Category: TV

Daredevil: Born Again “Requiem” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with this week’s Daredevil: Born Again review/reaction. This week’s episode, “Requiem,” breaks away from the show’s recent trend of focusing on a few specific characters. “Requiem” also showed how too many characters can cause problems with building a compelling story.

Honestly, I forgot just how many characters Daredevil: Born Again attempts to juggle. “Requiem” even added Jessica Jones to the mix. I doubt Jones will show up again until the final, final battle. Yes. Daredevil and Kingpin square off near the end of this episode. I doubt that’s the final, final fight between the two this season. I don’t know where to begin. I started with Jessica Jones, and she does show up at the beginning of “Requiem,” so she may be as good a place to begin as any.

Jessica Jones has a child, presumably with Luke Cage. When she speaks with Daredevil, Jones mentions that her powers have become unstable after giving birth (that shows up later in this episode) and that “some of their kind were willing to comply with Kingpin.” Does that mean Luke Cage surrendered himself to the Anti-Vigilante Task Force (AVTF)? Maybe. Charlie Cox (Daredevil) has expressed interest in Mike Colter returning to his role of Luke Cage. This could open the door for that. I wouldn’t say no to Colter making another run as Cage. But Cage–and Jessica Jones–deserve their own show or shows.

Jessica Jones doesn’t have much to do in “Requiem.” We catch glimpses of her taking out the AVTF at her house, she shares a rooftop conversation with Daredevil, and helps Daredevil crush the AVTF at the Red Hook docks, but not before showing her powers being flaky. It was fun seeing Ritter return as Jessica Jones. It will be fun if Mike Colter reprises his role as Luke Cage. But it’ll be less fun if Jones and Cage play second fiddle to Daredevil in a show. This is Daredevil: Born Again. The show bears Daredevil’s name and has introduced its fair share of new vigilantes. There’s a reason the AVTF exists.

While there are rumors of a Defenders revival, I’d like to see Jones and Cage in their own show together, or at least give the two a special presentation like the one The Punisher will get in the middle of next month. I can’t wait for The Punisher Special. I believe Marvel plans to give Jones/Cage a show or special, but they’ll needto convince Colter to return to the Luke Cage role. Charlie Cox has been on record, saying he wants Colter as Cage. Colter hasn’t yet shared that sentiment.

With Jones out of the way, let’s get back to Daredevil: Born Again’s core characters. Or at least who I think should be Daredevil: Born Again’s core characters. Kingpin doesn’t take his wife’s death well. Gasp! JK. That didn’t surprise me. It also didn’t surprise me when Kingpin murdered the doctor who failed to save his wife, even though the doctor undoubtedly did everything he could to save Venessa. Kingpin attends Venessa’s funeral, and then we don’t see him until his fight with Daredevil. The fight leans into Kingpin’s loss. We even get a moment when Kingpin laments destroying the painting her purchased from Venessa (also signifying the day they first met). It was done well enough, but it felt forced. “Requiem” had too many other characters and story threads to tackle.

Ironically, Daredevil also had little screen time. Sure. He and Jones took down the AVTF (as I mentioned above), he shares a tense moment between Bullseye and Karen Page (but Daredevil served as a sounding board for Karen Page, sharing her motivation to kill Bullseye), and he fights Kingpin, but even this fight gets interrupted by Page spurring the resistance (NYC) to fight back against Kingpin and Kingpin even gets a moment to mourn the loss of his painting (his greatest connection with Venessa). I know I said Jessica Jones had little to do in “Requiem.” The same may be true of Daredevil. And this is his show.

It took the second or third viewing of “Requiem” for me to remember that Daredevil: Born Again had paired Heather Glenn (Daredevil’s ex) and Buck Cashman (Kingpin’s right-hand assassin). Heck, Vanessa set the two together at a formal dinner a few episodes ago. Please forgive me. I tried not to pay attention to the scene Glenn and Cashman shared. Buck asks Heather to choke him like Muse choked her. Yikes! I couldn’t tell if the showrunners wanted this scene to read like someone dealing with trauma (Glenn facing her fears) or Glenn and Cashman getting kinky. Maybe it’s both. If it’s both, yuck. I wanted to skip this scene the second and third time. Was Daredevil: Born Again going for uncomfortable? If so, mission accomplished. I felt uncomfortable.

Moving to another would-be romantic pairing, BB Ulrich celebrates Deputy Mayor Blake’s birthday at his mom’s house. Blake takes Buck’s advice and feeds BB–that’s a lot of “B” names–fake information about Kingpin. BB almost takes the bait, but she melts when she scans Blake’s childhood bedroom. Aw! She genuinely cares for him, and Blake cares for him because he’s been protecting BB from Buck for several episodes by this point. He can no longer protect her from Buck. This could lead to an interesting couple of episodes for Blake. Does he choose Buck, and by extension, Kingpin? Does he choose BB? Does he play both sides? This scene doesn’t take too much of “Requiem,” but it’s strong.

And that brings us back to Page and Daredevil. I don’t know if their relationship will last. We see plenty of cracks when Page threatens to kill Bullseye. Page and Murdock don’t see eye-to-eye with how to continue the rebellion. For now, it looks as if Daredevil’s methods govern the movement, but Page gets abducted in “Requiem’s” closing moments. While Kingpin murdering the doctor was a gimmie, I don’t know how he’ll deal with Page. She wants Bullseye dead. Kingpin definitely wants Bullseye dead. The two may have a shared goal.

