Tag: films

DC Universe (DCU) 2026 Preview

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Hey, hey! Kyra Kyle here. I have signed up for HBO Max and have been catching up and keeping up on DC Universe (DCU) content, so Geekly should have plenty of DCU content going forward. After Superman (2025), the DCU is back. Woo hoo! Or at least it’s back enough for a cinematic universe to bloom. Sure, Superman’s final box office numbers may not be where Warner Bros. and DC want them to be, but superhero movies seldom crack the $1 billion mark anymore. Captain Marvel was the last solo superhero movie to reach that mark. That was in 2019. What happened in 2020? That’s on the tip of my COVID. The movie industry has yet to recover from the pandemic. But 2025 was a banner year for superhero films.

I’m writing this post early (super early, as I take a break from writing posts for the final four months of the year to write a novel). As I’m writing this, the final box office numbers have yet to be reported. There’s the slimmest of chances Superman reaches a $1 billion. Even if it doesn’t, Superman is a success in the modern film landscape, and it did enough to get me excited for the DCU’s upcoming projects. Let’s talk about the DCU’s 2026 slate of films and shows.

Quick update: I revisited this post closer to its release date and adapted the proposed release dates.

Supergirl: Woman of Tomorrow (June 26, 2026)

Supergirl: Woman of Tomorrow is scheduled for a June 26, 2026, release. We caught a glimpse of Milly Alcock’s Supergirl in Superman (2025). Alcock’s portrayal and the upcoming film’s title, Supergirl: Woman of Tomorrow, suggest that the movie will follow the events of Tom King’s run of Supergirl. If you haven’t yet read Supergirl: Woman of Tomorrow, you should. It’s an excellent read, and this film sounds amazing.

Quick spoiler warning. I will delve a little into the Supergirl: Woman of Tomorrow graphic novel. If you want to go into the Supergirl: Woman of Tomorrow film blind, feel free to jump to the next entry. Superman was launched as a baby from Krypton. Kara (Supergirl) was a teenager and watched her world fall apart. Neighbors and loved ones were swallowed by earthquakes and explosions. Her father managed to build a barrier around Argo City (Kara’s home city), only to see Krypton’s remaining residents die as the now asteroid turned into kryptonite. Kara lost her world twice. So, the DCU’s Supergirl will struggle with PTSD and will claw her way out from rock bottom. This should make for a very different Supergirl and a riveting story.

Lanterns (Late Summer 2026)

I’ve been waiting for a Green Lanterns show for years. The DCEU teased one for almost a decade, promising to take the bad taste of Ryan Reynolds’s Green Lantern out of our mouths, and never delivered. Rejoice, because the DCU made Lanterns a priority. It should be the third or fourth DCU project (depending on whether you count Krypto shorts), and I’m here for it. Teaming Hal Jordan and John Stewart together in a buddy cop way gives me classic 80s Green Lantern/Green Arrow vibes.

Lanterns showrunner Chris Mundy has described the show as a “huge HBO-quality event” in the style of True Detective. Yes, please. Nathan Fillion will return as Guy Gardner–I loved his hair in Superman–and there’s a chance we could see more Green Lanterns in this series. But that’s not a guarantee. Lanterns will be an Earth-based detective story, so alien Green Lanterns may not fit in the first season’s narrative. I may have to wait for Kilowog. I’m unsure if Lanterns was affected by the Netflix sale or if some other issues occurred, but Lanterns has been bumped from an early 2026 to a late summer 2026 release. My guess is that the DCU wants to continue the momentum of Superman (2025), being followed by the second season of Peacemaker.

Clayface (September 11, 2026)

We know little about the upcoming Clayface film, and that may be for the best. I love that DC Comics doesn’t shy away from films based on villains. I doubted Joker after it was first announced, but I’m holding back any judgment with a Clayface film. Mike Flanagan penned the script; he’s best known for his work on Netflix horror series: The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass, The Midnight Club, and The Fall of the House of Usher. Clayface director James Watkins has a history of horror with The Woman in Black, Speak No Evil, and one of the most disturbing episodes of Black Mirror, “Shut Up and Dance.”

