Tag: film

Supergirl Movie Review

Supergirl Movie Review

Published on by Kyra1 Comment

Hey, hey, Geekly Gang! Kyra Kyle here. A couple of our writers watched the DCU’s second movie entry, Supergirl, this past week. Sure. We’ve only watched the movie once, so this may be more of a reaction than a review. Typically, I like to watch a movie at least twice before dubbing my thoughts a “review.” But I do have some thoughts, and I may be joined by another of our writers for Geekly’s Review/Reaction of Supergirl.

Kyra’s Thoughts

Supergirl is a good movie. I don’t know where all the hate for the movie originates. I’d even say Supergirl is on par with last year’s Superman, with one significant flaw holding it back: “the brides.” The brides represent an even larger issue of Supergirl attempting to cater to a wider audience. We’ll return to the brides and the rest in a minute, but back to Supergirl as a whole. The acting is on point. Eve Ridley gives a great performance as Ruthye. Milly Alcock is perfect as a Supergirl: Woman of Tomorrow (the movie’s source material) version of Supergirl. And Jason Momoa was more believable as Lobo in three seconds than he was as Aquaman through three DCEU films.

However, Lobo is also the reason why Supergirl isn’t as good as it could be–Lobo was a ploy to get other demographics interested in the movie, but we’ll talk more about that later, too. Again, I love Momoa in the role, but the character disrupted this movie. Other critics claim that Supergirl’s plot is scattered. Lobo is the main reason the movie’s plot goes off course. The writers shoehorned a character who didn’t exist in the source material: Supergirl: Woman of Tomorrow. While a scattered plot may be a fair criticism of Supergirl, last year’s Superman had a far more scattered narrative. I didn’t look at some of these critics’ reviews for Superman, but I venture to guess they didn’t dock Superman nearly as much as Supergirl for the same flaw. And Superman was worse in that regard.

My biggest gripe with Supergirl also stems from Lobo’s presence: the brides. I told you we would return to this topic. In the source material, the main villain, Krem, is a mercenary who really loves killing people. Lobo is also a mercenary who really loves killing people. How do we differentiate between them? Make Krem a sex trafficker. No. Just no. The brides (girls around 13) gave me the ick while I was watching Supergirl. It took me a minute to figure out why the brides made me cringe. I can see why this could be a dealbreaker for some. Supergirl could’ve omitted Momoa’s Lobo (or given him a cameo, seriously, three seconds was all Momoa needed to show he embodied the character) and replaced his scenes with a hopeful scene or two from the source material. This could’ve brightened the movie. Possibly even allowed for more comedic moments, which brings me to my next point.

Supergirl’s darker tone could also be a dealbreaker for others. Supergirl is a very different character from Superman. And that’s a fantastic thing. Corenswet’s Superman never knew Krypton. Alcock’s Supergirl watched her family, her home, and her people die. I love how Supergirl showed the difference between these two characters when they shared screentime. If anything, Supergirl upstaged the DCEU’s Superman. Cavill’s Superman had PTSD for unspecified reasons. Alcock’s Supergirl has PTSD for a very concrete reason: she watched the last of Krypton die. This is the equivalent of Cavill’s Superman as a CIS man trying a menstrual cramp simulator and screaming at the first setting. Alcock’s Supergirl would claim that setting tickles.

I could even see some people disliking Supergirl’s use of trauma to propel the narrative. Sometimes, you just want a dumb, fun movie. Heck, 2025’s Superman could be categorized as a dumb, fun movie, so the DCU conditioned audiences (through one movie) that the new DCU will be bright and fun. Despite its tonal differences, Supergirl fits within the DCU. And I’d argue that Kara overcomes her trauma, and that should be lauded. Supergirl’s trauma makes her interesting. Kara possesses numerous conflicting emotions. At one point, Supergirl was a red (rage) lantern in DC Comics. The fact that she chooses hope makes her a hero. While Supergirl is dark for a PG-13 movie, it’s nowhere near as dark as 2008’s The Dark Knight. So those critics need to stop clutching their pearls or throw that same vitriol at The Dark Knight.