“Requiem” tries its best to juggle all of Daredevil: Born Again’s characters, but the show has too many characters. I didn’t even mention White Tiger. She didn’t have much to do either and quickly vanished. There’s only so much screen time for all of these characters. Wait! Doesn’t Matt Murdock have a legal partner? What has McDuffie been up to these past two episodes? Oh. And I didn’t mention the brief moment we had of Matthew Lillard’s Mr. Charles. So…many…characters. But I am interested in what a Page/Kingpin exchange will look like. Next episode’s title, “The Hateful Darkness,” may hold a clue to the next show’s motif.

But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again “The Grand Design” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another review/reaction of this week’s Daredevil: Born Again episode, “The Grand Design.” Today’s post will resemble last week’s in that it’ll be more of a reaction than a full review. Again, I only watched “The Grand Design” a single time (not my typical two or three), but again, this week’s episode remained focused on its principal characters–maybe even more so than last week–and that’s a great development.

I may have been too hasty to pronounce Venessa Fisk deceased last week. But spoilers, she perishes “for real” at the end of “The Grand Design.” This delay gave Daredevil: Born Again the chance to give Venessa the send-off she deserved, and it managed to still lead to a great shock. Perhaps others felt otherwise, but “The Grand Design” lulled me into a false sense of security. Venessa pulled through. I began to think she’s going to make it, and some other event will need to occur to fully unleash The Kingpin. Not so fast.

Venessa’s passing away this way may invoke more trauma within Wilson. The acting was brilliant. The moments between Wilson and Venessa show why they’re a great couple. While I’ll be sad to see her go, I can’t wait to see Kingpin channel his rage toward Bullseye and Daredevil. Oh. There will be a reckoning.

Daredevil and Bullseye share several heart-to-heart talks. These scenes very much remind me of the ones between The Punisher and Daredevil in the original Netflix Daredevil. I mentioned that last week, but it bears repeating. And yet, “The Grand Design’s” emotional center plays out through Daredevil, or rather Matt Murdock, flashbacks with Foggy Nelson. Typically, I don’t care for an abundance of flashback scenes, but they work in “The Grand Design.” Daredevil’s remembering Foggy parallels Kingpin’s journey with Venessa. And like Wilson and Venessa’s flashbacks informing the present-day action, Foggy’s moral code informs Matt’s actions.

Honestly, “The Grand Design” is the farewell I wanted for Foggy over a year ago. I’ve said this before, too, but again, it bears repeating. It’s not that Daredevil: Born Again can’t kill off popular characters; it matters how the show does the deed. Fans got to say goodbye to Foggy. Finally! Matt was forced to reflect on WWFD. What Would Foggy Do? Foggy’s influence caused Daredevil to return for Bullseye. Foggy was the one who preached mercy. Sure. At times, Daredevil: Born Again delivers this message in a ham-fisted way, but the message was important. These scenes showed why Foggy was important.

Returning to the here and now, Blake and Buck make an unconventional tandem. It’s clear the two actors portraying these characters have chemistry. And yes, we receive Buck flashbacks during “The Grand Design.” Like I said, this episode leaned heavily on flashbacks. Anyway, I’ve praised Gandolfini’s (Daniel Blake) performance in the past, and he brought it again this week. Gandolfini’s acting sold the rising tension. Sorry. Gandolfini and Arty Froushan (Buck) sold this rising tension. It’s a joy watching these two switch from a cat-and-mouse game of intentions to mutual respect and friendship. Heck. They manage to portray both facets of these relationship at the same time.

And that brings me back to Daredevil: Born Again’s acting. With a handful of exceptions, it’s superb. The actors care about their characters. They understand what makes them tick. From an action standpoint, very little happens during “The Grand Design’s” runtime, but it doesn’t matter. This episode is the calm before the Kingpin storm. Daredevil: Born Again is about to get loud. My only concern is that the show may begin to lose focus. These past two weeks were great, but I know Jessica Jones is about to make her MCU debut. While I can’t wait to see Ritter reprise the role, I wonder how Daredevil: Born Again will fit in Jones. She’ll need more than the cameo The Punisher received last year. The Punisher is getting his own special in a month. Correct me if I’m wrong, but The Punisher appeared before Daredevil: Born Again season one’s midway point last year. Can the show squeeze in Jones, especially since we’ll be seeing full-throated Kingpin?

Daredevil: Born Again also sidelined multiple characters like BB, Kingpin’s staff, and even Karen Page the past couple of episodes. Kingpin may not be the only one making noise in the season’s final three episodes. But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again “Gloves Off” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another reaction/review of a Daredevil: Born Again episode. This one may be more of a reaction than previous installments in this series. I only had time to watch “Gloves Off” once (getting ready for this weekend’s convention and sprucing up my board games for the Great Plains Gaming Festival’s gaming library has taken a lot of my time this week). As a result, I didn’t give “Gloves Off” my usual two or three viewings before posting a reaction/review. But I don’t think “Gloves Off” needed a second viewing. It was pretty straightforward, and that may be for the best.

I’m sensing a trend with Daredevil: Born Again. The show uses Bullseye as a catalyst for major change: Foggy’s death at the beginning of season one and Dex shooting Matt at the end of season one. We’ll get the spoiler part out of the way real quick. And just in case you have yet to watch “Gloves Off,” consider this a spoiler warning. Bullseye kills Kingpin’s wife, Vanessa, at the end of the episode. Again, Daredevil: Born Again choreographed this development before it happened. And again, I think this was the right move. “Gloves Off” may have other players sprinkled throughout its runtime, but the bulk of this episode focuses on the main cast. Another great development that I don’t think will continue in future episodes. Getting back to Venessa, her meeting with New York’s governor served as a farewell and foreshadowing.