While I would’ve liked to have seen Clayface in a Batman movie, I’ll take Clayface getting a stand-alone film. James Gunn’s right-hand man, Peter Safran, likened Clayface to the classic horror film, The Fly. I can see that working. We’ve heard conflicting reports as to whether Clayface will exist within The Batman’s universe. Time will tell if Clayface truly is a stand-alone film or part of a larger universe. Considering who’s behind the project and Clayface’s premise, I can’t wait to watch.

That’s all we have for DCU projects that should release in 2026. We could see other DCU shows crop up, like the animated series My Adventures with Green Lantern. We’ll keep you posted. Which one of these DCU projects has you the most excited? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

5 Unconventional Christmas Movies

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Hello, Geekly Gang. Skye here. Since I’ve already done a post last year about my “Top 10 Christmas Classics,” I decided to take a different route this year. This list’s “Christmas” movies are certainly…different. While Christmas is commonly associated with joyous, hopeful, and loving emotions, sometimes, I’m not in that mood. Here are some movies to watch this holiday season for those who want to experience a different kind of holiday spirit.

1) Batman Returns (1992)

We’re starting off strong. Bet you forgot that Batman Returns was a Christmas movie. Given the film’s vibe, I can’t say I blame you. Batman Returns turns up the adult yet comic-book tone of Tim Burton’s Batman to 11 and goes full force into the dark and gritty we’re familiar with when it comes to the Caped Crusader. Even to this day, I’m not entirely sure what to make of Batman Returns, but part of me can’t help but respect it for how over-the-top it is. Here’s a freshly gnawed-off human nose. Merry Christmas!

2) 12 Monkeys (1995)

12 Monkeys is another movie you probably forgot was set during Christmas. You’re welcome. While Christmas isn’t the focus, you can understand why someone would feel compelled to watch it around this time of year. A deadly virus has been released, and only James Cole (Bruce Willis) can save the future from it. Fa la-la-la-la-la? It honestly sounds more like a SyFy action movie of the week than a Christmas film, but I give 12 Monkeys a pass due to the inclusion of Bruce Willis. Despite what Bruce Willis claims, any movie he’s attached to is technically a Christmas movie. Maybe I should put The Sixth Sense on the list.

3) Silent Night, Deadly Night (1984)

There’s a lot of violence on this list, but Silent Night, Deadly Night is easily the most violent. You can’t get much more violent than a slasher film about a killer Santa Claus. Did this need to exist? No, but I’m so glad it does. Hollywood has always churned out dopey surface-level slasher flicks since the release of John Carpenter’s original Halloween, but Silent Night, Deadly Night could very well be its crowning achievement. A testament to gratuitous blood and gore, Silent Night, Deadly Night could be your next odd holiday staple. Just don’t forget garbage day.

4) Gremlins (1984)

What unconventional Christmas movie list would be complete without Gremlins? Y’all may already know, but Gremlins spawned a whole subgenre of horror/comedies revolving around tiny creatures trying to kill you and has since become a cinematic icon. Whether you get into Gremlins due to the subject matter or the holiday season, it’s not going away any time soon. Kate’s Dad says, Merry Christmas. If you know, you know.

5) Bad Santa (2003)

Surprisingly, Bad Santa might be more difficult to get through than Silent Night, Deadly Night. Bad Santa perverts everyone’s idea of the holidays, so this one hits a little too close to home. As I sit watching a drunken Billy Bob Thornton ruin Christmas for every child he comes across as the worst mall Santa to exist, I traumatize my inner child. Bad Santa holds on to a small portion of the holiday spirit as our “hero” realizes that Christmas isn’t about armed robbery, but the fact that sentence exists is the reason this movie is on the list. If y’all are up for it, feel free to take a look. Bad Santa is a mood-based watch.

