’ve driven home the point of there being too many characters, but Daredevil: Born Again may have overcorrected for the original Daredevil series. Thirteen episodes each season for Netflix’s Daredevil was too many, but eight or nine episodes a season for Daredevil: Born Again is too few. The show feels rushed. When I said that “The Hateful Darkness” had other great moments, I didn’t kid. But while the scene of Matt Murdock’s return to the courtroom was well executed, it took the ticker at the bottom of the screen for me to remember that New York City was looking for Murdock. The show went on so many tangents I had forgotten a major plot point.

Likewise, Karen Page and Heather Glenn’s confrontation felt inevitable, but it also came out of nowhere. There was little to no buildup. Page even cites what Glenn said about her relationship with Matt Murdock, but that exchange happened in season one. I thought Page talking about a stranger lying beside her in bed sounded familiar the first time I heard it. It took a second viewing to remember Page and Glenn’s conversation in Daredevil: Born Again, season one. The show could’ve brought up Glenn and Murdock’s prior relationship sooner. Armed with remembering NYC was looking for Murdock, and Glenn’s former girlfriend status with Murdock made those moments hit harder. They were well done. But they felt rushed.

I would love it if Daredevil: Born Again had a ten to eleven-episode run. It doesn’t need the Netflix Daredevil 13-episode run. Again, that’s too long. But Daredevil is at his best when his show has room to breathe. I loved the episodes of Daredevil: Born Again when the show had time to focus on a select few characters. Venessa’s death was handled with grace. I liked the episode where Matt could finally mourn Foggy’s death. And “The Hateful Darkness” concludes with another banger of an ending. There’s a lot to love, but there’s something missing.

But those are my thoughts about Daredevil: Born Again, “The Hateful Darkness.” What did you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again “The Grand Design” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another review/reaction of this week’s Daredevil: Born Again episode, “The Grand Design.” Today’s post will resemble last week’s in that it’ll be more of a reaction than a full review. Again, I only watched “The Grand Design” a single time (not my typical two or three), but again, this week’s episode remained focused on its principal characters–maybe even more so than last week–and that’s a great development.

I may have been too hasty to pronounce Venessa Fisk deceased last week. But spoilers, she perishes “for real” at the end of “The Grand Design.” This delay gave Daredevil: Born Again the chance to give Venessa the send-off she deserved, and it managed to still lead to a great shock. Perhaps others felt otherwise, but “The Grand Design” lulled me into a false sense of security. Venessa pulled through. I began to think she’s going to make it, and some other event will need to occur to fully unleash The Kingpin. Not so fast.

Venessa’s passing away this way may invoke more trauma within Wilson. The acting was brilliant. The moments between Wilson and Venessa show why they’re a great couple. While I’ll be sad to see her go, I can’t wait to see Kingpin channel his rage toward Bullseye and Daredevil. Oh. There will be a reckoning.

Daredevil and Bullseye share several heart-to-heart talks. These scenes very much remind me of the ones between The Punisher and Daredevil in the original Netflix Daredevil. I mentioned that last week, but it bears repeating. And yet, “The Grand Design’s” emotional center plays out through Daredevil, or rather Matt Murdock, flashbacks with Foggy Nelson. Typically, I don’t care for an abundance of flashback scenes, but they work in “The Grand Design.” Daredevil’s remembering Foggy parallels Kingpin’s journey with Venessa. And like Wilson and Venessa’s flashbacks informing the present-day action, Foggy’s moral code informs Matt’s actions.

Honestly, “The Grand Design” is the farewell I wanted for Foggy over a year ago. I’ve said this before, too, but again, it bears repeating. It’s not that Daredevil: Born Again can’t kill off popular characters; it matters how the show does the deed. Fans got to say goodbye to Foggy. Finally! Matt was forced to reflect on WWFD. What Would Foggy Do? Foggy’s influence caused Daredevil to return for Bullseye. Foggy was the one who preached mercy. Sure. At times, Daredevil: Born Again delivers this message in a ham-fisted way, but the message was important. These scenes showed why Foggy was important.

Returning to the here and now, Blake and Buck make an unconventional tandem. It’s clear the two actors portraying these characters have chemistry. And yes, we receive Buck flashbacks during “The Grand Design.” Like I said, this episode leaned heavily on flashbacks. Anyway, I’ve praised Gandolfini’s (Daniel Blake) performance in the past, and he brought it again this week. Gandolfini’s acting sold the rising tension. Sorry. Gandolfini and Arty Froushan (Buck) sold this rising tension. It’s a joy watching these two switch from a cat-and-mouse game of intentions to mutual respect and friendship. Heck. They manage to portray both facets of these relationship at the same time.

