Tag: tv

Lanterns “Lights Out” Review

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Hey, hey, Geekly Gang! Kyra Kyle here with another review/reaction of this week’s episode of Lanterns, “Lights Out.” If you want to see our thoughts on last week’s episode, “The Weenie,” here’s a link to that review. I was pleasantly surprised when Lanterns ended its 2016 storyline this week. It ends about as well as one might imagine (not well at all), but before we get into my thoughts on “Lights Out,” let’s get the spoiler warning out of the way. There’s little chance of me discussing this episode without spoiling the story. You’ve been warned. Without further ado, let’s talk about Lanterns “Lights Out.”

To say everything came to a head in Lanterns’s 2016 storyline would be an understatement. Hal Jordan gets disgraced, John Stewart doesn’t keep the ring, the Manhunter gets killed, and half of Rushville gets blown up. Yikes! There’s a lot going on in this episode, but the fact that this happens during Lantern’s fifth episode with three more remaining this season, gets me excited. Like I said, I was pleasantly surprised by Lanterns ending its 2016 storyline this week. This should mean that most of the remaining episodes will fill in the gaps between 2016 and 2026, and more importantly, move the story along. Hal Jordan died at the end of the pilot episode. That was a promise that Lanterns season one won’t end in 2016 and will explore the events following Hal’s death (and who has the ring); the final three episodes should make good on that promise.

I’ll be upfront and say that I was wrong about John Stewart taking the ring from Hal Jordan. Technically, he does. I didn’t think that he would take the ring and not claim it as his own. The events of “Lights Out” lead to Hal Jordan losing the ring (maybe, the Guardians have it right now, so who knows?) and John Stewart losing his desire for the ring. Lanterns attempted to make the reason why John wouldn’t want the ring because he had to kill the Manhunter, and he’s in love with the Manhunter. This felt rushed and forced. Sure, it’s physically there, but I never quite bought John’s relationship with the Manhunter. I could buy John not wanting the ring because the Guardians wouldn’t give him the ring; he had to take it from Hal. Again, this is in the show’s dialogue and plays a factor, but Lanterns offers both options and doesn’t commit to either one. That may be why I didn’t buy John and the Manhunter’s relationship.

For a show that does a great job with characterization, I was disappointed with Lanterns‘ choose your own reason why John doesn’t want the ring. Regardless of the reason, John returns the ring to the Guardians. Will we see Guy Gardner in the sixth episode of the season? Lanterns keeps using Fillion’s Guy Gardner as its thumbnail. It’s been at least three weeks. It would make sense if the ring passes from Hal to Guy Gardner. The show would also earn its name of Lanterns. We aren’t talking about one or even two of Earth’s Green Lanterns. Here’s a third. And I’d like to see the Sinestro Corps. play a role in the upcoming episodes. With Hal incapacitated, Sinestro could wreck some havoc. Ending the main story thread (what happened in Rushville in 2016) with three episodes remaining means Lanterns will need another great threat. The Sinestro Corps. could fill that role well.

But some of that is conjecture, let’s return to the Rushville story. With the exception of John giving back the ring, the story played out like I thought it would. And that’s a great thing. Lanterns introduced concepts in the first four episodes and did a fantastic job with callbacks in “Lights Out.” The odd anti-Green Lantern smoke returns. The kamikaze aliens. The bizarre red lasers that explode folks. John’s artwork. The Manhunter’s crystal heart. And the reverse white laser that can heal (explaining how no one in Rushville gets sick). It all works. It’s chef’s kiss good. But there are three episodes remaining. The final episodes concern me, to some extent. Lanterns did such a great job of setting up all of these threads, and for the most part, it tied up those lose ends during “Lights Out’s” runtime. There isn’t a lot of time remaining to set up another entire story arc.

Switching from one major threat in a single season to another reminds me of what happened in the first season of Netflix’s Luke Cage. The first half (or just over first half) of that show was excellent, and then the show lost momentum changing gears to another big threat. That’s the other reason why I think Lanterns will turn to Sinestro and the Sinestro Corps.. The show has already introduced Sinestro. It hasn’t set up any other villain, except for maybe Parallax. Sinestro and the Sinestro Corps. use yellow power rings, charged by fear. Parallax is the living embodiment of fear in the DC Universe. The fact that the Green Lantern Corps.’s most persistent enemy uses Fear Rings is why Lanterns included the idea of the green power ring asking if humans were afraid when choosing a human to be Green Lantern. You can’t have fear (the main enemy’s strength) when wielding a Green Lantern power ring.

Earlier in this series, I mentioned how Lanterns did little with Green Lantern’s powers, and the audience seldom say Green Lantern’s uniform. That still happens in the show, but I like that we’ve seen more of Green Lantern’s powers as the season’s progressed. Rushville’s story made me forget about the reduction of costumes and powers. Now that Rushville’s story has concluded, I’m going to want to see some awesome Green Lantern constructs and more of the costume. Guy Gardner doesn’t mind wearing the costume. We’ll see if there’s a massive row between Green Lantern and Sinestro or Green Lantern and Parallax.

Lanterns has managed to ground Green Lantern, introduced intriguing characters, and deliver on several promises posed at the beginning of the season. After the season airs, I may binge the entire season. Knowing the sheriff’s past may heighten some of those earlier scenes. This is a show that drops plenty of bread crumbs as well as Easter eggs. Those are my thoughts on this week’s episode of Lanterns (“Lights Out”). Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? September 2026

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Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching this past month, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching this past month.

Kyra’s Shows

I’ve been rewatching Black Mirror episodes this past month. I’ve bounced from one episode I remember enjoying to the next. Even though Black Mirror’s quality has waxed and waned over the years, mostly waned, the classics are classics for a reason. “Playtest,” “White Christmas,” “The Entire History of You,” “San Junipero,” and “Be Right Back” still hit hard, and newer episodes like “Joan Is Awful” are a ton of sick fun. Geekly may need to rank each Black Mirror episode. Eek! That’s sounds like a tough task. Let us know if you’d be interested in that post.

Inside No 9 may out Black Mirror Black Mirror. While Black Mirror must fall in line with stories of technology, Inside No 9 has more leeway. Inside No 9 is a series of bottle episodes. Think episodes like Breaking Bad’s “Fly” or Friends‘ “The One Where No One Is Ready.” Inside No 9 has a brilliant premise. Bottle episodes tend to be an audience’s favorite episodes. Why not make an entire series out of those type of episodes? Inside No 9 has incredible range. “A Quiet Night In” is a hilarious crime comedy while “The 12 Days of Christine” will have you reaching for the tissues. Some of the show’s twists take a while to develop. “The 12 Days of Christine” has a heart wrenching twist that reveals itself at the end, while “Tom and Gerri” features multiple twists, deepening both characters. Geekly may have two shows to rank.