As soon as Governor Marge McCaffrey said, “I can’t put my faith in Mayor Wilson Fisk…but I can put my faith in Mayor and Mrs. Fisk,” she signed Venessa’s death certificate. I knew immediately Venessa would perish. Daredevil: Born Again needed the tension an unleashed Kingpin would provide, and we saw Kingpin’s rage throughout “Gloves Off’s” runtime. The episode literally ends with Wilson Fisk boxing and killing (?) his opponent. Kingpin looked every part the role of someone who could challenge Daredevil to a physical confrontation. And Bullseye also gets portrayed as a competent killer. Most scenes with Bullseye are fun.

Daredevil: Born Again “Gloves Off” has plenty of dynamite scenes. The Bullseye scene at the beginning, where he takes down an entire squad of AVTF (Anti-Vigilante Task Force) members, was epic. I love it when Bullseye gets to cut loose. After watching this, I did question how Fisk could recruit so many people to the AVTF. Bullseye has been systematically killing off AVTF like they’re nameless Stormtroopers. I can’t imagine too many people wanting to sign up for AVTF duty when the survival rate is so low.

But moving on, Bullseye’s current storyline mirrors The Punisher’s from the original Netflix Daredevil. Bullseye is taking an extreme view, going further than Daredevil would ever consider, and the two (Daredevil and Bullseye) share a debate while they fight. Honestly, I think Daredevil: Born Again did a better job of integrating this debate (of killing versus non-lethal means of subduing enemies) in an action sequence than the original Daredevil. If I remember correctly, the bulk of The Punisher and Daredevil’s debate in Netflix’s Daredevil took place with Daredevil tied to a chimney. I much prefer Daredevil: Born Again’s presentation of this debate. At least, so far.

“Gloves Off” did a great job of tying up some loose ends, like the Northern Star’s first mate. It further develops Angela del Toro (soon to be White Tiger) as a member of the resistance, and Daredevil as the resistance’s symbol. “Gloves Off” does a fantastic job of setting up the idea of Kingpin without his wife, showing him to be a formidable foe (from a physical standpoint), and ending with what should be the catalyst for Fisk embracing the Kingpin moniker again. Daredevil: Born Again even did a good job of showing Wilson Fisk’s disdain for New York, calling him Mayor Kingpin through BB’s underground videos. “Gloves Off” is a great example of a standalone Daredevil: Born Again episode.

I do wonder if Daredevil: Born Again intends to continue using Bullseye as a narrative crutch. The show may be training viewers to perceive Daredevil: Born Again episodes that include Bullseye as more consequential. And Bullseye gets injured at the end of “Gloves Off.” We may not see him again until closer to Daredevil: Born Again’s season finale. You can’t see it, but I’m stroking my chin. Hmm. Bullseye may return closer to Daredevil: Born Again’s season finale. Coincidence?

But what do you think about Daredevil: Born Again “Gloves Off?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again, “The Scales and the Sword” Review

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Hey, hey, Geekly Gang! Kyra Kyle here for a second round of a Daredevil: Born Again review/reaction. This post will focus on the second season’s third episode, “The Scales and the Sword.” It played out exactly how I thought it would. If you didn’t catch my thought on “Shoot the Moon,” here’s a link to the previous episode’s reaction. While some may say that an episode playing out exactly as someone believed it would is not a good thing, it works in the case of “The Scales and the Sword.” But this fact may have played a role in Daredevil: Born Again’s second and third episodes releasing the same day. They’re two halves of the same episode.

Seriously, I got the sense that Disney/Marvel ended up with an hour and a half to two-hour episode and decided to cut it into two, roughly forty-five-minute episodes. Angela dons White Tiger’s amulet and helps Daredevil escape his infiltration of Red Hook. We even get a trial scene with Duquesne (Swordsman) that goes as well as you’d expect. All of this I predicted. But again, I don’t think this is a bad thing. It proves that Daredevil: Born Again is building toward something. Many of the major plot points have yet to be revealed. And I’m certain we’ll get plenty of twists and turns before the second season’s climax.

I said it before, and I’ll say it again, Heather Glenn serves as a fantastic secondary antagonist to Daredevil. She has a haunting history in the comic books. I won’t spoil that here, but trust me, Daredevil: Born Again could’ve gone a lot darker with her storyline. It still could. I like how she navigates her trauma at the hands of Muse. It makes her sympathetic. She believes she’s doing the right thing. Her scenes around Duquesne trial are great. I loved the quick rundown we got with Heather and Buck at the ball. We may have even gotten a hint that Blake will become The Rose. Buck and Heather could be an interesting couple.

I don’t have much to say beyond what I did with the previous episode’s (“Shoot the Moon”) reaction. It was a joy to watch Daredevil use his powers during the Red Hook infiltration, and I was shocked by how satisfying it was to watch Duquesne fight alongside the Man Without Fear. “Shoot the Moon” could stand on its own as an episode. I don’t believe “The Scales and the Sword” could’ve done the same. Disney/Marvel made the right decision to release both episodes on the same day. If we had gotten “The Scales and the Sword” by itself next week, we might’ve felt a little shortchanged. I’m glad Daredevil: Born Again tied up its early loose ends with this episode, and I hope this frees up the next episode to deliver a few twists.