And that brings me back to Daredevil: Born Again’s acting. With a handful of exceptions, it’s superb. The actors care about their characters. They understand what makes them tick. From an action standpoint, very little happens during “The Grand Design’s” runtime, but it doesn’t matter. This episode is the calm before the Kingpin storm. Daredevil: Born Again is about to get loud. My only concern is that the show may begin to lose focus. These past two weeks were great, but I know Jessica Jones is about to make her MCU debut. While I can’t wait to see Ritter reprise the role, I wonder how Daredevil: Born Again will fit in Jones. She’ll need more than the cameo The Punisher received last year. The Punisher is getting his own special in a month. Correct me if I’m wrong, but The Punisher appeared before Daredevil: Born Again season one’s midway point last year. Can the show squeeze in Jones, especially since we’ll be seeing full-throated Kingpin?

Daredevil: Born Again also sidelined multiple characters like BB, Kingpin’s staff, and even Karen Page the past couple of episodes. Kingpin may not be the only one making noise in the season’s final three episodes. But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? April 2026

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Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching, too, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching over the past month.

Kyra’s Movies

I haven’t watched too many movies over the past month, and I’m unsure if Untold: The Death and Life of Lamar Odom counts as a film. But I’m counting it. I’ve watched less and less of sports and sports-related content in the past dozen years. Netflix’s Untold series has a tendency to mischaracterize events (at best) or outright lie about details, so I watched The Death and Life of Lamar Odom with some level of skepticism. Typically, the Netflix Untold series paints its subjects in a glowing–or at least positive–light. The Death and Life of Lamar Odom bears many of Lamar’s secrets.

Let me count the ways. Lamar admits he didn’t invite his family to his and Khloe’s wedding. He confessed that he married Khloe, in part, because he wanted the Kardashian lifestyle. The reality show, Khloe & Lamar, was his idea; Khloe didn’t want cameras capturing the couple’s private life. Lamar initiated his and Khloe’s divorce; Khloe put together an intervention, stating they should separate if he didn’t get clean, and he chose drugs. And we watch candid videos of Khloe nursing Lamar back to health. The two may have even reconciled if Lamar hadn’t relapsed shortly after physical therapy.

Untold: The Death and Life of Lamar Odom holds back few of Lamar’s flaws. I actually felt sorry for Khloe Kardashian. Provided that Lamar Odom endorsed this short documentary, I believe it to be an earnest attempt by Lamar to make amends. The Death and Life of Lamar Odom may not be a hopeful story through most of its runtime, but the ending offers levity. This is one of the better Untold documentaries.

I may have mentioned Woman of the Hour in a previous Whatcha, so I’ll keep this brief. While Anna Kendrick’s debut directorial debut may have received modest reviews, I saw real potential. Kendrick showcases a keen cinematic eye in Woman of the Hour. Ironically, Kendrick doesn’t quite deliver as the title character, Sheryl, but most of the cast nail their portrayals. Zovatto’s Alcala strikes the appropriate balance of fear and unease. Tony Hale’s Dating Game host Ed and Pete Holmes, the creeper acting coach, effectively portray toxic masculinity circa 1970s. Max Lloyd-Jones’ Ken even illustrates how women can be silenced and why they may not come forward after an assault.

There’s so much to love about the characters in Woman of the Hour. The story’s a little clunky. But again, the cinematography is fantastic. The opening and closing sequences will leave one gasping. Is it weird that I put on true crime shows and movies as a comfort? Don’t answer that.

Kyra’s Shows

I may have watched Aunty Donna’s Big Ol’ House of Fun this past month. It was a blur. Or I could’ve been so high, I was on the show. I love watching Aunty Donna sketches on YouTube, so I decided to give their Netflix show a try. Aunty Donna’s Big Ol’ House of Fun plays out like a raunchier and updated Monty Python with an Australian twist. In short, it’s bizarre.

At one point, Broden Kelly dressed as Ellen DeGeneres talks Zachary Ruane through an intergalactic voyage in his “brand new car.” This one scene made me question what was happening. It went on for a good ten minutes. Zach picks up more than one new car on his voyage, and he turns blue. Everyone who passes through a black hole turns blue. You didn’t know that? Aunty Donna’s Big Ol’ House of Fun had plenty of laughs, but there were plenty of head-scratching moments, too. I wouldn’t have it any other way.

Each episode’s theme allows the Aunty Donna gang to tie in some callbacks to previous moments. If you’re cleaning up for the Queen visiting your flat, of course, you’re going to sweep up the little man who lives in the corner of the kitchen. We need to hear his story of owning shoes made of buttons and his bubble gum pillow. That’s a taste of what you can expect in Aunty Donna’s Big Ol’ House of Fun. Expect the unexpected.

