Category: Geekly Tunes

Geekly News 31May2026 Dungesons And Dragons Switches To Monthly Service

Geekly News: May 31, 2026; D&D Switches to Subscription Model

Published on by KyraLeave a comment

Happy Sunday, Geekly Gang! Kyra Kyle here with another week of Geek News. We have a few new releases for board games and video games. We’ll get to them soon, but first, let’s discuss this week’s developing news. Dungeons & Dragons abandons its old model for a subscription model. Books may be a thing of the past. That may sound like some Fahrenheit 451-level postapocalyptic nonsense, but Hasbro CEO Chris Cocks has all but said the core D&D books will be nothing but a collector’s item. Most–if not all–future Dungeons & Dragons updates and content will only be available through D&D Beyond and a subscription. Buckle up, tabletop role-playing game players, because we may have entered an era where gamers won’t own anything. They’ll rent it through subscriptions. Because we all love subscriptions, especially CEOs like Chris Cocks.

Dungeons & Dragons Is Now a Subscription Service

That headline goes a little hard, but only a little. As of late April 2026 (last month), Wizards of the Coast Developers (primarily for Magic: Arena) formed a union with demands that must have been met by the beginning of this month, May 1, 2026. The union asked for 1) recognition by management, 2) no further layoffs (like what happened to D&D Sigil), 3) protection against AI-generated products, and 4) fair wages and remote work opportunities. Evidently, Hasbro was forcing its Magic: Arena employees to sleep at their desks; no home for you.

The deadline has passed without management agreeing to anything, so the employees (only for Magic: Arena) have signed a secret ballot through the Communications Workers of America Union (CWA) to unionize. Wizards of the Coast insists it’s progressive, but rejects a workers’ union. Does this make them evil? Not necessarily. They want to make money. Dungeons & Dragons employees are watching this situation carefully because they may be next. Heck, this already happened to them with D&D Sigil. And D&D employees are next. With Sigil gone, Hasbro/Wizards of the Coast (WotC) has pivoted to making D&D Beyond its cash cow. WotC had intended D&D Sigil to be THE way gamers interacted with the game. With enough buy-in from consumers with D&D Beyond, it became an easier sell with customers.

As I said in the opening, Hasbro CEO Chris Cocks expects Dungeons & Dragons core books to be a thing of the past or, at best, coffee table books for collectors. Like the cancelled D&D Sigil, Cocks wants players to play Dungeons & Dragons exclusively on D&D Beyond through a subscription model, which means you don’t own any of the content. You’re renting the content. While the app/website is free to use with limitations, paying $2.99/month for a Hero Tier subscription expands the number of characters you can build and provides early access to digital versions of the books. The $5.99/month Master Tier also “allows” the subscriber to add homebrew content to the system and share their books with players. Paid users will now get access to a Subscriber Content Library that expands every week.

These D&D weekly drops have already begun. These D&D “drops” are only available on D&D Beyond. Let me take a moment and mention the term “drop.” Drop is a live-service video game term. Hasbro/WotC aren’t trying to hide their inspiration. From what I’ve read of this early content, the D&D Beyond drops sound like they could’ve been generated using AI, which brings us back to the proposed Magic: Arena union. This union may need to be extended to all WotC employees. If D&D Beyond expects to have weekly “drops,” larger first-of-the-month “drops,” and themed content every couple of months like the upcoming Ravenloft “drops,” D&D Beyond employees could be overworked (which could also explain less-than-inspired “drops” so far on the platform) or you’ll need to use AI-generated tools.

Coincidentally, there’s a chat option with D&D Beyond that will alter future D&D “drops.” Sounds like it could be a chatbot. I don’t know. I could just be ranting. At this point, I am just ranting. Typically, subscription services better serve companies, not the consumers. Subscriptions breed obligations; I need to use my subscription, or else I’m wasting it. Sometimes, consumers forget when they have subscriptions. That’s why Rocket Money exists. It flags subscriptions you’re not using. And the advent of TTRPG subscriptions will mean fewer TTRPG players will try other games. Again, subscribers will feel the need to play the games they are subscribed to. Fewer TTRPG players will venture beyond D&D to games like Dungeon Crawl Classics or Pathfinder or Draw Steel or even World of Darkness.

TTRPGs with a subscription model are on the rise. The new TTRPG based on the popular Dungeon Crawler Carl series–this will make the DCC acronym confusing because Dungeon Crawl Classics already exists–offers a Season Pass. What? If D&D is successful with its subscription model, other TTRPGs will follow. Again, I don’t blame these companies for doing this. The subscription model works for monthly income. So many players are subscribed; multiply that number by their subscription cost, and you receive a steady income.

But I like owning content. If players cancel their D&D Beyond subscription, they lose everything in their account. All of those characters you could save on the cloud are gone. And unions are a good thing. Perhaps if the D&D Beyond team had more time, benefits, and money, they could’ve come up with better content than what the site has available so far. To be fair, they could be waiting to drop meatier content (that will only be available on D&D Beyond) during next month’s Ravenloft release. There must be a medium where all parties win. The companies, employees, and gamers alike.

Earthborne Trailblazer Launches on KickStarter

Earthborne Trailblazer is an open-world, co-operative board game set in the wilderness of the far future. You and up to 4 friends take on the role of Rangers who have long acted as the sworn protectors of a small mountain valley nestled high in the Rocky Mountains. Now, you are striking out beyond the bounds of your Valley, seeking out new trails and new peoples and bringing the aid of the Rangers far out into the world.

Earthborne Trailblazer looks amazing. That makes sense because publisher Earthborne Games specializes in breathtaking board games. I also like how the company is committed to environmental sustainability. Getting back to Earthborne Trailblazer, each turn begins with an event card. These cards can represent the weather, progress the narrative, or cause crises. Each player then takes a turn, where they 1) Prepare, 2) Explore, and 3) Travel. Pretty standard actions for a cooperative game set in a fantasy-like world. I like how the event cards can evolve the world around you and/or progress the story. Pledges range from $80 to $270. If you’re interested in Earthborne Trailblazer, check out its KickStarter page.

The Last Meow: Kraken’s Vengeance Launches on KickStarter

The final showdown is upon us…The Last Meow. The Kraken has risen once more for vengeance, but this time, the cannons are loaded, and the crew is ready. The Last Meow is a three-lane, round-based strategy game where two players clash in an epic test of power, wits, and survival. Each round, both players draw from their own decks and secretly place three cards onto the board before revealing everything at once and resolving the chaos lane by lane. Can you obliterate your opponent’s nine health before they do the same to you?

I like The Last Meow’s look. The game’s concept sounds interesting. I wonder if this is a take on the Schotten Totten or Battleline three-lane combat system. Those games are well-received. Cards range from defense, action, power, and healing. We don’t have much information on how long The Last Meow will take to play, but two-player games don’t tend to take that long, and the game looks adorable. Pledges range from $45 to $139. If you’re interested in The Last Meow, check out its KickStarter page.

Cryptkins: On the Loose! Launches on KickStarter

Can you corral the chaotic creatures slipping into our world? In Cryptkins: On the Loose!–the first board game set in the world of Cryptkins–each player takes on the role of an everyday kid, each bringing their own unique ability to the team. Will you figure out how to handle each Cryptkin’s unpredictable twist before they wreak havoc?

Cryptkins: On the Loose! sounds like a hoot. Players will research the cryptkins, seeing how each one will behave. They may act unpredictably at first, but over time, you can learn their patterns so you can better capture them. On a turn, players may take two of any of these actions: move, use movement card ability, play an action card, trade cards (with another player, use your character ability, or capture.

I’ve looked a few times and wasn’t able to see if Cryptkins: On the Loose! is a competitive or cooperative game. It’s clearly aimed at kids and families. Most of the page is dedicated to how adorable each Cryptkin is and how you can collect each cryptkin vinyl figure, which serve as game pieces for Cryptkins: On the Loose! I also saw plush figures for sale as well as additional vinyl figures to purchase. Extra bits (not used for playing a game) have become a trend for board game KickStarter campaigns. I’m tempted to pick up the Hippocamp and the Jackalope. Pledges range from $40 to $195. If you’re interested in Cryptkins: On the Loose!, check out its KickStarter page.