And I’ve rediscovered these two shows through YouTuber PolterGibbst. His channel reviews shows with tasty twists. He walks viewers through each episode, spotting minor details one may miss on an initial watch. PolterGibbst does cover a lot of classic The Twilight Zone episodes. I may have to rewatch some of those as well. I like PolterGibbst’s detailed analysis of each of these episodes. His enthusiasm about these shows inspired me to rewatch Black Mirror and Inside No 9.

Of course I’ve been watching Lanterns on HBO Max. I won’t discuss my views on that show too much in this post. I’ve been sharing my thoughts on each Lanterns‘ episode as they air. I’m writing this segment way early–because I like to stay far ahead on Geekly’s production schedule–but I thoroughly enjoyed the Lanterns pilot episode. It does everything a pilot needs to do: introduce the character, generate intrigue, and hint at characters’ pasts. I wish the pilot (I’m writing this after watching the pilot) featured more of Green Lantern’s powers and costume. But Lanterns is off to a great start. I can see why it’s highly rated.

Kyra’s Movies

Yep. I watched another Netflix documentary. I like putting these on in the background as I work (board game design), so I’m bound to have at least one documentary per month, and oh my, A Toxic Love Story has plenty of twists. Black Mirror and Inside No 9 would be jealous of how many turns this documentary takes. I expected at least one. The documentary did a great job of showing how the perpetrators wanted authorities to view the victim. A Toxic Love Story had one more twist up its sleeve, but my favorite part of this documentary is that Netflix spotlighted the victim and showed how she overcame this relationship. I like it when documentaries do this. Let’s place more emphasis on the people who suffered and how they reclaimed their lives.

That’s all I’ve been watching this past month. Looks like Season and Skye don’t have anything for Whatcha Watching, so what have you been watching, Geekly Gang? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

5 Comic Book Villains Who Could Be The Main Character

5 Comic Book Villains Who Can Be the Main Character

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Happy Monday, Geekly Gang! Kyra Kyle here with another list of five. Today’s Top 5 list centers around comic book villains who could be the main character in a television series or movie. The DCU and DCEU have been better showcasing their villains. Penguin, Black Adam, Joker, Clayface, and even Harley Quinn have all had television shows or movies featuring them as the main characters. Marvel has been less prolific. This may be a Marvel-heavy list of five, but I’ll try to sprinkle in some DC Comics characters who haven’t yet seen the limelight. Let’s get started with our list of Comic Book Villains who can be the main character in a movie or television series.

Honorable Mentions

We have multiple characters who could claim an honorable mention spot, so we’ll run through a few here. Darkseid can and should get the Thanos (in Avengers: Infinity War) treatment, and Kingpin could have his own series akin to HBO Max’s Penguin. None of them make this list because this is more of an inevitability. While we won’t shy away from obvious choices (more on that with our top spots), we don’t want to include characters who are all but assured a movie or show. With that said, we’ll give a shout-out to anti-hero and sometimes villain Lobo. I’m writing this post early and haven’t yet watched Supergirl, but if Lobo captures fans’ hearts, he could easily get his own movie or show. Consider this the Penguin effect. Fans loved Colin Farrell’s portrayal of the character and demanded a show.

5: Vermin

Vermin is a strange choice, especially when he’s the only Spider-Man villain who made this list, but his inclusion makes some sense. I’d love to see a Marvel show, film, or special presentation of the Spider-Man story, “The Child Within.” Vermin is the main character in that story. Geekly has mentioned “The Child Within” in the past, but we’ll give you a quick breakdown. Vermin encounters a nine or ten-year-old child in the sewer. The child asks Vermin to help take him home. Vermin reluctantly agrees. He leads the child to a mansion (his home), but the boy is too scared to enter. We learn the child is Vermin’s inner child. This mansion is his family’s home.

“The Child Within” tells Vermin’s backstory. Vermin is one of Marvel’s most tragic villains, so what this show portrays may not be for everyone. But “The Child Within” explores identity and the power of acceptance. Both of these topics have a strong pull in today’s climate. This story is long overdue for a live-action telling. Make it happen, Marvel.

4: Poison Ivy and Bane

My head tells me Bane should take this spot. My heart insists Poison Ivy claims the fourth spot. I went with both. Let’s begin with Bane.

Bane seldom gets a fair shake on the big screen. Ironically, he was little more than Poison Ivy’s mindless pawn in Batman and Robin, and he served as an underboss in The Dark Knight Rises. Neither one of these versions does Bane justice. Heck. Bane often gets sidelined in his own stories. “Knightfall,” the storyline where Bane builds a Gotham empire, breaks Batman’s back, and arguably Bane’s most well-known story, pushes Bane aside to focus on Azrael (the replacement Batman), midway through its arc. Not everyone likes Tom King’s run on Batman, but I thought it did a great job showing Bane at his conniving best. “City of Bane” could showcase this underrated villain like no other big screen project has.

Simply put, Poison Ivy is a fan favorite. She co-stars in the Harley Quinn Animated Series, but has rarely seen the limelight on the big screen. Poison Ivy is more of a sure thing. I could easily see her featured in a future movie or show.

3: Atrocitus

Wonder Woman and Superman villains don’t lend themselves to solo movies too well. I can’t really see Lex Luthor outside the context of a Superman movie. I’d love to see that, but I question if it could work. I also didn’t want to include multiple Batman villains on this list, and Flash hasn’t landed as a big-screen superhero…yet. That leaves Green Lantern villains. Several could’ve made this list. Star Sapphire is more of a hero at this point. Nekron and Black Hand could certainly headline a film, but we may need to wait several years for the DCU to set up those characters. Sinestro is Green Lantern’s longest-running foe, but Atrocitus serves a specific purpose in Green Lantern lore. The Guardians of the Universe (the ones behind the Green Lanterns) make mistakes and can commit atrocities.

Hey! Atrocitus sounds close to atrocities. Coincidence? I think not. The Guardians destroyed Atrocitus’s home world and murdered his people. He gains the red power ring, fueled by rage (part of the emotional spectrum, with green meaning will and yellow fear), and goes on a revenge tour. Atrocitus has a clear goal. Fans could even root for him to succeed. This can make Atrocitus as compelling a villain as Thanos for a solo movie. Sure, Sinestro recruits his army of yellow lanterns, but his goals reek of selfishness. Atrocitus believes in a righteous cause. And I like the idea of the Guardians owning a checkered past.