And I’ve been watching the latest season of Daredevil: Born Again. I review most episodes each Saturday and hope to continue throughout the show’s second season. I’ve enjoyed what I’ve seen of Daredevil: Born Again Season Two. The show does suffer from an abundance of characters, so the episodes that focus on Daredevil: Born Again‘s central cast are typically its strongest. As I write this entry, I have yet to watch this week’s episode, but I’m certain that will soon change.

That’s all I have for what I’ve been watching this past month. Let’s check in with Season.

Season’s Movie

I haven’t watched much recently, but I did rewatch The Devil Wears Prada in preparation for the upcoming sequel. I watched it for the first time when I landed in Japan for foreign exchange and rewatched it several times in my dorm room. At first, I watched The Devil Wears Prada for its story. The subsequent views were for the clothes. The Devil Wears Prada may have come out in 2006, but a lot of those clothes still look fashionable today. With a runtime of 109 minutes, The Devil Wears Prada doesn’t take long, and it’s an easy watch.

The trailer for The Devil Wears Prada 2 features Simone Ashley (Kate Sharma in Bridgerton) as one of Miranda Priestly’s (Meryl Streep) new assistants. I’m unsure about the story, but I’m liking the new (and old) cast.

Hey, hey! Kyra Kyle again. Our movie geek Skye has a hectic work schedule. Hopefully, she’ll be back for next week’s post. But what have you been watching over the past month. Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again, “The Scales and the Sword” Review

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Hey, hey, Geekly Gang! Kyra Kyle here for a second round of a Daredevil: Born Again review/reaction. This post will focus on the second season’s third episode, “The Scales and the Sword.” It played out exactly how I thought it would. If you didn’t catch my thought on “Shoot the Moon,” here’s a link to the previous episode’s reaction. While some may say that an episode playing out exactly as someone believed it would is not a good thing, it works in the case of “The Scales and the Sword.” But this fact may have played a role in Daredevil: Born Again’s second and third episodes releasing the same day. They’re two halves of the same episode.

Seriously, I got the sense that Disney/Marvel ended up with an hour and a half to two-hour episode and decided to cut it into two, roughly forty-five-minute episodes. Angela dons White Tiger’s amulet and helps Daredevil escape his infiltration of Red Hook. We even get a trial scene with Duquesne (Swordsman) that goes as well as you’d expect. All of this I predicted. But again, I don’t think this is a bad thing. It proves that Daredevil: Born Again is building toward something. Many of the major plot points have yet to be revealed. And I’m certain we’ll get plenty of twists and turns before the second season’s climax.

I said it before, and I’ll say it again, Heather Glenn serves as a fantastic secondary antagonist to Daredevil. She has a haunting history in the comic books. I won’t spoil that here, but trust me, Daredevil: Born Again could’ve gone a lot darker with her storyline. It still could. I like how she navigates her trauma at the hands of Muse. It makes her sympathetic. She believes she’s doing the right thing. Her scenes around Duquesne trial are great. I loved the quick rundown we got with Heather and Buck at the ball. We may have even gotten a hint that Blake will become The Rose. Buck and Heather could be an interesting couple.

I don’t have much to say beyond what I did with the previous episode’s (“Shoot the Moon”) reaction. It was a joy to watch Daredevil use his powers during the Red Hook infiltration, and I was shocked by how satisfying it was to watch Duquesne fight alongside the Man Without Fear. “Shoot the Moon” could stand on its own as an episode. I don’t believe “The Scales and the Sword” could’ve done the same. Disney/Marvel made the right decision to release both episodes on the same day. If we had gotten “The Scales and the Sword” by itself next week, we might’ve felt a little shortchanged. I’m glad Daredevil: Born Again tied up its early loose ends with this episode, and I hope this frees up the next episode to deliver a few twists.

That’s all I have for my reaction to “The Scales and the Sword.” I did watch the episode twice like I did the previous one, but there isn’t as much to discuss. “The Scales and the Sword” serves as an enjoyable second half to the last episode. But those are my opinions. What do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? March 2026

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been watching over the past month. Feel free to say what you’ve been watching in the comments. We’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching this past month.

Kyra’s Shows

I’ve always liked SitComs, and no other television show type has suffered more from modern television programming (like streaming, binging, and shorter seasons) than SitComs. Animal Control has grown on me, but it took time to find its footing. Here comes a rant. Sorry. Shorter seasons don’t help a show find its footing. Back in the Nineties, Friends took 30 episodes to couple Ross and Rachel. This occurred a third of the way through Friends‘ second season. The coupling of the will-they, won’t-they relationship set up during Animal Control’s pilot also took 30 episodes. But it occurred during Animal Control’s season three closing episode. I binged Animal Control on Netflix, so it didn’t feel that long, but three full seasons for a SitCom is an eternity.

