Tag: marvel

Spider-Noir Review

Published on by KyraLeave a comment

Happy Saturday, Geekly Gang! Kyra Kyle here with another reaction/review of a Marvel-themed television show. A live-action show of Spider-Man Noir wouldn’t have made my Bingo card for 2026, but I’m glad Spider-Noir exists. I had little to no expectations going into this show. Full disclosure: I’ve never read the Spider-Man Noir comic book series, and I only watched Spider-Noir one and a half times before writing this reaction (it’s more of a reaction than a review) because I don’t have an ad-free Amazon Video Account. Pay walls. Yay! I enjoyed my time with Spider-Noir. If I had an ad-free option for this show, I would’ve watched it another time or two. It held my interest. We have another caveat to discuss before getting into Geekly’s Reaction/Review of Spider-Noir.

Ben Reilly instead of Peter Parker

You may have noticed that Spider-Noir is Spider-Man Noir in the comic books. That’s a name change. The title character refers to himself as The Spider, and so does every other character, but that isn’t the only name change. Canonically, Spider-Man Noir is an alternate reality version of Peter Parker. Spider-Man Noir is even Peter Parker in the Spider-Verse Series of films. Spider-Noir refers to its lead as Ben Reilly. Ben Reilly does come from the comics. He’s the Peter Parker clone during the Clone Saga. But why did Spider-Noir change its main character’s name?

I don’t know for sure. Several factors could weigh into Spider-Noir changing Spider-Man Noir’s character name from Peter Parker to Ben Reilly. The leading cause could be Spider-Noir’s darker tone (Spider-Noir kills others and uses a gun) and Ben Reilly’s use of alcohol and smoking. Marvel and Sony (with its Spider-Verse movies) may want to retain Peter Parker’s clean image. Spider-Noir can get really dark. And only a lawyer could understand the deal between Marvel and Sony with Spider-Man. I’m not even going to try to unpack all that legalese. I just needed to draw your attention to Spider-Man Noir’s multiple name changes.

Authentic Black and White Versus True-Hue Color

Spider-Noir offered two viewing experiences: authentic black and white, and true-hue color. I chose to watch Spider-Noir in authentic black and white, but my device has an option–and many smart devices have this option–to switch between the two versions. I accidentally clicked on “Switch Versions,” and True-Hue Color looked great from what I saw. But I have to be upfront about which version I watched.

Wow! Spider-Noir really is a different kind of television show. So many exceptions.

Accents

The accents in Spider-Noir can get difficult to decipher. Silvermane’s accent is over-the-top in the best possible way. I’m glad I had subtitles on while I watched, but kudos for the commitment to Silverman’s Irish brogue. Nicolas Cage’s accent often came and went. Typically, I enjoyed Cage’s performance, but his accent could get distracting. I couldn’t place Cage’s accent.

The majority of Spider-Noir’s cast does a good job of approximating 1930’s American speech. I’d even say Cage does a good job, but he goes a little over the top in classic Nicolas Cage fashion. We’ll get to Cage’s performance in a minute, but I enjoyed him as Ben Reilly.

Nicolas Cage as Ben Reilly/The Spider

Nicolas Cage gave his best ham-tastic performance with Ben Reilly and The Spider, and it was hilarious hearing Lamorne Morris (more on him in a minute) do his best Cage as The Spider impersonation. Cage is having fun. His brand of overacting worked so well with this character. From his lying down like a dead spider to his odd accent, Nicolas Cage gave his all in this performance. It was equal parts hardboiled detective and Universal Monster movie. I can’t wait to see more of Spider-Noir. I don’t care what the form a new Cage performance takes: video game, animated movie or show, or another season of Spider-Noir. Like Robert Downey Jr as Iron Man or Ryan Reynolds as Deadpool, Nicolas Cage was born to play this role.

Lamorne Morris as Robbie Robertson

Since his appearance on a beer commercial where he complimented his girlfriend on her teef, I’ve always been a Lamorne Morris fan. The man has charisma. He’s a great fit for Robbie. His chemistry with Nicholas Cage and the rest of Spider-Noir’s cast is fantastic. Heck, the entire cast has great chemistry. In other Spider-Man properties, Robbie tends to get overlooked. He takes center stage in Spider-Noir. Excellent.

Robbie needs to be featured in more Spider-Man movies and shows. And I’ll always take more Lamorne Morris.

The Rest of the Cast

Li Jun Li’s Cat Hardy shares some fantastic banter with Nicolas Cage’s Ben Reilly, but she does a great job with her love interest, Flint Marko, played by Jack Huston. Huston also nails his 30s speech. The entire cast does. Brendan Gleeson makes for a fabulous Silvermane. He’s the kind of guy you love to hate. Abraham Popoola’s Lonnie Lincoln shares some heartfelt moments with Robbie Robertson. I even liked to hate Andrew Lewis Caldwell’s Dirk Leyden. Oh. And Amy Aquino (Dr. Faber) and Andrew Robinson (Ogden Faber) share some excellent scenes with Nicolas Cage and Silvermane with his goons. Oh! Oh! Karen Rodriguez made a sensational secretary/investigator, Janet Ruiz. Ruiz has some of the funniest moments.

I enjoyed almost every minute of Spider-Noir; the commercials were my main gripe. I’m not paying to go ad-free, Amazon.

The Writing

Sure, Spider-Noir plays out pretty much as I expected, but that isn’t always a bad thing. The show follows tropes. At times, it subverts them, but this may be a function of Spider-Noir’s status as a superhero story. When you genre blend and find ways to honor each inspiration, you’ll end up with some tropes, but hopefully, done in a manner that has yet to be seen. Spider-Noir knew what it wanted to build toward and did it. It was a hardboiled detective/superhero mini-series with a dollop of gory monsters. More, please.