Menu del dia Launches on GameFound

Menú del Día is a solo or two-player cooperative game where you must survive the rush of the service and help your restaurant progress day after day. The game features a short campaign where new scenarios and game modes are gradually unlocked. In each round, both problems and customers appear in equal measure, increasing the challenge. During your turn, you can serve customers, collect payments, solve issues, load the dishwasher, make coffee, and retrieve ingredients—all in order to complete the objective of each scenario.

Thank you for the description, Caravan Games. We didn’t have as many board game publishers provide descriptions this week. Anyway, I like Menu del dia’s menu. I’m a sucker for food-themed games. While I don’t know how the game plays exactly, it looks as if it has an easy-to-learn ruleset, adds enough variety to keep gameplay fresh, and may have a descent amount of strategy. With card games like this, what players draw during their turns will affect gameplay. The artwork looks great, and I can’t wait to check out the game after it launches. If you’re interested in Menu del dia, check out its GameFound page.

Dribble ‘n’ Dice Launches on GameFound

Dribble’n’Dice is a tactical football board game for two players. Each coach controls a team of eleven players and tries to outplay the opponent through positioning, timing and smart decisions. Players move across the pitch, pass, tackle and shoot, while dice and action cards create tension and risk. The game focuses on space control, tactical choices and momentum.

I grew up playing soccer–or football–and haven’t played in years. Dribble ‘n’ Dice has me interested in the sport again. I may find a rec league. Right. I was talking about Dribble ‘n’ Dice. The game looks cute. I get a strong Electronic Football (American Rules) meets 1st and Goal with the figurines and action card/dice system. I’m watching this campaign. Dribble ‘n’ Dice looks to merge tactical goodness with a game that can get people into the beautiful game. If you’re interested in Dribble ‘n’ Dice, check out its GameFound page.

Stonemachia Releases

Fight, Zefiro! Arm yourself with the power of chess and explore Medhelan, a land haunted by the Plague of Angels, in a dark action-adventure with soulslike elements. Will you be able to return to Heaven?

Make no mistake. Chess inspired Stonemachia. The image above (of a knight in Chess) is not just for show. Stonemachia combines the gameplay of a Souls-like video game with Chess pieces. The game features beautiful visuals. The idea sounds fun, but according to early reviews, the game has plenty of bugs and technical hiccups. From what I’ve heard, Stonemachia shows plenty of promise. It’ll be one of those games where, if it sounds interesting enough, it may be worth a play. Stonemachia’s world is one worth exploring. This isn’t a generic dark fantasy kingdom. You’ll visit twisted recreations of Italian cathedrals, plazas, bridges, and castles that feel at home in a nightmare.

Stonemachia is one of those titles I’m adding to my various wishlists and waiting for a sale. If you want to try the game for yourself, many platforms offer Stonemachia demos. The game looks amazing. Stonemachia is available on PC.

Yerba Buena Releases

Dive into a surreal 1970s gameworld and save San Francisco from a sinister threat. Play as Barb, and use the Oscillator to capture and reapply the physical traits of objects to solve mind-bending environmental platforming puzzles.

In layperson’s terms, Yerba Buena uses a copy-and-paste game mechanism. Simply copy the desired trait or movement vector of objects around you, and apply them elsewhere to solve mind-bending environmental puzzles. I haven’t been as excited for a quirky puzzle game like Yerba Buena since Katamari Damacy.

Player character Barb lives as an NPC in an abandoned game world. She yearns to become the main character she always wanted to be. I love Yerba Buena’s premise. While I was writing this post, I hadn’t yet tried the Yerba Buena demo. That’s right. We have another video game that offers a demo. I like this trend. Yerba Buena may not be for everyone, but it may scratch a very peculiar itch. And I love it when studios, like Focus Entertainment and Mad About Pandas, take a risk. Yerba Buena is available on PC, PlayStation 5, and Xbox Series S/X.

Mina the Hollower Releases

Take control of Mina, a renowned Hollower hurtled into a desperate mission to rescue a cursed island. Whip foes, burrow through the ground, and explore a pixel-perfect world in Mina the Hollower, a brand new game from the developers who brought you Shovel Knight!

Oh. That’s right. Yacht Club Games (Shovel Knight’s publisher) returns with Mina the Hollower. Even though Mina the Hollower is set in a different world, the game shares Shovel Knight’s sensibilities. Expect to find bizarre NPCs, exotic locales, and a soundtrack that’ll get stuck in your head for hours. Seriously, I clicked on Mina the Hollower’s Steam page, and I had to mute the video that played. No. Not again. But it was too late, I started humming the game’s main theme.

I have yet to play Mina the Hollower, and unlike other video games on this list, it doesn’t offer a free demo. But who are we kidding? If you enjoy Shovel Knight, you owe it to yourself to keep Mina the Hollower on your radar. Mina the Hollower is available on PC, PlayStation 5, Nintendo Switch, Nintendo Switch 2, and Xbox Series S/X.

That’s all the geek news we have for you this week. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes May 2026

Geekly Tunes: May 2026

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to as well, because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been listening to over the past month.

Kyra’s Tunes

Every once in a while, I slip into an Imogen Heap phase. This past month was one of those months. “Hide and Seek” and “Headlock” (from her best-known album, Speak for Yourself) serve as warm handshakes into Imogen Heap’s boundary-pushing electronic sound. There’s a reason why Imogen Heap is the favorite artist of many people’s favorite artists. Heap may be one of the most influential electronic artists few people know. But many of you may know a segment of Imogen Heap’s “Hide and Seek.” It was sampled in Jason Derulo’s song “Whatcha Say.” Heap is the robotic voice. She has an uncanny way of giving autotune and voice modulators feel.

I love how Imogen Heap explores sound. Fun fact: the “rain” one hears during “Hide and Seek” is actually Heap cooking bacon. I’m a huge fan of artists who use unique musical instruments. I said something similar about Fiona Apple several months ago. And just like Apple, Heap’s lyrics elevate her sonic landscapes. I love the line in “Hide and Seek:” “The dust has only just begun to form crop circles in the carpet. Sinking. Feeling.” I love her imagery. Like I said, there’s a good chance Imogen Heap is your favorite artists’ favorite artist. I’m only discussing “Hide and Seek” because you should discover Heap’s discography. She may not be as prolific as she once was, but Heap continues to explore. You should discover her music.

We lost Jeff Buckley far too soon. While his entire Grace album is worth a listen, his heavenly voice renders what may be the definitive version of Leonard Cohen’s “Hallelujah.” I’ve been listening to Buckley on repeat as much as I’ve been listening to Heap this past month. Both have haunting vocals and brilliant lyrics. Heap plants her flag firmly in music’s future. Buckley has a classic sound. The aforementioned “Hallelujah” has a soul quality. I dare you to hear this song and not have an emotional response. You won’t be able to do it. I love Buckley’s voice.

The Sundays fit with the other two artists I’ve mentioned. I don’t know why. It’s a vibe. I wouldn’t mind creating a playlist with all three of these artists included. Anyway, to give some folks context, The Sundays were The Cranberries before The Cranberries. In fact, when they first hit the UK music scene, The Cranberries were accused of copying The Sundays’ sound. The Sundays’ Reading, Writing and Arithmetic (album art pictured above) is one of the greatest dream pop albums. The Sundays had two follow-up albums, Blind and Static & Silence, and all three were massive hits. And then, The Sundays disappeared.

Principal songwriters Harriet Wheeler and David Gavurin got married, had kids, and retreated from the public. The couple still writes music. They’ve hinted at a return for decades. Sadly, The Sundays may be a victim of their own success. Wheeler and Gavurin seldom view their new work as worthy as their older material. I hope The Sundays return, but even if they don’t, we have three superb albums. Reading, Writing and Arithmetic is perhaps their best album. “Here’s Where the Story Ends” lives rent-free in my head. The band’s cover of The Rolling Stones “Wild Horses” is the definitive version of that song. Seriously, when future artists cover “Wild Horses,” they play The Sundays’ version. And “Summertime” from The Sundays’ third (and currently final) album is their biggest hit.