While I mentioned I binged Animal Control, and it did help with my enjoyment of Animal Control in this instance, dropping episodes all at once doesn’t usually help SitComs. We’ll go back to another Joel McHale SitCom, Community. Community’s pilot featured a budding relationship between Troy and Pierce. It took the showrunners half of the first season to realize Troy and Abed had more chemistry. If Community had been first released during the modern climate, it most likely wouldn’t have lasted beyond its first season (which would’ve been shorter, by the way), and we’d have never seen Troy and Abed in the Morning. Community needed audience feedback. If you drop all your episodes at once, there’s no time for audience feedback. I have a love-hate relationship with streaming. It’s done a lot of good, but streaming has done SitComs dirty.

Rant over. Let’s talk more about Animal Control. The CGI looks goofy at times, but Animal Control is a SitCom, so I don’t care. Sometimes, the dopey CGI heightens the comedy. The only times I felt the animal CGI detracted from the show were during the first season’s heartfelt moments with a mountain lion. Goofy CGI works for comedy. Not so much when Animal Control wants to tug at one’s heartstrings.

Animal Control’s human cast knew the direction they wanted to take their characters. The cast pictured above must have done some work ahead of the show’s pilot. That, or they’re incredibly lucky to have the chemistry to carry the show. Casting can be difficult. I’m glad casting directors are getting award categories in prestigious award shows like the Oscars (which also happened this past month, yay).

Even with nailing Animal Control’s main cast, the shift from season one and two saw plenty of changes in Animal Control’s secondary and tertiary cast members. “Hot Vet” needed to go because of her nickname “Hot Vet” among the rest of the cast. Those jokes grew old fast. Animal Control couldn’t find enough for her character to do before the end of the first season, which was only a dozen episodes long. Nope. I won’t rant again. If Animal Control had a full sixteen or eighteen episodes, it could’ve found a place for the Vet and the receptionist. Although I do like the replacement receptionist. She’s dope. Like most SitComs, Animal Control needed time to find its footing, but it’s picking up steam. The cast can be lovable, and I love the animal hijinx.

Unlike Animal Control, the Scrubs 2026 Reboot (or is it a Revival?) had the benefit of being a legacy SitCom. The returning cast members of the Scrubs Revival already knew their characters. They just needed to speed run the past two decades. I like the new characters as well. They do a great job showing what’s changed over several years. Scrubs‘ original release predates social media. Gasp! The Scrubs Revival had an episode where viewing a patient’s social media feed aided in their diagnosis. Clever.

The Scrubs Revival doesn’t reinvent the wheel. It doesn’t need to. If you enjoyed the original Scrubs, you’ll definitely like the Scrubs Revival. There are plenty of nods to the original. The new class of doctors manages to strike a great balance, reminiscent of the original Scrubs cast in their early days. Yep. I’ll be watching the Scrubs Revival for the foreseeable future.

The final television show that I’ll share for this month is Tales from the Void (Prime Video). I watched the first episode, “Into the Unknown,” and fought off sleep every second. And that stinks. Tales from the Void’s premise sounded interesting. It’s an episodic horror anthology series based on the most viral and haunting stories from the r/NoSleep community. Ironic. I almost fell asleep while watching a story that originated on the r/NoSleep community. The first episode played out like a group of people adding to a story, creeping out one another. If I participated in this activity, “Into the Unknown” could’ve spooked me. The television episode fell flat. I may give Tales from the Void another chance, but I may take several weeks to revisit the show. This could be a good show to try again during Spooky Season.

Kyra’s Movie

I almost forgot I watched Inside Out 2 this past month. Inside Out 2 is a worthy sequel to the original. The sequel did recast some of the original cast members; I believe Amy Poehler (Joy) made too much, and most of the other original castmates had to take less money. Several didn’t. The recast roles didn’t detract from my enjoyment. Inside Out 2 navigated puberty well. Oh. Mild Spoiler: Riley (the girl Joy and company monitor) enters puberty. But I do believe the trailers mentioned Riley entering puberty, so maybe this doesn’t constitute a spoiler. True to the original, Inside Out 2 has some tearjerker moments. Not as many as the original, but you may want tissues as you watch.

Inside Out 2 did run a little long for my liking. Some scenes could’ve been omitted or shortened. But this was minor. Inside Out 2 may be one of the better Pixar sequels. We may need our movie geek, Skye, to weigh in on this topic. The original Inside Out claimed Skye’s Number Two spot in her Top 5 Pixar Movies. While I had reservations before watching Inside Out 2, they quickly evaporated. I’d recommend Inside Out 2. You don’t need to watch the original Inside Out, but it could help.

That’s all I have for what I’ve been watching this past month. Let’s check in with Season and Skye.