With that said, those are my picks for 5 Unconventional Christmas Movies. Let us know what your favorite unconventional Christmas movies are in the comments. This post was fun to write, and I hope y’all had fun too. Whether you follow standard holiday traditions or have your own unique celebrations, Christmas is a holiday many of us hold dear. So long as you’re having fun (and being safe), go out and enjoy Christmas your way. Merry Christmas, Geekly Gang!

Whatcha Watching, Geekly: November 2025

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share what they’ve been watching over the past month. You’re welcome to join the fun and share what you’ve been watching, Geekly Gang. I’ll get us started with the movies I watched.

Kyra’s Movies

All our geekly writers watched the two movies I’ll be discussing. I’d like to see what Season and Skye have to say about each of these films.

In short, Weapons had too many point-of-view (POV) characters. If you’re like me and you thought Weapons started strong, dragged in the middle, and found its footing at the end, that’s because the movie had too many POVs. The teacher made the best choice as the first POV. Good job there. The audience needed at least one parent’s POV. Great choice to include one, but I question this POV’s placement in the movie’s sequence. I didn’t like how the parent immediately followed the teacher. Director Cregger didn’t trust his audience to remember someone painting “Witch” on the side of the teacher’s car. This will be an ongoing issue.

Then, we get a few POVs we didn’t need. The cop adds nothing. The junkie actively made the story worse. How cool would it have been if the first time the audience saw the kids in the basement was when the father found them? Instead, a random junkie undercuts that potential emotional weight. And the principal’s POV is repetitive. And what was with making the principal gay? This inclusion reeks of tokenism. Within ten minutes of learning the principal is gay (which we only learn because we’re in his POV), the principal kills his husband. Hollywood needs to uphold the tired trope of Bury Your Gays.

Weapons gets back on track with the kid’s POV, and then it’s relatively smooth sailing–from a story perspective. Weapons is a good movie, but it’s overhyped. It doesn’t deserve a 93% fresh rating. Limiting Weapons to three POVs (the teacher, the kid, and the father, and in that order) and bouncing between the three would’ve given Weapons a chance to dig deeper into these characters. Weapons is praised as a “smart film,” but it treats its audience like imbeciles. Writer/Director Zach Cregger doesn’t trust his audience to piece together things, which is why the movie spells out everything in the principal’s POV, even when all the information delivered in the principal’s POV can be obtained through the other POVs. We’re left with puddle-depth characters and inconsistent world-building.

Oh, and what was with dropping the machine gun references and imagery outside of the teacher and father’s POV after the beginning? Again, if we only got three POVs (specifically, the three I mentioned), the idea that Weapons is a metaphor for school shootings would’ve been clearer.

Objectively, Weapons is a better movie than The Monkey, but I had a lot more fun watching The Monkey. Even though it’s a horror comedy, The Monkey does a better job setting up stakes for its characters (we actually have a ticking clock of the father losing visitation rights with his son after the weekend) and building emotional resonance than Weapons. So, maybe The Monkey is the better film.

Make no mistake. The Monkey is ridiculous. Its acting is over-the-top but in the best possible ways. I laughed out loud during Elijah Wood’s scene; he’s a treasure. Some of the lines and character choices are jarring, but in a deliberate, self-aware manner. I loved watching the Final Destination-like deaths occur, preceded by the titular wind-up monkey drumming its tune. I especially like the bus filled with cheerleaders at the movie’s end. I won’t say any more, but it’s hilarious. And the nods to other Stephen King stories were fun.

The Monkey doesn’t have a lot to say, but doesn’t need to have a greater message. Sometimes you just want–or need–a good laugh.

Kyra’s Show

I’m back to watching true crime. While writing this post, I’m eagerly awaiting the final episode of Hulu’s Murdaugh: Death in the Family. I first learned about the Murdaughs when Netflix released its documentary series years ago, so I was somewhat familiar with what to expect. But Hulu’s docudrama Murdaugh: Death in the Family lives up to the craziness surrounding this case.