Should There Be a Second Season

I know I just asked for more Spider-Noir. I said that on more than one occasion, but I kind of like that it remains a mini series. The cast is fabulous, and the writing is well-done. I wouldn’t say no to another season of Spider-Noir, but the story also wrapped up neatly. Are there any more huge stories to tell? Maybe. I didn’t expect Spider-Noir on the 2026 schedule. I didn’t expect to enjoy it as much as I did. I don’t expect another season. Does that mean that we will see another season?

Those are my thoughts on Spider-Noir. I may rewatch the series in True-Hue to see which version I prefer. I’ve heard this is a hot-button topic. Which version do you like? Let us know in the comments. And let us know if you’d like to see another season of Spider-Noir. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly News 24May2026 Marvel Comics New Leadership

Geekly News: May 24, 2026; Marvel Comics New Leadership

Published on by KyraLeave a comment

Happy Sunday, Geekly Gang! Kyra Kyle here with another week of Geek News. We’ve been off for a couple of weeks, and the news stories have piled up. We also have a few new releases (board games and video games), but before we dive into them, let’s talk about our first news topic: Marvel Comics. That’s right. Marvel Comics makes our headline today with the announcement of their first new department head in almost thirty years. Let’s meet the new head of Marvel Comics.

Brad Winderbaum, David Abdo, and Dan Buckley (photo from Marvel Entertainment)

Marvel Comics has New Leadership

For the first time in a while, we have some major comic book news. After almost 30 years at Marvel, Dan Buckley, longtime head of Comics & Franchise) plans to depart the company. Buckley will remain at Marvel through mid-2027 to support the leadership transition. And who is Marvel Comics’ new lead? Brad Winderbaum. Yes. Already overseeing Marvel Television and Animation, Brad Winderbaum will add Comics & Franchise to his title. Joining Marvel from Disney, David Abdo will serve as General Manager, Comics & Franchise, and will report to Winderbaum. This change could be seismic.

I’m of two or three minds here. On one hand, Brad Winderbaum has done a fantastic job resurrecting Disney+’s Marvel television shows. Daredevil: Born Again, Wonderman, and The Punisher: The Last Kill occurred under his watch. These were very good to great. Winderbaum also kick-started the fun Marvel Animated Universe with titles like X-Men 97 and Your Friendly Neighborhood Spider-Man. Winderbaum has a proven track record. Why couldn’t he similarly steward the comics as he did Marvel’s Disney+ shows? On paper, Winderbaum sounds like an excellent candidate for the job.

On the other hand, Winderbaum already has plenty of responsibilities at Marvel. Sure, David Abdo will function as the general manager for Comics & Franchise, but I still wonder if Winderbaum will get stretched too thin. And then there’s the reality that comic books are not television. How much does Winderbaum or Abdo know about the comic book industry? Abdo may have more hands-on responsibilities with the comics, but he’s moving over from Disney and may also have a limited knowledge base of the medium.

And my final question, will this mean that the Marvel comics will only serve the MCU? If so, is that a bad thing? Up to this point, Marvel Comics has done its own thing. If what they write makes it on the big or small screen, great. If not, the comics are the comics and the movies are the movies. No harm, no foul. Will this change mean that Marvel Comics will serve as a testing ground for stories the MCU plans to introduce later? Will Marvel Comics explore stories that differ from the MCU, ensuring more demographics are represented? Who knows? I do know that this is a seismic shift for Marvel Comics. Dan Buckley has been in charge of Marvel Comics since the late 1990s. This marks a new chapter for the House of Spidey.

PlayStation Plus Price Hike…Sort Of

Geekly has covered PlayStation a lot during the first half of this year. Honestly, I’m getting tired of it, but PlayStation has been doing a lot of crazy things in short order. First, they raised the price of the PS5. Second, the price for their upcoming PS6 leaked and could be well over $1000 for the pro version. Earlier this month, PlayStation instituted a one-time DRM check but didn’t clarify anything until after a week had passed and fans freaked. Yeah. Sony PlayStation has had a no-good, very bad five months. And it continues this week. Sony announced a price increase for its subscription service, PlayStation Plus.

Here we go again, again. Beginning now, PlayStation Plus prices for new customers will increase in select regions. Effectively, these price hikes will be about $1 per month, give or take, depending on the region where you live. PlayStation cited “Market Conditions” as the reason for this increase; that excuse is as vague as the no-response about the DRM check earlier this month. But we say it’s sort of a price hike because if your PlayStation Plus account was in good standing and active before this price increase, your price will remain the same. As you can imagine, PlayStation fans have reacted negatively to this news. Many point out that Microsoft cut the price of Xbox Game Pass, while others suggest that a paid subscription shouldn’t be required for online play.

Just a reminder, Grand Theft Auto VI, now a PlayStation-exclusive game, will launch by the end of this year. GTA VI should feature an online mode. Is it a coincidence that the PS5 and the PlayStation Plus subscription received a price hike less than a year before one of the most anticipated, PlayStation-exclusive games in recent memory? I’m not so sure. I also wouldn’t be surprised if the “Market Conditions” change six months or so after GTA VI is released. You know, after PlayStation makes as much money as possible off of GTA VI. That’d be criminal. Downright grand theft.

And speaking of PlayStation-exclusive games, Sony made another announcement that its first-party, predominantly solo player experiences will only be available on PS5. That means Horizon, God of War, The Last of Us, the Marvel video games series (including Spider-Man and the upcoming Wolverine), and potentially Grand Theft Auto VI will only be available on PS5. No PC for you. You know, just in case you needed another reason to spend an extra $100 on a new gaming system.

Let’s Go! To France Launches on KickStarter

You are travelers planning and experiencing your own dream vacations to France.

Explore Paris, soaking up art, history, and delicious food through its many tourist attractions and hidden gems. Using over 100 beautifully illustrated cards, you will discover activities and strategically place them to create your six day itinerary. While puzzling out your optimal activities, you will plan your trip to one of four marvelous regions of France. Will you bask in the sun along the French Riviera or explore the historic castles of the Loire valley?

Play competitively or solo, earning victory points by successfully balancing the two halves of your vacation, making the most out of your interests, and managing your time well. The most points wins, but everyone has the chance to create a memorable vacation.