Season’s Show

Hi, Geekly Gang! I go in and out of watching new shows, but I decided to revisit The Rookie. I watched most of the first season with some friends years ago, so I remembered bits of it. Most of the characters are well-rounded and get adequate screen time. Even tertiary characters are layered and get side stories. Normally, having many characters in a show makes it difficult not to reduce some of them to one-dimensional characters. The Rookie does a good job of making sure viewers spend an equal amount of time with the six main characters in every episode, even if one of them has a more dramatic story that episode. Also, watching just about anything with Nathan Fillion in it is a treat.

I’m aware that police shows don’t accurately portray daily police work for the sake of drama and storytelling. The Rookie tries to show some of the more mundane tasks, but there are still shootouts in most of the episodes.

What have you been watching, Skye?

Skye’s Movies

I’ve been trolling through my “To Be Watched” list and happened upon Nosferatu. I’m referring to the original 1922 Max Schreck silent film version, though I have other Nosferatu adaptations on my “To Be Watched.” After finally seeing it, I’m impressed with how it handled the psychological aspects of the story. I expected a run-of-the-mill monster flick that inspired so many others for over a century, but the horror doesn’t properly appear until after Hutter, the protagonist, enters Count Orlok’s Castle. Nosferatu’s true horror is pestilence. After Hutter is introduced to the castle rats, it’s highly possible he contracted a disease that spread everywhere he went, causing everyone to hallucinate. And Nosferatu’s visuals are unforgettable.

I haven’t seen Snow White and the Seven Dwarfs in a long time, so I decided to give it another look. I haven’t seen Snow White since my childhood, but my appreciation for it has grown as an adult. Not only was the animation revolutionary for its time, but Snow White’s story holds your interest, sets the tone for what was to become a giant of an entertainment company, and doesn’t skimp on the dark moments either. When I was a kid, my favorite scene was the Evil Queen’s transformation. I would rewind the VHS to watch it over and over again. They don’t make ‘em like this anymore, and if modern Disney is any indication, they never will.

I was perusing Disney+ when I found out Zootopia 2 had made it to streaming. It had also been a while since I’d seen the original Zootopia, so I decided to refresh my memory before passing judgment on its sequel. Let me put it bluntly: I forgot how much Zootopia frustrated me. I wanted to like Zootopia, but the movie makes it so hard for me. I saw the setup of the original as the potential for an incredible deconstruction of societal prejudice and how it’s shaped our communities over hundreds, even thousands of years. Ultimately, I got Disney’s watered-down script, which was more directed at children with little care for an adult audience. Zootopia is not a bad movie. I like the dynamic between Judy and Nick, and yes, “Try Everything” will be stuck in my head until I die.

Skye’s Show

It’s about time I started catching up on my shows. Family Guy’s a heck of a one to start with, though. So far, it’s been a giggle-worthy show. I’m only midway through Season Two, and there have been a fair number of jokes that I didn’t understand, but that’s common even with other comedy shows I’ve seen and liked, including The Simpsons, Friends, Futurama, etc. Good news is that there haven’t been too many uncomfortable jokes yet. Give it time. Other than that, I think it’ll be an interesting experience exploring this iconic animated comedy series.

Hey, hey! Kyra here again. Those are all the shows and movies our writers watched over the past month. Let us know what you’ve been watching in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? February 2026

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Happy, Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching over the past month.

Kyra’s Movie

No Hard Feelings surprised me. Sure. It’s a raunchy comedy in the style of Judd Apatow circa 2005 but with fewer–if any–improvised scenes. First, this keeps No Hard Feelings to a tight hour and a half runtime, instead of the bloated two-hour-plus Apatow films. Second, No Hard Feelings contains fewer homophobic jokes (I’m looking at that scene in 40-Year-Old Virgin where Rudd and Rogan dis each other with “I know you’re gay because” jokes). In fact, No Hard Feelings’ lead, Jennifer Lawrence, gets called out for a wisecrack that could be viewed as homophobic, which is an obvious nod to 2000s Apatow movies. Great work.

And I loved Lawrence’s performance in No Hard Feelings. Before No Hard Feelings, Lawrence hadn’t acted much in a few years, and since this is a raunchy comedy, I expected her to put in the bare minimum and collect an easy paycheck. Nope. She goes all in. It helps that Lawrence is also a producer for this film. Lawrence’s performances in No Hard Feelings (2023) and Causeway (2022) mark a triumphant return. If you like sexy and raunchy comedies, you should check out No Hard Feelings. Lawrence’s fight scene on the beach is iconic. If you know, you know.

Kyra’s Shows

Agatha Christie’s Seven Dials was a good diversion. I’ve never read the novel. I may have to after watching this series, because the Netflix limited series doesn’t do the best job as a mystery. I knew who was behind most things from the start. Seven Dials choreographs everything to a fault. The obvious red herrings turned out to be red herrings. The “trusted” friend who would know enough to pull off the murders ends up being the one who pulled off the murders. Well, not exactly. I won’t “spoil” Seven Dials’ reveal. And I do appreciate the character reasons why the “secret” big bad does what they do.