2: Apocalypse

Ever since his first appearance forty years ago (1986), Apocalypse has been one of the X-Men’s most consistent villains. As the oldest known mutant, Apocalypse’s origin stretches back to Ancient Egypt. He has a simple philosophy: Survival of the Fittest. Apocalypse embodies this philosophy. And it’s this philosophy that makes Apocalypse a great villain with which to focus a movie or show. Funny how having clear goals makes a villain a good candidate as a main character. While I could see several Apocalypse storylines translated to the big screen, “Age of Apocalypse” may be the most fun.

“Age of Apocalypse” asks what would happen if Apocalypse got his way, where only the strong survive. This storyline contains some of the bleakest storylines in X-Men lore. There are too many to count, but believe me, they can tug at one’s heartstrings. And “Age of Apocalypse” hasn’t graced the big screen in earnest. I’d love to see A Pair of Lips, I mean, Apocalypse headline a Marvel movie or show.

1: Doctor Doom and Magneto

Doctor Doom and Magneto had to top this list. They’re the obvious ones. They’re two of the most recognizable villains in comic book history. They have compelling backstories, and I don’t believe Marvel has plans to give either one their own movie or show–at this time. Sure, Avengers: Doomsday includes Doctor Doom’s name in its title, but this team-up movie will include so many characters I can’t imagine Doctor Doom will get significant screen time. We need a Doctor Doom and Magneto story like Avengers: Infinity War had with Thanos. These are two of the most complicated villains in comic books. Both could single-handedly carry a movie.

That’s our list of comic book villains who could be a movie or show’s main character. Which comic book villain would you like see get their own movie or show? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “The Weenie” Review

Published on by Kyra1 Comment

Hey, hey, Geekly Gang! Kyra Kyle here with another reaction/review of this week’s episode of Lanterns, “The Weenie.” If you’d like to see our thoughts on last week’s episode “OutKast,” check it out here. This post will only cover “The Weenie.” “The Weenie” goes back to the 2016 timeline, and while the episode is entertaining (Lanterns is a bingeable show), “The Weenie” illustrates why stories shouldn’t feature too many flashbacks: knowing the future (to some extent) can lessen a story’s tension.

I’ll get right to it. Spoiler warning is in effect. Again, I don’t know why someone who hasn’t seen Lanterns at all would want to read a reaction/review of the show’s fourth episode, but hey, you do you. And you’ve been warned about spoilers.

Lanterns‘ pilot ends in 2026 with Hal Jordan dead, and John Stewart checking Hal’s hand for the power ring. Much of “The Weenie’s” main tension exists between Hal and John. Sinestro insists Hal call John by what John really is: Hal’s replacement. The guardian we met last week (during John’s flashback episode) returns this week (in 2016) and tasks John with taking the power ring from Hal. But we (the audience) already know that John didn’t recite the oath and take the ring away from Hal. Why would John check Hal’s hand for a power ring in 2026 (Hal’s death) if he took the ring from Hal in 2016? I wanted the tension to build a lot more than it did. That’s the danger of too many flashbacks or a flashback within a flashback.

I’m done picking at that nit. Despite the reduced tension (from what I would’ve liked), “The Weenie” manages to recapture Lanterns‘ momentum. Losing momentum can also occur with more flashbacks. “The Weenie” onboards viewers into the action. Continuing Hal’s conversation with Sinestro (from episode two, “Trust Fall”) helped. It served as a brief recap. We gain context for John missing his payphone call from his parents; the call was really from the Guardians. And I love Lanterns‘ ability to contrast Hal and John’s personalities. During this episode, John said that everyone, including him, was lying. Lanterns accomplishes this with great dialogue. Most characters give half-truths or at least obfuscate their true intentions.

That last element adds to Lanterns‘ intrigue. The identity of the Manhunter (the killing machine the Guardians created before forming the Green Lantern Corps.) was revealed. I had an inkling as to the Manhunter’s identity. “The Weenie” removed all doubt. I liked how Lanterns executed the reveal. The show let the characters’ nature do the work. Centering one’s narrative with its main characters is always a great choice. Kudos!

And I have to hand it to Lanterns. While the show continues to dodge Green Lantern’s costume, it showed the biggest Lantern construct to date (John’s digging device). Sure, Hal wears the costume during his brief scene with Sinestro, but for the most part, Lanterns doesn’t like to show the character in costume. Getting back to John’s digging device, its inclusion makes me excited for more Lantern constructs in future episodes. Lanterns kept its special effects budget low during the first half of its first season, but the second half of the season should splurge a little.

The town of Rushville continues to be a great setting, almost its own character. “The Weenie” reveals that the Manhunter prevents people in Rushville from getting sick or dying. That explains the hospital’s unpacked equipment and the fact that Hal was the only patient to sign the log. This will cause some future tension between the city of Rushville and the aliens who want to hunt down the Manhunter. The aliens plan to blow up Rushville if Hal and John don’t deliver the Manhunter to them, but the Manhunter means a lot to the town of Rushville. It’s a lose-lose situation, and we do see some demolished buildings in Rushville during John Stewart’s return to the town (in 2026). Something explodes, but what? How? Unlike John’s refusal to take the ring from Hal, we know less about Rushville’s fate.

We didn’t see much of Rushville in 2026. The sheriff talks to John as if life continued for the town of Rushville…in some capacity. I like that Lanterns is using Manhunters as its chief villain for its first season. Teasing Sinestro is a great touch. Something tells me we’ll see the Sinestro Corps. before the season finale. I’m still waiting for Guy Gardner to make an appearance. Lanterns continues to use Fillion’s Gardner as its thumbnail. The big teasers. Does this mean Gardner got the ring before Stewart? Was he the one who took the ring from Hal? Who knows? Lanterns has done a great job setting up these mysteries. Time will tell if the show sticks the landing.

Those are my thoughts on Lanterns “The Weenie.” What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “OutKast” Review

Published on by Kyra1 Comment

Happy Friday, Geekly Gang! Kyra Kyle with a review/reaction of this week’s Lanterns episode, “OutKast.” If you’d like to see our review of last week’s Lanterns episode “Trust Fall,” check it out here. I have mixed feelings about Lanterns “OutKast.” I watched the episode three times and went back and forth with how I read this flashback episode, and “OutKast” is a flashback episode, and this episodes use of the chosen one cliche. Let’s start this discussion with “OutKast’s” use of flashbacks.