Thank you, Alderac Entertainment Group, for the description. I’ve been meaning to play Let’s Go! To Japan. I had the first game in this series in my to be played list for years. I even had Let’s Go! To Japan on my Christmas list on two occasions, but for whatever reason, we haven’t gotten around to picking up a copy or playing it at a convention. As soon as a saw Let’s Go! To Japan, my family groaned that this would be another game in the series. I agreed. I also hoped that Let’s Go! To France would be the next game in the series. Yes!

I’ve heard the tableau building in Let’s Go! To France exceeds the original. I hope so. I love a good tableau builder. The theme interests me. I may even use these games to plan my upcoming trips to these countries. You never know. Let’s Go! To France offers several pledge levels, ranging from $50-$160. You’re sure to find a version that scratches your wanderlust. If you’re interested in Let’s Go! To France, check out its KickStarter page.

SHUG Launches on KickStarter

SHUG is set in a mad ol Engoland, where King Charles the Cursed is hellbent on monster-slaying carnage. As a puny peasant, your only chance to spark a revolution is to fulfill a bizarre legend: find the creature Shug, and bring it to the fabled Pub…

A mashup of party game and dungeon-crawler, SHUG is a unique blend of strategy and chaos. Win with clever tactics or by going full fool on ludicrous challenges.

Wander the free roam map. Befriend monsters like Selky with a sea shanty. Slay your friends with Sexy Armour, or killer salsa moves. In SHUG you’ll discover not only a whole world, but also strange sides of yourself.

Thank you, Wandering Games, for the description. Oh, my! I love SHUG’s art. I don’t even care if it’s a standard roll/spin and move game, which I don’t think it is; I would gladly add this game to my collection. It doesn’t take itself too seriously. I’m unsure how a game can be both a party game, a dungeon crawler, and a race, but I want to know how. SHUG does list Take That as one of its game mechanisms. I’m not too crazy about a Take That game that could take an hour and a half, but still, the theme, the art. I’m interested. SHUG’s pledge levels range between $50-$135. If you’re interested in SHUG, check out its KickStarter page.

Hover Launches on KickStarter

Play as hummingbirds thirsty for nectar… and a mate. The first bird to build a nest and perform a successful courting call wins the game.

Will you bully your way to the top? Bluff your way ahead? Or get clever and sneak in a victory?

But watch out! The chatter, competition, and annoying displays from other hummingbirds can easily distract your potential mate from paying attention as you expend precious energy to win their 1,260 bpm heart.

Based on real hummingbird behaviors, Hover is a strategic game featuring high-player interaction, tight action economy, asymmetric abilities, bidding/bluffing, and area control to create a highly immersive and intuitive game.

Be the hummingbird – beautiful and brutal.

Thank you, Ibis Tea, for the description. Hover looks amazing. The picture above is of a prototype, so the quality could be even better than what’s shown. Bird-themed games have dominated the board game market in recent years–here’s looking at you, Wingspan–but the titles that stand out are the ones that mimic bird behavior. Hover does just that with hummingbirds. I like how one reviewer (Tabletop Vibes) described it: Hover is like hummingbird Chess.

I can see that. While there doesn’t appear to be much happening on the board, looks are deceiving. Hover has depth to spare. Pledges range from $40-$90. If you’re interested in Hover, check out its KickStarter page.

Yoshi and the Mysterious Book Releases

I did a double-take when I found Yoshi and the Mysterious Book as one of this week’s new video game releases. I swore this game was supposed to be a Super Mario Galaxy Movie tie-in. That movie was released well over a month ago. Has it been that long? And I thought Nintendo would’ve released a full-fledged Mario title to support the Super Mario Galaxy Movie release. I digress. Yoshi and the Mysterious Book looks to be a return to form for the series. I haven’t played the game yet. I might pick up a Switch 2 before the price hike in September, and you’d best believe Yoshi and the Mysterious Book (along with Pokopia and the new Donkey Kong) will be some of the first games I purchase.

The premise involves Yoshi entering a sentient and mysterious encyclopedia’s (Mr. E’s) pages to search for and interact with various creatures. The gameplay reminds me of Super Mario Odyssey or even A Boy and His Blob. The description of “bitter, soapy, sudsy taste” makes me wonder if Yoshi can eat certain items to gain abilities. At any rate, Yoshi and the Mysterious Book reward exploring ability combos. It has received good to great reviews. And I love the game’s stop-motion animation graphics. Yoshi looks adorable. Squee! Yoshi and the Mysterious Book is available on the Nintendo Switch 2.

Lego Batman: Legacy of the Dark Knight Releases

Lego Batman: Legacy of the Dark Knight is the fourth installment in the Lego Batman franchise. The fourth! This installment looks to incorporate more of the television shows and movies into its narrative. And I’m all for that. Batman trains with Ra’s al Ghul, much like he did in Batman Begins. Several skins mimic Batman movie costumes, like Michelle Pfeiffer’s Catwoman, Danny DeVito’s Penguin, and Heath Ledger’s Joker. We don’t know if the game will follow any more of these movies’ plots or if they’re fun skins. The inclusion of Kite Man has me hoping we’ll see some Harley Quinn: The Animated Series representation. Hell, yeah!

Lego Batman: Legacy of the Dark Knight has received very good to great reviews. While the Lego Batman franchise is hit or miss for me, this title looks promising. Lego Batman: Legacy of the Dark Knight is available on PC, PlayStation 5, and Xbox Series S/X.

Hotel Architect Releases

Step into the shoes of a hotel owner as you design, build, and manage grand hotels around the world. Juggle demanding guests, frantic logistics, and plenty of unexpected surprises in Hotel Architect, the ultimate hotel construction and tycoon management game!

Thank you, Pathos Interactive, for the game description. Hotel Architect has received pretty good Steam reviews. I like the artistic choice to use weeble wooble looking characters. It almost feels like bath time. I had bath time toys that looked much like this game’s animation, and no kidding, I pretended that I was running a restaurant or store on more than one occasion. A hotel is a logical leap. It blends a lot of those aspects and more under one roof. I’ve been tempted to download some mobile games that do a lot of what Hotel Architect sets out to do, so I may give Hotel Architect a shot. Hotel Architect is available on PC.

