Tag: dc comics

Lanterns “Trust Fall” Review

Published on by KyraLeave a comment

Hey, hey, Geekly Gang! Kyra Kyle with a review/reaction of this week’s Lanterns episode, “Trust Fall.” If you’d like to see our review of last week’s Lanterns episode “Pilot,” check it out here. “Trust Fall” builds on “Pilot’s” great foundation. Like I said in the previous review, Lanterns “Pilot” does almost everything you’d want a first episode to do. And my concern of Lanterns avoiding the superhero genre expectations (costumes and powers) has waned. Again, I can see why Lanterns doesn’t want to blow its entire effects budget in the first episode or two, and “Trust Fall” shows us more of Hal Jordan and John Stewart in action.

If you haven’t yet watched Lanterns “Trust Fall” and you don’t want any spoilers, you may want to watch the show first and then return to this review/reaction to see what you agree or–most likely–disagree with in this post. I’ll wait. Are you done? Great! Let the spoilers commence. I mentioned it in the opening paragraph, but I like how Lanterns is easing the audience and its budget with the Green Lantern’s larger universe. Hal Jordan dons the uniform, travels to the Planet Oa (The Guardians’ home planet), and even meets with Sinestro. And of course, all this happens in the final five minutes of “Trust Fall’s” runtime. But it counts. I don’t need much, just a taste of Green Lantern goodness, and Lanterns‘ second episode delivers on some of these promises.

After watching this episode (twice), I have hope for the rest of the season/series. I meant what I said last week. Lanterns is a fantastic show. I enjoyed every minute of the pilot episode, but last week’s episode could’ve been the pilot for a show set outside the DCU. “Trust Fall” made the show feel as if it belonged in the DCU. I love Hal Jordan and John Stewart’s relationship. Sinestro hints that John may be more of a danger to Hal than the big bad alien threat developed during this episode (more on the Manhunters later). This rings true. It would make sense if Hal was nervous about John becoming Green Lantern soon. Jordan did say in the pilot that the Green Lantern job was his until the day he died. And Hal Jordan has been cagey about The Guardians. When John Stewart asks what The Guardians thought about what’s happening in Rushville, Hal Jordan dodges the question. It’s obvious Hal and The Guardians aren’t on speaking terms.

Through two episodes, Lanterns has done an excellent job of answering some questions but posing more. During “Trust Fall,” the name Manhunters gets introduced. Ah! The Manhunters are one of Jack “King” Kirby’s DC Comics creations. Kirby is best known for cocreating the Marvel Comic Book Universe, but he had several gems with DC Comics. Kirby had a knack for science fiction themed stories. His work on Fantastic Four is iconic, but Kirby also created Darkseid and The New Gods. It made sense for Kirby to build on Green Lantern’s lore. The Manhunters were the android precursors to the Lantern Corps. I won’t spoil too much of The Manhunters’ backstory here, just in case Lanterns uses a healthy dose of this comic book lore, but John Stewart has a history with The Manhunters, and I like the direction Lanterns is taking its first season. A Manhunter makes for a fantastic first season villain.

“Trust Fall” splits the two lanterns into separate stories. Hal Jordan continues his investigation of Rushville, Nebraska. Turns out, a Manhunter may be behind the odd goings on in the town. The town knows aliens exist, and they’ve rigged their metal detectors to spot alien lifeforms. Yeah, Macon’s benefactor may be The Manhunter causing mayhem. But this town has layers. The hospital has equipment that’s barely used. Heck, the hospital itself is a lot larger than one you would find in most rural Nebraska towns in the Sandhills. There’s a lot happening under the surface. Oh, yeah. Macon has one of his goons shoot Hal in the shoulder (a warning shot). Seriously, I love this town and it’s seedy underbelly. The two lanterns spilt up because Hal sends John to retrieve his lantern.

Yes! We physically see a Green Lantern’s lantern. Hal keeps it in a pocket dimension (classic), and we even meet Earl, an alien man-eating plant. Like I said, Lanterns “Trust Fall” sprinkles in enough Green Lantern goodness. I even like how members of the same alien race (who infiltrated Rushville, Nebraska) abduct John Stewart. These aliens implant memories of their home world getting destroyed and family members being killed by The Manhunters. And this does play out in a John Stewart Green Lantern story. Great inclusion here. And the introduction of Sinestro to the greater story could lead to a ton of fun.

Ah, Sinestro. Seeing him in all his pink-skinned glory made me smile, and so do the layers to the town of Rushville, Nebraska. I was on the fence about grounding Lanterns to the planet Earth. When one thinks of Green Lantern stories, one pictures planet hopping and exotic locales. Lanterns following Supergirl, which had a muted color palette and a lack of planet hopping (in relation to the source material, Supergirl: Woman of Tomorrow) gave me pause. The show isn’t in the clear yet, but I like a slow introduction to Green Lantern’s larger universe. If Lanterns continues introducing more sci-fi elements at the rate it did from episode one to two, I’d call that a good escalation. And the largest use of a Green Lantern ring (John Stewart producing a bird) was adorable and showed how John and Hal differ as Green Lanterns.

