Happy Saturday, Geekly Gang! Kyra Kyle here with another review/reaction to an X-Men ’97 season two episode. This week’s episode is “Weapon X, Lies, and DVDs.” If you’re looking for last week’s X-Men ’97 episode, “Rise of Apocalypse: Part 2,” here’s the link. Yes! Wolverine is going back to his roots: The Weapon X Program. I’ll start this post with my thoughts on “Weapon X, Lies, and DVDs.”
Kyra’s Take
The previous episode’s mid-credit scene perfectly set up “Weapon X, Lies, and DVDs.” We knew Wolverine intended to take on the Weapon X Program and that he had assembled a team tied to the program. I scratched my head when I saw Wolverine’s team. Maverick and Garrison Kane were great choices. Real deep cuts. You love to see it. Morph tagging along made sense. They’ve been tied with Wolverine since the previous season, and a lot of their relationship with Wolverine gets explored in “Weapon X, Lies, and DVDs.” More on Morph in a little while. But it’s the final two members that confused me. I had to suspend disbelief with Sabretooth and Lady Deathstrike’s inclusion. How did Wolverine manage to convince those two to join his team? That could’ve been an episode all on its own, and “Weapon X, Lies and DVDs” handwaved the backstory. Okay.
Not explaining how Wolverine convinced Sabretooth and Lady Deathstrike to join him is my only small gripe. Sure, one can handwave the backstory by saying Sabretooth and Lady Deathstrike hated The Weapon X Program more than they hated Wolverine. Moving on. “Weapon X, Lies, and DVDs” features the first time the actual Brood take center stage in an X-Men show or movie. Sure, an altered version of The Brood, called the Colony, made an appearance in the original X-Men: Animated Series, and the real Brood made a cameo in “Mojovision,” but we got a great introduction to the Brood in “Weapon X, Lies, and DVDs.” The tension rises whenever Wolverine and company explore Weapon X storylines. Add in the Brood, and you have a party.
Morph steals this episode. Their complicated relationship with Logan drives “Weapon X, Lies, and DVDs’s” story. Maverick and Kane are old war buddies. I’m still unsure why Sabretooth and Lady Deathstrike joined Wolverine. The only one on this team who truly cares for Wolverine is Morph, and J.P. Karliak (Morph’s voice actor) always brings a much-needed sense of levity to Wolvie. “Weapon X, Lies, and DVDs” is clearly an allusion to the classic Eighties film Sex, Lies, and Videotape. The episode is set at a Weapon X facility. The staff uses DVDs to chronicle their experiments with The Brood. But the “Lies” come from Wolverine. He wants his adamantium back. While he may not mind betraying Sabretooth, Lady Deathstrike, Maverick, and Kane, pulling the wool over Morph’s eyes cuts deep.
While “Weapon X, Lies, and DVDs” doesn’t quite reach last week’s episode–how could it?–it does a good job at delivering an action-packed episode. Wolverine wasn’t going to keep his bone claws for long. X-Men ’97 has a way of incorporating classic comic book covers in its episodes. Wolverine #1’s (1982) cover makes an appearance, and just in the nick of time. So good. X-Men ’97 is a love letter to the X-Men. You love to see it. And I’d be remiss if I didn’t mention Omega Red’s appearance. Pitting Omega Red against The Brood was a great touch. Even better, Omega Red intended to join forces with The Brood. “Weapon X, Lies, and DVDs” managed to raise the stakes (both personal and global) throughout its runtime. I can’t believe this episode packed so much into thirty minutes.
And I can’t wait to see the fallout from “Weapon X, Lies, and DVDs.” Morph and Wolverine’s relationship may never be the same. They certainly weren’t on the best of terms. I will cite another small concern, or perhaps it’s a wish. Wolverine got his adamantium back far too soon. I would’ve liked to have seen him struggle with bone claws for most–if not all–of this season. X-Men ’97 could’ve done more with exploring a depowered Wolverine. This might have made Wolverine’s regaining of his adamantium more powerful at the end. Getting back to that ending, Morph was fantastic. Even though “Weapon X, Lies, and DVDs” was a Wolverine-centric story, Wolverine spent half the episode infected by The Brood. Morph carried the emotional weight of this episode. I’d like to see X-Men ’97 pull at the threads it introduced at the end of this episode.
Season’s Take
Hey, Alphas! Morph really was the highlight of “Weapon X, Lies, and DVDs.” Their emotional struggle throughout the episode was gold. You can see them convince themselves in real time that they have to help Wolverine regardless of his intentions behind the mission. Something tells me Morph is going to pull away from Wolvie and join Team Jubilee. Or something.
I’m also unsure why Lady Deathstrike and Sabretooth were there. They did try to dip out after they saw Cornelius transform into a Brood. I guess Cornelius is the main reason they showed up. I’m hoping Wolverine takes the events of “Weapon X, Lies, and DVDs” and tries to better himself. Then again, it’s Wolverine. He’s a mixed bag. Omega Red’s inclusion was a nice touch. Something tells me he’ll be making another appearance in X-Men ‘97.
Hey, hey! Kyra Kyle here again. Those are our thoughts on X-Men ’97 “Weapon X, Lies, and DVDs.” I also forgot to mention the last time the original X-Men: Animated Series visited the Weapon X Program in “Weapon X, Lies, and Videotape.” Ah! Guess we no longer use videotape. The next Weapon X story must be called “Weapon X, Lies, and Streaming.” LOL
What are your thoughts on X-Men ’97 “Weapon X, Lies, and DVDs?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
Hey, hey, Geekly Gang! This post is our fourth post of the day. Fourth! That’s coconuts. We’ve watched the first four episodes of X-Men ’97 season 2 and have shared our thoughts on each episode. This post will only cover “Rise of Apocalypse: Part 2.” If you’re interested in reading what we had to say about the previous episode, “Rise of Apocalypse: Part 1,” check out that post here. Let’s get into the climax of Apocalypse’s story: “Rise of Apocalypse: Part 2.”