I figured Lanterns “OutKast” would feature plenty of flashbacks. The pilot took place in 2016, showed glimpses of the Nineties, and ended with Hal Jordan dying in 2026. Oh! Spoiler alert is in effect. I don’t know why anyone reading a review/reaction of the third episode in a television series would not have seen the show’s pilot, but I’m sorry to the one or two readers who haven’t yet seen Lanterns “Pilot.” This review will contain spoilers. Consider yourself warned. While last week’s episode “Trust Fall” continues the 2016 storyline, “OutKast” recounts John Stewart’s past. While watching “OutKast” the first time, I kept hearing my writing instructors in my ear. No! Not a flashback episode. If you need to write a flashback episode, it probably means you didn’t start your story where it should’ve started.

But I enjoyed “OutKast.” After I pushed away those critical voices in my head, the episode explored themes I hoped the episode (and the show as a whole) would explore. John Stewart’s upbringing fascinated me. You could tell there was a lot going on behind the scenes during the show’s pilot. The fact that John’s father was a Green Lantern candidate with Hal Jordan added some nice depth. The scenes between John’s parents (specifically his mother) and a Guardian harkened to classic Green Arrow-Green Lantern comic book storylines. I love the following interaction:

Bernadette (Johan’s Mother): Do you understand how unfair it is to ask a Black man in America if he’s afraid?

Lianna (Guardian): By “Black,” you mean… brown skin?

Bernadette: We are terrified daily of persecution and still show up, sometimes better, than everyone around us. Did you know that?

Lianna: I did not.

Bernadette: Even in space, y’all don’t consider us.

I can’t help but make a connection between this scene, and the one found in Green Lantern (Vol 2) #76, where a black man confronts Hal Jordan’s Green Lantern:

I been readin’ about you…how you work for the blue skins…and how on a planet someplace you helped out the orange skins…and you done considerable for the purple skins! Only there’s skins you never bothered with! The Black skins! I want to know how come?! Answer me that, Mr. Green Lantern.

Ah! I don’t care that scene is a little hokey by today’s standards, but I love it. That scene is one of the first images that pops into my head when I think about Green Lantern (Hal Jordan). As soon as I heard Lanterns would include Hal Jordan and John Stewart, I hoped the show would lean in, at least a little bit, to some of those classic 1960s Green Arrow-Green Lantern issues. The scene between Bernadette and Lianna paid homage to this classic Green Lantern comic book scene, but it took it in an interesting direction. Bernadette directly tells a Guardian. This causes the Guardian (and by extension, the audience) to recontextualize fear. I love the idea of Hal Jordan not having fear because he was a white man, and John Stewart Senior had fear because of his race, but he overcomes that fear.

Ultimately, I’m of two minds in regard to “OutKast’s” use of flashbacks. Yes, Lanterns could’ve woven these flashbacks throughout the rest of the season. Conventional storytelling teaches writers to do that. But Lanterns only has a handful of episodes remaining. A flashback-heavy episode was bound to happen. You might as well have one flashback episode in full instead of multiple episodes littered with flashbacks. Funnily enough, “OutKast” had a flashback (John’s past) inside of a flashback (John meeting with a Guardian), which was a flashback to the flashback (the events of 2016 with Hal and John). Wait. I’m confused. Despite a lot of flashbacks, “OutKast” was easy to follow and a fun ride. I love John Stewart’s backstory in Lanterns.

And we get to the chosen one cliche. I mentioned it in the opening, and I have to deliver here. Again, I’m of two minds. Using an unkind reading of the story, “OutKast” is guilty of using the chosen one cliche. Lianna (the Guardian) mentions that John Stewart (Senior) was chosen for a reason and his “worthiness” could be inherited, and she mentions that John’s mother (Bernadette) was formidable in her own right. One could easily read the chosen one cliche from this interaction. I certainly did the first time I watched Lanterns “OutKast.” But John Stewart (Junior) corrects Lianna by saying that humans aren’t programmed, they’re raised. A kind reading of this story leans toward a battle between nurture versus nature.

I go back and forth with Lanterns “OutKast.” On one watch, I may view the episode through an unkind reading. On another, I switch to a kinder reading. Regardless, Lanterns has been surprisingly rewatchable. I’d still like to see more costumes and powers, but the show holds my interest. On a completely different note, I love the reference to Atlanta Hip Hop stars OutKast. And I love the closing track, “Gasoline Dreams.” Ah! So good and it fits.

Those are my thoughts on Lanterns “OutKast.” Let me know yours in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “Trust Fall” Review

Published on by Kyra1 Comment

Hey, hey, Geekly Gang! Kyra Kyle with a review/reaction of this week’s Lanterns episode, “Trust Fall.” If you’d like to see our review of last week’s Lanterns episode “Pilot,” check it out here. “Trust Fall” builds on “Pilot’s” great foundation. Like I said in the previous review, Lanterns “Pilot” does almost everything you’d want a first episode to do. And my concern of Lanterns avoiding the superhero genre expectations (costumes and powers) has waned. Again, I can see why Lanterns doesn’t want to blow its entire effects budget in the first episode or two, and “Trust Fall” shows us more of Hal Jordan and John Stewart in action.

If you haven’t yet watched Lanterns “Trust Fall” and you don’t want any spoilers, you may want to watch the show first and then return to this review/reaction to see what you agree or–most likely–disagree with in this post. I’ll wait. Are you done? Great! Let the spoilers commence. I mentioned it in the opening paragraph, but I like how Lanterns is easing the audience and its budget with the Green Lantern’s larger universe. Hal Jordan dons the uniform, travels to the Planet Oa (The Guardians’ home planet), and even meets with Sinestro. And of course, all this happens in the final five minutes of “Trust Fall’s” runtime. But it counts. I don’t need much, just a taste of Green Lantern goodness, and Lanterns‘ second episode delivers on some of these promises.

After watching this episode (twice), I have hope for the rest of the season/series. I meant what I said last week. Lanterns is a fantastic show. I enjoyed every minute of the pilot episode, but last week’s episode could’ve been the pilot for a show set outside the DCU. “Trust Fall” made the show feel as if it belonged in the DCU. I love Hal Jordan and John Stewart’s relationship. Sinestro hints that John may be more of a danger to Hal than the big bad alien threat developed during this episode (more on the Manhunters later). This rings true. It would make sense if Hal was nervous about John becoming Green Lantern soon. Jordan did say in the pilot that the Green Lantern job was his until the day he died. And Hal Jordan has been cagey about The Guardians. When John Stewart asks what The Guardians thought about what’s happening in Rushville, Hal Jordan dodges the question. It’s obvious Hal and The Guardians aren’t on speaking terms.