The final negative I’ve seen from most Supergirl critics is the movie’s sepia-toned world. Supergirl: Woman of Tomorrow features vibrant colors. The Supergirl movie doesn’t. And this is where I’m bringing back the idea that Supergirl included certain things in the hopes of appeasing different demographics. Supergirl’s sepia-toned worlds resemble the Snyderverse films. News flash, DCU. Snyderverse fans only want the DCEU to return. Nothing you can do can change that, so why not go with more vibrant colors? And we return to Lobo. Yes. Lobo was that problematic of an addition to this story. At first, I thought the DCU wanted another marketable character in the Supergirl cast (sell some toys or a variant popcorn bucket), but the more I thought about it, Lobo’s presence was meant to appeal to testosteroni males. After all, Lobo is the Main Man.

Supergirl works as a worthy follow-up to 2025’s Superman. I’d like to see where the DCU takes the Superman family. Yes, there are more members of the Superman family the DCU could explore. Supergirl suffers from appealing to a lot of different demographics that it had no hope of winning over. Synderverse fans are a lost cause. And despite Lobo’s inclusion, many of the testosteroni boys whom Lobo was meant to win over still dubbed Supergirl “woke” because it’s a movie about a super-powered woman. Supergirl has the bones of a fantastic movie. The performances are phenomenal. Too bad the DCU tried to cater to certain demographics.

Those are my thoughts on Supergirl. Let’s see what Season thinks about the film.

Season’s Thoughts

I also think Supergirl got too much hate from critics. If you isolate Supergirl from Supergirl: Woman of Tomorrow, it’s an enjoyable movie. It’s fun to watch regardless, but I couldn’t help myself from comparing it to the source material. I’ll get to the source material later.

Supergirl showed Kara overcoming adversity, but that got overshadowed by Lobo and the sex trafficking of young girls. The reason the movie gave for the sex trafficking of young girls was because the Brigands were an all-male race. Okay. I suppose you can argue that reason, but the sex trafficking was so unnecessary and ham-fisted into the plot. It was plain gross for the sake of being gross. Krem also killed one of the girls for sport. If the Brigands really needed these girls to continue their race, why kill one of them instead of capturing them?

Speaking of Krem, an interesting design choice was made for him in Supergirl that doesn’t match with Supergirl: Woman of Tomorrow. My guess is it goes back to Lobo’s inclusion. Lobo is already an interesting looking character with extreme expressions and mannerisms. In Supergirl: Woman of Tomorrow, Krem looks like a red-headed barbarian with crazy eyes. Supergirl made Krem out crazy-fie Lobo with several piercings across his face, leather clothes, and a rat tail turned into a braid. They also gave him red eyes. You know, to match Lobo. Since Krem was the more evil between himself and Lobo in Supergirl, he had to have a more extreme appearance. I see you, Craig Gillespie.

I’m sorry to all the Lobo fans out there, but he was a distraction. Spoiler alert: Lobo stole Comet’s scene in Supergirl. In Supergirl: Woman of Tomorrow, Comet is the one who saves Supergirl from the onslaught of Brigands, losing his life in the process. This is a very dark and emotional moment in the source material. I cried when I read it. In Supergirl, Lobo rescues Supergirl from the Brigands and turns it into a slapstick comedy moment. Supergirl explained Lobo’s reason for being present was that he was after the bounty of one of the Brigands. That makes sense for Lobo’s character, but Supergirl is only one-hundred and seven minutes. All of Lobo’s screentime is distracting from the main story.

On to the positives. Supergirl was fun to watch. Milly Alcock did an amazing job of capturing Supergirl as a character. Eve Ridley also did a good job of portraying Ruthye. Ruthye’s internal monologue wasn’t included in Supergirl, but I didn’t mind. The movie could have easily been lengthened to over two hours if Ruthye narrated the movie.

I didn’t think Supergirl would include the green sun. I was pleasantly surprised. Not only was it included, but it cut out the extra exposition in Supergirl: Woman of Tomorrow, which was much appreciated. Supergirl: Woman of Tomorrow dragged a bit on the extent of Supergirl’s affliction to the green sun. In Supergirl, Ruthye’s strength was portrayed through her restraint and perseverance. We didn’t need to watch her slay monsters.