That’s all the Geek news we have for you this week. Thank you for reading, and wherever you are, I hope you’re having a great day.

The Punisher One Last Kill Review

The Punisher: One Last Kill Review

Published on by Kyra1 Comment

Happy Friday, Geekly Gang! Kyra Kyle here with a review/reaction to The Punisher: One Last Kill Special Presentation. This special has an uneven distribution of action and character exploration/backstory, but this imbalance works for The Punisher: One Last Kill. In short, it’s a bloody good time.

I really liked how Jon Bernthal loses himself as Frank Castle. He pulls off a tortured marine well. His ex-platoon members haunt him. The cinematography drives home the claustrophobic nature of these ghosts. Frank can’t escape his former partners or the family he failed to protect. The Punisher has a clear goal (end the crime family that destroyed his family), and at the beginning of The Punisher: One Last Kill, he’s accomplished that goal. No wonder he’s ready to say his final goodbyes while visiting his daughter’s grave. But Frank Castle hasn’t completed his goal. One member of the Gnucci remains. Ma Gnucci.

I love Judith Light’s portrayal of Ma Gnucci. The character makes sense for The Punisher: One Last Kill, and one of Ma Gnucci’s chief storylines echoes a storyline from Daredevil: Born Again. Ma Gnucci creates an Anti-Vigilante Task Force. The Punisher: One Last Kill reworks this into a bunch of goons trying to kill The Punisher on Ma Gnucci’s behalf. That’s a good interpretation. I also like how succinctly The Punisher: One Last Kill introduces Ma Gnucci. Kudos all around.

And getting back to Frank Castle, I liked how disorienting his portrayal of post-traumatic stress was and how he couldn’t tell who was real. He’s not okay. He’ll live with the ghosts of his past. The Punisher: One Last Kill managed to address PTSD well, while still remaining true to the MCU. Not an easy task. It took an appearance by Karen Page (Deborah Ann Woll) to slap a little sense into the protagonist. Because of Castle’s mental state, I’m still unsure if we actually saw the real Karen Page. Actually, I’m almost eighty-five percent sure Karen’s appearance was in Frank’s head. He could be recalling a previous exchange with Karen, and The Punisher: One Last Kill found the perfect time to pivot toward action.

At first, I thought about taking The Punisher: One Last Kill to task for presenting an uneven story. All psychological drama upfront; a lot of gory action on the backend. But like I said, it works. In the beginning, Frank’s interior sucked all the oxygen out of the room. Just as it enters the realm of too much self-loathing, The Punisher: One Last Kill introduces Ma Gnucci, and we get reprieve from Frank’s inner thoughts. Again, great job setting up Ma Gnucci. Shortly after Gnucci threatens Frank, Karen Page appears, attempting to get through to Frank, and that’s when Ma Gnucci’s goons attack everyone in the neighborhood. Good pacing.

What comes next are a mixed bag of action sequences. There are some hokey visual effects (Castle falling on an air conditioning unit), but the majority of the action is well done and represents some of the better actions sequences in recent MCU history. I especially liked The Punisher taking down a heavily tattooed muscle man with a ballpoint pen. Nice!

The Punisher: One Last Kill offers up as much blood and gore as any Deadpool movie or Logan, and this is in the span of twenty minutes. Wow! Just wow! While several may view this as “overkill”–get it?–these action sequences serve as Frank Castle working through his demons. They feature plenty of character moments, not the least of which is when Frank watches Ma Gnucci make her escape. Frank has the option to hunt her and claim his “last kill” of the Gnucci family, but he doesn’t. Those same goons Gnucci hired to attack Frank Castle cause havoc in The Punisher’s home streets.

After subsequent viewings, I love The Punisher: One Last Kill’s symmetry. In the opening moments, we see the city as its own character, performing its daily routine. Frank seldom interacts with his neighbors. Toward the end, Frank engages. He aids a family not too unlike the one he lost. During the special’s closing moments, he helps a former Marine fight back against a bully. Frank Castle has found a connection with humanity. He’s found purpose. Is it a little spelled out for the viewer? Sure. But it’s effective. The Punisher: One Last Kill offers plenty of blood. It unleashes The Punisher with rated R action. But it also gives Frank Castle his humanity. It gives him hope. It gives The Punisher a reason to live. And that’s beautiful. Bombastic, gory, beauty.

I always thought Jon Bernthal was a good choice as The Punisher, but his moments to shine in the role were spotty at best. The Punisher: One Last Kill showcases what Bernthal can do in the role. Those are my thoughts on The Punisher: One Last Kill. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil Born Again Season Two Review 02

Daredevil: Born Again Season Two “The Southern Cross” Review

Published on by KyraLeave a comment

Happy Friday, Geekly Gang! Kyra Kyle here with another review/reaction to this week’s episode of Daredevil: Born Again, “The Southern Cross.” Simply put, I liked Daredevil: Born Again Season Two’s finale. It works if Daredevil: Born Again wants to continue with a third season–we already know that Daredevil: Born Again has been picked up for at least a third season–or if the show wants to end with this season. That’s the mark of a good ending. I also love the symmetry between this season’s opening episode title (“The Northern Star”) and its closing episode title (“The Southern Cross”). In the comics, Daredevil has always leaned into religious undertones. “The Southern Cross” works.

Yes. I have some gripes, and they’re ones you’ve heard before in previous episode reviews/reactions, so I’ll continue with what I liked about “The Southern Cross,” for now. Matt Murdock and Kingpin’s showdown in court was inevitable. What occurs in court pays off many of Daredevil: Born Again Season Two’s story threads. Great! Honestly, I don’t think the original Netflix Daredevil spent much time in the courthouse beyond its first season. The fact that Daredevil: Born Again Season Two’s final fight occurs at that same courthouse fits. It’s a little hokey, but I like it. Treating this episode as an extended bottle episode was a good idea. Sure, we see the courthouse’s exterior, and a few shots occur around the courthouse, but “The Southern Cross” is the closest a show like Daredevil: Born Again would ever get to a bottle episode.