I forgot a lot of the specifics for the Murdaugh Murders. I’m fighting the urge to rewatch the Netflix documentary before finishing Murdaugh: Death in the Family. Going in blind must be a treat. I don’t want to spoil anything, but the Murdaugh Murders are perfect fodder for true crime series, movies, and much more. There are so many elements to this story. Money laundering. Drug abuse. Infidelity. Wire fraud. Witness tampering. Wrongful deaths–plural. And this all happens before Mags and Paul Murdaugh are slain. The suspect pool for the Murdaugh Murders is limited to the entire state of South Carolina. Who wouldn’t be a suspect?

At least, that’s what I would’ve thought if I hadn’t watched the other content before watching Murdaugh: Death in the Family. If you haven’t seen anything else about the Murdaughs, refrain from doing so until after watching this series. The acting is on point.

That’s all I have for this month. What’ve you been watching, Season?

Season’s Movie

I’m going to be honest. I didn’t watch much this past month. I’ve been busy and haven’t had time to sit down and watch something. However, I do like to have something playing in the background while I fall asleep. For that, A Goofy Movie is perfect.

I’ve been feeling nostalgic, and I remember owning A Goofy Movie on VHS. I watched it so much, my mom eventually hid it. I remember jamming out to Tevin Campbell’s music (“I2I” and “Stand Out”), which was the main reason I watched A Goofy Movie. This time, I focused on the parent-child relationship. It holds up, even after removing nostalgia glasses. A Goofy Movie is a good watch for all ages.

What are you watching, Skye?

Skye’s Movie

The Monkey was my introduction to director Osgood Perkins. I’m not dissatisfied. Kyra came to me on Halloween and told me about this ridiculous horror comedy that had to be seen to be believed. Funny thing: I’ve seen it, but I’m still not sure I believe it. Did I enjoy The Monkey? Without a doubt, yes. The Monkey was the most insane horror comedy I’ve seen in recent years, which kept me laughing even when the screen was covered in gore. Yeah, this movie loves its body parts. Everything is just the right amount of wrong, and the fact it all revolves around a monkey doll turns the absurdity up to 11. I highly recommend The Monkey, just not too soon after mealtime.

Skye’s Show

Um, sure. Since I watched Monster: Ed Gein last month, Monster: Jeffrey Dahmer felt like the next logical step. Technically, Monster: Jeffrey Dahmer is better than Monster: Ed Gein, but that’s a low bar. Simply put, it’s obvious why people call Monster: Jeffrey Dahmer insensitive. It’s dead set on violating the stories of real-life murder victims, and some episodes were downright infuriating. True crime has always fascinated me, but there’s a right and a wrong way to do it. Monster: Jeffrey Dahmer is definitely the wrong way. If you’re curious about these true stories, it’s better to watch documentaries or read dissertations about them. Don’t be Ryan Murphy.

Kyra Kyle again. It looks like Skye enjoyed The Monkey. Yay! Thank you for reading, and wherever you are, I hope you’re having a great day.

Skye’s Halloween Favorite Movies

Published on by Kyra4 Comments

Hooray! It’s that day again. Happy Halloween! To honor Spooky Season, I’d like to discuss my favorite movies to watch for Halloween. We all have our go-tos for holiday movies. What are some of your favorite Halloween movies? You may find some of your favorites among my list. With all that said, let me walk you through my favorite Halloween movies.

5) Coraline (2009)

While Coraline doesn’t take place during Spooky Season, the themes and tone are a perfect fit. This’ll be a common thread among many of my picks. I first saw Coraline as a kid with my family soon after it was released, and I didn’t fully understand it. In fact, my main takeaway was “Huh…that was weird.” Despite being a chronically terrified child (so much so, I couldn’t bear to look at horror movie DVD covers), Coraline didn’t scare me. Now that I’m older–and a very weird person–Coraline is one of my ideal Halloween movies. Given my love of stop-motion animation and the freakish imagery its creepy movement creates, Coraline remains a solid Spooky Season film.