Despite not being the most puzzling of mysteries, Seven Dials serves as a great origin story for an adventure/espionage series. The final fifteen minutes pivot hard into what could be an engaging Mission Impossible set in the 1920s United Kingdom. That’s why I say Seven Dials may not work as a mystery, but it remains entertaining. That end-of-series pivot is the most shocking, and I may have just spoiled Seven Dials’ greatest twist. I can’t see myself rewatching Seven Dials. But I wouldn’t say no to a follow-up series or spin-off series that fully embraces adventure and espionage. Yes, please.

I’ll give a quick shout-out to the shows I’ve reviewed over the past month: Fallout and Wonder Man. I’m writing this segment early–really early–so I haven’t yet watched the Fallout finale, but the penultimate episode was pitch perfect. I trust what the showrunners have in store for us with Season 2, Episode 8. Wonder Man took me by surprise. If you want my full thoughts, here’s a link to my reaction after watching Wonder Man. In short, Wonder Man is one of the best Marvel shows I’ve seen in some time. I can’t wait to watch the next Marvel Spotlight project. Wonder Man is less about superpowers and more about friendship. Endearing.

That’s all I have for now. Let’s check in with Season.

Season’s Movie

I’d never seen Mrs. Doubtfire until recently, and I’ve watched many Robin Williams films. I expected Mrs. Doubtfire to be over-the-top and campy (because Robin Williams). It definitely delivered. Mrs. Doubtfire did way better at expressing turmoil and mixed feelings between Daniel and Miranda than one would expect from a comedy. I was more interested in the relationship between the parents than the kids. The kids didn’t have as much depth and were used as a plot device to create friction between the parents. Then again, if they were more complex, that would have either created a longer movie or shortchanged the dynamic between the parents. If you’re looking for a comedy with a divorce story and an ambiguous ending, I’d recommend Mrs. Doubtfire.

Those are all the movies and television shows our writers watched this past month. What’ve you been watching? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Fallout Season 2: “The Handoff” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here. Today will be a busy review Saturday. I’ll share my reaction to Fallout Season 2, Episode 7, “The Handoff” this morning before diving into the first half of the Wonder Man miniseries. Ah! But that’s for later. This post is dedicated to the most recent episode of Fallout. And my, was “The Handoff” a loaded episode. It does a great job accelerating the plot threads and themes Fallout Season 2 has developed. And there’s plenty of fan service.

I’d be tap dancing a lot if I tried to avoid spoilers here, so I may drop the occasional spoiler. I apologize in advance. Consider yourself warned of future spoilers. “The Handoff” begins with pre-war Steph–that’d be the same Steph who serves as Vault 32’s current overseer–escaping a Canadian detention center with her mother. Spoiler: her mom dies, but she tells her to do what she must to survive. Yes. This is another flashback, and I have mentioned this season of Fallout has teetered toward too many flashbacks, but the flashbacks during “The Handoff” felt earned, filled in some details, and played off the current actions. I love this motivation for Steph. She’s been creeptacular since last season. This episode does a great job exploring why.

And I like Fallout’s inclusion of Canada as the “51st State” or “Little America” during the closing credits. Fallout took that straight from the games. I mean, there’s no way a sitting United States President would want to annex Canada in the real world, right? Right? That’s only in fiction. And the fact that Chet uses Steph’s Canadian identity, the vault chases her into the Overseer’s Headquarters, and history appears to repeat itself (the previous Vault 32 Overseer appeared to have suffered a similar fate) is fantastic. Even better, Steph has control of the secret box she knew Hank MacLean had before the bombs dropped. “The Handoff” does a good job of paying off some questions, while posing more. What’s in the box, Steph? What’s in the box?

We get a little bit more time with Norm. He has enough time to use the radio to attempt to contact his father and sister. And we know Hank turned on the radio on his side. How many are connected to this line? And who was Hank trying to contact at the beginning of the season? All great build ups, but I would’ve liked a little more Norm screentime.

At the Vault-Tec facility, Lucy appears to support her father’s method of “peace,” but betrays him and races to sabotage the mind-erasing device. But the mainframe isn’t what she expects. It’s run by the preserved head of Congresswoman Diane Welch. Again, “The Handoff” does a great job weaving so many of the threads together, both present timeline and the past. We caught glimpses of The Ghoul’s past where he thinks he’s delivering Cold Fusion to someone who can help (namely, the same Congresswoman Diane Welch, who protested the billionaires club meeting a couple of episodes prior), only to be two-timed by who knows how many people. We’ll get to pre-Ghoul Cooper soon enough, but these glimpses show that Lucy and The Ghoul are–as The Ghoul once said–the same, only he’s her in the future. Ah! Yet another great payoff.