Through two episodes, Lanterns has done an excellent job of answering some questions but posing more. During “Trust Fall,” the name Manhunters gets introduced. Ah! The Manhunters are one of Jack “King” Kirby’s DC Comics creations. Kirby is best known for cocreating the Marvel Comic Book Universe, but he had several gems with DC Comics. Kirby had a knack for science fiction themed stories. His work on Fantastic Four is iconic, but Kirby also created Darkseid and The New Gods. It made sense for Kirby to build on Green Lantern’s lore. The Manhunters were the android precursors to the Lantern Corps. I won’t spoil too much of The Manhunters’ backstory here, just in case Lanterns uses a healthy dose of this comic book lore, but John Stewart has a history with The Manhunters, and I like the direction Lanterns is taking its first season. A Manhunter makes for a fantastic first season villain.

“Trust Fall” splits the two lanterns into separate stories. Hal Jordan continues his investigation of Rushville, Nebraska. Turns out, a Manhunter may be behind the odd goings on in the town. The town knows aliens exist, and they’ve rigged their metal detectors to spot alien lifeforms. Yeah, Macon’s benefactor may be The Manhunter causing mayhem. But this town has layers. The hospital has equipment that’s barely used. Heck, the hospital itself is a lot larger than one you would find in most rural Nebraska towns in the Sandhills. There’s a lot happening under the surface. Oh, yeah. Macon has one of his goons shoot Hal in the shoulder (a warning shot). Seriously, I love this town and it’s seedy underbelly. The two lanterns spilt up because Hal sends John to retrieve his lantern.

Yes! We physically see a Green Lantern’s lantern. Hal keeps it in a pocket dimension (classic), and we even meet Earl, an alien man-eating plant. Like I said, Lanterns “Trust Fall” sprinkles in enough Green Lantern goodness. I even like how members of the same alien race (who infiltrated Rushville, Nebraska) abduct John Stewart. These aliens implant memories of their home world getting destroyed and family members being killed by The Manhunters. And this does play out in a John Stewart Green Lantern story. Great inclusion here. And the introduction of Sinestro to the greater story could lead to a ton of fun.

Ah, Sinestro. Seeing him in all his pink-skinned glory made me smile, and so do the layers to the town of Rushville, Nebraska. I was on the fence about grounding Lanterns to the planet Earth. When one thinks of Green Lantern stories, one pictures planet hopping and exotic locales. Lanterns following Supergirl, which had a muted color palette and a lack of planet hopping (in relation to the source material, Supergirl: Woman of Tomorrow) gave me pause. The show isn’t in the clear yet, but I like a slow introduction to Green Lantern’s larger universe. If Lanterns continues introducing more sci-fi elements at the rate it did from episode one to two, I’d call that a good escalation. And the largest use of a Green Lantern ring (John Stewart producing a bird) was adorable and showed how John and Hal differ as Green Lanterns.

One random observation: a picture Nathan Fillion’s Guy Gardner graced Lanterns “Trust Fall” banner in my HBO Max app. Was Guy Gardner in this episode? Was he supposed to be at one point? Not gonna lie, I saw the pic and got a little excited to see Fillion’s Gardner again. We may need to wait for episode three.

Lanterns continues its solid start with this week’s episode, “Trust Fall.” I can’t wait for the next episode, and my fingers are crossed for a second season. No word on that…yet. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “Pilot” Review

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Happy Saturday, Geekly Gang! The Lanterns pilot episode released this past week, and I’ve had some time to watch the show a few times. I’ve got some thoughts and if Season’s watched the episode, she may have thoughts as well. It’s time for another Geekly review/reaction of Lanterns “Pilot” episode. Before we begin, I’ll warn everyone that there will be spoilers for Lanterns “Pilot.” Okay, that’s out of the way. Let’s get into the show.

Kyra’s Take

Lanterns “Pilot” does everything a pilot episode should do for a series. It does a great job showing us the main characters (Hal Jordan and John Stewart) and their relationship, it creates intrigue (the question that must be answered by the end of the season), and the small town in western Nebraska even becomes its own character. Great work. If Lanterns wasn’t part of the DCU or based on the Green Lantern property, I’d probably give the episode a near perfect score. It is that good. But Lanterns has yet to follow through with two simple and easy genre expectations for a superhero show/movie: costumes and powers.

And this is on the heels of Supergirl (review here if you want to read it), which also featured a superhero who refused to wear her costume for three-quarters of the movie’s runtime. But at least Supergirl used her powers. Lanterns barely shows Hal Jordan using his ring, and John Stewart recounts what he does with the ring to the audience. Bubble wrap would’ve been nice to see. Superhero stories don’t have too many genre expectations, but not meeting either one (costumes or powers) is a little concerning. I’m concerned about Lanterns; we haven’t reached gripe levels yet. I could see saving money on special effects (powers), but you made the Green Lantern costume. Why not show Hal in the costume for more than fifteen seconds? I know. I know. Character reasons, but the DCU already did that with Supergirl. Will this become a trend? But I meant what I said. Lanterns “Pilot” is almost pitch-perfect.

I’m putting the costume/power concerns on the backburner. Lanterns comes out with a bang. The audience can tell Jon and Hal have a long history. I love their opening scene in the car. “Why do your ‘sirs’ sound like f*** yous?” Classic. Both men come from broken homes. Hal’s father died in a plane crash, and we don’t see John’s mother. The two react differently to their circumstances and this shines through their character choices. Jon using the ring for bubble wrap meant he totaled Hal’s car. Something Hal takes offense to. We do hear why Hal no longer wears his costume. Fair. He could’ve worn the costume under a bomber jacket and jeans. Just saying. And that’s where the show shifts to western Nebraska. Like I said, the little town becomes a character, an engaging character.

I like how Hal navigates the small town politics. Again, it’s obvious this isn’t the first time Hal has visited this Nebraskan town. He even mentions that the town is close to where he gained his Green Lantern ring. This town is more than it seems. The sheriff (portrayed by brilliant character actor, Kelly Macdonald) may try to deny it, but aliens regularly visit this Nebraska town. An alien entity has infiltrated this town, and the sheriff’s father-in-law builds a militia to fend Earth from the aliens he believes will colonize the planet. Lanterns has a lot to say about the world’s current climate. Xenophobia runs rampant in parts of the United States, especially parts like rural Nebraska. I can’t wait to see more of this town and its citizens. Lanterns does a great job of creating a fascinating web.