That’s all I have for my reaction to “The Scales and the Sword.” I did watch the episode twice like I did the previous one, but there isn’t as much to discuss. “The Scales and the Sword” serves as an enjoyable second half to the last episode. But those are my opinions. What do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again, “Shoot the Moon” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another Daredevil: Born Again reaction/review post. Daredevil: Born Again released two episodes this week, so we’ll have a reaction for the next episode, “The Scales & the Sword,” later today. I’m writing this reaction/review of “Shoot the Moon” after watching the episode twice. I like most of the developments in this episode, but Daredevil: Born Again also continues its penchant for adding more story threads and characters we need to follow. Before long, I may need a roadmap.

Angela del Toro, niece of Hector Ayala (White Tiger) and definitely the next White Tiger, is reintroduced in this episode. I don’t mind having another White Tiger this quickly. Several characters have donned the White Tiger mantle. I like the story centered around del Toro. It gives ICE in Minnesota vibes. Daredevil: Born Again, Season Two may not have shot these scenes as an homage to ICE in Minnesota, but one can see parallels. I’m down for it. My issue from last week stands. Daredevil: Born Again, Season Two has a massive cast. It does a lot of things great, but I don’t know where to focus. I don’t even know if the show knows to place its focus.

The massive cast was my rant from the previous episode. I don’t know if I mentioned enough of the previous episode’s strengths. I do like how Kirsten McDuffie gets roped into Angela’s superhero origin. McDuffie already fights the legal battles for vigilantes. She’s going to war for vigilantes in the courtroom. I can see her helping Angela as the new White Tiger outside the courtroom. This could mirror Foggy and Matt’s relationship way back in the original Netflix Daredevil. I’m all for that. And it’s confirmed. BB Urich is behind the Mayor Fisk smear campaign, and she’s the one dressing up as Kingpin. I think I called that last week. If I didn’t, I certainly thought BB was behind the Fisk mask. Honestly, the reveal wasn’t that big of a shock, so it’s best that it occurred so soon in the season. But the scene between BB and Deputy Mayor Daniel Blake was fantastic.

I liked Daniel Blake’s portrayal from last season. We lost him in the second season’s first episode, but “Shoot the Moon” highlights why Blake is a dynamic character. Michael Gandolfini shows unlimited range in this episode. He switches from affable to terrifying within the same scene. He’s so good in this role. I don’t care if he is or isn’t Wilson Fisk’s son, Richard Fisk, also known as the supervillain The Rose. There are so many great performances on the Wilson Fisk side of the aisle. Sheila Rivera stands on the precipice of learning who Mayor Kingpin is and watching her navigate which path to take is mesmerizing. Vanessa and Wilson Fisk share several heartfelt moments in “Shoot the Moon.” If they weren’t murderers, you’d swoon.

And “Shoot the Moon” brings back Benjamin “Dex” Poindexter into the fold. It’s fun watching Wilson Bethel’s Bullseye get to work. There are so many delicious layered plot threads introduced in Daredevil: Born Again so far. Bullseye takes down the anti-vigilante task force (AVTF). This obviously hurts Fisk’s AVTF and authority. But it doesn’t do Matt Murdock any favors, because Fisk can blame most of the deaths on Bullseye working alongside Daredevil. And I like how Fisk sends NYC citizens after Murdock because he’s a hero, while siccing his AVTF after Daredevil. The only thing I didn’t care for was Matt explaining what’s happening to Karen because whoever wrote the script didn’t trust the audience would pick up on Fisk playing both sides. This was Kingpin acting like Kingpin. There’s a reason we love the big guy. Vincent D’Onofrio is brilliant.

And that brings me back to Venessa and Wilson, and I’ll add Matt and Karen. I like the parallels between these two couples. There’s a reason why the Heather Glenn/Matt Murdock relationship felt like it would be short-lived. The two didn’t have chemistry. Matt Murdock and Karen Page’s relationship is the one that could rival Venessa and Wilson’s, and it’s great to see them together in Daredevil: Born Again. But I do like Heather Glenn as a secondary antagonist. The Vigilante Trials should play a huge role in Daredevil: Born Again’s Second Season. I’m watching these episodes one at a time, so I may contradict myself in the next post. In fact, I’m going to make some predictions before I watch the next episode, “The Scales & the Sword.”

Sword makes me wonder if the Swordsman will get involved. We may see Duquesne, but I think we’re more likely to see him in court, the aforementioned Vigilante Trials, because Scales and the Sword is also the symbol for justice. Red Hook was built up in this episode, so we’ll see Daredevil attempt to infiltrate the facility. And there’s an outside chance del Toro will don the White Tiger amulet. Most likely, she won’t wear an outfit…yet.

I may have focused a lot on the first episode’s shortcomings, but I do like Daredevil: Born Again’s, Second Season. There are a lot of interesting characters and plotlines. I just hope we get some satisfying payoffs. But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil: Born Again “The Northern Star” Review

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Happy Monday, Geekly Gang! Kyra Kyle here with a review/reaction to Daredevil: Born Again, Season Two’s premiere, “The Northern Star.” Daredevil: Born Again’s second season begins well, but one issue persists: the show feels off-balance. I’ll get to the good stuff soon (and there is a lot to like about “The Northern Star”), but I can see Daredevil: Born Again’s showrunners’ original vision of making seasons one and two of Daredevil: Born Again a single season. I don’t yet know if this show could’ve worked better with these first two seasons squeezed into a single season, but I’ve been on the record stating that Daredevil: Born Again Season One did a better job developing Kingpin’s side of the narrative, while shortchanging Daredevil’s. Yeah. This season, or at least during this season’s premiere, the roles reversed.