One random observation: a picture Nathan Fillion’s Guy Gardner graced Lanterns “Trust Fall” banner in my HBO Max app. Was Guy Gardner in this episode? Was he supposed to be at one point? Not gonna lie, I saw the pic and got a little excited to see Fillion’s Gardner again. We may need to wait for episode three.

Lanterns continues its solid start with this week’s episode, “Trust Fall.” I can’t wait for the next episode, and my fingers are crossed for a second season. No word on that…yet. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “Pilot” Review

Published on by Kyra1 Comment

Happy Saturday, Geekly Gang! The Lanterns pilot episode released this past week, and I’ve had some time to watch the show a few times. I’ve got some thoughts and if Season’s watched the episode, she may have thoughts as well. It’s time for another Geekly review/reaction of Lanterns “Pilot” episode. Before we begin, I’ll warn everyone that there will be spoilers for Lanterns “Pilot.” Okay, that’s out of the way. Let’s get into the show.

Kyra’s Take

Lanterns “Pilot” does everything a pilot episode should do for a series. It does a great job showing us the main characters (Hal Jordan and John Stewart) and their relationship, it creates intrigue (the question that must be answered by the end of the season), and the small town in western Nebraska even becomes its own character. Great work. If Lanterns wasn’t part of the DCU or based on the Green Lantern property, I’d probably give the episode a near perfect score. It is that good. But Lanterns has yet to follow through with two simple and easy genre expectations for a superhero show/movie: costumes and powers.

And this is on the heels of Supergirl (review here if you want to read it), which also featured a superhero who refused to wear her costume for three-quarters of the movie’s runtime. But at least Supergirl used her powers. Lanterns barely shows Hal Jordan using his ring, and John Stewart recounts what he does with the ring to the audience. Bubble wrap would’ve been nice to see. Superhero stories don’t have too many genre expectations, but not meeting either one (costumes or powers) is a little concerning. I’m concerned about Lanterns; we haven’t reached gripe levels yet. I could see saving money on special effects (powers), but you made the Green Lantern costume. Why not show Hal in the costume for more than fifteen seconds? I know. I know. Character reasons, but the DCU already did that with Supergirl. Will this become a trend? But I meant what I said. Lanterns “Pilot” is almost pitch-perfect.

I’m putting the costume/power concerns on the backburner. Lanterns comes out with a bang. The audience can tell Jon and Hal have a long history. I love their opening scene in the car. “Why do your ‘sirs’ sound like f*** yous?” Classic. Both men come from broken homes. Hal’s father died in a plane crash, and we don’t see John’s mother. The two react differently to their circumstances and this shines through their character choices. Jon using the ring for bubble wrap meant he totaled Hal’s car. Something Hal takes offense to. We do hear why Hal no longer wears his costume. Fair. He could’ve worn the costume under a bomber jacket and jeans. Just saying. And that’s where the show shifts to western Nebraska. Like I said, the little town becomes a character, an engaging character.

I like how Hal navigates the small town politics. Again, it’s obvious this isn’t the first time Hal has visited this Nebraskan town. He even mentions that the town is close to where he gained his Green Lantern ring. This town is more than it seems. The sheriff (portrayed by brilliant character actor, Kelly Macdonald) may try to deny it, but aliens regularly visit this Nebraska town. An alien entity has infiltrated this town, and the sheriff’s father-in-law builds a militia to fend Earth from the aliens he believes will colonize the planet. Lanterns has a lot to say about the world’s current climate. Xenophobia runs rampant in parts of the United States, especially parts like rural Nebraska. I can’t wait to see more of this town and its citizens. Lanterns does a great job of creating a fascinating web.

And that’s before we talk about the alien Hal and John encounter. Extraterrestrials do want to infiltrate this Nebraska town. It’s for the power ring. It’s gotta be for the power ring. A conversation between Hal and John in a bar all but confirms these aliens’ intent. And I love the bar scene from Lanterns “Pilot.” Again, we see how these two Green Lanterns tick. John shows far more patience than his mentor. Despite Hal giving John his ring for safe keeping, John refuses to put on the ring. He believes it’s a test. And knowing what little we do about this version of Hal Jordan, it may be a test. But my favorite moment was when Hal counterfeits a $20 to flood the bar’s jukebox with Melanie’s “Brand New Key.” He pisses off the bar regulars, and they fight him. All of this was a ploy to get arrested so he could interrogate the alien the town’s sheriff has in custody. Everyone, including John Stewart, dubs this a stupid plan. So good.