And that’s before we talk about the alien Hal and John encounter. Extraterrestrials do want to infiltrate this Nebraska town. It’s for the power ring. It’s gotta be for the power ring. A conversation between Hal and John in a bar all but confirms these aliens’ intent. And I love the bar scene from Lanterns “Pilot.” Again, we see how these two Green Lanterns tick. John shows far more patience than his mentor. Despite Hal giving John his ring for safe keeping, John refuses to put on the ring. He believes it’s a test. And knowing what little we do about this version of Hal Jordan, it may be a test. But my favorite moment was when Hal counterfeits a $20 to flood the bar’s jukebox with Melanie’s “Brand New Key.” He pisses off the bar regulars, and they fight him. All of this was a ploy to get arrested so he could interrogate the alien the town’s sheriff has in custody. Everyone, including John Stewart, dubs this a stupid plan. So good.

How this little town works could be its own show. Aliens and Green Lanterns are just a bonus. This may be where my disconnect derives. Lanterns “Pilot” is a great episode, but is it a story unique to Green Lantern? We’ll see. Hal’s bizarre behavior deserves more exploration. He frequents this Nebraska town, and the episode ends with his passing and missing his power ring. Uh oh! Again, brilliant way to open a series. I see a handful of flashbacks in the future while John Stewart unearths who has Hal’s ring, because it’s obvious John doesn’t. When he examines Hal’s body, John looks for Hal’s ring and doesn’t find it. Lanterns “Pilot” lays down a stellar opening for the series. This episode leaves us with plenty of questions and some characters that require more digging.

Those are my thoughts on Lanterns “Pilot” episode. Let us know yours in the comments. Looks like I’m on my own this week. Season may catch up for next week’s episode of Lanterns. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching: August 2026

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Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching over the past month because we’re all part of the Geekly Gang. I’ll get the post started with what I’ve been watching over the last month.

Kyra’s Movies

Netflix has some true crime documentaries that are wild, and then there’s Maternal Instinct. This may be the most bizarre true crime doc on the streaming giant. Maternal Instinct follows the actions of Taylor Parker. Before the events of this documentary and Parker’s crimes, Parker had two prior children. She wanted a third. Fun fact: Parker had a hysterectomy. She couldn’t get pregnant, but that didn’t stop her from catfishing her fiancé.

Yeah. Maternal Instinct gets strange. Throughout the documentary, I thought she must have had a mental illness. The doc briefly explained she has frontal lobe dysfunction, frontal lobe syndrome, which can cause cognitive, emotional, and behavioral symptoms. But like I said, Maternal Instinct glosses over this fact. Parker would get caught and go to trial. Her legal team didn’t use the not guilty by means of insanity plea. That makes sense. Most insanity pleas get denied. To date, only two people in the United States have ever received a not guilty verdict by means of insanity: one of them is Ed Gein. And in terms of how over-the-top it gets, Taylor Parker’s story sounds a lot like Gein’s.

So, Parker catfishes her fiancé, making him think she’s pregnant. She orders pregnant belly bumps from Amazon. She even springs for one that simulates a baby kicking. But at some point, she’s going to have to “produce” a baby. Months before she “became pregnant,” Parker served as a photographer at Reagan Simmons Hancock’s wedding. The two formed a bond and hung out every month or two after the wedding. Parker knew Hancock was pregnant soon after her wedding. Hancock’s pregnancy coincided with Parker’s fictitious due date. Well, Parker missed her “due date” by a couple of weeks. So, Parker YouTubed how to perform a C-section, drove to Hancock’s house, killed her, and took the baby still inside her womb.

Yikes! Parker’s case is bizarre. I don’t know if I’ve seen a more upsetting Netflix true crime documentary than Maternal Instinct. It’s up there with the most disturbing. But that makes me wonder. If Parker’s defense team chose to plead not guilty by means of insanity, would she have been the third person in United States history to do so? But Maternal Instinct glosses over Parker’s mental impairment. It didn’t factor into the trial. But I say that Parker’s case reminds me of Gein’s because she did things out in the open, in broad daylight. She pretended she “miscarried” the baby she cut from Hancock’s womb. She had to know a doctor would examine her. Her hysterectomy would be in her medical chart. Yikes! Just yikes.

I’m a sucker for small-market professional sports teams, so I follow the Portland Trail Blazers quite a bit. The “Jail Blazers” of the early 2000s were one of the most intriguing teams of that era. They came dangerously close to winning an NBA championship, challenging the Shaq and Kobe-led Lakers. I put the name “Jail Blazers” in quotes because the few members of the team who got in trouble with the law got caught with marijuana possession, which is now legal in Portland. “Jail Blazer” is a harsh term. Even at the time, I wondered if one of Bonzi Wells, Rasheed Wallace, or Damon Stoudemire had done anything worse than getting caught with weed. I did like how Untold: Jail Blazers showed the Dave Chappelle clip lampooning Wallace and Stoudemire getting pulled over by the cops. That clip is iconic.

Untold: Jail Blazers was eye-opening. I had no idea what happened to Damon Stoudemire after his encounter with the police that night. Afterwards, they raided Stoudemire’s house. Stoudemire is from the area, and still, Portland treated him like an outsider. Portland was unkind to the trio of players who brought excitement to the Pacific Northwest. They all but chased them out of town, not in small part because the young basketball stars had houses in predominantly white neighborhoods. Untold: Jail Blazers shows these young Trail Blazers as young. They made mistakes because they were young. Some of those “mistakes” of the early 2000s wouldn’t be mistakes today. And yet, the name “Jail Blazer” persists.

Before watching Untold: Jail Blazers, I used to refer to the early 2000s Portland Trail Blazers by that moniker: “Jail Blazers.” I did so out of affection. I never thought they were “Jail Blazers.” The term was a shorthand for remembering a stellar young team that had all the tools to win an NBA championship but fell just short. After watching Untold: Jail Blazers, I won’t refer to the early 2000’s Portland Trail Blazers by that moniker. Stoudemire, Wells, Wallace, and Zach Randolph deserve better. Fortunately, Portland has celebrated its early 2000s team. I don’t blame Rasheed Wallace for refusing an offer to return.