That’s my take on Supergirl. Geekly Gang.

Hey, hey, Geekly Gang. Kyra Kyle here again. Did you agree with our takes? What do you think of Supergirl? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Casting: Overwatch

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Happy Monday, Geekly Gang! Kyra Kyle here, and today, we have another Geekly Casting. Skye and I will be casting for a hypothetical Overwatch film. I found it difficult to pare the list of Overwatch characters to a manageable number. I forgot the original Overwatch launched with 21 characters. Twenty-One! We’ll cast a full twenty-one characters, so I researched Overwatch’s original cast–the one they used during demos before the game officially released–and found twelve. That’s a much easier number. I added a couple of characters (two) who will show up at the end of my segment. One makes sense for lore reasons, and the other sounded like fun to cast. So, we’ll have fourteen cast members. Yay!

Looks like Skye is sitting out this Geekly Casting. Hopefully, she’ll return soon. I’m flying solo with this Geekly Casting, so let’s get it started. Here is Geekly’s Casting of a hypothetical Overwatch movie.

Bastion: Ben Burtt

I almost didn’t cast anyone to voice Bastion. But someone does just that in the game: Chris Metzen. While Chris Metzen would make a great Bastion for an Overwatch film (because he is Bastion), I opted to go with Ben Burtt, who voiced Wall-E. Let’s be real. Bastion has Wall-E tones. If you’re not going to go with the original, you can’t go wrong with Ben Burtt.

Tracer: Emilia Jones

Tracer is young, British, and full of spunk. I had plenty of choices for this role, but I chose Emilia Jones (Locke & Key and CODA) because she’s already proven her acting chops. She’s received multiple awards and was nominated for a BAFTA. Jones just needs a big break. Tracer could be that big break. And it doesn’t hurt that she’s a dead ringer for Tracer.

Reaper: Tyler Dean Flores

While I could’ve gone with an older, stoic Latino actor like Danny Trejo or Javier Bardem, I wanted to go younger with Reaper. Tyler Dean Flores got his start on The Dark Knight Rises and has steadily built a varied and impressive acting career: When They See Us, I Saw the TV Glow, and The Falcon and the Winter Soldier. Flores has range and is another actor who could use a big break. Flores could give Reaper depth.

Widowmaker: Megan Northam

Widowmaker is a French ballerina turned sniper. Who better to portray her than jack-of-all-trades Megan Northam? Northam trained for a decade on the cello at the Nantes Conservatory. She’s even a dancer. Great! And Northam is French. Perfect! Northam’s breakout role came in 2021 in the French comedy Robust. She later starred in Netflix’s Notre-Dame and the Amazon Prime series, Greek Salad. I could easily see Northam pull off a convincing Widowmaker.

Pharah: Jamila Awad

Jamila Awad has had a varied career. She’s acted in comedies and dramas alike but hasn’t been in a major project in half a decade. Awad took part in a UNICEF campaign alongside numerous Egyptian and international artists, including Mona Zaki. The objective of this campaign was to enhance awareness of children’s rights on a global scale and within the Arab region. And last year (2025) Awad was the face of Armani Beauty. I could see Awad make a triumphant acting return as Pharah.

Reinhardt: Michael Fassbender

German-Irish actor Michael Fassbender needs little introduction. He’s freaking Magneto. While he may need to be aged up a little bit for the role of Reinhardt, Fassbender can pull off the accent. He has the gravitas that will pull in combatants and viewers as Reinhardt. The only thing that surprises me with this pick is that I haven’t cast Michael Fassbender in anything yet. A good Overwatch film could erase the less-than-stellar Assassin’s Creed movie. Yikes!

Mercy: Isabel Lucas

“Heroes Never Die.” The same can be said of Samantha Cage, Isabel Lucas’s character in MacGyver. Lucas certainly has the look to play Mercy. It also helps that Lucas can speak Swiss-German, so Mercy’s accent should be no problem. Recently, Lucas has returned to Australian film, but I’m sure the role of Mercy could convince her to return to Hollywood.