How this little town works could be its own show. Aliens and Green Lanterns are just a bonus. This may be where my disconnect derives. Lanterns “Pilot” is a great episode, but is it a story unique to Green Lantern? We’ll see. Hal’s bizarre behavior deserves more exploration. He frequents this Nebraska town, and the episode ends with his passing and missing his power ring. Uh oh! Again, brilliant way to open a series. I see a handful of flashbacks in the future while John Stewart unearths who has Hal’s ring, because it’s obvious John doesn’t. When he examines Hal’s body, John looks for Hal’s ring and doesn’t find it. Lanterns “Pilot” lays down a stellar opening for the series. This episode leaves us with plenty of questions and some characters that require more digging.

Those are my thoughts on Lanterns “Pilot” episode. Let us know yours in the comments. Looks like I’m on my own this week. Season may catch up for next week’s episode of Lanterns. Thank you for reading, and wherever you are, I hope you’re having a great day.

Supergirl Movie Review

Supergirl Movie Review

Published on by Kyra2 Comments

Hey, hey, Geekly Gang! Kyra Kyle here. A couple of our writers watched the DCU’s second movie entry, Supergirl, this past week. Sure. We’ve only watched the movie once, so this may be more of a reaction than a review. Typically, I like to watch a movie at least twice before dubbing my thoughts a “review.” But I do have some thoughts, and I may be joined by another of our writers for Geekly’s Review/Reaction of Supergirl.

Kyra’s Thoughts

Supergirl is a good movie. I don’t know where all the hate for the movie originates. I’d even say Supergirl is on par with last year’s Superman, with one significant flaw holding it back: “the brides.” The brides represent an even larger issue of Supergirl attempting to cater to a wider audience. We’ll return to the brides and the rest in a minute, but back to Supergirl as a whole. The acting is on point. Eve Ridley gives a great performance as Ruthye. Milly Alcock is perfect as a Supergirl: Woman of Tomorrow (the movie’s source material) version of Supergirl. And Jason Momoa was more believable as Lobo in three seconds than he was as Aquaman through three DCEU films.

However, Lobo is also the reason why Supergirl isn’t as good as it could be–Lobo was a ploy to get other demographics interested in the movie, but we’ll talk more about that later, too. Again, I love Momoa in the role, but the character disrupted this movie. Other critics claim that Supergirl’s plot is scattered. Lobo is the main reason the movie’s plot goes off course. The writers shoehorned a character who didn’t exist in the source material: Supergirl: Woman of Tomorrow. While a scattered plot may be a fair criticism of Supergirl, last year’s Superman had a far more scattered narrative. I didn’t look at some of these critics’ reviews for Superman, but I venture to guess they didn’t dock Superman nearly as much as Supergirl for the same flaw. And Superman was worse in that regard.

My biggest gripe with Supergirl also stems from Lobo’s presence: the brides. I told you we would return to this topic. In the source material, the main villain, Krem, is a mercenary who really loves killing people. Lobo is also a mercenary who really loves killing people. How do we differentiate between them? Make Krem a sex trafficker. No. Just no. The brides (girls around 13) gave me the ick while I was watching Supergirl. It took me a minute to figure out why the brides made me cringe. I can see why this could be a dealbreaker for some. Supergirl could’ve omitted Momoa’s Lobo (or given him a cameo, seriously, three seconds was all Momoa needed to show he embodied the character) and replaced his scenes with a hopeful scene or two from the source material. This could’ve brightened the movie. Possibly even allowed for more comedic moments, which brings me to my next point.

Supergirl’s darker tone could also be a dealbreaker for others. Supergirl is a very different character from Superman. And that’s a fantastic thing. Corenswet’s Superman never knew Krypton. Alcock’s Supergirl watched her family, her home, and her people die. I love how Supergirl showed the difference between these two characters when they shared screentime. If anything, Supergirl upstaged the DCEU’s Superman. Cavill’s Superman had PTSD for unspecified reasons. Alcock’s Supergirl has PTSD for a very concrete reason: she watched the last of Krypton die. This is the equivalent of Cavill’s Superman as a CIS man trying a menstrual cramp simulator and screaming at the first setting. Alcock’s Supergirl would claim that setting tickles.

I could even see some people disliking Supergirl’s use of trauma to propel the narrative. Sometimes, you just want a dumb, fun movie. Heck, 2025’s Superman could be categorized as a dumb, fun movie, so the DCU conditioned audiences (through one movie) that the new DCU will be bright and fun. Despite its tonal differences, Supergirl fits within the DCU. And I’d argue that Kara overcomes her trauma, and that should be lauded. Supergirl’s trauma makes her interesting. Kara possesses numerous conflicting emotions. At one point, Supergirl was a red (rage) lantern in DC Comics. The fact that she chooses hope makes her a hero. While Supergirl is dark for a PG-13 movie, it’s nowhere near as dark as 2008’s The Dark Knight. So those critics need to stop clutching their pearls or throw that same vitriol at The Dark Knight.