X-Men ’97 is officially the best X-Men adaptation. I don’t think it’s up for debate. Sure. One may like any number of the Fox X-Men movies. Logan may still be the greatest Wolverine story told on camera. The original X-Men: Animated Series also did a great job of bringing Marvel’s mutants to the small screen. But “Rise of Apocalypse: Part 2” is the moment X-Men ’97 leaves no doubt that it is the definitive X-Men adaptation, like the entire X-Men team. I held off saying this for a few episodes, but this entire season (and the one before it) does a great job of articulating each mutant’s desire and viewpoint of life. And that’s the crux of X-Men. Numerous mutants have similar goals, but they pursue those goals in different ways, causing friction.
By this point, Magneto has joined Xavier’s non-violent vision wholesale, but he remembers a time when he tried to solve conflicts with violence and can empathize with En Sabah Nur. Rogue, who has some amazing scenes in this episode, envisions a world where the Genosha attack (from Season 1) didn’t occur, and Remi (Gambit) won’t die, so her end goal of turning En Sabah Nur peaceful aligns with Magneto’s. And this is just one strand of the web X-Men ’97 weaves. Most characters have similar goals but different means or similar means but different goals. “Rise of Apocalypse: Part 2” is a master class in character development.
But wait, there’s more. Yes. I deliberately wanted to sound like a salesperson there. We’re entering spoiler territory here. You’ve been warned. X-Men ’97 also managed to throw in some fan service. The mid-credit scene shows Wolverine reuniting with Captain America and Black Widow, reimagining the classic Uncanny X-Men #268 cover. Wait! Comic books only cost a $1 in 1990. Ah! I wish that were still the case. Weapon X intrigue is sure to ensue. I can’t wait. Before then, “Rise of Apocalypse: Part 2” reveals who Rama-Tut really is. Kang. Yes! I knew this twist would come, and I’m glad X-Men ’97 stayed true to the source material. We haven’t seen much in the way of Marvel Animated Universe (MAU) shows crossing over, but there’s a chance Kang could return in a different MAU series. The Marvel Cinematic Universe failed to deliver on Kang’s promise. Fingers crossed that Kang will get a better adaptation. And there’s Candra.
Candra is the Egyptian woman Rama-Tut speaks to as he makes his escape to the future he’s molding in his image. Candra has ties to Gambit. When Rama-Tut says, “Fear not, your destiny starts today, for his power can only be challenged by a force that is external.” Ah. John de Lancie is a treasure. He’s going to make a great MAU Kang. Anyway, Candra is an External, an immortal subset of mutants. She becomes the God of Thieves, so a clear tie with Gambit. X-Men ’97 is pitch perfect.
The show continues in the footsteps of the original X-Men: Animated Series by not being afraid to sideline or kill fan-favorite characters. Alright, the next bit is a huge spoiler. If you haven’t yet watched “Rise of Apocalypse: Part 2,” you should skip to the next paragraph. Apocalypse atomizes Magneto. X-Men ’97 shows as much as it can, mostly through the horrified look on Charles’s face and the reflection in his eyes. Brilliant!
X-Men ’97 hasn’t spared viewers of classic and potentially gory details of the X-Men’s past. Last season, viewers were treated to Magneto stripping the adamantium from Wolverine’s skeleton. This show goes as far as it can with its visuals, while remaining true to the original X-Men: Animated Series. I can’t wait to see where the show goes next. I mentioned season two building up toward the Age of Apocalypse storyline. I had my doubts if X-Men ’97 would do the storyline justice. I no longer have those doubts. X-Men ’97 and Your Friendly Neighborhood Spider-Man serve as excellent cornerstones of the Marvel Animated Universe. The MAU is on a roll.
Those are my thoughts on X-Men ’97 “Rise of Apocalypse: Part 2.” Let’s hear Season’s thoughts.
Season’s Take
Wow. Just wow. “Rise of Apocalypse: Part 2” is an emotionally mixed cliffhanger to leave on until next week. I loved “Rise of Apocalypse: Part 2.” En Sabah Nur becoming Apocalypse was inevitable. I know. I’m stating the obvious. I loved the way X-Men ’97 handled Apocalypse’s origin story. Brilliant.
I won’t rehash the details, but the pacing in “Rise of Apocalypse: Part 2” was amazing. It did a great job of picking up where “Rise of Apocalypse: Part 1” left off. If this is the definitive storyline of the MAU, that’s cool with me. I haven’t read the comic Rise of Apocalypse, but I’m unsure what kind of outcome I’m hoping for this storyline. I really want to see Kang again. He is pure evil personified.
Hey, hey! Kyra Kyle here again. Those are our thoughts on X-Men ’97: Rise of Apocalypse: Part 2.” What are your thoughts on “Rise of Apocalypse: Part 2?” Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
Hey, hey, Geekly Gang! Kyra Kyle here again with a third post. We’re back for a third installment of X-Men ’97. This post will cover the third episode of X-Men ’97’s second season, “Rise of Apocalypse: Part 1.” If you’d like to see Geekly’s thoughts on X-Men ’97 season two’s previous episodes, you can find them here: “Days of Past Future” and “A Force to Be Reckoned With.” I’ll kick off this post with my thoughts on X-Men ’97 season two, “Rise of Apocalypse: Part 1.”
Kyra’s Take
Oh my! I can see why X-Men ’97 released three episodes during its opening event. Each episode showed what our three sets of intrepid mutants are up to since the end of season one. “Days of Past Future” took us to the future, where Cyclops and Jean Grey reunite with their son, Nathan (Cable). “A Force to Be Reckoned With” brought us back to the present day (the Nineties) and what’s occurred since the X-Men disappeared. But the third episode (“Rise of Apocalypse: Part 1”) delivers on season one’s cliffhanger. And it also ends with yet another cliffhanger, but we’ll get to that in a minute. When I saw X-Men ’97’s release schedule, I originally thought Marvel wanted to drop as many episodes before Spider-Man: Brand New Day’s release date. Spider-Man’s next cinematic installment could’ve played a factor, but X-Men ’97 made the right decision to release the first three episodes of season two. Anything less would’ve felt incomplete.