I don’t accuse The Cranberries of copying The Sundays. But if you like The Cranberries, you owe it to yourself to check out The Sundays.

That’s all the music I’ve been listening to over the past month. Let’s check in with Season.

Season’s Tunes

Whenever I listen to a love song, I like to imagine many scenarios in which the song would be relevant beyond romantic love, such as familial love, friendships, love for pets, etc. “The Rose” can definitely slot into any of those categories. I also frequently forget Bette Midler is a singer before an actress.

I love the imagery in “The Rose.” It describes painful love, such as “Some say love, it is a river/That drowns the tender reed.” I’ve never heard that metaphor before, and Bette Midler sings it beautifully. It discusses people’s longing for love, but they don’t always know how to give and receive love. I’m definitely one of those people. I’ve gotten mixed feedback from people in the past. I’ve yet to watch the musical drama The Rose that features the song. That’s next on my list.

I’m outing myself as an avid watcher of music/dance and cosplay content on Instagram. On the dance side of things, there are a lot of people dancing to BTS’s “SWIM” and “Hooligan.” I came across both songs at nauseam, bit the bullet, and watched the music videos for each.

“SWIM” is pretty straightforward. They’re literally singing about swimming in the ocean with romantic undertones. I’m guessing the romantic undertones are fan service since a lot of women are into BTS. After some research, the consensus is that “SWIM” is about persevering through life, but BTS hasn’t actually confirmed this. If it is about persevering through life, it comes across as a loose meaning in “SWIM.” I’d recommend “Solsbury Hill” by Peter Gabriel if you’re looking for something with a more nuanced take on perseverance to scratch that itch.

“Hooligan” was less thuggish and more middle-aged dudes trying to relive the glory days. If BTS came out with “Hooligan” closer to when they debuted, it would have given their band a rougher persona. The oldest member is thirty-five. The knife-sharpening sounds and the punk-inspired outfits made “Hooligan” gimmicky at best. I giggled the entire time watching the “Hooligan” music video, and I’m not ashamed.

Verdict: Eh. They were songs. Most of BTS’s English songs (that I’ve heard) have surface-level meaning. “Dynamite” doesn’t have much meaning beyond the surface, but it’s cute and fun. “SWIM” and “Hooligan” are trying to be serious, but it doesn’t land. English isn’t their first language, but they’ve been producing songs in English for around five years now. I was hoping to listen to a bit more nuance in this still prolific K-Pop band I get serenaded with every time I open Instagram.

Trigger warning: Explicit content

Speaking of Instagram, I discover lesser-known artists there, too. “DIET” by Mad Tsai is a sex song. However, it’s got interesting visuals with the lyrics, and is about men. Just men. I don’t think I’ve heard a sex song about men that has as colorful imagery as a heterosexual sex song. I need to expand my music repertoire. The music video for “DIET” dropped recently, and it’s goofy, but not in the same way as “Hooligan.” It shows grown men playing spin the bottle and having pillow fights. There’s a makeout session or two, but it isn’t meant to be taken seriously.

Hey, hey! Kyra Kyle again. Looks like Skye is taking off this week. We’ll have to see what she’s been listening to next month. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes April 2026

Geekly Tunes: April 2026

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to as well, because we’re all part of the Geekly Gang. I’ll kick off this post with what I’ve been listening to over the past month. It’s time for Geekly Tunes!

Kyra’s Tunes

Recently, my spouse stated that Bruno Mars seldom releases a bad track. I think she’s on to something. While I may not love every track Bruno Mars releases, most of them are catchy. “Risk It All” is another in a long line of good–maybe not the best–Bruno Mars tunes. I do like the inclusion of horns. And “I Just Might,” from Bruno Mars’s fourth solo studio album The Romantic, is a bop. Sure, I already shared that I’ve been listening to Junior Senior’s “Move Your Feet” and that song inspires “I Just Might,” but Mars has a way of making something retro cool. I change the station a lot with modern radio. I don’t tend to change the station when Bruno Mars plays.

I’ll be going a little faster with my write-ups for this month’s tunes. I have a lot of artists to get through. While one could call me a Bruno Mars fan, I wouldn’t fit the mold of an Olivia Dean fan. “The Man I Need” is the kind of safe British Soul song that has stayed in rotation for decades. Only, Dean’s “The Man I Need” sounds artificial. Maybe I’m spoiled by Adele’s voice. She has dominated British Soul for over a decade and a half; Adele’s a tough act to follow. Computerized background musack doesn’t help. Why does “The Man I Need’s” background music sound like AI Slop? Anyway, I do like Dean’s follow-up, “So Easy (To Fall In Love).” The background music is more interesting. That helps. Dean still gives a staid vocal performance, so the Bossa Nova beat delivers a lot of the track’s personality. When did the Bossa Nova become popular again? This isn’t the only new song to use the Bossa Nova.

Speaking of British Soul, I’ve been listening to Leona Lewis’ “Bleeding Love” a lot, mostly on the radio, but still. “Bleeding Love” proves British Soul’s endurance. This one came out almost two decades ago. Yikes! Lewis’s voice has more texture than Dean’s. And don’t even get me started on Des’ree’s “You Gotta Be” (1994). Ugh! I’m old, but British Soul can have personality. I hope Dean starts testing her range. She has talent.

Season and Skye have both mentioned K-Pop Demon Hunters. I won’t go into too much detail here. Fun fact: I have yet to watch K-Pop Demon Hunters all the way through. It plays constantly in my house, so I’ve seen the movie through all the clips I’ve caught in passing. In short, K-Pop Demon Hunters has catchy music. “Golden” may be my least favorite track. I’m a huge soda drinker, so I give the edge to “Soda Pop.” I may even pull out some “Soda Pop” dance moves.

I’ll spend more time on the Barenaked Ladies. I’ve listened to Maroon, pictured above, several times this past month. It may be my favorite Barenaked Ladies’ album. Sure, “Pinch Me,” “Too Little Too Late,” and “Falling for the First Time” are phenomenal, but I like a lot of the Maroon deep cuts. “Conventioneers,” “Sell, Sell, Sell,” “The Humour of the Situation,” and “Baby Seat” are fantastic tracks in the middle of the album. The next two aren’t quite my style, but Maroon finishes strong with “Tonight Is the Night I Fell Asleep at the Wheel.” I’ll listen to that one on repeat. It almost gives me a Jake Skellington origin story vibe. And the way the line “You’re the Last Thing On My Mind” changes from the track’s beginning and end is fabulous.

I’ve also been listening to the Barenaked Ladies’ Greatest Hits (technically, it’s titled Disc One: All Their Greatest Hits {1991-2001}). Again, the big hits are fantastic. Who doesn’t like “One Week” or “If I Had A Million Dollars?” But I like a lot of the lesser-known tracks on this album, too. “Get In Line” has some genuinely laugh-out-loud moments. “It’s Only Me (The Wizard of Magicland)” may be my favorite. This lost track found a home in the Barenaked Ladies’ Greatest Hits, and thank goodness. If you’re in need of self-love, throw on “It’s Only Me (The Wizard of Magicland).” It puts the “Me” in monogamy. And while you check out this collection, give “Brian Wilson” a listen. The Beach Boys legend said he loved this tribute song. Brian Wilson even sang “Brian Wilson” in concerts. The Barenaked Ladies must’ve done something right.

While we’re on the topic of bands that don’t take themselves too seriously, I’ve been listening to a lot of They Might Be Giants. “Birdhouse In Your Soul” lives rent-free in my head. The lyrics may make little sense, but they may also hold the world’s wisdom. “Blue canary in the outlet by the light switch, who watches over you? Make a little birdhouse in your soul. Not to put too fine a point on it. Say, ‘I’m the only bee in your bonnet.’ Make a little birdhouse in your soul.” And now, I’m singing “Birdhouse In Your Soul” again. At least I’m not doing They Might Be Giants’ bizarre jumping dance. Wait. Don’t look through my window.