Daredevil: Born Again has a balancing issue. Both “seasons” could’ve benefited from evenly spreading the love for Daredevil and Kingpin’s story. Granted, “The Northern Star” is season two’s premiere, and I didn’t rewatch Daredevil: Born Again’s first season. But I shouldn’t have to rewatch a show’s previous season. Again, this is the first episode of the new season. All may be revealed in future episodes. But that’s also my point. We had to wait a full calendar year for Foggy Nelson’s death to find meaning. Sure, Karen Page left Hell’s Kitchen for most of last season, but the first season spent too much time trying to develop new characters. Matt Murdock seldom grieved the loss of his friend.

He does in “The Northern Star,” though. What a difference twelve real-world months can make. Matt’s story glossing over Foggy’s death may have sparked a lot of last season’s doubts. It wasn’t that the showrunners couldn’t kill Foggy. It was that no one seemed to care he died. I’m glad that we finally see Matt and Karen grieving the loss. And that makes me wonder what this story could’ve looked like where this episode part of the first season. We would’ve seen this catharsis sooner, and I wouldn’t be playing catch-up, trying to remember who everyone is, with Kingpin’s characters. Were there always this many characters? Yikes! I may have mentioned the volume of new characters in the previous season, but returning to Daredevil: Born Again after a year requires flashcards. Who are these people?

And we’re not done introducing more characters like Mr. Charles, Matthew Lillard’s character, who works for CIA director Valentina Allegra de Fontaine. That’s a mouthful. Try saying that name three times fast. Mr. Charles is on Kingpin’s side of the narrative. We also get introduced to Ariana, who owns the Aegean Gardens, and aids in witness protection. Didn’t know that was a thing. That’s cool. BB Urich has more time to develop. I still don’t like the BB Report segments (the people on the street interviews with a shaky cam), but it’s clear, through a scene between Urich and Page, that she’s also the one behind the gorilla news stories defaming Mayor Fisk. This story angle has legs.

But that’s another minor issue. Many of these story angles have interesting ways they could go, but will Daredevil: Born Again season two have enough runtime to explore all of them? It’ll have to cut certain threads. I haven’t even mentioned Heather Glenn’s full heel turn. We got a whiff of Glenn (Murdock’s therapist girlfriend from last year) changing sides by the end of Daredevil: Born Again season one, but it was nice to see the show explore plenty of gray areas. Glenn may do the wrong things, but she believes she’s in the right. She suffers from PTSD after the attack by Muse. While I didn’t like how quickly Daredevil: Born Again dispatched Muse, I love how he continues to haunt the series.

And then there’s Murdock’s new law firm partner, Kirsten McDuffie (pictured above), who has an interesting interaction with one of Fisk’s lawyers, Benjamin Hochberg. And there’s also Cherry, the retired cop turned Murock’s personal investigator, who gets more to do in this episode. And Bullseye’s return gets teased. And the antivigilante task force continues its insane mission. And did I mention that the poignant Page-Urich scene is available because of a lead Page gets from Jessica Jones? Well, it is. And Krysten Ritter will return as Jessica Jones in Daredevil: Born Again season two. There’s a lot to unpack in “The Northern Star.” I watched this episode four or five times; that’s why this reaction got postponed from Saturday to Monday. I needed the weekend to digest.

Most of these are great developments. I’d love to see Ritter return as Jones. The Bullseye tease has me hyped. So many of these character developments are fun: McDuffie’s, Cherry’s, Page’s, the AVTF, most of Fisk’s entourage, and Glenn’s PTSD and struggling with remaining objective. I don’t know how Daredevil: Born Again season two plans to tie up some of these loose ends. Thankfully, Daredevil: Born Again will receive a third season; they’re already filming the third season. But I don’t want another Lost situation. For those who don’t know, the television show Lost presented numerous great ideas and seldom finished any of them.

Daredevil: Born Again should make good on many of its premises, but Matt did get shot (by Bullseye) at the end of last season, and we didn’t see the shot’s effects in the second season’s first episode. Something tells me we’ll get flashbacks and flash sideways and flash forwards to fill us in with Matt recovering from his gunshot. I’ll just leave this here: Lost used a lot of flashbacks and flash sideways and flash forwards, too. Uh oh. Let’s hope we don’t get too many flash somewheres.

That’s all I have for “The Northern Star.” Oddly enough, this episode could’ve used more guidance from something like a northern star. Daredevil: Born Again’s Season Two premiere was a solid beginning. I just hope the season can stick the landing. But what did you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Fallout Season 2: “The Strip” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with a reaction to Fallout Season Two’s Finale, “The Strip.” Before we get into any spoilers, I’ll set the table for this reaction/review. Fallout Season One played out similarly to Star Wars: A New Hope. The creatives behind the show didn’t know they were getting renewed for a second season, so they teased New Vegas as the setting for a potential Fallout Season Two. Conversely, the creatives behind the show knew they had been renewed for a third season before Season Two finished filming. So, Fallout Season Two’s finale plays out similarly to Star Wars: The Empire Strikes Back. Major plot points get introduced during the episode’s final ten minutes. Heck. There’s a rather large complication teased during Fallout Season Two’s end-credit scene.

Last week, I lauded Fallout season two’s penultimate episode for doing everything the next-to-last episode should do. It answers some questions, but held back elements for the season finale to explore. “The Strip” does a good job of answering some of these questions, but since season three is on the way, it asks almost as many questions as it answers.