I’m sure some viewers waited for X-Men ’97 to show the goods, revealing Apocalypse’s origin, and X-Men ’97 sure does deliver. “Rise of Apocalypse” gets its story from the comic book mini-series of the same name. We’re going to Ancient Egypt. I like how Magneto tries to rewrite mutant history by guiding En Sabah Nur (Apocalypse’s original name) toward a path of peace. This continues the dynamic between Magneto and Charles Xavier from the previous season. The two have a tenuous truce. They may both want the same thing (peace between humans and mutants), but they have very different means to accomplish this goal. Classic.
X-Men ’97’s showrunners know their characters. I had my doubts when the show was first announced several years ago, but X-Men ’97 has exceeded my most optimistic expectations. The new series maintains everything the original X-Men: Animated Series built, while working toward something new and exciting. The show has built up characters like Cable and Jubilee. “Rise of Apocalypse: Part 1” does the same for Apocalypse. He was already one of the X-Men’s most impressive foes. X-Men ’97 season two looks to humanize him. And watching Magneto try and teach Apocalypse a path to non-violence showed how much he’s grown. His actions end the way one might think they would (he fails), but I love how Magneto tries to reach Apocalypse. He notices they aren’t that different.
I don’t want to get into too many spoilers with these posts. Needless to say, the X-Men attempt multiple times to find their way to their timeline and fail. Tensions rise. And we’re left with another cliffhanger. Since “Part 1” is included in the episode’s title, “Rise of Apocalypse: Part 1” sets up the following episode, which we’ll cover later today. I’ve been writing these reviews/reactions as soon as I finish one episode. I haven’t yet watched “Rise of Apocalypse: Part 2,” but X-Men ’97 has my full confidence. I love the direction the Marvel Animated Universe has taken. I’ve been more excited about X-Men ’97 and Your Friendly Neighborhood Spider-Man’s second seasons than most of the Marvel Cinematic Universe’s offerings this year. I can’t wait to watch the next episode.
Those are my thoughts on X-Men ’97 “Rise of Apocalypse: Part 1.” Let’s see what Season thinks.
Season’s Take
As soon as En Sabah Nur said, “He was not fit to live,” I shouted, “You are not worthy.” I really hope En Sabah Nur says that in “Rise of Apocalypse: Part 2.” He has to finish the quote. It’s a requirement. Side note: Apocalypse looks good with long, wavy hair. He should bring that back.
I appreciated the tender moments between Magnus and Charles in “Rise of Apocalypse: Part 1.” Magnus wanting to try things Charles’ way was endearing. Something tells me it won’t last when they inevitably part ways, but I hope we get to see more of these moments in X-Men ’97. “Rise of Apocalypse: Part 1” was very human.
Hey, hey! Kyra Kyle here again. Those were our thoughts on X-Men ’97: “Rise of Apocalypse: Part 1.” What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Saturday, Geekly Gang! Kyra Kyle here. X-Men ’97 returned with the first few episodes of season two last week. We didn’t cover the animated series when it first launched because we were in the middle of writing our Supergirl review. We’ve had time to watch each of these episodes. I may be joined by Season in this post. Woo hoo! I can’t wait to talk about X-Men ’97 Season Two’s first few episodes. We’ll be releasing separate posts for each of the released episodes (four in total), so let’s begin with “Days of Past Future.”
Kyra’s Take
Geekly hadn’t returned when X-Men ’97’s first season originally aired, so I may take a quick moment to discuss the series as a whole. X-Men ’97 is a joy. I love how they brought back most of the cast and the creative team behind the scenes of the original Nineties X-Men Animated Series. This show mainlines Nineties nostalgia. With the exception of a few modifications, like a new voice actor for Rogue, who took some getting used to, X-Men ’97 captured the original’s charm. X-Men’s animation hadn’t aged the best, and while X-Men ’97 updated the animation style, it kept most of the visuals intact. Fantastic.
I also liked how X-Men ’97’s first season picked up right where the original X-Men Animated Series ended. This makes X-Men ’97 a continuation of the original. This is not a reboot. Sort of. And I liked how the showrunners decided to incorporate characters who were introduced (in the comics) during the original show’s run. Mild spoiler ahead. The first season’s main villain, Bastion, wouldn’t have been in the original X-Men Animated Series run because he was too new a character. Still, he fits into the animated series because the X-Men comic book was wildly popular in the early to mid-Nineties. Say what you will about X-Men #1’s role in the comic book collection market’s collapse, but X-Men had the it factor. Including characters and story arcs from the Nineties run of X-Men is a great choice.
Okay. Now, let’s talk about “Days of Past Future.” X-Men ’97 picks up immediately where the first season concludes. Apocalypse returns. Yay! X-Men ’97 continues to include characters from that Nineties run of X-Men comics. Brilliant! We’re going to go into more minor spoilers for “Days of Past Future.” You’ve been warned. Mother Askani (1993-1994) has a deceptive name. She’s actually Rachel Summers, Jean Grey and Cyclops’s daughter, from a different timeline. In fact, she is able to manipulate the timestream, so X-Men ’97’s reveal that Mother Askani was the one who sent the two X-Men teams into the past and future to stop Apocalypse makes sense with the original comic book. The show takes liberties. This isn’t a one-to-one, but I like Mother Askani’s inclusion.
Mother Askani harkens to a 1994 mini-series (The Adventures of Cyclops and Phoenix), where Jean and Cyclops bond with a young Nathan Summers (Cable). Even better, the tail end of X-Men ’97 season one foreshadowed that Jean and Cyclops’s relationship with their son would be explored. X-Men ’97 kept its promise in “Days of Past Future.” I can’t say enough great things about this series. I squeed. I did, and we get another season of episodes after this one airs. Yay!