The first two Weezer albums are all-time greats. In fact, Weezer is actually two bands. The band with Matt Sharp on bass, and the band after Pinkterton (Weezer’s second album), following Sharp’s exit from the band. Sharp served as the perfect counterbalance to Rivers Cuomo. Cuomo was the tortured artist who mined his personal life for gripping music. Sharp added levity and injected Weezer with its early pop sensibilities. Heck! Matt Sharp was the one who sang harmony on most of Weezer’s greatest tracks: “Say It Ain’t So,” “Buddy Holly,” “Undone (The Sweater Song),” and even “El Scorchio.”

Pinkerton marked Cuomo vanishing from the public eye. He didn’t care to be a rock star, and the second album reflects that. Sharp found less space for his pop stylings or even the occasional harmonizing voice. But he found a way with “El Scorchio.” Sharp’s bass fights against the rest of the song. I can hear the bass wants to add a dance to this otherwise melancholy track. As far as the Blue Album (Weezer’s first release) is concerned, I love the hits, but there are some other great deep cuts. “Surf Wax America” gives 90s alternative music a surfer makeover. Cuomo spills his soul with “The World Has Turned and Left Me Here”; this is a perfect example of Sharp smoothing out some of Cuomo’s darker edges. And “Holiday” is just good fun.

Kyra’s Podcast

I don’t know if this counts as a podcast. The Board Game Design Course (by Joe Slack) functions more like a webinar. But the visuals are mostly PowerPoint slides, so usually, I listen to The Board Game Design Course while I work. I feel like I’ve learned a lot from this course. Specifically, I’ve been taking the “Creation to Publication Program.” Let’s just say that I’m armed with the means to submit my board games to various board game companies. Tee hee!

Well, it looks like I’m on my own again this week. Hopefully, we’ll hear from Season and Skye next week for our personal updates. They should have a lot to share. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes March 2026

Geekly Tunes: March 2026

Published on by KyraLeave a comment

Hey, hey, Geekly Gang! Kyra Kyle here. Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to in the comments. We’re all part of the Geekly Gang. I’ll get things rolling with what I’ve been listening to during the month of March.

Kyra’s Tunes

I’ve been listening to Childish Gambino’s “Lithonia” on repeat. The soulful voice. The vocal harmonies. The fusion between Gospel, Rock, and R&B. Ah! I love it. If you haven’t yet listened to “Lithonia” (named after an Atlanta suburb), do your ears a favor and give the Official Audio Video a play on YouTube. “Lithonia’s” Official Music Video is also great, but you don’t get the full song. I also recommend watching the Music Video after the Audio Video. And after watching “Lithonia’s” Music Video, you’ll learn why there are so many reaction videos to that music video. Yowza!

Bando Stone & the New World (the album in which “Lithonia” originates) is a return to form for Childish Gambino. Some of his more recent albums (Altavista) didn’t hit the same as Awaken, My Love!, which includes the amazing “Redbone.” Brando Stone & the New World shows Childish Gambino (soon to go by Donald Glover as a music artist) at the peak of his powers. And I love how this album serves to set up Glover’s upcoming movie of the same name, Brando Stone & the New World. I can’t wait to watch the film. Until then, I’ll listen to Brando Stone & the New World on repeat.

I’ve also been kicking it old school with Nirvana’s In Utero. This album deserves all the praise it receives. Sure, there are the singles “Heart-Shaped Box,” “All Apologies,” and “Pennyroyal Tea,” but the deep cuts set In Utero apart. It may be blasphemous, but I’d say In Utero is slightly better than Nevermind. “Serve the Servants” opens with a bang. The opening lyrics, “Teenage angst has paid off well, now I’m bored and old” let the audience know this is a different Nirvana. “Serve the Servants” does a great job of melding autobiographical lyrics with working-class anthem ones. The track even sounds vaguely like surf rock.

“Serve the Servants” is an excellent opening track, but “Scentless Apprentice” marks the direction Nirvana may have taken had Cobain stuck around for a few more years. “Scentless Apprentice” was Nirvana’s biggest sonic departure on the album. Not bad for a track with an original name of “Chuck Chuck Fo Fuck.” The nickname is a reference to how the rhythm guitar line sounds.

Frances Bean Cobain (Kurt’s daughter) has cited “Dumb” as her favorite Nirvana song. According to Frances Bean, she sees “Dumb” as her father showing his vulnerability. And “Rape Me” was an attempt by Cobain to speak his mind against violence toward women. His previous work in Nevermind fell on deaf ears. Despite dropping all pretenses, “Rape Me” may be one of Cobain’s most misunderstood songs.

All of this and the singles folks know so well make In Utero a fantastic album.

I went from Nirvana to the other band that dominated the early Nineties, R.E.M.. Ironically, R.E.M. was struggling to finish their eighth studio album, Automatic for the People, so lead singer Michael Stipe, who suffered from writer’s block, reached out to Kurt Cobain. Cobain joked with Stipe that people thought Nirvana used too many yeahs in their songs. And Cobain did have a habit of finishing a line with a yeah. Cobain challenged Stipe to write a song with a lot of yeahs. Stipe accepted the challenge and wrote the classic, “Man on the Moon.”

Mott the Hoople and the Game of Life
Yeah, yeah, yeah, yeah
Andy Kaufman and the wrestling match
Yeah, yeah, yeah, yeah
Monopoly, Twenty-One, Checkers, and Chess
Yeah, yeah, yeah, yeah
Mister Fred Blassie in a breakfast mess
Yeah, yeah, yeah, yeah
Let’s play Twister, let’s play Risk
Yeah, yeah, yeah, yeah
I’ll see you in heaven if you make the list
Yeah, yeah, yeah, yeah

The number of “yeahs” in “Man on the Moon” dwarfed the ones Cobain sang with Nirvana, and it went on to become Automatic for the People’s second single. I would say something similar for Automatic for the People as I did with In Utero, that obviously the singles were fantastic, but the deep cuts elevate this album to iconic status. But half of Automatic for the People’s tracks would get released as singles. That’s a lot of singles: “Drive,” “Man on the Moon,” “The Sidewinder Sleeps Tonite,” “Everybody Hurts,” “Nightswimming,” and “Find the River.” Yes. Any two or three of these singles could anchor an album. Automatic for the People had six. Woah!

Despite half of this album being released as singles, I still have at least a couple of deep cuts. “Try Not to Breathe” is haunting. Honestly, I thought it had been released as a single; it’s that good. “Sweetness Follows” is one of my favorite tracks on Automatic for the People. The strings on this track are arranged by none other than John Paul Jones, Led Zeppelin’s bassist. Throw in the awesome instrumental and “Monty Got a Raw Deal,” and you get one of those few albums that don’t have a single skip track. You’ll want to listen to them all. I need to pick up Automatic for the People on vinyl.

I’ll finish my segment by including the other song I’ve had on repeat this past month, “Move Your Feet.” This infectious 2003 dance-punk song by Danish pop duo Junior Senior will get anyone off their feet. While I like “Move Your Feet’s” official music video (with its pixel art pictured above), I’ve watched/listened more to one of Junior Senior’s live performances of the song. I didn’t think the band could pull off a great live performance of a song like this. It sounded too produced. But Junior Senior proves they don’t need a silly little thing like autotune.

The full band adds an extra layer of authenticity. The backup singers make “Move Your Feet” come alive. And I’m talking about the “Oh Yeah” woman singer, providing a Disco-like melody leading into the chorus, and the “From Downtown” man singer, harmonizing with Junior on the chorus. The drummer is mesmerizing whenever he clashes the cymbals. This live version of “Move Your Feet” is near-perfect. I prefer it to the studio version. With everything happening in the world right now, sometimes you just need to “Move your feet and feel united.”

That’s all I have for what I’ve been listening to this past month. Let’s see what tunes Skye picks.