Torbjörn: Bill Skarsgård

Bill Skarsgård is another actor who needs no introduction. The Pennywise actor may seem like an odd choice for Torbjörn, but Skarsgård is no stranger to mountains of prosthetics. He loses himself in most of his roles. And can’t you see Skarsgård in full Torbjörn makeup and beard extensions? It’d be glorious.

Hanzo: Brian Tee

Chicago Med star Brian Tee is no stranger to action films. He’s been featured in Fast and the Furious: Tokyo Drift, The Wolverine, Jurassic World, and Teenage Mutant Ninja Turtles: Out of the Shadows, where he portrayed none other than Shredder himself. Yeah. Tee has the credentials to pull off a menacing Hanzo.

Winston: Crispin Freeman

I’m keeping it simple with Winston. His voice actor Crispin Freeman retains the role. Why not? Winston will most likely be predominantly CGI. It makes sense to keep Winston’s video game voice actor. Nuff said.

Zenyatta: Feodor Chin

I’m sensing a trend here. I’m going with Zenyatta’s original voice actor Feodor Chin. The role will most likely be achieved through CGI, so why not have the classically trained Chin reprise his role? Chin has forgotten more about acting than most of us will ever know. He’s starred in live action, animation, and video games. Chin has countless acting credits, but here’s a list of his highlights: Big Little Lies, Lethal Weapon, Jane the Virgin, New Girl, Hit-Monkey, What If?, and Regular Show. And that’s on top of all Chin’s video game voice acting.

Symmetra: Anjali Bhimani

Okay. I’m three for three with these last three roles. I’m sticking with Symmetra’s voice actor Anjali Bhimani. Clearly, Symmetra won’t be CGI, but seeing Bhimani in live-action roles makes me smile. She was one of the reasons I watched Ms. Marvel. And if you’ve ever seen Bhimani on YouTube Dungeons & Dragons videos, you know she has charisma to spare. Being a D&D fan gives Bhimani extra geek cred. It also doesn’t hurt that Bhimani also voices one of my Apex Legends’ mains, Rampart. She’s gotta be the live-action Symmetra.

Genji: Mamoru Miyano

Mamoru Miyano may be primarily known as a J-Pop star and voice actor, but Light Yagami from Death Note is one of Miyano’s voice acting credits. Ah. I like the idea of an android Light wreaking havoc. Miyano has the presence to pull off Genji’s voice. And if you noticed, Genji is one of my final two entries. He wasn’t one of the original 12 characters in Overwatch’s demo, but I couldn’t include Hanzo without including his brother, Genji.

D.Va: Bae Suzy

D.Va may be an E-Sports star, but she gives off crazy K-Pop Idol vibes. I’m leaning into the K-Pop angle with Bae Suzy, who just so happens to have built a solid acting career. I can see Bae Suzy saying “Nerf This” before ejecting from a mech. It also doesn’t hurt that Bae Suzy has martial arts training. She can pull off an action role like D.Va.

Those are my picks for a hypothetical Overwatch live-action film. Thank you for reading. You’re awesome. We all know, and wherever you are, I hope you’re having a great day.

Whatcha Watching Geekly April 2026

Whatcha Watching, Geekly? April 2026

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Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been watching over the past month. Feel free to share what you’ve been watching, too, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been watching over the past month.

Kyra’s Movies

I haven’t watched too many movies over the past month, and I’m unsure if Untold: The Death and Life of Lamar Odom counts as a film. But I’m counting it. I’ve watched less and less of sports and sports-related content in the past dozen years. Netflix’s Untold series has a tendency to mischaracterize events (at best) or outright lie about details, so I watched The Death and Life of Lamar Odom with some level of skepticism. Typically, the Netflix Untold series paints its subjects in a glowing–or at least positive–light. The Death and Life of Lamar Odom bears many of Lamar’s secrets.

Let me count the ways. Lamar admits he didn’t invite his family to his and Khloe’s wedding. He confessed that he married Khloe, in part, because he wanted the Kardashian lifestyle. The reality show, Khloe & Lamar, was his idea; Khloe didn’t want cameras capturing the couple’s private life. Lamar initiated his and Khloe’s divorce; Khloe put together an intervention, stating they should separate if he didn’t get clean, and he chose drugs. And we watch candid videos of Khloe nursing Lamar back to health. The two may have even reconciled if Lamar hadn’t relapsed shortly after physical therapy.