Most of “Days of Past Future” focuses on the X-Men team sent into the future. I’m reviewing these episodes as I watch them, so there may be a few things I don’t notice in one episode that will become more important in the next. I love the direction X-Men ’97 is taking Cyclops, Jean Grey, and Cable (Nathan). X-Men ’97 has done a lot with fleshing out Cable’s backstory. The original X-Men Animated Series showed Cable as a random guy trying to save his future. Heck, Deadpool 2 portrayed Nathan Summers in a similar light. I liked both depictions of Cable. But X-Men ’97 has given Cable depth.
Supposition time: X-Men ’97 season two will build toward the classic X-Men Event, Age of Apocalypse. Sure, X-Men ’97 season two is borrowing elements from Age of Apocalypse, but I believe the animated series will fully embrace Age of Apocalypse with its following season. The post-apocalyptic world where Mother Askani exists paved the way for Age of Apocalypse. Fans and the writers enjoyed a world in the distant future without the X-Men and controlled by Apocalypse, so they wanted a world with the X-Men and controlled by Apocalypse (Age of Apocalypse). We’re only getting a taste of Age of Apocalypse this season. We’ll have to wait until the tail end of season two or next season to meet Sugar Man.
Those are my thoughts on X-Men ’97 “Days of Past Future.” Let’s see what Season thinks.
Season’s Take
I’m also watching these episodes one at a time before reviewing them, so we’ll see what I pick up on in future episodes. I’m a sucker for familial relationships being explored, and “Days of Past Future” did that more than I thought it would. A lot of characters were featured in “Days of Past Future,” but they each got adequate screen time. Actually, it’s more like each character was given plenty of depth despite the episode only being thirty-three minutes. I’ve never read Age of Apocalypse, so I’m unfamiliar with the plot. I know. I need to up my comic book game.
I’m excited to see where X-Men ’97 takes us next. I’m a huge fan of Rogue, so any chance I get to see her in action is amazing. I’m not the biggest fan of her voice in X-Men ’97, though. Girl, cough. Or, like, clear your throat.
Hey, hey! Kyra Kyle again. Those are our thoughts on X-Men ’97: Days of Past Future.” Feel free to share yours in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Saturday, Geekly Gang! Kyra Kyle here with another reaction/review of a Marvel-themed television show. A live-action show of Spider-Man Noir wouldn’t have made my Bingo card for 2026, but I’m glad Spider-Noir exists. I had little to no expectations going into this show. Full disclosure: I’ve never read the Spider-Man Noir comic book series, and I only watched Spider-Noir one and a half times before writing this reaction (it’s more of a reaction than a review) because I don’t have an ad-free Amazon Video Account. Pay walls. Yay! I enjoyed my time with Spider-Noir. If I had an ad-free option for this show, I would’ve watched it another time or two. It held my interest. We have another caveat to discuss before getting into Geekly’s Reaction/Review of Spider-Noir.
Ben Reilly instead of Peter Parker
You may have noticed that Spider-Noir is Spider-Man Noir in the comic books. That’s a name change. The title character refers to himself as The Spider, and so does every other character, but that isn’t the only name change. Canonically, Spider-Man Noir is an alternate reality version of Peter Parker. Spider-Man Noir is even Peter Parker in the Spider-Verse Series of films. Spider-Noir refers to its lead as Ben Reilly. Ben Reilly does come from the comics. He’s the Peter Parker clone during the Clone Saga. But why did Spider-Noir change its main character’s name?
I don’t know for sure. Several factors could weigh into Spider-Noir changing Spider-Man Noir’s character name from Peter Parker to Ben Reilly. The leading cause could be Spider-Noir’s darker tone (Spider-Noir kills others and uses a gun) and Ben Reilly’s use of alcohol and smoking. Marvel and Sony (with its Spider-Verse movies) may want to retain Peter Parker’s clean image. Spider-Noir can get really dark. And only a lawyer could understand the deal between Marvel and Sony with Spider-Man. I’m not even going to try to unpack all that legalese. I just needed to draw your attention to Spider-Man Noir’s multiple name changes.
Authentic Black and White Versus True-Hue Color
Spider-Noir offered two viewing experiences: authentic black and white, and true-hue color. I chose to watch Spider-Noir in authentic black and white, but my device has an option–and many smart devices have this option–to switch between the two versions. I accidentally clicked on “Switch Versions,” and True-Hue Color looked great from what I saw. But I have to be upfront about which version I watched.
Wow! Spider-Noir really is a different kind of television show. So many exceptions.
Accents
The accents in Spider-Noir can get difficult to decipher. Silvermane’s accent is over-the-top in the best possible way. I’m glad I had subtitles on while I watched, but kudos for the commitment to Silverman’s Irish brogue. Nicolas Cage’s accent often came and went. Typically, I enjoyed Cage’s performance, but his accent could get distracting. I couldn’t place Cage’s accent.
The majority of Spider-Noir’s cast does a good job of approximating 1930’s American speech. I’d even say Cage does a good job, but he goes a little over the top in classic Nicolas Cage fashion. We’ll get to Cage’s performance in a minute, but I enjoyed him as Ben Reilly.
Nicolas Cage as Ben Reilly/The Spider
Nicolas Cage gave his best ham-tastic performance with Ben Reilly and The Spider, and it was hilarious hearing Lamorne Morris (more on him in a minute) do his best Cage as The Spider impersonation. Cage is having fun. His brand of overacting worked so well with this character. From his lying down like a dead spider to his odd accent, Nicolas Cage gave his all in this performance. It was equal parts hardboiled detective and Universal Monster movie. I can’t wait to see more of Spider-Noir. I don’t care what the form a new Cage performance takes: video game, animated movie or show, or another season of Spider-Noir. Like Robert Downey Jr as Iron Man or Ryan Reynolds as Deadpool, Nicolas Cage was born to play this role.
Lamorne Morris as Robbie Robertson
Since his appearance on a beer commercial where he complimented his girlfriend on her teef, I’ve always been a Lamorne Morris fan. The man has charisma. He’s a great fit for Robbie. His chemistry with Nicholas Cage and the rest of Spider-Noir’s cast is fantastic. Heck, the entire cast has great chemistry. In other Spider-Man properties, Robbie tends to get overlooked. He takes center stage in Spider-Noir. Excellent.