Skye’s Tunes

I have succumbed to the K-Pop Demon Hunters hype. I did this a long time ago; I listened to the soundtrack on repeat for the past month. What can I say? K-Pop Demon Hunters is a good movie with a fun soundtrack that’s perfect for dancing. Considering how much I love to dance, you can see why the K-Pop Demon Hunters soundtrack would appeal to me. I’ll keep this entry brief since I know Season has previously discussed this soundtrack, but if y’all would like me to do a breakdown of K-Pop Demon Hunters’ story, themes, and characters, let me know in the comments.

Sometimes you need something to keep you going. “and the day goes on” has been providing me with sufficient energy over the past month. For those who’re unfamiliar, “and the day goes on” is a song uploaded to the YouTube channel Bill Wurtz, which is well-known for the viral video “history of the entire world, i guess.” There isn’t much rhyme or reason to Bill Wurtz’s content, yet they still manage to capture an uplifting tone and a hummable melody while making no sense at all in “and the day goes on.” If you need a little pick-me-up, “and the day goes on” is very good for that. However, I must warn you that it’s gonna be stuck in your head forever.

Hey, hey! Kyra Kyle here again. Those are the tunes our writers have been listening to over the past month. Let us know what you’ve been listening to in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes February 2026

Geekly Tunes: February 2026

Published on by Kyra1 Comment

Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to over the past month in the comments, because we’re all all part of the Geekly Gang. I’ll get things started with what I’ve been listening to over the past month.

Kyra’s Tunes

Fiona Apple was never afraid to be herself. Her first album had a placeholder name she thought was funny to switch from Title to Tidal. Get it? But the title–or tidal–fit. From tracks like “Criminal” to “Shadowboxer,” Tidal was a snapshot of someone finding their way in a world never created for them. Decades later, and the groove on “Criminal” still gets me. Many of the tracks are peak RnB. The industry marketed Apple as alternative rock or art pop. But her sound held way more jazz. Apple refused to be categorized. During her acceptance speech for Best Female Rock Performance at the 39th Grammy Awards, some may say she threw away her career. She dared to speak out against the industry and false image it created.

*Sexual Abuse Trigger Warner for the next paragraph*

At the time, what the public didn’t know was that Apple struggled with her self-image, especially after the “Criminal” music video. That’d be the same “Criminal” that earned her first Grammy. In the video, she was young, suggestive, and waif thin. The press wasn’t kind. They equated the character Apple portrayed in the video to her private self. During her acceptance speech, Apple spoke out against the music industry’s false images because she didn’t want someone to think of her as sexy when she suffered from an eating disorder. In interviews, Apple shared that she developed the eating disorder to look as thin as she could so she wouldn’t be attractive. So she wouldn’t be “bait” for the same type of man who raped her outside her Harlem apartment at age twelve.

*End trigger warning*

That subject is unpleasant, but unfortunately, it factors into Apple’s art. How could it not? After the media backlash, Apple remained defiant. She released her second album with a title that’s a literal 444-character poem, often shortened to When the Pawn…. She wasn’t going to be anyone’s pawn. The two singles “Paper Bag” and “Fast as You Can” are two of my favorite tracks. “Fast as You Can” features plenty of key and tempo shifts. It’s so, so good, and a shot of adrenaline. And the images within the lyrics echo what happened to a younger Fiona Apple. “Paper Bag” slows things down with cabaret flare. Seriously, I half expect Sally Bowles to belt the lyrics. And Rolling Stone must agree with me. When the Pawn… was listed as 108 of their 500 Greatest Albums List.

Fiona Apple would release an album every five or six years; her albums never lost their artistry. In fact, her fourth album The Idler Wheel earned Apple yet another Grammy Award and another spot on Rolling Stone’s 500 Greatest Albums Lists. But I’m skipping to her fifth (and as of writing this post) most recent album, 2020’s Fetch the Bolt Cutters. Bolt Cutters is a hint of what to expect. Expect nothing. Expect anything. Apple brandishes anything that can make music, even if the object is a pair of bolt cutters or her pounding a hand against her living room wall. Most of the songs on Fetch the Bolt Cutters delve deep into experimentation. The first two tracks, “I Want You to Love Me” and “Shameika” function as a great handshake to get into Fetch the Bolt Cutters. If you want something a little more dancy, start with the lead single “Shameika.” Each track proves Apple was never afraid of being herself.

One last thing about Fiona Apple before I turn the post over to Season and Skye: I love Fiona Apple’s cover of The Beatles’ “Across the Universe.” On first listen, you won’t notice too much of a difference between the two artists, but the song’s writer, John Lennon, may have something to say about that. Lennon lamented that The Beatles rushed through their recording(s) of “Across the Universe.” He wanted to rerecord the track, giving it the attention it deserved, but Lennon passed away before he ever did. Apple did the song justice.

I had another artist I wanted to share here, but I went longer with Fiona Apple than I expected. I’ll save my other artist for next month.

Well, it looks as if I’m flying solo this month with Geekly Tunes. Our other writers didn’t share any of their tunes. Hopefully, we’ll hear from them next month, but I’ll turn the conversation over to you, Geekly Gang. What have you been listening to over the past month? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: January 2026

Published on by Kyra1 Comment

Happy Wednesday, Geekly Gang! Kyra Kyle here. During today’s post, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to over the past month. We’re all part of the Geekly Gang. I’ll get things started with what I’ve been listening to over the past month.

Kyra’s Tunes

Gorillaz made one of my lists from last year, but I’ve been relistening to the band’s catalog. I’m getting hyped for Gorillaz’s upcoming release this year, The Mountain. March 2026 can’t come soon enough. I won’t go into too much detail with Gorillaz’s music. I did that in my previous post. But I absolutely adore “Désolé.” It’s a vibe, and I love the featured artist, Fatoumata Diawara’s, voice. Slay!

I sense a trend, because my next band is another one I covered last year: The Smashing Pumpkins. While I delved more into Mellon Collie and the Infinite Sadness in the previous post, I’ll concentrate more on Siamese Dream in this one. “Today,” “Disarm,” and “Cherub Rock” received a heap of praise when Siamese Dream first released, and I love these tracks. They’re classics. But I can’t get over “Soma’s” hundreds of layered guitar tracks. It’s haunting, and so is “Mayonaise.”

Yep. I’m going down the “Mayonaise” rabbit hole. “Mayonaise” exists through a series of flaws. This song proves that imperfections can make something beautiful.

First, you’ll notice mayonnaise is misspelled. This is intentional. The title comes from a Japanese rock magazine that translated a Billy Corgan lyric (from the Pumpkins’ first album, Gish) as mayonnaise seas, as in a sea of mayonnaise. The Japanese writer had omitted one of mayonnaise’s Ns. The writer blamed the mistranslation on Corgan’s enunciation. To his credit, Corgan agreed, and the Pumpkins would joke that they needed to write a song named “Mayonaise.”

Next, Billy Corgan and the Pumpkins struggled to complete Siamese Dream. “Today” is about the day Billy Corgan chose not to attempt suicide. Yikes! The Smashing Pumpkins were not in a good headspace. It doesn’t stop with Corgan. Due to his heroin addiction, Drummer Chamberlain was in and out of rehab. Bassist Wretzky and lead guitarist Iha were going through a brutal breakup. And the Pumpkins were over time and over budget with the album. “Cherub Rock” goes into the “joys” of deadlines and corporate ultimatums.

Finally, “Mayonaise” derives from a guitar demo Iha had made during the Pumpkins’ Japanese Gish tour. With his cheap rhythm guitar that whistled whenever he stopped playing, Billy Corgan did his best to accompany Iha’s gorgeous guitar riff that begins and ends the track. In fact, Corgan’s problematic guitar was part of why Siamese Dream required so many guitar tracks. I’m looking at you, “Soma.” Corgan would cut and splice out his whistling guitar. During “Mayonaise,” he leaned into the flaw.

“Mayonaise’s” lyrics lay out several of Corgan’s insecurities, but in the end, it retains a defiant optimism. I love the repeated line, “When I can, I will.” “Mayonaise” reminds us to be kind to ourselves. Give ourselves grace. Who knows? A flaw–even a collection of flaws–can become great art.