I’ve kept this reaction spoiler-free for about as long as I can. We’re about to enter spoiler territory. You’ve been warned.

I’ll begin with Caesar’s Legion because it needs the least amount of explanation and receives the smallest airtime. Macauley Culkin’s character recovers Caesar’s corpse and reads the former leader’s last will. Basically, Caesar named himself his successor. Culkin’s Legate character doesn’t accept this answer and takes the crown for himself. He also eats Caesar’s message. Ew! Dude, that was on someone’s corpse, and it was decaying. Nastiness aside, Culkin’s character becomes the new Caesar and galvanizes the Legion toward the Holy Land, New Vegas, to build a palace. Caesar’s Palace. How many takes do you think it took Culkin to say that line without laughing? Watching the Legion march on New Vegas was a sight. I can’t wait for the impending battle.

Inside the Strip, Maximus fights off the horde of deathclaws. The action sequence ventures into the unrealistic. Deathclaws may be less deadly than radroaches. More on that in a minute. The scenes with Maximus and the deathclaws contain the most fan service. That’s much appreciated. Still no confirmation on what Thadeus is transforming into, but he manages to lead Freeside’s residents into a shop, where they promptly bet on how long Maximus can survive against the deathclaws. This is a nice callback to The Thorn (in Fallout: New Vegas). Combatants battled various wasteland creatures, like deathclaws, and observers would place bets. Nice!

The battle concludes when the New California Republic marches into town and takes over the deathclaw fight. While the moment when the NCR sniper kills a deathclaw brought a smile to my face, it was undercut by Lucy doing something similar a few episodes earlier. Why did Lucy need to mimic the NCR shot from the game? She was on Buffout. That was already cool and hilarious. I would’ve preferred Fallout to reserve that shot for the NCR. That’s a nitpick. The moment still rocked

Accompanied by Mr. House (via a Pip-Boy), The Ghoul searches the Vegas Executive Vault for his family. We receive a lot more of The Ghoul’s backstory, but I was left with even more questions. This is part of what I mean by Fallout Season 2 functioning like The Empire Strikes Back. The Enclave is behind most things, including the bombs falling, but we still don’t know who’s behind the Enclave. Someone’s behind it all, but we’ll get to that more while discussing Steph’s storyarc.
There are a lot of storyarcs during “The Strip.”

Surprise! The Ghoul’s family is not in the Vegas Executive Vault. Their cryogenic chambers are empty, but in Barb’s place was a postcard from Colorado. This is a callback to a Ghoul flashback. It looks like The Ghoul’s family is in Colorado. The Ghoul is at least on his way to Colorado. And this separates The Ghoul and Lucy.

Speaking of Lucy, she destroys the mainframe. Rather, at Diane Welch’s request, Lucy kills Welch’s severed head. Yeesh! I’m with Lucy in this scene. Why does everyone want her to kill them? While she ponders her next move, Lucy discovers her dad, Hank, escaped, and he wants to put a mind control chip on her, forcing her to obey. Dude, Hank just went total supervillain. Hank orders the brainwashed legionnaire to subdue Lucy, but The Ghoul shows up in the nick of time, shooting the legionnaire dead, and Hank in the buttocks. You could almost see the pop-up message, “Lucy Liked That.” Lucy turns the tables, placing a chip on Daddy Dearest. Before she hits the button, she wants answers. Of course, she doesn’t get them because Hank has his own button and resets his brain. This was a stellar moment.

Hank and Lucy’s story goes so hard. Both stay true to each other. We were never going to get a straight answer from Hank, and his action at the end solidified this fact. Loved this. We only have a few more threads to discuss: Steph, Norm, and the impending Enclave.

Surprise again! Steph and Hank are married. What? And the little time we get with Steph, we see her enact Phase Two, whatever that means. Steph contacts the Enclave, who have been listening to all the radio relays up to this point. A computer updates Phase One as completed, but Phase Two’s details are redacted. Because of course they are. My guess, and this is a guess, is that Phase Two has something to do with the Forced Evolutionary Virus. And that gets me back to Thaddeus. He may or may not become a Centaur, but he definitely got some variant of the Forced Evolutionary Virus.

We catch a glimpse of the Enclave, who have a base in the mountains. My guess, again a guess, is that the Enclave are based in Colorado, because that’s where The Ghoul is headed. We know the Super Mutants, who don’t make an appearance in this episode, have a vendetta against the Enclave. See what I mean about Fallout Season Two holding back most of its deck of cards? I have no idea where any of this will lead. “The Strip” gives us enough information to keep the audience engaged but dangles plenty of loose threads.

We have a couple more threads, I promise. The Vault-Tec goons unlock the radroaches from their farm. They wreak havoc. Seriously, the radroaches deal more damage than the deathclaws. Norm manages to rescue his would-be girlfriend, Claudia, from the wreckage. Funny how Norm and Claudia are the only ones left alive after the radroaches go ham. I’m not complaining. I don’t mind a Norm/Claudia side story for Fallout Season Three. So, that leaves us with at least four groups we’re following next season: Lucy, Maximus, and Thaddeus; The Ghoul and Dogmeat; Norm and Claudia; Vault 32 and 33. Oh. And the Brotherhood of Steel; they factor into the post-credit scene.

Elder Quintus has left his Unification stage and entered his Destruction stage. I’m unsure how the Brotherhood of Steel has hidden Liberty Prime Alpha, but I’m all for a kaiju battle in Fallout Season Three. There are so many places Fallout Season Three can go, and I’m pumped. Too bad we need to wait another year for the next episode.