Robbie needs to be featured in more Spider-Man movies and shows. And I’ll always take more Lamorne Morris.
The Rest of the Cast
Li Jun Li’s Cat Hardy shares some fantastic banter with Nicolas Cage’s Ben Reilly, but she does a great job with her love interest, Flint Marko, played by Jack Huston. Huston also nails his 30s speech. The entire cast does. Brendan Gleeson makes for a fabulous Silvermane. He’s the kind of guy you love to hate. Abraham Popoola’s Lonnie Lincoln shares some heartfelt moments with Robbie Robertson. I even liked to hate Andrew Lewis Caldwell’s Dirk Leyden. Oh. And Amy Aquino (Dr. Faber) and Andrew Robinson (Ogden Faber) share some excellent scenes with Nicolas Cage and Silvermane with his goons. Oh! Oh! Karen Rodriguez made a sensational secretary/investigator, Janet Ruiz. Ruiz has some of the funniest moments.
I enjoyed almost every minute of Spider-Noir; the commercials were my main gripe. I’m not paying to go ad-free, Amazon.
The Writing
Sure, Spider-Noir plays out pretty much as I expected, but that isn’t always a bad thing. The show follows tropes. At times, it subverts them, but this may be a function of Spider-Noir’s status as a superhero story. When you genre blend and find ways to honor each inspiration, you’ll end up with some tropes, but hopefully, done in a manner that has yet to be seen. Spider-Noir knew what it wanted to build toward and did it. It was a hardboiled detective/superhero mini-series with a dollop of gory monsters. More, please.
Should There Be a Second Season
I know I just asked for more Spider-Noir. I said that on more than one occasion, but I kind of like that it remains a mini series. The cast is fabulous, and the writing is well-done. I wouldn’t say no to another season of Spider-Noir, but the story also wrapped up neatly. Are there any more huge stories to tell? Maybe. I didn’t expect Spider-Noir on the 2026 schedule. I didn’t expect to enjoy it as much as I did. I don’t expect another season. Does that mean that we will see another season?
Those are my thoughts on Spider-Noir. I may rewatch the series in True-Hue to see which version I prefer. I’ve heard this is a hot-button topic. Which version do you like? Let us know in the comments. And let us know if you’d like to see another season of Spider-Noir. Thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Sunday, Geekly Gang! Kyra Kyle here with another week of Geek News. We’ve been off for a couple of weeks, and the news stories have piled up. We also have a few new releases (board games and video games), but before we dive into them, let’s talk about our first news topic: Marvel Comics. That’s right. Marvel Comics makes our headline today with the announcement of their first new department head in almost thirty years. Let’s meet the new head of Marvel Comics.
Brad Winderbaum, David Abdo, and Dan Buckley (photo from Marvel Entertainment)
Marvel Comics has New Leadership
For the first time in a while, we have some major comic book news. After almost 30 years at Marvel, Dan Buckley, longtime head of Comics & Franchise) plans to depart the company. Buckley will remain at Marvel through mid-2027 to support the leadership transition. And who is Marvel Comics’ new lead? Brad Winderbaum. Yes. Already overseeing Marvel Television and Animation, Brad Winderbaum will add Comics & Franchise to his title. Joining Marvel from Disney, David Abdo will serve as General Manager, Comics & Franchise, and will report to Winderbaum. This change could be seismic.
I’m of two or three minds here. On one hand, Brad Winderbaum has done a fantastic job resurrecting Disney+’s Marvel television shows. Daredevil: Born Again, Wonderman, and The Punisher: The Last Kill occurred under his watch. These were very good to great. Winderbaum also kick-started the fun Marvel Animated Universe with titles like X-Men 97 and Your Friendly Neighborhood Spider-Man. Winderbaum has a proven track record. Why couldn’t he similarly steward the comics as he did Marvel’s Disney+ shows? On paper, Winderbaum sounds like an excellent candidate for the job.
On the other hand, Winderbaum already has plenty of responsibilities at Marvel. Sure, David Abdo will function as the general manager for Comics & Franchise, but I still wonder if Winderbaum will get stretched too thin. And then there’s the reality that comic books are not television. How much does Winderbaum or Abdo know about the comic book industry? Abdo may have more hands-on responsibilities with the comics, but he’s moving over from Disney and may also have a limited knowledge base of the medium.
And my final question, will this mean that the Marvel comics will only serve the MCU? If so, is that a bad thing? Up to this point, Marvel Comics has done its own thing. If what they write makes it on the big or small screen, great. If not, the comics are the comics and the movies are the movies. No harm, no foul. Will this change mean that Marvel Comics will serve as a testing ground for stories the MCU plans to introduce later? Will Marvel Comics explore stories that differ from the MCU, ensuring more demographics are represented? Who knows? I do know that this is a seismic shift for Marvel Comics. Dan Buckley has been in charge of Marvel Comics since the late 1990s. This marks a new chapter for the House of Spidey.
PlayStation Plus Price Hike…Sort Of
Geekly has covered PlayStation a lot during the first half of this year. Honestly, I’m getting tired of it, but PlayStation has been doing a lot of crazy things in short order. First, they raised the price of the PS5. Second, the price for their upcoming PS6 leaked and could be well over $1000 for the pro version. Earlier this month, PlayStation instituted a one-time DRM check but didn’t clarify anything until after a week had passed and fans freaked. Yeah. Sony PlayStation has had a no-good, very bad five months. And it continues this week. Sony announced a price increase for its subscription service, PlayStation Plus.
Here we go again, again. Beginning now, PlayStation Plus prices for new customers will increase in select regions. Effectively, these price hikes will be about $1 per month, give or take, depending on the region where you live. PlayStation cited “Market Conditions” as the reason for this increase; that excuse is as vague as the no-response about the DRM check earlier this month. But we say it’s sort of a price hike because if your PlayStation Plus account was in good standing and active before this price increase, your price will remain the same. As you can imagine, PlayStation fans have reacted negatively to this news. Many point out that Microsoft cut the price of Xbox Game Pass, while others suggest that a paid subscription shouldn’t be required for online play.