X-Men 97 Season 2 A Force to Be Reckoned With Jubilee

Kyra’s Show

I won’t go into too much detail with X-Men ’97. Season and I have been reviewing the series as it airs. I will say that X-Men ’97 is the definitive X-Men adaptation. While I liked the first season, X-Men ’97’s second season is stellar. Some of the best storytelling in animation. It’s a love letter to the original X-Men: Animated Series. Whenever Geekly does another Top 10 Animated Shows based on Comic Books List, X-Men ’97 will be near the top. I’m calling it now.

Those are the shows and movies I’ve seen this past month. Let’s see what Skye has been watching.

Skye’s Movies

Pee-Wee’s Big Adventure has been on my radar for a while. Recently, I inherited a hefty chunk of time to watch whatever I wanted, so I finally took initiative and watched Pee-Wee’s Big Adventure. Overall, I’d call Pee-Wee’s Big Adventure “lovably goofy.” It’s a nice combination of creative, wacky, sentimental, and mysterious that you don’t find in most other kid’s films. Only once the credits started rolling did I notice I had never stopped smiling, and that’s a sign the movie’s doing something right. While it’s not a film that’ll blow your mind, Pee-Wee’s Big Adventure is still a fun way to spend an hour and a half.

I’ve had my eye on the film adaptation of Stephen King’s The Long Walk. Put simply: every year, 50 young men from all 50 U.S. states are selected to participate in a challenge where they’re forced to walk or die. Setting aside the physical impossibility of being forced to walk nonstop for days on end, I found myself invested in the relationships that formed among the walkers onscreen. While some participants were more competitive, others tried forming bonds with their fellow man and make the most of the situation they were forced into. I’m still hung up on the technicalities of The Long Walk, but the film itself portrays brotherhood and companionship in a special way.

I’ve seen Labyrinth several times, but during my time in surgery recovery I was feeling nostalgic. Luckily, I had films like Labyrinth to scratch that itch. Specifically, an itch for something familiar, creative, and odd. It also helped that I ate peaches when I decided to watch it. If you’ve seen Labyrinth, you know what I mean. Even if many of the details about the film don’t add up, Labyrinth is still a movie that offers children an endless supply of food for their imaginations, classic Jim Henson puppetry, unique scenarios, and David Bowie. That last one is very important. If you haven’t seen Labyrinth in a while, pop it in again to relive those memories; and if you haven’t seen it at all, then you’ve got some homework for this weekend.

Hey, hey! Kyra Kyle here again. Those are the movies and shows our writers have been watching this past month. Let us know what you’ve been watching, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

X-Men ’97 “Survival of the Fittest” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with a review/reaction of X-Men ’97’s season two finale, “Survival of the Fittest.” If you want to read our view of last week’s episode “The Dead Man’s Hand,” check out this link. We’ll only discuss this week’s episode, “Survival of the Fittest.” I’ll kick off this review with my thoughts.

Kyra’s Take

“Survival of the Fittest” does a great job of tying up enough major story threads for X-Men ’97 season two and introducing new threads to explore next season–and next season looks to be another doozy. Obviously, we’ll have spoilers for “Survival of the Fittest.” You’ve been warned. If I’m being honest, I nodded along with the first half of “Survival of the Fittest.” The episode played out like a checklist of the story threads that needed to be concluded. “Survival of the Fittest” began like a workman episode. But X-Men ’97 season two’s finale hit its stride with its second half. Raising the stakes (Rogue striking a deal with the same Celestial that gave Apocalypse his power and willing to make the ultimate sacrifice) made all the difference.

Before I commit to jumping to “Survival of the Fittest’s” second half, let’s discuss the episode’s first half. I like the symmetry to X-Men -97’s second season. The season began with Apocalypse and the Celestial, and it ended with Apocalypse and the Celestial. Clean and tidy. X-Force and X-Factor joined forces and fought against the X-Men. This made sense. The two groups’ goals aligned, and underneath this partnership, one could see the American government distrust Charles Xavier and his X-Men–something that will rear its head during “Survival of the Fittest’s” mid-credit scene (more on that in a bit). The audience was even treated to a Gambit-X-Men reunion before Cable shoots Gambit, allowing Apocalypse to take over Remy. This felt inevitable.

Honestly, I could see this outcome a mile away, but that’s a good thing. “Survival of the Fittest” did a great job of setting up this ending. Once Gambit loses consciousness and Apocalypse assumes complete control, X-Men ’97 hints at The Huntsman storyline I mentioned a few weeks ago. Again, this was expected but in a good way. I’d wager most of the audience hasn’t read The Huntsman/Weapon XII. For those of us who have, X-Men ’97 did a good job adapting elements of this story to the second season’s finale. My favorite moments during “Survival of the Fittest’s” first half were the reveal of the Celestial ship, and Cable fighting his parents, uttering the line “Have you met my parents?” Priceless.

I didn’t know how X-Men ’97 season 2 could top Magneto’s death in the middle of this season. The middle of this season? Wow! Magento’s been out of commission for half a season. Nothing could beat the shock of Apocalypse disintegrating the Master of Magnetism. And “Survival of the Fittest” didn’t try to match that moment. Rogue and Gambit are star-crossed lovers. “Survival of the Fittest” set up a scenario where Rogue would have to sacrifice herself for Gambit. The story demanded it. It looked as if the episode delivered on this promise, but after Rogue saved Gambit, she didn’t die. X-Men ’97 had one more trick up its sleeve. Nightcrawler substituted himself for his sister. Brilliant and heartbreaking. I should’ve seen this coming, but that’s what makes X-Men ’97 such a good series. It takes risks, it lulls viewers into one reality, and subverts expectations.

Season won’t take this ending well; she’s a self-proclaimed Nightcrawler fangirl. But this move makes sense for Nightcrawler’s story arc and character. X-Men ’97 has been building Rogue and Nightcrawler’s sibling relationship over two seasons. Nightcrawler would sacrifice himself so his sister could have a chance at love. This sacrifice is what makes Nightcrawler who he is. This sacrifice is what makes someone like Season a Nightcrawler fangirl. He’s awesome. We all know it. And I didn’t prepare Season before she watched “Survival of the Fittest.” I just told her to have the tissues ready. After Magneto’s death, she was ready for anything. Anything except this. Again, I love how X-Men ’97 keeps viewers on their toes.

Season three looks to be another banger. The mid-credits scene shows Graydon Creed becoming President of the United States. Yes, the same Graydon Creed reintroduced during “Strange Land, Savage Heart.” Mystique’s other son, Graydon Creed. And we catch a glimpse of Mystique grabbing her file during this scene. I didn’t realize we hadn’t seen Mystique in an X-Men ’97 episode. Two seasons of the show, and this is the first time we meet her. This goes to show the X-Men ’97 cast’s depth. Season Two featured a fair amount of Summers’ family drama. I’m down for Season Three featuring Mystique-Rogue-Graydon Creed drama. After all, The X-Men’s greatest enemy may be humanity.