So, what do you think? What was your favorite part about Fallout “The Strip?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Wonder Man Review

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Hey, hey, Geekly Gang! Kyra Kyle here again. I had intended to split my reaction to the MCU’s Wonder Man miniseries into two halves, but it wasn’t a long series, and I got into the series. In short, Wonder Man is one of the best Marvel television shows in years.

First, Wonder Man is only the second Marvel project to receive the Marvel Spotlight moniker; Echo was the first. The idea behind Marvel Spotlight projects is that one doesn’t need to know much about the MCU to understand and enjoy the show. While Wonder Man has some references to the greater MCU (most notably Ben Kingsley’s Trevor Slattery, the fake Mandarin from Iron Man 3), it does a great job of weaving in the information you need to know about the character during the series’ runtime. Second, Wonder Man abandons most superhero tropes. This is a superhero show for people who don’t like or are tired of superhero shows. The show centers around Trevor Slattery and Simon Williams’s (portrayed by Yahya Abdul-Mateen II) relationship.

The two of them are theater nerds, trying their best to break it in Hollywood. Their chemistry is electric. I’m struggling not to give away any spoilers. There will be some. You’ve been warned. Captured by the United States Department of Damage Control, Slattery is tasked with fetching enough dirt on Williams to lock him away for dangerous superpowers. But Williams only wants to be an actor. Unfortunately for Williams, there’s a ban on people with superpowers from becoming actors ever since Josh Gad–the actual actor, not a character Gad was portraying–disappeared into Darius “Doorman” Davis. There’s an episode in the middle of Wonder Man that chronicles Doorman’s exploits. It was a standout episode in a series filled with standouts.

Wonder Man manages to maintain tension and intrigue, despite the title character refusing to use his powers through most of the show’s runtime. This is one of the few Marvel shows that avoids an awkward middle. You know what I mean. MCU shows are notorious for losing their way and including filler episodes somewhere around the halfway point. The aforementioned Doorman episode occurs right when most MCU shows would falter. And it’s so good.

While it helped to already enjoy Kingley’s Trevor Slattery, pairing him with Badul-Mateen’s Simon Williams is brilliant. They make an unlikely pair of friends. But that’s skin deep. If you know the two of them, they’re more alike than one might guess. They’re both outsiders. Both have few if any true friends. They need each other, and their personalities play extremely well off each other. Trev is more laid-back, and Simon lives in his head. Heck, Simon overthinks everything. Trev helps Simon to relax; he literally teaches Simon the box breathing exercise. But Simon reminds Trev how rewarding acting can be; with Simon’s help, Trev rediscovers his passion.

The rest of Wonder Man’s cast is fantastic. While the show does include comedic moments (How can you not with Kingsley’s Slattery in the production?), it never loses sight of its emotional center. Wonder Man is one of the rare Marvel shows that avoids undercutting scenes with emotional weight with a bad joke. Kudos! I was not expecting that. Honestly, I thought Trevor Slattery would ham up every scene in which he was involved. I am happy to be wrong Unlike a lot of other Marvel shows, I’m going to return to this one. Wonder Man is worth your time. It reminds us of what the MCU can be. Fingers crossed that we’ll get other great Marvel Spotlight shows in the future.

What did you think of Wonder Man? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Fallout Season 2: “The Handoff” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here. Today will be a busy review Saturday. I’ll share my reaction to Fallout Season 2, Episode 7, “The Handoff” this morning before diving into the first half of the Wonder Man miniseries. Ah! But that’s for later. This post is dedicated to the most recent episode of Fallout. And my, was “The Handoff” a loaded episode. It does a great job accelerating the plot threads and themes Fallout Season 2 has developed. And there’s plenty of fan service.

I’d be tap dancing a lot if I tried to avoid spoilers here, so I may drop the occasional spoiler. I apologize in advance. Consider yourself warned of future spoilers. “The Handoff” begins with pre-war Steph–that’d be the same Steph who serves as Vault 32’s current overseer–escaping a Canadian detention center with her mother. Spoiler: her mom dies, but she tells her to do what she must to survive. Yes. This is another flashback, and I have mentioned this season of Fallout has teetered toward too many flashbacks, but the flashbacks during “The Handoff” felt earned, filled in some details, and played off the current actions. I love this motivation for Steph. She’s been creeptacular since last season. This episode does a great job exploring why.

And I like Fallout’s inclusion of Canada as the “51st State” or “Little America” during the closing credits. Fallout took that straight from the games. I mean, there’s no way a sitting United States President would want to annex Canada in the real world, right? Right? That’s only in fiction. And the fact that Chet uses Steph’s Canadian identity, the vault chases her into the Overseer’s Headquarters, and history appears to repeat itself (the previous Vault 32 Overseer appeared to have suffered a similar fate) is fantastic. Even better, Steph has control of the secret box she knew Hank MacLean had before the bombs dropped. “The Handoff” does a good job of paying off some questions, while posing more. What’s in the box, Steph? What’s in the box?

We get a little bit more time with Norm. He has enough time to use the radio to attempt to contact his father and sister. And we know Hank turned on the radio on his side. How many are connected to this line? And who was Hank trying to contact at the beginning of the season? All great build ups, but I would’ve liked a little more Norm screentime.