Just a reminder, Grand Theft Auto VI, now a PlayStation-exclusive game, will launch by the end of this year. GTA VI should feature an online mode. Is it a coincidence that the PS5 and the PlayStation Plus subscription received a price hike less than a year before one of the most anticipated, PlayStation-exclusive games in recent memory? I’m not so sure. I also wouldn’t be surprised if the “Market Conditions” change six months or so after GTA VI is released. You know, after PlayStation makes as much money as possible off of GTA VI. That’d be criminal. Downright grand theft.
And speaking of PlayStation-exclusive games, Sony made another announcement that its first-party, predominantly solo player experiences will only be available on PS5. That means Horizon, God of War, The Last of Us, the Marvel video games series (including Spider-Man and the upcoming Wolverine), and potentially Grand Theft Auto VI will only be available on PS5. No PC for you. You know, just in case you needed another reason to spend an extra $100 on a new gaming system.
Let’s Go! To France Launches on KickStarter
You are travelers planning and experiencing your own dream vacations to France.
Explore Paris, soaking up art, history, and delicious food through its many tourist attractions and hidden gems. Using over 100 beautifully illustrated cards, you will discover activities and strategically place them to create your six day itinerary. While puzzling out your optimal activities, you will plan your trip to one of four marvelous regions of France. Will you bask in the sun along the French Riviera or explore the historic castles of the Loire valley?
Play competitively or solo, earning victory points by successfully balancing the two halves of your vacation, making the most out of your interests, and managing your time well. The most points wins, but everyone has the chance to create a memorable vacation.
Thank you, Alderac Entertainment Group, for the description. I’ve been meaning to play Let’s Go! To Japan. I had the first game in this series in my to be played list for years. I even had Let’s Go! To Japan on my Christmas list on two occasions, but for whatever reason, we haven’t gotten around to picking up a copy or playing it at a convention. As soon as a saw Let’s Go! To Japan, my family groaned that this would be another game in the series. I agreed. I also hoped that Let’s Go! To France would be the next game in the series. Yes!
I’ve heard the tableau building in Let’s Go! To France exceeds the original. I hope so. I love a good tableau builder. The theme interests me. I may even use these games to plan my upcoming trips to these countries. You never know. Let’s Go! To France offers several pledge levels, ranging from $50-$160. You’re sure to find a version that scratches your wanderlust. If you’re interested in Let’s Go! To France, check out its KickStarter page.
SHUG Launches on KickStarter
SHUG is set in a mad ol Engoland, where King Charles the Cursed is hellbent on monster-slaying carnage. As a puny peasant, your only chance to spark a revolution is to fulfill a bizarre legend: find the creature Shug, and bring it to the fabled Pub…
A mashup of party game and dungeon-crawler, SHUG is a unique blend of strategy and chaos. Win with clever tactics or by going full fool on ludicrous challenges.
Wander the free roam map. Befriend monsters like Selky with a sea shanty. Slay your friends with Sexy Armour, or killer salsa moves. In SHUG you’ll discover not only a whole world, but also strange sides of yourself.
Thank you, Wandering Games, for the description. Oh, my! I love SHUG’s art. I don’t even care if it’s a standard roll/spin and move game, which I don’t think it is; I would gladly add this game to my collection. It doesn’t take itself too seriously. I’m unsure how a game can be both a party game, a dungeon crawler, and a race, but I want to know how. SHUG does list Take That as one of its game mechanisms. I’m not too crazy about a Take That game that could take an hour and a half, but still, the theme, the art. I’m interested. SHUG’s pledge levels range between $50-$135. If you’re interested in SHUG, check out its KickStarter page.
Hover Launches on KickStarter
Play as hummingbirds thirsty for nectar… and a mate. The first bird to build a nest and perform a successful courting call wins the game.
Will you bully your way to the top? Bluff your way ahead? Or get clever and sneak in a victory?
But watch out! The chatter, competition, and annoying displays from other hummingbirds can easily distract your potential mate from paying attention as you expend precious energy to win their 1,260 bpm heart.
Based on real hummingbird behaviors, Hover is a strategic game featuring high-player interaction, tight action economy, asymmetric abilities, bidding/bluffing, and area control to create a highly immersive and intuitive game.
Be the hummingbird – beautiful and brutal.
Thank you, Ibis Tea, for the description. Hover looks amazing. The picture above is of a prototype, so the quality could be even better than what’s shown. Bird-themed games have dominated the board game market in recent years–here’s looking at you, Wingspan–but the titles that stand out are the ones that mimic bird behavior. Hover does just that with hummingbirds. I like how one reviewer (Tabletop Vibes) described it: Hover is like hummingbird Chess.
I can see that. While there doesn’t appear to be much happening on the board, looks are deceiving. Hover has depth to spare. Pledges range from $40-$90. If you’re interested in Hover, check out its KickStarter page.
Yoshi and the Mysterious Book Releases
I did a double-take when I found Yoshi and the Mysterious Book as one of this week’s new video game releases. I swore this game was supposed to be a Super Mario Galaxy Movie tie-in. That movie was released well over a month ago. Has it been that long? And I thought Nintendo would’ve released a full-fledged Mario title to support the Super Mario Galaxy Movie release. I digress. Yoshi and the Mysterious Book looks to be a return to form for the series. I haven’t played the game yet. I might pick up a Switch 2 before the price hike in September, and you’d best believe Yoshi and the Mysterious Book (along with Pokopia and the new Donkey Kong) will be some of the first games I purchase.