Untold: The Death and Life of Lamar Odom holds back few of Lamar’s flaws. I actually felt sorry for Khloe Kardashian. Provided that Lamar Odom endorsed this short documentary, I believe it to be an earnest attempt by Lamar to make amends. The Death and Life of Lamar Odom may not be a hopeful story through most of its runtime, but the ending offers levity. This is one of the better Untold documentaries.

I may have mentioned Woman of the Hour in a previous Whatcha, so I’ll keep this brief. While Anna Kendrick’s debut directorial debut may have received modest reviews, I saw real potential. Kendrick showcases a keen cinematic eye in Woman of the Hour. Ironically, Kendrick doesn’t quite deliver as the title character, Sheryl, but most of the cast nail their portrayals. Zovatto’s Alcala strikes the appropriate balance of fear and unease. Tony Hale’s Dating Game host Ed and Pete Holmes, the creeper acting coach, effectively portray toxic masculinity circa 1970s. Max Lloyd-Jones’ Ken even illustrates how women can be silenced and why they may not come forward after an assault.

There’s so much to love about the characters in Woman of the Hour. The story’s a little clunky. But again, the cinematography is fantastic. The opening and closing sequences will leave one gasping. Is it weird that I put on true crime shows and movies as a comfort? Don’t answer that.

Kyra’s Shows

I may have watched Aunty Donna’s Big Ol’ House of Fun this past month. It was a blur. Or I could’ve been so high, I was on the show. I love watching Aunty Donna sketches on YouTube, so I decided to give their Netflix show a try. Aunty Donna’s Big Ol’ House of Fun plays out like a raunchier and updated Monty Python with an Australian twist. In short, it’s bizarre.

At one point, Broden Kelly dressed as Ellen DeGeneres talks Zachary Ruane through an intergalactic voyage in his “brand new car.” This one scene made me question what was happening. It went on for a good ten minutes. Zach picks up more than one new car on his voyage, and he turns blue. Everyone who passes through a black hole turns blue. You didn’t know that? Aunty Donna’s Big Ol’ House of Fun had plenty of laughs, but there were plenty of head-scratching moments, too. I wouldn’t have it any other way.

Each episode’s theme allows the Aunty Donna gang to tie in some callbacks to previous moments. If you’re cleaning up for the Queen visiting your flat, of course, you’re going to sweep up the little man who lives in the corner of the kitchen. We need to hear his story of owning shoes made of buttons and his bubble gum pillow. That’s a taste of what you can expect in Aunty Donna’s Big Ol’ House of Fun. Expect the unexpected.

And I’ve been watching the latest season of Daredevil: Born Again. I review most episodes each Saturday and hope to continue throughout the show’s second season. I’ve enjoyed what I’ve seen of Daredevil: Born Again Season Two. The show does suffer from an abundance of characters, so the episodes that focus on Daredevil: Born Again‘s central cast are typically its strongest. As I write this entry, I have yet to watch this week’s episode, but I’m certain that will soon change.

That’s all I have for what I’ve been watching this past month. Let’s check in with Season.

Season’s Movie

I haven’t watched much recently, but I did rewatch The Devil Wears Prada in preparation for the upcoming sequel. I watched it for the first time when I landed in Japan for foreign exchange and rewatched it several times in my dorm room. At first, I watched The Devil Wears Prada for its story. The subsequent views were for the clothes. The Devil Wears Prada may have come out in 2006, but a lot of those clothes still look fashionable today. With a runtime of 109 minutes, The Devil Wears Prada doesn’t take long, and it’s an easy watch.

The trailer for The Devil Wears Prada 2 features Simone Ashley (Kate Sharma in Bridgerton) as one of Miranda Priestly’s (Meryl Streep) new assistants. I’m unsure about the story, but I’m liking the new (and old) cast.