And I like Lucy’s story beats in “The Handoff.” I questioned if she was turning toward her father’s viewpoint or saw some value in it, and even when she showed disdain for her father’s methods, I still wondered if she would punish him. Or how would she punish him? Or how did she intend to stop him? All great questions that kept me watching. Many of them receive answers, but I’m still unsure if she powered down Welch’s head. Even if she did, what chaos would doing so bring?

And then we return to The Ghoul, Maximus, Thaddeus, and Dogmeat. I can’t overstate how well “The Handoff” calls back imagery from past episodes. Donning power armor reminiscent of the Courier’s armor in Fallout: New Vegas, Maximus strides down Freeside. A young child looks up at him in a similar fashion as Maximus looking up at a Brotherhood of Steel Knight. A quick slow clap for Fallout. Freeside’s residents applauded the New California Republic’s return to New Vegas; I’ll do the same for these references and callbacks. It won’t be long until the quartet rumble with the pack of deathclaws, but before the gang can reach the rickety wall, Thaddeus’s arm falls off. Yeah. That’s not good. Not only was Thaddeus supposed to serve as a sniper, he’s exhibiting signs counter to a ghoul. Earlier in the episode, Thaddeus revealed he has a mouth growing near his clavicle. That, mixed with his fallen arm, makes me believe Thaddeus may be turning into a centaur (from Fallout 3). But he could be some other mutation.

The deathclaw fight scene was relatively short but eventful. I won’t give a blow-by-blow, but it was fun. Maximus does enough to help The Ghoul reach the Lucky 38, and the fight will get even more intense with next week’s finale. I can’t wait. And speaking of that finale, The Ghoul uses cold fusion to power up an old friend: Mr. House. Yes! Like I’ve been saying, we saw plenty of huge reveals during “The Handoff,” while the episode does a stellar job raising the stakes for this season’s climax.

So, what did you think about this week’s episode of Fallout? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? January 2026

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Happy Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching this past month in the comments. We’re all part of the Geekly Gang. I’ll get us started with what I’ve been watching this past month.

Kyra’s Movies

Evil Influencer: The Jodi Hildebrandt Story marks the second or third time I’ve seen this story told. I’ll keep this off the cuff and not research the topic, so I may get details incorrect. There’s a reason Jodi Hildebrandt’s story has been told multiple times. It’s harrowing. Sporting countless injuries (like rope burns on his wrists and ankles), a pre-teen boy wanders the Utah desert barefoot. He approaches three houses before someone calls the police on his behalf. That’s a killer opening.

Turns out the titular Jodi Hildebrandt coaxed MomTube influencer Ruby Franke to abuse her two youngest children. Hildebrandt leverages Franke’s religion (she’s a member of the Church of Latter-day Saints). Franke does everything Hildebrandt tells her to do, and the result is two emaciated children, scared for their lives. Yeah. There’s a reason the 2023 story of Jodi Hildebrandt has gained multiple documentaries. But Evil Influencer: The Jodi Hildebrandt Story glosses over several key details or omits them.

Again, I’m going off of memory, but Hildebrandt lived with the Frankes (Ruby and her husband Kevin) for months before Hildebrandt had Ruby kick Kevin to the curb. According to other documentaries, Hildebrandt has had past lesbian lovers, so most likely Hildebrandt and Ruby had a sexual relationship. They did sleep in the same bed for well over a year. Perhaps a previous documentary got hit with a lawsuit for stating that. But Hildebrandt as a self-hating queer makes sense. Her actions resemble those of someone who struggles with their identity. I’m not condoning Hildebrandt’s actions. She’s reprehensible. But this lens does make her actions more understandable.

And Evil Influencer: The Jodi Hildebrandt Story glosses over Hildebrandt’s “possessions.” Again, I could see someone’s self-hatred manifesting into something akin to demon possession. This went on for months while Hildebrandt lived with the Frankes, and in interviews with Kevin Franke, he suggests there would be no reason for Hildebrandt to stop after he left the house. There was also a lot of drama between Hildebrandt and the older Franke children. We get neither of the older Franke children’s accounts of what happened.

To my recollection, the oldest Franke son reconnected with Kevin after several years. Evil Influencer is a brisk 80-minute watch. Perhaps that’s another reason why it skipped several talking points. While not the most comprehensive show on the subject, Evil Influencer was enjoyable to listen to and half-watch while working on a board game. Lol

I won’t go into too much detail with This is Spinal Tap. This was one of the movies Skye got for Christmas, and we watched it on her birthday. Happy belated birthday, Skye!