The premise involves Yoshi entering a sentient and mysterious encyclopedia’s (Mr. E’s) pages to search for and interact with various creatures. The gameplay reminds me of Super Mario Odyssey or even A Boy and His Blob. The description of “bitter, soapy, sudsy taste” makes me wonder if Yoshi can eat certain items to gain abilities. At any rate, Yoshi and the Mysterious Book reward exploring ability combos. It has received good to great reviews. And I love the game’s stop-motion animation graphics. Yoshi looks adorable. Squee! Yoshi and the Mysterious Book is available on the Nintendo Switch 2.
Lego Batman: Legacy of the Dark Knight Releases
Lego Batman: Legacy of the Dark Knight is the fourth installment in the Lego Batman franchise. The fourth! This installment looks to incorporate more of the television shows and movies into its narrative. And I’m all for that. Batman trains with Ra’s al Ghul, much like he did in Batman Begins. Several skins mimic Batman movie costumes, like Michelle Pfeiffer’s Catwoman, Danny DeVito’s Penguin, and Heath Ledger’s Joker. We don’t know if the game will follow any more of these movies’ plots or if they’re fun skins. The inclusion of Kite Man has me hoping we’ll see some Harley Quinn: The Animated Series representation. Hell, yeah!
Lego Batman: Legacy of the Dark Knight has received very good to great reviews. While the Lego Batman franchise is hit or miss for me, this title looks promising. Lego Batman: Legacy of the Dark Knight is available on PC, PlayStation 5, and Xbox Series S/X.
Hotel Architect Releases
Step into the shoes of a hotel owner as you design, build, and manage grand hotels around the world. Juggle demanding guests, frantic logistics, and plenty of unexpected surprises in Hotel Architect, the ultimate hotel construction and tycoon management game!
Thank you, Pathos Interactive, for the game description. Hotel Architect has received pretty good Steam reviews. I like the artistic choice to use weeble wooble looking characters. It almost feels like bath time. I had bath time toys that looked much like this game’s animation, and no kidding, I pretended that I was running a restaurant or store on more than one occasion. A hotel is a logical leap. It blends a lot of those aspects and more under one roof. I’ve been tempted to download some mobile games that do a lot of what Hotel Architect sets out to do, so I may give Hotel Architect a shot. Hotel Architect is available on PC.
That’s all the Geek news we have for you this week. Thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Friday, Geekly Gang! Kyra Kyle here with a review/reaction to The Punisher: One Last Kill Special Presentation. This special has an uneven distribution of action and character exploration/backstory, but this imbalance works for The Punisher: One Last Kill. In short, it’s a bloody good time.
I really liked how Jon Bernthal loses himself as Frank Castle. He pulls off a tortured marine well. His ex-platoon members haunt him. The cinematography drives home the claustrophobic nature of these ghosts. Frank can’t escape his former partners or the family he failed to protect. The Punisher has a clear goal (end the crime family that destroyed his family), and at the beginning of The Punisher: One Last Kill, he’s accomplished that goal. No wonder he’s ready to say his final goodbyes while visiting his daughter’s grave. But Frank Castle hasn’t completed his goal. One member of the Gnucci remains. Ma Gnucci.
I love Judith Light’s portrayal of Ma Gnucci. The character makes sense for The Punisher: One Last Kill, and one of Ma Gnucci’s chief storylines echoes a storyline from Daredevil: Born Again. Ma Gnucci creates an Anti-Vigilante Task Force. The Punisher: One Last Kill reworks this into a bunch of goons trying to kill The Punisher on Ma Gnucci’s behalf. That’s a good interpretation. I also like how succinctly The Punisher: One Last Kill introduces Ma Gnucci. Kudos all around.
And getting back to Frank Castle, I liked how disorienting his portrayal of post-traumatic stress was and how he couldn’t tell who was real. He’s not okay. He’ll live with the ghosts of his past. The Punisher: One Last Kill managed to address PTSD well, while still remaining true to the MCU. Not an easy task. It took an appearance by Karen Page (Deborah Ann Woll) to slap a little sense into the protagonist. Because of Castle’s mental state, I’m still unsure if we actually saw the real Karen Page. Actually, I’m almost eighty-five percent sure Karen’s appearance was in Frank’s head. He could be recalling a previous exchange with Karen, and The Punisher: One Last Kill found the perfect time to pivot toward action.
At first, I thought about taking The Punisher: One Last Kill to task for presenting an uneven story. All psychological drama upfront; a lot of gory action on the backend. But like I said, it works. In the beginning, Frank’s interior sucked all the oxygen out of the room. Just as it enters the realm of too much self-loathing, The Punisher: One Last Kill introduces Ma Gnucci, and we get reprieve from Frank’s inner thoughts. Again, great job setting up Ma Gnucci. Shortly after Gnucci threatens Frank, Karen Page appears, attempting to get through to Frank, and that’s when Ma Gnucci’s goons attack everyone in the neighborhood. Good pacing.
What comes next are a mixed bag of action sequences. There are some hokey visual effects (Castle falling on an air conditioning unit), but the majority of the action is well done and represents some of the better actions sequences in recent MCU history. I especially liked The Punisher taking down a heavily tattooed muscle man with a ballpoint pen. Nice!
The Punisher: One Last Kill offers up as much blood and gore as any Deadpool movie or Logan, and this is in the span of twenty minutes. Wow! Just wow! While several may view this as “overkill”–get it?–these action sequences serve as Frank Castle working through his demons. They feature plenty of character moments, not the least of which is when Frank watches Ma Gnucci make her escape. Frank has the option to hunt her and claim his “last kill” of the Gnucci family, but he doesn’t. Those same goons Gnucci hired to attack Frank Castle cause havoc in The Punisher’s home streets.
After subsequent viewings, I love The Punisher: One Last Kill’s symmetry. In the opening moments, we see the city as its own character, performing its daily routine. Frank seldom interacts with his neighbors. Toward the end, Frank engages. He aids a family not too unlike the one he lost. During the special’s closing moments, he helps a former Marine fight back against a bully. Frank Castle has found a connection with humanity. He’s found purpose. Is it a little spelled out for the viewer? Sure. But it’s effective. The Punisher: One Last Kill offers plenty of blood. It unleashes The Punisher with rated R action. But it also gives Frank Castle his humanity. It gives him hope. It gives The Punisher a reason to live. And that’s beautiful. Bombastic, gory, beauty.