Narrowing the final episode to predominantly one location allowed Daredevil: Born Again to focus on its characters. You don’t need to establish another locale if the location of the shot seldom changes. Love. Love. Love. Daredevil: Born Again made the right call. The acting was on point. What else would you expect from Charlie Cox (Daredevil) and Vincent D’Onofrio (Kingpin)? I’ve mentioned it before, but Daredevil: Born Again is a passion project for Cox and D’Onofrio, and it shows. Like I said, “The Southern Cross” manages to tie up several loose ends. Daredevil and Kingpin receive satisfying/interesting conclusions to this season. BB working at the same newspaper as her father made me smile. Heather Glenn’s descent into the new Muse could be terrifying, and I’m here for it. I don’t want to spoil it here, but Glenn’s closing scene legitimately gave me chills.

Other storylines were touched on. I got a better sense of McDuffie. White Tiger got a decent close to her story. It was rushed (more on that in a minute), but functionally, it worked. Jessica Jones and Luke Cage’s moment near the end was equal parts fan service and earned. I questioned bringing in Jessica Jones more than halfway through the season, but for the most part, she worked. Sure, I enjoyed Netflix’s Jessica Jones series, and that may have blinded me to her character being rushed into the season’s story. But Kristen Ritter knows this character. Jessica Jones may have aged since we last saw her, but she still takes a swig of Scotch before punching faces. And Jones felt less of a distraction than The Punisher last season. She didn’t hijack the narrative in any way. Conversely, The Punisher became the symbol the AVTF (Anti-Vigilante Task Force) wears.

Jones (and by extension, Luke Cage) justifies Matthew Lillard’s character’s existence. Funny how Bullseye takes Luke Cage’s place at the end of “The Southern Cross.” That served as another great development. But I hope Lillard’s Mr. Charles and Bullseye don’t serve a sole purpose of linking Daredevil: Born Again to the larger MCU. Yes. I know Daredevil: Born Again belongs to the greater MCU, but I like that it’s mostly its own thing. And I don’t want a heap of crossovers in Season Three.

I’m sure I mentioned last year that the Born Again title is one of several where Matt Murdock’s secret identity of Daredevil gets discovered. It should come as no surprise that Murdock’s secret identity was revealed, but in classic MCU fashion, Daredevil: Born Again takes liberties. In the comics, Karen Page sells out Daredevil for drugs. That wasn’t going to fly on a Disney+ show. And I liked that Daredevil: Born Again gave Matt Murdock agency over his identity. Daredevil has been incarcerated in the comics before, which is where we leave him at the end of “The Southern Cross.” This should lead to more nods to the comics, which are always appreciated.

I’ve staved off my critiques, but it’s time to discuss them. Daredevil: Born Again rushes its story. This stems from a combination of a few too many characters and a shorter episode tally than the original Netflix Daredevil. Again, I don’t think Daredevil: Born Again seasons need to run 13 episodes, but a couple more would help establish some of these characters. While I liked Heather Glenn’s transformation, her arc was rushed. We hadn’t seen White Tiger in a couple of episodes (rightfully so, as the show developed other characters, but again, too many characters), and suddenly, White Tiger appears. Okay. I’m unsure of Buck’s fate. I think he lived. And many of Kingpin’s cabinet members and aides got lost in the shuffle. And that gets us back to Kingpin.

Wilson Fisk’s ending was jarring, and I don’t understand how it took place. And I watched this sequence multiple times. The attorney general offers Mayor Fisk a deal to exile himself in return for not pressing charges against him. Okay. I don’t think that’s a thing, but perhaps. We’ll go with it. But before Fisk takes the deal, he goes on a rampage in the courthouse. The offer should’ve been for giving Fisk immunity for the crimes he committed as Mayor before he rejected the attorney general’s offer. How can Fisk escape any punishment after killing at least a few New York citizens and hospitalizing a dozen more? Wouldn’t the deal be voided? That’s a nitpick. We got to see Kingpin fight, and that was cool.

Daredevil: Born Again Season Two was miles better than the first season. I enjoyed this season of the show and eagerly await the next season. Daredevil: Born Again is Marvel’s flagship Disney+ series and for good reason. Clearly, Charlie Cox and Vincent D’Onofrio love playing these characters, and I love watching them. Those are my thoughts. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil Born Again Season Two Review

Daredevil: Born Again “The Hateful Darkness” Review

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Hey, hey, Geekly Gang! Kyra Kyle here with another review/reaction to this week’s episode of Daredevil: Born Again, “The Hateful Darkness.” First off, amazing episode title. I love that title, “The Hateful Darkness.” Metal! I had some issues with this week’s episodes, but I’m not gonna lie. That ending kills.

Literarily. Oh. Spoilers are in effect. You’ve been warned. We’ll begin with what worked in “The Hateful Darkness.” I’ve said it a few times already, Daniel Blake’s story has been one of Daredevil: Born Again Season Two’s best stories. Michael Gandolfini did a great job. That was in the past tense for a reason. Blake’s story comes to an abrupt end in “The Hateful Darkness’s” closing moments. Blake’s passing at the hands of his buddy Buck’s hands was not in the original plan.

Daredevil: Born Again had intended to bring Blake back for Season Three. But Blake had a full circle moment in “The Hateful Darkness.” What made Blake’s story so great was how he was pulled in two directions. He cared for BB, and he wanted power through Mayor Fisk. Blake had every intention of handing over BB to Buck, but he had a hero moment and let her go. Not all hero moments require tights. Not all hero moments need to include world-wide or even city-wide stakes. Not all hero moments end with the hero prevailing. Blake made the choice to be BB’s hero. He did what was right in the moment. Blake living after making this choice would’ve cheapened his heroic choice. And I loved how Buck looked gutted.