The first handful of times I watched This is Spinal Tap, decades ago (Yikes! I’m old), I missed a lot of the wordplay. Frankly, I found This is Spinal Tap boring. But that changed with this viewing. I saw the groundwork of what would become Christopher Guest’s improv comedy movies like Best in Show and A Mighty Wind. Many of the actors from those films make an appearance in This is Spinal Tap. Also, RIP, Rob Reiner.

Kyra’s Shows

I’m still in the middle of rewatching Grimm. The special effects continue to hold up, but the idea of “don’t tell fill-in-the-blank the truth about wesen” gets old fast. Nick hides his other life from Juliette for far too long. Hank learns about wesen the hard way, and once the gang allows the same to happen to Officer Wu, I got ticked. So much of the show’s early interpersonal tension derives from people needlessly keeping secrets. I mean, Wu goes to a psych ward because he doesn’t believe what he saw. You might want to tell him the truth.

Outside of pressing the misinformation button repeatedly, Grimm has a gripping storyline. The political intrigue of the royals making moves to shift the world’s power keeps me hooked. That may be why the I can’t tell so-and-so who I am plots are so frustrating. Grimm doesn’t need to use that cliche.

As you can guess, I’ve also been listening and half-watching to Grimm while I’ve been working on board game designs. It’s a good trip down memory. Grimm was one of the shows my late mom would watch. We’d talk about it over the phone, and it brings back good memories.

I’ve also been watching the Fallout series on Amazon Video. I won’t go into too much detail. You can check out my thoughts on the first four episodes by following this link. Hopefully, I remembered to link post. Eek!

That’s all I have for what I’ve been watching this past month. Let’s check in with Skye.

Skye’s Movies

After the release of the sequel last year (Spinal Tap II: The End Continues), I’ve felt the need to give This is Spinal Tap a watch since I hadn’t seen it before. I was lucky enough to experience Spinal Tap on my birthday and had fun. Most of Spinal Tap isn’t laugh-out-loud funny since it primarily focuses on representing a realistic depiction of a band touring through the United States. Despite that drawback, there’s a specific hilarious scene that justified Spinal Tap’s existence, and it didn’t overstay its welcome, unlike many modern movies. The whole thing fits neatly into an hour and a half runtime and manages to remain vivid weeks after watching. If you haven’t seen This is Spinal Tap before, I highly recommend it.

Salò is a testament to the most heinous, hedonistic desires of humanity. Given the alternate title, The 120 Days of Sodom, I’m sure you probably could’ve guessed that. Although, despite my existence on this planet as an asexual person, I still thought it was important enough to analyze. While most flicks you watch with your eyes and mind, I watched Salò with my entire body. If I could’ve recorded and posted a video of myself watching Salò, you would’ve seen me contort my body in feelings of discomfort I never knew existed. Unlike lesser exploitation films that revel in the worst of humanity, Salò stands out by conveying a distinct message. The whole thing takes place in Northern Italy at the tail-end of WWII. Salò outlines the true nature of fascism and what ultimately leads to its downfall. So long as you think you can handle it, feel free to take a look. Just make sure it’s on an empty stomach.

I’ve been in a weird mood lately. Given my last entry, that may have been assumed. I topped off last month with a movie I’ve been meaning to watch for a while: Fear and Loathing in Las Vegas. Ever since I learned that Fear and Loathing was directed by Terry Gilliam, I wanted to see it. Gilliam is associated with abstract imagery and avant-garde styles. Fear and Loathing is trademark Terry Gilliam. Not only is it chock-full of insane situations and fantastic camera work, but you can also say it’s a commentary on American living. Fear and Loathing chronicles protagonist Raoul Duke’s massive drug trip, so it’s impossible to say what parts of the film are real. Duke’s excessive lifestyle, reckless choices, and insufferable personality are quintessential parts of the American ethos. “The Land of the free to do whatever you want at the expense of everyone around you,” that’s the motto of Fear and Loathing in Las Vegas.

Season’s Show

Hey, Geekly Gang! It’s been a while since I’ve contributed to this series. Much has happened these past couple of months. We’ll save that for another update. I haven’t watched The Big Bang Theory since I was in high school, and I stopped watching around season six or seven. I can’t remember.
Anyway, The Big Bang Theory is stereotypical of geek culture, and Sheldon Cooper has varying degrees of appropriate autism representation. If you’d like to read more, follow this link to Kyra’s article about The Big Bang Theory and autism representation. I remember Sheldon made me laugh a lot when I watched the show initially, and I liked seeing things I enjoy (comic books) being represented in a show.

I’m still watching The Big Bang Theory with the intention of finishing it this time. Parts of it haven’t aged well (it’s a bit too stereotypical), but it’s fun to see two Harley Quinns (Kaley Cuoco and Melissa Rauch) share a screen.

Hey, hey! Kyra Kyle here again. That’s all our writers have been watching over the past month. Let us know what you’ve been watching in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.