I always thought Jon Bernthal was a good choice as The Punisher, but his moments to shine in the role were spotty at best. The Punisher: One Last Kill showcases what Bernthal can do in the role. Those are my thoughts on The Punisher: One Last Kill. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
Happy Friday, Geekly Gang! Kyra Kyle here with another review/reaction to this week’s episode of Daredevil: Born Again, “The Southern Cross.” Simply put, I liked Daredevil: Born Again Season Two’s finale. It works if Daredevil: Born Again wants to continue with a third season–we already know that Daredevil: Born Again has been picked up for at least a third season–or if the show wants to end with this season. That’s the mark of a good ending. I also love the symmetry between this season’s opening episode title (“The Northern Star”) and its closing episode title (“The Southern Cross”). In the comics, Daredevil has always leaned into religious undertones. “The Southern Cross” works.
Yes. I have some gripes, and they’re ones you’ve heard before in previous episode reviews/reactions, so I’ll continue with what I liked about “The Southern Cross,” for now. Matt Murdock and Kingpin’s showdown in court was inevitable. What occurs in court pays off many of Daredevil: Born Again Season Two’s story threads. Great! Honestly, I don’t think the original Netflix Daredevil spent much time in the courthouse beyond its first season. The fact that Daredevil: Born Again Season Two’s final fight occurs at that same courthouse fits. It’s a little hokey, but I like it. Treating this episode as an extended bottle episode was a good idea. Sure, we see the courthouse’s exterior, and a few shots occur around the courthouse, but “The Southern Cross” is the closest a show like Daredevil: Born Again would ever get to a bottle episode.
Narrowing the final episode to predominantly one location allowed Daredevil: Born Again to focus on its characters. You don’t need to establish another locale if the location of the shot seldom changes. Love. Love. Love. Daredevil: Born Again made the right call. The acting was on point. What else would you expect from Charlie Cox (Daredevil) and Vincent D’Onofrio (Kingpin)? I’ve mentioned it before, but Daredevil: Born Again is a passion project for Cox and D’Onofrio, and it shows. Like I said, “The Southern Cross” manages to tie up several loose ends. Daredevil and Kingpin receive satisfying/interesting conclusions to this season. BB working at the same newspaper as her father made me smile. Heather Glenn’s descent into the new Muse could be terrifying, and I’m here for it. I don’t want to spoil it here, but Glenn’s closing scene legitimately gave me chills.
Other storylines were touched on. I got a better sense of McDuffie. White Tiger got a decent close to her story. It was rushed (more on that in a minute), but functionally, it worked. Jessica Jones and Luke Cage’s moment near the end was equal parts fan service and earned. I questioned bringing in Jessica Jones more than halfway through the season, but for the most part, she worked. Sure, I enjoyed Netflix’s Jessica Jones series, and that may have blinded me to her character being rushed into the season’s story. But Kristen Ritter knows this character. Jessica Jones may have aged since we last saw her, but she still takes a swig of Scotch before punching faces. And Jones felt less of a distraction than The Punisher last season. She didn’t hijack the narrative in any way. Conversely, The Punisher became the symbol the AVTF (Anti-Vigilante Task Force) wears.
Jones (and by extension, Luke Cage) justifies Matthew Lillard’s character’s existence. Funny how Bullseye takes Luke Cage’s place at the end of “The Southern Cross.” That served as another great development. But I hope Lillard’s Mr. Charles and Bullseye don’t serve a sole purpose of linking Daredevil: Born Again to the larger MCU. Yes. I know Daredevil: Born Again belongs to the greater MCU, but I like that it’s mostly its own thing. And I don’t want a heap of crossovers in Season Three.
I’m sure I mentioned last year that the Born Again title is one of several where Matt Murdock’s secret identity of Daredevil gets discovered. It should come as no surprise that Murdock’s secret identity was revealed, but in classic MCU fashion, Daredevil: Born Again takes liberties. In the comics, Karen Page sells out Daredevil for drugs. That wasn’t going to fly on a Disney+ show. And I liked that Daredevil: Born Again gave Matt Murdock agency over his identity. Daredevil has been incarcerated in the comics before, which is where we leave him at the end of “The Southern Cross.” This should lead to more nods to the comics, which are always appreciated.
I’ve staved off my critiques, but it’s time to discuss them. Daredevil: Born Again rushes its story. This stems from a combination of a few too many characters and a shorter episode tally than the original Netflix Daredevil. Again, I don’t think Daredevil: Born Again seasons need to run 13 episodes, but a couple more would help establish some of these characters. While I liked Heather Glenn’s transformation, her arc was rushed. We hadn’t seen White Tiger in a couple of episodes (rightfully so, as the show developed other characters, but again, too many characters), and suddenly, White Tiger appears. Okay. I’m unsure of Buck’s fate. I think he lived. And many of Kingpin’s cabinet members and aides got lost in the shuffle. And that gets us back to Kingpin.
Wilson Fisk’s ending was jarring, and I don’t understand how it took place. And I watched this sequence multiple times. The attorney general offers Mayor Fisk a deal to exile himself in return for not pressing charges against him. Okay. I don’t think that’s a thing, but perhaps. We’ll go with it. But before Fisk takes the deal, he goes on a rampage in the courthouse. The offer should’ve been for giving Fisk immunity for the crimes he committed as Mayor before he rejected the attorney general’s offer. How can Fisk escape any punishment after killing at least a few New York citizens and hospitalizing a dozen more? Wouldn’t the deal be voided? That’s a nitpick. We got to see Kingpin fight, and that was cool.
Daredevil: Born Again Season Two was miles better than the first season. I enjoyed this season of the show and eagerly await the next season. Daredevil: Born Again is Marvel’s flagship Disney+ series and for good reason. Clearly, Charlie Cox and Vincent D’Onofrio love playing these characters, and I love watching them. Those are my thoughts. What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.
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