Like I said, Blake’s death scene was not the original plan, but Daredevil: Born Again is a labor of love by producers Charlie Cox (Daredevil) and Vincent D’Onofrio (Kingpin). Along with Gandolfini (Daniel Blake), they felt as if the character was better served if he died in this moment–for all the reasons I mentioned. The showrunners knew Gandolfini’s Blake was a fan favorite. This wasn’t an easy decision. It was the right decision. Kudos! Arty Froushan’s Buck looked as conflicted as he did because the crew returned to shoot Blake’s death. Froushan thought the extra shoots were to clean up a prior day of filming. He didn’t know his character would kill his friend. Those were real emotions. The scene was phenomenal.

“The Hateful Darkness” also sprinkled in some other great moments: Matt Murdock returning to the courtroom, Karen Page and Heather Glenn’s showdown, and the opening scene with Page and Wilson Fisk. All of these were executed well, but they did feel off, and here’s where I talk about Daredevil: Born Again’s shortcomings. Jessica Jones’s presence still feels forced. She shares another rooftop scene with Daredevil. Jones even jokes about it. Marvel is so bad with self-referential jokes. They’ll joke about the thing they often include, while still using the thing they often include. Have the two meet somewhere else. Maybe a bar? Maybe not, because I’m sure Jones is trying to stay sober for her daughter.

We do receive news of Luke Cage’s involvement with the United States government. Jones and Mr. Charles (Matthew Lillard) share a scene in Charles’s hotel room. I mentioned it before but Daredevil: Born Again has too many characters it’s trying to juggle. Charles and New York’s governor disappear for long periods of time until the plot needs them to return. McDuffie (Murock’s partner) has had little to do before this episode, taking place in court. Better to show up for the penultimate episode than not at all, I guess. White Tiger has all but disappeared. I don’t know if I care enough about the character yet for that to bother me, but the fact that she’s vanished is a symptom of too many characters. Heck. I had forgotten about Cherry until this episode.

Daredevil: Born Again feels different than the original Netflix Daredevil series. Sure, I’ve driven home the point of there being too many characters, but Daredevil: Born Again may have overcorrected for the original Daredevil series. Thirteen episodes each season for Netflix’s Daredevil was too many, but eight or nine episodes a season for Daredevil: Born Again is too few. The show feels rushed. When I said that “The Hateful Darkness” had other great moments, I didn’t kid. But while the scene of Matt Murdock’s return to the courtroom was well executed, it took the ticker at the bottom of the screen for me to remember that New York City was looking for Murdock. The show went on so many tangents I had forgotten a major plot point.

Likewise, Karen Page and Heather Glenn’s confrontation felt inevitable, but it also came out of nowhere. There was little to no buildup. Page even cites what Glenn said about her relationship with Matt Murdock, but that exchange happened in season one. I thought Page talking about a stranger lying beside her in bed sounded familiar the first time I heard it. It took a second viewing to remember Page and Glenn’s conversation in Daredevil: Born Again, season one. The show could’ve brought up Glenn and Murdock’s prior relationship sooner. Armed with remembering NYC was looking for Murdock, and Glenn’s former girlfriend status with Murdock made those moments hit harder. They were well done. But they felt rushed.

I would love it if Daredevil: Born Again had a ten to eleven-episode run. It doesn’t need the Netflix Daredevil 13-episode run. Again, that’s too long. But Daredevil is at his best when his show has room to breathe. I loved the episodes of Daredevil: Born Again when the show had time to focus on a select few characters. Venessa’s death was handled with grace. I liked the episode where Matt could finally mourn Foggy’s death. And “The Hateful Darkness” concludes with another banger of an ending. There’s a lot to love, but there’s something missing.

But those are my thoughts about Daredevil: Born Again, “The Hateful Darkness.” What did you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

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Daredevil: Born Again “Requiem” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with this week’s Daredevil: Born Again review/reaction. This week’s episode, “Requiem,” breaks away from the show’s recent trend of focusing on a few specific characters. “Requiem” also showed how too many characters can cause problems with building a compelling story.

Honestly, I forgot just how many characters Daredevil: Born Again attempts to juggle. “Requiem” even added Jessica Jones to the mix. I doubt Jones will show up again until the final, final battle. Yes. Daredevil and Kingpin square off near the end of this episode. I doubt that’s the final, final fight between the two this season. I don’t know where to begin. I started with Jessica Jones, and she does show up at the beginning of “Requiem,” so she may be as good a place to begin as any.

Jessica Jones has a child, presumably with Luke Cage. When she speaks with Daredevil, Jones mentions that her powers have become unstable after giving birth (that shows up later in this episode) and that “some of their kind were willing to comply with Kingpin.” Does that mean Luke Cage surrendered himself to the Anti-Vigilante Task Force (AVTF)? Maybe. Charlie Cox (Daredevil) has expressed interest in Mike Colter returning to his role of Luke Cage. This could open the door for that. I wouldn’t say no to Colter making another run as Cage. But Cage–and Jessica Jones–deserve their own show or shows.

Jessica Jones doesn’t have much to do in “Requiem.” We catch glimpses of her taking out the AVTF at her house, she shares a rooftop conversation with Daredevil, and helps Daredevil crush the AVTF at the Red Hook docks, but not before showing her powers being flaky. It was fun seeing Ritter return as Jessica Jones. It will be fun if Mike Colter reprises his role as Luke Cage. But it’ll be less fun if Jones and Cage play second fiddle to Daredevil in a show. This is Daredevil: Born Again. The show bears Daredevil’s name and has introduced its fair share of new vigilantes. There’s a reason the AVTF exists.

While there are rumors of a Defenders revival, I’d like to see Jones and Cage in their own show together, or at least give the two a special presentation like the one The Punisher will get in the middle of next month. I can’t wait for The Punisher Special. I believe Marvel plans to give Jones/Cage a show or special, but they’ll needto convince Colter to return to the Luke Cage role. Charlie Cox has been on record, saying he wants Colter as Cage. Colter hasn’t yet shared that sentiment.