I have one final entry for this past month: The Mill Brothers. I’ve listened to many tunes from the Fallout series’ soundtrack, but “You Always Hurt the One You Love” holds a special place for me. Sure. Originally, I heard this song covered by Spike Jones & His City Slickers. That version has plenty of belches and gunshots, but underneath the cacophony lies a beautiful voice. And The Mills Brothers sang the original. Gorgeous. “You Always Hurt the One You Love” is a lovely song that I’ll gladly listen to on repeat.

Okay. I may need to skip my podcasts this month; I’ll share them next month, I’m sure. Let’s check in with Season.

Season’s Tune

I’m kicking off this year with Rick James’ “Super Freak.” I’d heard snippets of it before, but never the full song. I’m also ashamed to say I wasn’t familiar with Rick James at all before listening to “Super Freak” and watching the music video. I’ve heard Motown Records music before, but only bands like The Temptations. I’m not used to overtly racy Motown music. I enjoyed seeing many women of different backgrounds featured in the music video. I’m not sure if that meant he was an equal opportunity ladies’ man, or if he wanted to attract a wider audience. Regardless, Rick James was R&B Shaft.

I haven’t branched out too much so far this year. I’ve listened to predominantly comfort tunes. I’m always down for recommendations, Geekly Gang.

Skye’s Tunes

Out of the Blue is an album I’ve been wanting to add to my collection for a long time. Given that this is the album with “Mr. Blue Sky,” it’s not hard to see why. Ever since I was a kid, I loved listening to “Mr. Blue Sky,” and it’s fantastic that I finally have the pleasure of owning it on vinyl. Thanks to my family for making that dream a reality this past holiday. While my primary reason for wanting Out of the Blue was for the sake of owning “Mr. Blue Sky,” I’ve been having an amazing time getting more familiar with each of the other tracks as well. That’s easily one of my favorite things about vinyl. The fact that I can discover all sorts of great new songs just by owning an album. Thanks, Out of the Blue.

The general theme of last Christmas was acquiring classic albums from my childhood. Enter Monkey Business. Of course, Monkey Business is an album my parents imposed strict rules on, considering specific tracks (I’m sure you can guess which ones), but each of the other songs quickly became staples. I’ll even say that Monkey Business played a role in helping me realize my love for dancing. Nearly all these tracks are bangers, but some of my favorites include “Pump It,” “Don’t Phunk With My Heart,” “They Don’t Want Music,” and “Gone Going.” Even now, I still remember the glory days in our old base housing quadruplex while getting certifiably down to this album in my sister’s room. Great stuff.

There aren’t many albums (or even bands) I would consider “musical comfort food,” but CAKE easily fits that bill for me. Across several years of my childhood, my parents had a way of steadily introducing my sister and I to CAKE during road trips. It was never the plan to consistently listen to them in the car on our way to or from vacation spots; it just so happened to be how it worked. Eventually, CAKE became the band I associated with long car rides, and they always made the trip more pleasant. Out of all their albums, my favorites had always been Comfort Eagle and Fashion Nugget due to how many of my favorite tracks were on them. To this day, you can still catch me humming songs like “Opera Singer,” “Long Line of Cars,” “Perhaps Perhaps Perhaps,” “Short Skirt, Long Jacket,” “Comfort Eagle,” “Frank Sinatra,” and so many more completely at random. So much nostalgia.

Hey, hey! Kyra Kyle here again. Those are all the Geekly Tunes our writers have for this past month. What have you been listening to over the past month. Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: December 2025

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Happy Wednesday, Geekly Gang! Kyra Kyle here. Wait. It’s Christmas Eve. Happy-happy to everyone who celebrates Christmas. One more day. Yay! Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to over the past month. We’re all part of the Geekly Gang. I’ll get things started with what I’ve been listening to this past month.

Kyra’s Podcast

I’m trying something a little different and including one podcast/YouTube channel in this post. I’ve been watching/listening to John at Falstaff Books. I’m originally from Georgia/South Carolina, so John’s cadence sounds like home. But I can see folks who won’t care for his delivery. Regardless, John at Falstaff Books gives great writing advice and an inside look at the publishing industry. Both are important if you want to “get gud” as a professional writer, who hopefully gets published one day.

Yesterday, John at Falstaff Books shared a set of writing resolutions that actually work. I may adopt some of these.

1) Write something each week.

The hard part is getting something on the page. If you’re not meeting a deadline, don’t put undue stress on your writing practice. Write a word. That word may become two or three, a sentence, or even a short story or chapter.

2) Read one book a month in a genre you intend to write

I’ve heard too many writers state they don’t want to read books in their genre because the book may color how they write. That’s dumb. You need to read books in your intended genre to see where the industry is headed. And how will you know if something already exists in a genre if you don’t read that genre? Also, reading in your genre gives you comp (comparable) titles for agents and publishers when you get to that stage.

3) Read one book a year on the writing craft or publishing industry

Podcasts are great, but you still need to read a book or two on the writing craft. I wouldn’t go crazy with this. One book a year sounds like a doable goal.

4) Read one book a year outside your intended genre

You never know what may spark something. You may not care for romance, but what if you wrote something in your intended genre that’s based on a romance you read? The two books wouldn’t be the same. They reside in different genres.

5) Attend one workshop, conference, or critique group during the year

This one should be self-explanatory. One gets better at writing by writing. Local workshops/conferences are nice. I live near Omaha, and there are plenty. But even if you can’t physically make a conference, online groups exist.

Yep. You may see points on this list next week, when our writers share their New Year’s Resolutions. Tee hee!

Kyra’s Tunes

I’m sure each of our writers will mention Mannheim Steamroller in this week’s post. We just watched Mannheim in concert a few days ago. They were electric. And they’ve been a holiday tradition for decades. My first CD was Mannheim Steamroller Christmas (1984). Ah! So many memories.

But I’m going to let Skye and Season get into more detail with Mannheim Steamroller. I’ve been relistening to a lot of the artists I’ve mentioned throughout the year, so December has almost functioned like a musical recap: Replacements, REM, Gorillaz, The B-52s, Wet Leg, Chappell Roan, and of course, Mannheim Steamroller. I’ve gotta get my “Bring a Torch, Jeanette, Isabella” fix.

That’s what I’ve been listening to this past month. Let’s check in with Skye.

Skye’s Tunes

The Black Panther Soundtrack has been the unofficial theme of the past three weeks. I’ve loved this album ever since I picked it up, but lately, I’ve been listening to it repeatedly. The soundtrack helped me love Black Panther on a whole new level with songs like “All the Stars,” “X,” “The Way,” “Opps,” and “I Am.” My favorites have been stuck in my head and giving me energy during some tough holiday shifts. Some, like “I Am,” even remind me of important life lessons I often forget. So yes, Black Panther Soundtrack’s got everything: danceable tunes, memorable melodies, unique tone, and thoughtful lyrics. 10/10 would recommend.

It’s that time of year, so can you blame me? Mannheim Steamroller has been a familial holiday staple, but ever since last year, I’ve been blessed with the vinyl. Christmas reminds me of waking up on Christmas morning 15 years ago. This album played when I walked into the living room to open presents. I was also lucky enough to see Mannheim Steamroller in concert this past Sunday, which was just what my inner child needed. My favorite tracks include “God Rest Ye Merry Gentlemen,” and “Good King Wenceslas,” so you can be sure I could barely contain myself when I saw them played live.

Season’s Tunes

I, too, have been listening to Mannheim Steamroller. Sweet Memories is a CD one of my elementary school teachers gave me during a class Christmas party. The only song it has in common with Mannheim Steamroller’s original 1984 Christmas album is “Good King Wenceslas.” There are a few tracks I’m not as fond of, such as “The First Noel,” but most of them are fun. Not going to lie, my main reason for liking Sweet Memories as a kid was because there were horses on the album cover.

“Fairytale of New York” isn’t a traditional Christmas song, but that’s why I like it. Most people don’t think of immigrants failing to make their dreams come true in the United States when they think of Christmas. “Fairytale of New York” has an upbeat tempo while hitting on harsh realities for Irish immigrants, but the concept can be applied to any immigrant.