Hey, hey! Kyra Kyle again. Our movie geek Skye has a hectic work schedule. Hopefully, she’ll be back for next week’s post. But what have you been watching over the past month. Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Skyes Favorite Rob Reiner Films

Skye’s Five Favorite Rob Reiner Films

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Hello, Geekly Gang. Skye here. For months, I’ve wanted to pay my proper respects to Rob Reiner. Since March is Reiner’s birth month (March 6th to be exact), I felt this month was the best time. Most movie-goers don’t notice how prolific a filmmaker Rob Reiner was. Heck. When I discuss movies with people, they tend to forget that Reiner directed some of their favorite flicks. When I saw the list of his greatest movies, I realized how big a creative powerhouse we lost last year. I’ll do my best to honor a masterful portfolio of cinematic brilliance. With that said, let’s dive in with my favorite Rob Reiner films.

5: This is Spinal Tap (1984)

I first watched This is Spinal Tap a few months ago. It earned a place on this list for one primary reason: its impact on the “mockumentary” genre. While not the first film to invent a farcical scenario and frame it as factual (I like “F” words right now), This is Spinal Tap popularized the subgenre. If This is Spinal Tap weren’t created, we likely wouldn’t have movies and shows like Borat or What We Do in the Shadows, let alone the series of mockumentaries Christopher Guest (who stars in This is Spinal Tap) would later direct. Even though I didn’t find This is Spinal Tap to be laugh-out-loud funny, it certainly defined the “mockumentary” subgenre. It also kept me entertained by consistently throwing odd, ridiculous scenarios at me, which made me giggle.

4: When Harry Met Sally (1989)

Before I saw When Harry Met Sally, I had heard many positive things about it. As far as I heard, When Harry Met Sally was a quintessential romance. I saw what everyone meant. When Harry Met Sally combines several interesting elements in equal measure. It can be charming, awkward, funny, uncomfortable, and ultimately, satisfying. The two leads’ relationship plays out like a rollercoaster of emotion that feels incredibly personal and realistic. My favorite aspect of When Harry Met Sally is how both leads are equally likable and unlikable at the same time, but despite their flaws, I wanted to see them end up together. When Harry Met Sally is worth watching, and its high praise. It’s unforgettable.

3: Misery (1990)

As soon as I saw Misery, I had a feeling it would be one of my favorites. Adapted from the Stephen King novel of the same name, the Misery motion picture focuses on similar themes regarding the difficulties of creators to balance pleasing audiences and exploring new ideas. Released in response to the lackluster readers’ reaction to Stephen King’s first fantasy novel, Misery’s story is coated in creative frustration, and Rob Reiner understands that feeling. Every scene drips with creative frustration. Misery manages to create a hostile and unpredictable atmosphere for its protagonist, Paul Sheldon, at the hands of one of fiction’s most horrifying villains, Annie Wilkes, and it’ll make you rethink what it means to be someone’s number one fan.

2: Stand By Me (1986)

Stand By Me was the first R-rated film I have ever seen. At first, I was skeptical. Soon, I realized Stand By Me‘s weight. Chronicling the experiences of four young friends going on a quest to see a dead body, it’s not always easy to watch. Based on a Stephen King short story titled “The Body,” Stand By Me does a good job of detailing the rough side of childhood and how our relationships can help us through the quagmire of growing up. There’s a reason Stand By Me is on a lot of critics’ short lists of greatest coming-of-age movies. Stand By Me connects the audience with its material through great performances, relatable scenarios, and realistic problems. Stand By Me easily takes the number two spot on this list.

1: The Princess Bride (1987)

Call me shallow, but there was no way Princess Bride wasn’t going to be my number one Rob Reiner movie. I grew up with The Princess Bride. It served as my gateway into romance, action/adventure, and comedy in a medieval setting. Reiner includes something for every viewer. Don’t like action? The movie is built around the romance between the two leads and has several comedic beats. Don’t like that mushy crap? No problem. We have André the Giant! Because of that, most viewers can find something to like in The Princess Bride. That’s why it claims the top spot.

Thank you for reading my picks for my “Top 5 Favorite Rob Reiner Movies.” I hope you enjoyed it, because I certainly enjoyed paying tribute to a truly talented filmmaker. Rest in peace. With all that said, I’m curious what your favorite Rob Reiner movies are. As always, feel free to let us know in the comments, and I hope y’all are having a wonderful day.