With Jones out of the way, let’s get back to Daredevil: Born Again’s core characters. Or at least who I think should be Daredevil: Born Again’s core characters. Kingpin doesn’t take his wife’s death well. Gasp! JK. That didn’t surprise me. It also didn’t surprise me when Kingpin murdered the doctor who failed to save his wife, even though the doctor undoubtedly did everything he could to save Venessa. Kingpin attends Venessa’s funeral, and then we don’t see him until his fight with Daredevil. The fight leans into Kingpin’s loss. We even get a moment when Kingpin laments destroying the painting her purchased from Venessa (also signifying the day they first met). It was done well enough, but it felt forced. “Requiem” had too many other characters and story threads to tackle.

Ironically, Daredevil also had little screen time. Sure. He and Jones took down the AVTF (as I mentioned above), he shares a tense moment between Bullseye and Karen Page (but Daredevil served as a sounding board for Karen Page, sharing her motivation to kill Bullseye), and he fights Kingpin, but even this fight gets interrupted by Page spurring the resistance (NYC) to fight back against Kingpin and Kingpin even gets a moment to mourn the loss of his painting (his greatest connection with Venessa). I know I said Jessica Jones had little to do in “Requiem.” The same may be true of Daredevil. And this is his show.

It took the second or third viewing of “Requiem” for me to remember that Daredevil: Born Again had paired Heather Glenn (Daredevil’s ex) and Buck Cashman (Kingpin’s right-hand assassin). Heck, Vanessa set the two together at a formal dinner a few episodes ago. Please forgive me. I tried not to pay attention to the scene Glenn and Cashman shared. Buck asks Heather to choke him like Muse choked her. Yikes! I couldn’t tell if the showrunners wanted this scene to read like someone dealing with trauma (Glenn facing her fears) or Glenn and Cashman getting kinky. Maybe it’s both. If it’s both, yuck. I wanted to skip this scene the second and third time. Was Daredevil: Born Again going for uncomfortable? If so, mission accomplished. I felt uncomfortable.

Moving to another would-be romantic pairing, BB Ulrich celebrates Deputy Mayor Blake’s birthday at his mom’s house. Blake takes Buck’s advice and feeds BB–that’s a lot of “B” names–fake information about Kingpin. BB almost takes the bait, but she melts when she scans Blake’s childhood bedroom. Aw! She genuinely cares for him, and Blake cares for him because he’s been protecting BB from Buck for several episodes by this point. He can no longer protect her from Buck. This could lead to an interesting couple of episodes for Blake. Does he choose Buck, and by extension, Kingpin? Does he choose BB? Does he play both sides? This scene doesn’t take too much of “Requiem,” but it’s strong.

And that brings us back to Page and Daredevil. I don’t know if their relationship will last. We see plenty of cracks when Page threatens to kill Bullseye. Page and Murdock don’t see eye-to-eye with how to continue the rebellion. For now, it looks as if Daredevil’s methods govern the movement, but Page gets abducted in “Requiem’s” closing moments. While Kingpin murdering the doctor was a gimmie, I don’t know how he’ll deal with Page. She wants Bullseye dead. Kingpin definitely wants Bullseye dead. The two may have a shared goal.

“Requiem” tries its best to juggle all of Daredevil: Born Again’s characters, but the show has too many characters. I didn’t even mention White Tiger. She didn’t have much to do either and quickly vanished. There’s only so much screen time for all of these characters. Wait! Doesn’t Matt Murdock have a legal partner? What has McDuffie been up to these past two episodes? Oh. And I didn’t mention the brief moment we had of Matthew Lillard’s Mr. Charles. So…many…characters. But I am interested in what a Page/Kingpin exchange will look like. Next episode’s title, “The Hateful Darkness,” may hold a clue to the next show’s motif.

But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Daredevil Born Again Season Two Review

Daredevil: Born Again “The Grand Design” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another review/reaction of this week’s Daredevil: Born Again episode, “The Grand Design.” Today’s post will resemble last week’s in that it’ll be more of a reaction than a full review. Again, I only watched “The Grand Design” a single time (not my typical two or three), but again, this week’s episode remained focused on its principal characters–maybe even more so than last week–and that’s a great development.

I may have been too hasty to pronounce Venessa Fisk deceased last week. But spoilers, she perishes “for real” at the end of “The Grand Design.” This delay gave Daredevil: Born Again the chance to give Venessa the send-off she deserved, and it managed to still lead to a great shock. Perhaps others felt otherwise, but “The Grand Design” lulled me into a false sense of security. Venessa pulled through. I began to think she’s going to make it, and some other event will need to occur to fully unleash The Kingpin. Not so fast.

Venessa’s passing away this way may invoke more trauma within Wilson. The acting was brilliant. The moments between Wilson and Venessa show why they’re a great couple. While I’ll be sad to see her go, I can’t wait to see Kingpin channel his rage toward Bullseye and Daredevil. Oh. There will be a reckoning.

Daredevil and Bullseye share several heart-to-heart talks. These scenes very much remind me of the ones between The Punisher and Daredevil in the original Netflix Daredevil. I mentioned that last week, but it bears repeating. And yet, “The Grand Design’s” emotional center plays out through Daredevil, or rather Matt Murdock, flashbacks with Foggy Nelson. Typically, I don’t care for an abundance of flashback scenes, but they work in “The Grand Design.” Daredevil’s remembering Foggy parallels Kingpin’s journey with Venessa. And like Wilson and Venessa’s flashbacks informing the present-day action, Foggy’s moral code informs Matt’s actions.

Honestly, “The Grand Design” is the farewell I wanted for Foggy over a year ago. I’ve said this before, too, but again, it bears repeating. It’s not that Daredevil: Born Again can’t kill off popular characters; it matters how the show does the deed. Fans got to say goodbye to Foggy. Finally! Matt was forced to reflect on WWFD. What Would Foggy Do? Foggy’s influence caused Daredevil to return for Bullseye. Foggy was the one who preached mercy. Sure. At times, Daredevil: Born Again delivers this message in a ham-fisted way, but the message was important. These scenes showed why Foggy was important.