“Fairytale of New York” took over two years to complete. The Pogues didn’t like many of the recordings, so they tabled it for a while. They toured the US in 1986, with their first destination being New York City. The lead singer, Shane MacGowan, got inspiration to write new lyrics for the song. Featuring Kirsty MacColl, “Fairytale of New York” was published in 1987 and became a classic. Rest in peace, Kirsty and Shane.

Hey, hey! Kyra Kyle here again. And now I need to listen to “Fairytale of New York.” Thanks, Season. Happy holidays, and let us know what you’ve been listening to over the past month, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: November 2025

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Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to, Geekly Gang. I’ll begin by sharing my monthly tunes.

Kyra’s Tunes

Typically, I don’t pay much attention to the Rock & Roll Hall of Fame, but this year’s class was an interesting one. Headliners include Cyndi Lauper, Soundgarden, Joe Cocker, The White Stripes, Chubby Checker, Outkast, and Warren Zevon. Wow! What a group! I’m surprised it took Warren Zevon over 30 years to make the Hall. Notable exclusions like the Excitable Boy himself are the biggest reason why I don’t pay much attention to the Hall’s Inductees. Zevon’s Excitable Boy is a hallmark Rock album. “Ah-woo! Werewolves of London.” And I love “Lawyers, Guns, and Money.” The latter song is as pertinent today as it was when it was first released.

Many members of this inductee class are no longer with us, so several other artists paid tribute. Iggy Pop was hilarious when he sang the beat of The White Stripes’ “Seven-Nation Army.” The entire crowd joined the fun. And while there was a great version of Soundgarden’s “Black Hole Sun,” Lily Cornell Silver’s rendition of “Fell On Black Days,” with a picture of her father (Soundgarden’s lead singer, Chris Cornell) over her shoulder, sends chills.

While “Black Hole Sun” is a banger, I much prefer “Fell On Black Days.” It better explores Cornell’s range. Both Cornells. Lily did her father proud.

I’m getting choked up again. Chris Cornell (and his close friend Linkin Park frontman Chester Bennington) was always upfront about his depression. We lost Cornell and Bennington too soon.

My second entry pulls double duty: it’s a meme and a song. The Remix Brothers did a great job poking fun at President Trump’s Autism announcement from a handful of weeks ago. Here’s a link if you’d like to check out the remix. In short, the study President Trump references during this announcement says the exact opposite of what Trump declares. There is no correlation between Tylenol and Autism. Autism is hereditary. I’m a good example of the rise of Autism diagnoses. My daughter was diagnosed. I had some markers, and there’s a biological component to Autism, so I got checked myself and was diagnosed later in life. Tylenol is the only safe fever reducer pregnant women can take. Unchecked fevers can lead to issues far worse than Autism. Don’t listen to Trump. Returning to The Remix Brothers’ video, it’s eerie how they’re able to make Trump sound like Eminem. The Trump in this video has flow.

Sometimes one must laugh at the Idiocracy The United States has become. The Remix Brother’s “Trump Autism Remix” does a great job of doing that. Trump doesn’t need a third term. Can we get Dwayne Elizondo Mountain Dew Camacho as the 2028 Republican candidate for President?

That’s all I have for this month. Let’s check in with Skye.

Skye’s Tunes

It’s been a minute since I first heard The Rise and Fall of a Midwest Princess, and I was happy to revisit it this month. I forgot how much I enjoyed it. Listening to songs like “Femininomenon,” “After Midnight,” “Pink Pony Club,” and “Casual” reminds me of why this album is in my vinyl collection. I specifically own the Peaches & Cream version, which contains the songs “Super Graphic Ultra Modern Girl,” “HOT TO GO,” “My Kink is Karma,” “Picture You,” and “Kaleidoscope.” While it’s nice knowing I’m lucky to have bonus content, it feels weird having an album with an odd number of sides. I need to remind myself that the D Side is blank, and I’m worried one of these days I’m gonna scratch it by accident.

Despite my love of upbeat pop songs, I enjoy mellow vibes and soothing tracks. Enter The Very Best of Roberta Flack. Songs like “Killing Me Softly with His Song,” “Feel Like Makin’ Love,” “Where Is the Love,” and “If I Ever See You Again” are great for soothing vibes. Some people say that a nap is all you need after a long day of work, but The Very Best of Roberta Flack is all I need. I’ve been meaning to pay homage to Roberta Flack after her passing earlier this year. We’ve lost too many legends recently. Rest in peace.

On a lighter note, Olivia Rodrigo’s SOUR has been another of my staples this month. Rodrigo’s musical stylings are easy to jam to. I get lost in the melodies of songs like “Traitor,” “Drivers License,” “1 Step Forward, 3 Steps Back,” and “Enough for You” while I’m busy working on projects. I can’t deny that part of me is transported back to my teenage years whenever I pop in SOUR. I can’t imagine why that is. I still relate to many themes present in SOUR. Wherever Olivia is, I hope she’s okay.

Sublime is another classic album from my childhood. Understandably, my parents never shared the entire album with me and my sister, but certain (clean) songs quickly became staples. We would sing “Santeria” or “What I Got” as loud as we could. Being a kid, I never understood anything these songs were saying, but I loved them just because we were having fun. I love the nostalgic feelings I get from this album.

That’s all we have for this month’s Geekly Tunes. Let us know what music you’ve been listening to over the past month, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: October 2025

Published on by Kyra1 Comment

Happy Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share the music they’ve been listening to over the past month. Feel free to share what you’ve been listening to over the past month, because we’re all part of the Geekly Gang. I’ll get things started with my geekly tunes for October.

Kyra’s Tunes

I’ve been revisiting Gorillaz’s catalog after their recent announcement of their upcoming ninth studio album, The Mountain. Gorillaz’s early stuff is phenomenal. Their first three albums resonate today. I’ll throw on Gorillaz, Demon Days, and Plastic Beach, while cleaning or doing some other chore. I giggle at “Clint Eastwood’s” beat. I had a Casio keyboard with the same “Rock” beat. All one had to do was hold down the drum break at the beginning to create the intro. So good.

Demon Days and Plastic Beach allowed Damon Albarn to stretch his creative muscles. And he got political. “Dirty Harry” tackled The War on Terror, while most of Plastic Beach addressed climate change. “Superfast Jellyfish” may be the catchiest song about destroying oceanic wildlife. But hey, the jellyfish left behind taste just like chicken. Yum.

Despite The Fall’s interesting premise (most songs were written and recorded while Gorillaz was touring in different cities), it may just be Gorillaz’s weakest album. It’s a quieter version of what the Foo Fighters would try a few years later in Sonic Highways (easily the Foo’s weakest album). Writing and recording music during a road trip sounds like a good idea, but I haven’t heard it done well recently. Let me know if another band does a great job with this concept.

While Humanz has some catchy tunes, it shows the band leaning heavily into featured artists and collaborations. I’ll still jam to “Saturn Barz” or “Strobelight.” Heck, “We Got the Power” is a catchy tune for positive change. Albarn admitted to rushing The Now Now with B-sides from Humanz, so the two albums have similar sensibilities. Several critics trashed The Now Now for not taking enough risks, and I can see that, but there are plenty of great tracks like “Humility” and “Tranz” from The Now Now. And I love that Ace (from Powerpuff Girls) filled in on bass for Murdoc. The Now Now is Gorillaz at their most optimistic. I liked this change of pace.

And then we get to my favorite modern Gorillaz album: Song Machine. “Aries” was my COVID-19 anthem. It’s so good, and it differs from “Momentary Bliss” and “Désolé,” which are both amazing. The latter may be my favorite track from this album. Featured artist Fatoumata Diawara is a queen. Gorillaz stretch their artistic muscles with Song Machine. The group ventures into world music, reggae punk, new wave, RnB, and even bossa nova. With so many music styles, I’m certain you’ll find your favorite Gorillaz deep-cut on Song Machine.