At the Vault-Tec facility, Lucy appears to support her father’s method of “peace,” but betrays him and races to sabotage the mind-erasing device. But the mainframe isn’t what she expects. It’s run by the preserved head of Congresswoman Diane Welch. Again, “The Handoff” does a great job weaving so many of the threads together, both present timeline and the past. We caught glimpses of The Ghoul’s past where he thinks he’s delivering Cold Fusion to someone who can help (namely, the same Congresswoman Diane Welch, who protested the billionaires club meeting a couple of episodes prior), only to be two-timed by who knows how many people. We’ll get to pre-Ghoul Cooper soon enough, but these glimpses show that Lucy and The Ghoul are–as The Ghoul once said–the same, only he’s her in the future. Ah! Yet another great payoff.

And I like Lucy’s story beats in “The Handoff.” I questioned if she was turning toward her father’s viewpoint or saw some value in it, and even when she showed disdain for her father’s methods, I still wondered if she would punish him. Or how would she punish him? Or how did she intend to stop him? All great questions that kept me watching. Many of them receive answers, but I’m still unsure if she powered down Welch’s head. Even if she did, what chaos would doing so bring?

And then we return to The Ghoul, Maximus, Thaddeus, and Dogmeat. I can’t overstate how well “The Handoff” calls back imagery from past episodes. Donning power armor reminiscent of the Courier’s armor in Fallout: New Vegas, Maximus strides down Freeside. A young child looks up at him in a similar fashion as Maximus looking up at a Brotherhood of Steel Knight. A quick slow clap for Fallout. Freeside’s residents applauded the New California Republic’s return to New Vegas; I’ll do the same for these references and callbacks. It won’t be long until the quartet rumble with the pack of deathclaws, but before the gang can reach the rickety wall, Thaddeus’s arm falls off. Yeah. That’s not good. Not only was Thaddeus supposed to serve as a sniper, he’s exhibiting signs counter to a ghoul. Earlier in the episode, Thaddeus revealed he has a mouth growing near his clavicle. That, mixed with his fallen arm, makes me believe Thaddeus may be turning into a centaur (from Fallout 3). But he could be some other mutation.

The deathclaw fight scene was relatively short but eventful. I won’t give a blow-by-blow, but it was fun. Maximus does enough to help The Ghoul reach the Lucky 38, and the fight will get even more intense with next week’s finale. I can’t wait. And speaking of that finale, The Ghoul uses cold fusion to power up an old friend: Mr. House. Yes! Like I’ve been saying, we saw plenty of huge reveals during “The Handoff,” while the episode does a stellar job raising the stakes for this season’s climax.

So, what did you think about this week’s episode of Fallout? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Fallout Season 2, “The Other Player” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here. We made it to the weekend. Woo hoo! Today, I’ll share my reaction to the latest Fallout Season Two episode. “The Other Player” confirms who pulled the strings behind the scenes before the bombs fell.

“The Other Player” doesn’t harbor too many spoilers besides our first glimpse at a super mutant, portrayed by none other than Ron Perlman. It’s about time Perlman got screen time in Fallout. He’s been the narrator for most of the Fallout games. Nope. He doesn’t deliver his iconic line of “War, war never changes,” but it was great seeing him as a super mutant, and the small screen time Perlman received carried a ton of world-building.

I wondered why we hadn’t seen a super mutant before the seventh episode of Fallout season two. You can’t sneeze in a Fallout game without encountering at least one super mutant. According to Perlman’s character, humans have hunted them to near extinction. And no, we don’t know who Perlman is supposed to be. Is he The Master from Fallout: New Vegas? Marcus? Or someone else entirely. One thing’s for certain, Perlman’s super mutant isn’t a nightkin.

Too bad. Perlman could pull off Lily Bowen. “Oh, pumpkin, Grandma’s sorry about that. Sometimes she gets mad and listens to Leo when she really shouldn’t.”

We get even more of The Ghoul’s backstory in “The Other Player.” Fallout season two tiptoes toward too many flashbacks, especially in the past two episodes, but I liked Barb’s scenes. And the idea that The Enclave could predate the bombs dropping is a nice touch. The impression I got from the games made it look like The Enclave became active after the bombs dropped. Michael Emerson’s Dr. Wilzig also shares a good scene with Barb. And I like how Season 2 calls back to how Cold Fusion was transported. All of this is good, but a second flashback-heavy episode made “The Other Player” feel like it marked time in moments.

And what was up with The Ghoul waiting until sundown before trying to pull himself off the pole? He may have made it to the top if he didn’t wait for at least four hours. The Ghoul spending time on the pole gave Fallout an excuse for more flashbacks. That’s the only reason he wouldn’t try and free himself.

“The Other Player” made me care about what happens in Vaults 32 and 33. That’s no small feat. Honestly, Norm’s storyline–we need more Norm–set up potential stakes in the Vaults. According to the records we saw last week, Vault-Tec still intends to use the Forced Evolutionary Virus on the Vaults. That’s the same virus that created super mutants. What happens when Vault 33 runs out of water? Will they consume unfiltered water that could transform them? We’ll have to wait and see.

And I’m loving Hank MacLean’s villain arc. His worldview suggests that order without autonomy is preferable to conflict. Interesting. Hank and Lucy’s dynamic is great. I can’t wait to see where Fallout takes their relationship.

Overall, “The Other Player” is a good episode. It just misses the great label because it spends too much time in the past. Granted, everything we discover in the past intrigues me. But I didn’t care for two consecutive episodes, spending half their runtime in flashbacks. It’s excessive.

What are your thoughts on Fallout “The Other Player?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.