Returning to the here and now, Blake and Buck make an unconventional tandem. It’s clear the two actors portraying these characters have chemistry. And yes, we receive Buck flashbacks during “The Grand Design.” Like I said, this episode leaned heavily on flashbacks. Anyway, I’ve praised Gandolfini’s (Daniel Blake) performance in the past, and he brought it again this week. Gandolfini’s acting sold the rising tension. Sorry. Gandolfini and Arty Froushan (Buck) sold this rising tension. It’s a joy watching these two switch from a cat-and-mouse game of intentions to mutual respect and friendship. Heck. They manage to portray both facets of these relationship at the same time.

And that brings me back to Daredevil: Born Again’s acting. With a handful of exceptions, it’s superb. The actors care about their characters. They understand what makes them tick. From an action standpoint, very little happens during “The Grand Design’s” runtime, but it doesn’t matter. This episode is the calm before the Kingpin storm. Daredevil: Born Again is about to get loud. My only concern is that the show may begin to lose focus. These past two weeks were great, but I know Jessica Jones is about to make her MCU debut. While I can’t wait to see Ritter reprise the role, I wonder how Daredevil: Born Again will fit in Jones. She’ll need more than the cameo The Punisher received last year. The Punisher is getting his own special in a month. Correct me if I’m wrong, but The Punisher appeared before Daredevil: Born Again season one’s midway point last year. Can the show squeeze in Jones, especially since we’ll be seeing full-throated Kingpin?

Daredevil: Born Again also sidelined multiple characters like BB, Kingpin’s staff, and even Karen Page the past couple of episodes. Kingpin may not be the only one making noise in the season’s final three episodes. But what do you think? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

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Daredevil: Born Again “Gloves Off” Review

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Happy Saturday, Geekly Gang! Kyra Kyle here with another reaction/review of a Daredevil: Born Again episode. This one may be more of a reaction than previous installments in this series. I only had time to watch “Gloves Off” once (getting ready for this weekend’s convention and sprucing up my board games for the Great Plains Gaming Festival’s gaming library has taken a lot of my time this week). As a result, I didn’t give “Gloves Off” my usual two or three viewings before posting a reaction/review. But I don’t think “Gloves Off” needed a second viewing. It was pretty straightforward, and that may be for the best.

I’m sensing a trend with Daredevil: Born Again. The show uses Bullseye as a catalyst for major change: Foggy’s death at the beginning of season one and Dex shooting Matt at the end of season one. We’ll get the spoiler part out of the way real quick. And just in case you have yet to watch “Gloves Off,” consider this a spoiler warning. Bullseye kills Kingpin’s wife, Vanessa, at the end of the episode. Again, Daredevil: Born Again choreographed this development before it happened. And again, I think this was the right move. “Gloves Off” may have other players sprinkled throughout its runtime, but the bulk of this episode focuses on the main cast. Another great development that I don’t think will continue in future episodes. Getting back to Venessa, her meeting with New York’s governor served as a farewell and foreshadowing.

As soon as Governor Marge McCaffrey said, “I can’t put my faith in Mayor Wilson Fisk…but I can put my faith in Mayor and Mrs. Fisk,” she signed Venessa’s death certificate. I knew immediately Venessa would perish. Daredevil: Born Again needed the tension an unleashed Kingpin would provide, and we saw Kingpin’s rage throughout “Gloves Off’s” runtime. The episode literally ends with Wilson Fisk boxing and killing (?) his opponent. Kingpin looked every part the role of someone who could challenge Daredevil to a physical confrontation. And Bullseye also gets portrayed as a competent killer. Most scenes with Bullseye are fun.

Daredevil: Born Again “Gloves Off” has plenty of dynamite scenes. The Bullseye scene at the beginning, where he takes down an entire squad of AVTF (Anti-Vigilante Task Force) members, was epic. I love it when Bullseye gets to cut loose. After watching this, I did question how Fisk could recruit so many people to the AVTF. Bullseye has been systematically killing off AVTF like they’re nameless Stormtroopers. I can’t imagine too many people wanting to sign up for AVTF duty when the survival rate is so low.

But moving on, Bullseye’s current storyline mirrors The Punisher’s from the original Netflix Daredevil. Bullseye is taking an extreme view, going further than Daredevil would ever consider, and the two (Daredevil and Bullseye) share a debate while they fight. Honestly, I think Daredevil: Born Again did a better job of integrating this debate (of killing versus non-lethal means of subduing enemies) in an action sequence than the original Daredevil. If I remember correctly, the bulk of The Punisher and Daredevil’s debate in Netflix’s Daredevil took place with Daredevil tied to a chimney. I much prefer Daredevil: Born Again’s presentation of this debate. At least, so far.

“Gloves Off” did a great job of tying up some loose ends, like the Northern Star’s first mate. It further develops Angela del Toro (soon to be White Tiger) as a member of the resistance, and Daredevil as the resistance’s symbol. “Gloves Off” does a fantastic job of setting up the idea of Kingpin without his wife, showing him to be a formidable foe (from a physical standpoint), and ending with what should be the catalyst for Fisk embracing the Kingpin moniker again. Daredevil: Born Again even did a good job of showing Wilson Fisk’s disdain for New York, calling him Mayor Kingpin through BB’s underground videos. “Gloves Off” is a great example of a standalone Daredevil: Born Again episode.

I do wonder if Daredevil: Born Again intends to continue using Bullseye as a narrative crutch. The show may be training viewers to perceive Daredevil: Born Again episodes that include Bullseye as more consequential. And Bullseye gets injured at the end of “Gloves Off.” We may not see him again until closer to Daredevil: Born Again’s season finale. You can’t see it, but I’m stroking my chin. Hmm. Bullseye may return closer to Daredevil: Born Again’s season finale. Coincidence?

But what do you think about Daredevil: Born Again “Gloves Off?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.