Cracker Island is more of a mixed bag. The singles are probably the best tracks from the band’s latest album, so they knew which ones to release. The title track is a bop. “Skinny Ape” lives rent-free in my head. And “New Gold” is synth-pop warmth. But many of the other tracks fall flat. Still, there’s enough to like from Cracker Island that I’m excited for The Mountain, which is scheduled for a March 2026 release. We should be hearing plenty of singles in the coming months.

I took longer with Gorillaz than I thought. While I have listened to many more artists, I’ll save those for later and check in with Season to see what she’s been listening to over the past month.

Season’s Tunes

I decided to go back in time for this month’s tunes, Geekly Gang. I watched a live (recorded) performance of “Runaround Sue” on YouTube, then listened to it for the rest of the week on repeat. No wonder “Runaround Sue” has so many covers. If you’re looking for an older bop, “Runaround Sue” is definitely worth a listen. Fun fact: Two years after “Runaround Sue” was released, Dion married Susan Butterfield. Coincidence?

“Sukiyaki” or “Ue o Muite Arukou/上を向いて歩こう” (“I Look Up When I Walk”) was released the same year as “Runaround Sue”: 1961. “Sukiyaki” didn’t break into the U.S. Billboard Hot 100 until 1963. Sukiyaki is a type of Japanese hot-pot dish that contains beef. They called the song “Sukiyaki” in English because it was easier for English speakers to recognize as a Japanese word.

Kyu Sakamoto performed “Sukiyaki,” but Rokusuke Ei wrote the song. Rokusuke Ei would write another of Sakamoto’s songs in 1963, “Miagate Goran Yoru no Hoshi wo/見上げてごらん夜の星を” (“Look Up at the Stars in the Night”). There’s a lot of looking up in Rokusuke Ei’s songs. Sadly, Kyu Sakamoto passed away in a plane crash in 1985.

Okay. So, I had a theme, but this song threw my theme out the window. Let’s get into some weird ’90s bubblegum pop with “Candy” by the K-pop boy band H.O.T.. They knew what they were doing with that band name. I originally saw a clip of a “Candy” cover by NCT Dream on Instagram and thought the lyrics were wacky. So, I watched the original music video. I recommend watching with the closed captions on, because this song is toxic. LOL. In a nutshell, they sing about waking up and wanting to break up with someone, then deciding to stick around because their lover smiles. What?

Outside of that, the outfits are bizarre. They’re in a mall theme park for part of this video, and most of them sport a single fuzzy mitten on one hand. I think the target audience for the music video was supposed to be tweens, but it came off as Sesame Street gone wrong.

That’s all from me. What are you listening to this week, Skye?

Skye’s Tunes

I’ve been revisiting the oldest records in my collection. Whenever I listen to Californication, I remember opening presents with my folks, who were all too eager to feed my vinyl hobby. My family’s discriminating musical taste has exposed me to all kinds of music, and some of my favorite memories come from the soft-rock tracks found on Californication. Notable tunes like “Scar Tissue,” “Otherside,” “Porcelain,” “Road Trippin’,” and the title track (my favorite) “Californication,” make appearances on Californication. Good times.

Transformer was also among the first records in my collection. I hadn’t heard of it before I received it as a present. In fact, at the time, my knowledge of Lou Reed was limited. My family provided me a quick history lesson, which piqued my interest, resulting in Transformer becoming a classic album in my record case. I listened to Transformer on repeat that Christmas Day. Songs like “Perfect Day,” “Hangin’ Round,” “Walk on the Wild Side,” “Satellite of Love,” and “Wagon Wheel” quickly became favorites, and now I can’t imagine life without Transformer. Thanks, fam.

Hey, hey! Kyra Kyle here again. Those are the tunes our writers have been listening to over the past month. Feel free to share the music you’ve been listening to over the past month, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: September 2025

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Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to this past month in the comments. We’re all part of the Geekly Gang. I’ll get us started.

Kyra’s Tunes

In terms of music, this past month was an odd one for me. Nuke-Con (Omaha’s board game convention) is right around the corner–I hope to see some of you there next week–and Nuke-Con reminded me of a battle cry one of my friends said during one of last year’s games: Holy Fish Heads! I had to listen to Dr. Demento. There was no choice. But I didn’t listen to any Weird Al Yankovic tunes. No offense, Weird Al. “Fish Heads” by Barnes & Barnes made the rotation, as did The Firm’s “Star Trekkin,” and Ogden Edsl’s “Dead Puppies.” Fun fact: Ogden Edsl was from Omaha. Pour one out for my cornies.

Sometimes you need a good laugh. “Fish Heads” regales us with all the things severed fish heads can’t do: play baseball, play drums, or wear sweaters. “Star Trekkin”–obviously a Star Trek spoof–is the first novelty song to ever reach number one on the UK charts. “There’s Klingons on the starboard bow, starboard bow, starboard bow. There’s Klingons on the starboard bow, starboard bow, Jim.” And “Dead Puppies” laments how deceased pets aren’t much fun. I love how “Dead Puppies” ends with a mock religious tone. Cue the cathedral organ. None of these songs–or musical acts–take themselves too seriously. I needed that. The world is serious enough, bring on the levity.

Brian David Gilbert (BDG) may be one of the few modern acts who remind me of classic Dr. Demento. Not enough songs feature the recorder. Throw in some absurd existential dread, and “there is a rock in my house” has you covered. BDG contradicts himself in “Husky Voice.” You should also check out “i wish that i could wear hats,” but clearly BDG can wear hats. And I love teasing my spouse with “Don’t Tell Your WIFE About This Game!,” which serves as a warning about neglect. There’s a reason “Don’t Tell Your WIFE About This Game!” (pictured above) is Brian David Gilbert’s most popular song. Despite being a comedy song, the lyrics are brilliant.

Considered a one-hit wonder, Dishwalla’s debut album, Pet Your Friends, had plenty of other great tracks besides that one hit. Oddly enough, a handful of these tracks could also be considered novelty songs, and they happen to be two of my favorites: “Miss Emma Peel” and “Charlie Brown’s Parents.” When I first listened to Pet Your Friends (in the Nineties), I was rewatching Avengers episodes–not the Marvel kind of Avengers–so “Miss Emma Peel” chose the right subject matter. It doesn’t hurt that J. R. Richards has a hypnotic voice. Like “Don’t Tell Your WIFE About This Game,” “Charlie Brown’s Parents” may have some of the most clever novelty–or novelty-adjacent–song lyrics. “Charlie Brown’s Parents” adheres to lines and imagery from Peanuts and manages to say something greater than the sum of its parts.

“Counting Blue Cars” is Dishwalla’s one big hit, and it’s still a bop decades later. But “Haze” allows Richards to explore his vocal range, and “Give” features Dishwalla’s best groove. Post Pet Your Friends, Dishwalla had a few modest hits like (2002) Opaline’s “Somewhere in the Middle,” but Pet Your Friends remains the band’s best collection of tracks.

That’s all I have for music this month. Let’s check in with Skye.

Skye’s Tunes

Hooked on Classics is a love letter to well-known classical music compositions with a twist. Louis Clark and the Royal Philharmonic Orchestra give a modern take on timeless classical pieces by increasing the tempo, jazzing up the beat, and modernizing the music. To some, I can understand how a modern rendition of Mozart, Beethoven, Chopin, Tchaikovsky, Prokofiev, and other renowned classical composers’ works could be considered blasphemy. With me, I say, “Let’s just have fun.” I’ve never been a purist, and I don’t plan on starting now.

I’ve had Pink Moon in my vinyl collection for a while and have listened to it many times. However, it wasn’t until last month I truly started appreciating it. There are albums in my collection that give me a sense of calm and comfort, but none of them are quite like Pink Moon by Nick Drake. Pink Moon feels like hanging out with close friends while camping or watching a sunset with a lovable extended-family member. If I close my eyes, I can almost drift into another dimension while listening to Nick Drake’s Pink Moon, and that’s my favorite part.

Hey, hey! Kyra Kyle here again. That’s all our writers have for Geekly Tunes this month. Let us know what you’ve been listening to in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.