The final negative I’ve seen from most Supergirl critics is the movie’s sepia-toned world. Supergirl: Woman of Tomorrow features vibrant colors. The Supergirl movie doesn’t. And this is where I’m bringing back the idea that Supergirl included certain things in the hopes of appeasing different demographics. Supergirl’s sepia-toned worlds resemble the Snyderverse films. News flash, DCU. Snyderverse fans only want the DCEU to return. Nothing you can do can change that, so why not go with more vibrant colors? And we return to Lobo. Yes. Lobo was that problematic of an addition to this story. At first, I thought the DCU wanted another marketable character in the Supergirl cast (sell some toys or a variant popcorn bucket), but the more I thought about it, Lobo’s presence was meant to appeal to testosteroni males. After all, Lobo is the Main Man.

Supergirl works as a worthy follow-up to 2025’s Superman. I’d like to see where the DCU takes the Superman family. Yes, there are more members of the Superman family the DCU could explore. Supergirl suffers from appealing to a lot of different demographics that it had no hope of winning over. Synderverse fans are a lost cause. And despite Lobo’s inclusion, many of the testosteroni boys whom Lobo was meant to win over still dubbed Supergirl “woke” because it’s a movie about a super-powered woman. Supergirl has the bones of a fantastic movie. The performances are phenomenal. Too bad the DCU tried to cater to certain demographics.

Those are my thoughts on Supergirl. Let’s see what Season thinks about the film.

Season’s Thoughts

I also think Supergirl got too much hate from critics. If you isolate Supergirl from Supergirl: Woman of Tomorrow, it’s an enjoyable movie. It’s fun to watch regardless, but I couldn’t help myself from comparing it to the source material. I’ll get to the source material later.

Supergirl showed Kara overcoming adversity, but that got overshadowed by Lobo and the sex trafficking of young girls. The reason the movie gave for the sex trafficking of young girls was because the Brigands were an all-male race. Okay. I suppose you can argue that reason, but the sex trafficking was so unnecessary and ham-fisted into the plot. It was plain gross for the sake of being gross. Krem also killed one of the girls for sport. If the Brigands really needed these girls to continue their race, why kill one of them instead of capturing them?

Speaking of Krem, an interesting design choice was made for him in Supergirl that doesn’t match with Supergirl: Woman of Tomorrow. My guess is it goes back to Lobo’s inclusion. Lobo is already an interesting looking character with extreme expressions and mannerisms. In Supergirl: Woman of Tomorrow, Krem looks like a red-headed barbarian with crazy eyes. Supergirl made Krem out crazy-fie Lobo with several piercings across his face, leather clothes, and a rat tail turned into a braid. They also gave him red eyes. You know, to match Lobo. Since Krem was the more evil between himself and Lobo in Supergirl, he had to have a more extreme appearance. I see you, Craig Gillespie.

I’m sorry to all the Lobo fans out there, but he was a distraction. Spoiler alert: Lobo stole Comet’s scene in Supergirl. In Supergirl: Woman of Tomorrow, Comet is the one who saves Supergirl from the onslaught of Brigands, losing his life in the process. This is a very dark and emotional moment in the source material. I cried when I read it. In Supergirl, Lobo rescues Supergirl from the Brigands and turns it into a slapstick comedy moment. Supergirl explained Lobo’s reason for being present was that he was after the bounty of one of the Brigands. That makes sense for Lobo’s character, but Supergirl is only one-hundred and seven minutes. All of Lobo’s screentime is distracting from the main story.

On to the positives. Supergirl was fun to watch. Milly Alcock did an amazing job of capturing Supergirl as a character. Eve Ridley also did a good job of portraying Ruthye. Ruthye’s internal monologue wasn’t included in Supergirl, but I didn’t mind. The movie could have easily been lengthened to over two hours if Ruthye narrated the movie.

I didn’t think Supergirl would include the green sun. I was pleasantly surprised. Not only was it included, but it cut out the extra exposition in Supergirl: Woman of Tomorrow, which was much appreciated. Supergirl: Woman of Tomorrow dragged a bit on the extent of Supergirl’s affliction to the green sun. In Supergirl, Ruthye’s strength was portrayed through her restraint and perseverance. We didn’t need to watch her slay monsters.

That’s my take on Supergirl. Geekly Gang.

Hey, hey, Geekly Gang. Kyra Kyle here again. Did you agree with our takes? What do you think of Supergirl? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.