Those are my thoughts on X-Men ’97 “Survival of the Fittest.” Season hasn’t yet watched “Survival of the Fittest.” I’m sure she’ll have thoughts and may write down her take in a future post. Thank you for reading, and wherever you are, I hope you’re having a great day.

X-Men ’97 “Strange Land, Savage Heart” Review

Published on by Kyra1 Comment

Hey, hey, Geekly Gang! Kyra Kyle here and today we’re reviewing this week’s episode of X-Men ’97, “Strange Land, Savage Heart.” If you want to read our review of last week’s X-Men ’97 episode, here’s a link. This week’s episode saw the return of one popular X-Man, the introduction of another great villain (who had not be on screen prior to this episode), and a focus on Nightcrawler. Let’s talk about it.

Kyra’s Take

I left out Graydon Creed in that intro. He’s one of those X-Men villains you love to hate. As you can tell, “Strange Land, Savage Heart” packs a lot into a thirty-minute X-Men ’97 episode. The second season of X-Men ’97 has had a focus on family. It began with Cyclops, Jean Grey, and Cable (the Summers family) and even managed to throw in Havok (Cyclops’s brother) into the mix. Magneto and Polaris were explored last episode. This episode reintroduced Colossus and his sister Magik, while adding in the craziness that is the Nightcrawler, Rogue, Mystique, Sabretooth, and Graydon Creed family tree. Yikes!

Honestly, I prefer the Nightcrawler-Rogue family drama more than the Summers family saga. I appreciate last season’s episodes that showed the Cable/Madeline Pryor backstory. That has never been portrayed onscreen before. The Summers family is important, but they see a lot of play in X-Men shows and movies. The Nightcrawler-Rogue-Mystique connection doesn’t get nearly as much airtime. While the Summers family has some messed up revelations (with some more to come, I’m sure), The Nightcrawler-Rogue-Mystique family has some brutal trauma. Mystique abandons Nightcrawler because he can’t pass as a normal human. I love any X-Men episode/movie that pays Nightcrawler respect. And “Strange Land, Savage Heart” centers its story on Nightcrawler. The audience sees the events unfold through Nightcrawler’s eyes.

This was the best choice for point of view character. “Strange Land, Savage Heart” features Magneto’s acolytes. Again, this is another first appearance for a mutant group in an X-Men property. With Magneto gone, his acolytes, lead by Exodus, carry on his legacy. They construct a safe haven in the Savage Land, something Magneto had once done in the original X-Men: Animated Series. Exodus is the perfect foil for Nightcrawler. “Strange Land, Savage Heart” hint at Exodus’s past. After encountering Apocalypse in the 12th century, Exodus was given immortality. Exodus’s costume echoes his past as a crusader. Exodus calls his mission his “crusade.” Nightcrawler calls Exodus a “Templar.” Nightcrawler is willing to give people second, third, and fifteenth chances. Exodus has little patience. Graydon Creed needed to be punished.

And watching Nightcrawler defend his hateful brother while Exodus lays out every reason Nightcrawler should lose hope in his brother was fantastic. Colossus as the judge showed his alignment (friend of both sides), and it was great to see Colossus reintroduced. He’s a fan favorite, and I hope Colossus continues to make appearances in this series. X-Men ’97 does give us hope of that. Polaris’s character was developed quickly in last week’s episode. I like that X-Men ’97 didn’t drop her. I also like her blooming romance with Bishop. X-Men ’97 features villains and characters the original X-Men: Animated Series didn’t portray or in Nightcrawler and Colossus’s case, got put on the backburner.

Exodus can’t be dead. Graydon Creed shoots Exodus near the end of this episode, but as I said, Exodus is immortal. He’s too good of a foil for Nightcrawler to be a one and done villain. Nightcrawler chastising Graydon at the end was perfect. “You may not be a mutant,” Nightcrawler said, “but you are very much your parents’ son.” Ouch! That’s so good. This is why you’ve gotta love Nightcrawler. Thank goodness he’s a main cast member in X-Men ’97.

And we get to “Strange Land, Savage Heart’s” final moments, the pre-credits scene that sets up the following episode, and it’s a doozy. X-Force–that’d be the one with Cable, Jubilee, and Psylocke–discover an Apocalypse drained of his lifeforce and burnt playing card. I’ve been predicting that X-Men ’97 is building up to Apocalypse and the Age of Apocalypse storyline by the end of this season, but it could be developing something far more interesting. Don’t get me wrong. I’d love to see Age of Apocalypse adapted to the screen, but we’ve seen Magneto, Apocalypse, and Mr. Sinister on this show. What if the show went in a different direction?

X-Men ’97 could be building up to the Huntsman (Weapon XII). This villain seems more in line for next season’s big bad. X-Men ’97 introduced X-Corp last episode. The X-Men’s new outfits (pictured in the image above) reflect this change. The Huntsman represents a threat the X-Men have never faced on any screen. It consumes its host’s identity. Weapon XII is an alien being with a hive mind. Think the Borg from Star Trek. I hope X-Men ’97 goes in this direction. A Huntsman story would also push X-Men stories into the 2000s. This also makes sense for X-Men ’97’s third season. We’re headed to a new millennium.

Those are my thoughts on X-Men ’97 “Strange Land, Savage Heart.” Let’s see what Season thinks.

Season’s Thoughts

As a Nightcrawler fangirl, I loved seeing Kurt as the main protagonist of “Strange Land, Savage Heart.” The dynamic between Nightcrawler and Graydon Creed was so tense I’m surprised Graydon’s neck didn’t snap from tension alone. Nightcrawler’s defense of Graydon was almost believable. Almost. I understood where he was coming from, but I’m siding with Colossus on this one.

I liked the pacing for “Strange Land, Savage Heart.” Each character got enough screen time for what was necessary, despite “Strange Land, Savage Heart” being one of the shorter episodes of X-Men ’97. I’ve never seen Weapon XII before, so I’m hoping they get some screen time. I was not expecting a withered Apocalypse at the end of “Strange Land, Savage Heart.” Also, will there be a Bishop and Polaris romance on the horizon? Yes, please.

Hey, hey! Kyra Kyle here again. Those are our thoughts on X-Men ’97 “Strange Land, Savage Heart.” Thank you for reading, and wherever you are, I hope you’re having a great day.