4) Beetlejuice (1988)

I’m glad I didn’t have Beetlejuice growing up. Considering how impressionable I was as a kid and the adult content it contains, Beetlejuice would’ve rubbed off on me in all the wrong ways. I first watched it 3 years ago when I was feeling desperate to find a new classic Halloween film. As you can see, I found one. Beetlejuice scratched all the right itches, and now, I’m happy to say it’s joined the list of movies I watch during Halloween. Beetlejuice is a beautiful blend of contradictions. It doesn’t always make sense, but I forgive it since that’s part of the joke. While Beetlejuice is funny, it can also be dramatic, heartfelt, and creepy. Some of the effects are outstanding while others are laughably terrible, and I’d expect nothing less from Tim Burton.

3) The Thing (1982)

I love monster movies. Just check out my Halloween movie post from last year. I’m also a die-hard practical effects lover. Enter The Thing. The Thing is one of the quintessential monster films for any monster fan. It gives us outstanding scenes of ooey-gooey transformations, while not boring us with slow moments. Like other classic sci-fi monster flicks (like Alien), it’s the slow, quiet moments that add to the scare factor. The Thing is, first and foremost, a survival film. Each of the men at the Antarctic research base is well-qualified and competent, unlike several other horror film protagonists. You want to see them make it out alive. Unfortunately, they’re dealing with something that’s way beyond their understanding.

2) Trick ‘r Treat (1986)

Trick ‘r’ Treat is a favorite of mine, given how much it’s covered in Halloween. It has a lot of personality, but I enjoy how it respects Halloween. Despite being an adult film, Trick ‘r’ Treat manages to speak to my inner child with its aesthetic and emphasis on classic Halloween traditions. While watching Trick ‘r’ Treat, I can’t help but look back on the years I walked door-to-door in a costume and getting wasted on candy. Ah, those were the days. Also, the protagonist, Sam, reflects my attitude towards folks who don’t enjoy Halloween. You’d better watch out.

1) The Nightmare Before Christmas (1993)

Could any other movie claim the top spot? The Nightmare Before Christmas has long been my #1 Halloween movie. In fact, it’s the movie I always watch on Halloween itself. While I was lukewarm towards Nightmare Before Christmas as a kid, as I’ve gotten older, I absolutely love it. Nightmare Before Christmas was the movie that got me interested in the art of stop-motion and fascinated me with its fantastic yet relatable story and characters. By now, I’ve seen this movie so many times that I can practically recite it from memory. Sometimes I feel like Jack and am desperate to find a new Halloween movie to add to my Spooky Season tradition (like I mentioned earlier with Beetlejuice). But I’ll never stop watching The Nightmare Before Christmas around Halloween. It was and remains my #1 Spooky Season movie.

Those are my picks for Halloween movies. I hope you had as much fun as I did on this road of spooks, nostalgia, and holiday cheer. What are your favorite movies to watch around Spooky Season? I can’t wait to hear from y’all in the comments, and I hope you have a fabulous Halloween.

Fantastic Four: First Steps Review

Published on by KyraLeave a comment

Happy Friday, Geekly Gang! Kyra Kyle here with a Fantastic Four: First Steps review. Right off the bat, I must say 2025 is a banner year for superhero films and shows. The DCEU had been flailing for years; Superman (2025) gives the franchise new hope. The MCU has been a shell of itself in previous years, but Thunderbolts* and Fantastic Four: First Steps have been a return to form. I love that little MCU homework is needed for Fantastic Four: First Steps. Spider-Man: Homecoming aside, Fantastic Four: First Steps is the closest the MCU has felt to a Phase One movie in almost a decade. Fantastic!

I’ll try to avoid spoilers in this review. If you’ve read the Fantastic Four comic book, you should know the basis for a Galactus story. Fantastic Four: First Steps is the most comic book accurate Fantastic Four film. I mentioned in a previous Geekly News post that Shalla-Bal does have a basis in the comics; she’s Norrin Radd’s longtime romantic interest and has powers comparable to the Silver Surfer. In alternate universes, Shalla-Bal becomes Galactus’s herald in Radd’s stead, so if Earth 828 (nice tribute to Jack Kirby’s birthday, August 28th) is an alternate universe, it makes sense if she becomes Galactus’s herald. This allows Radd to become the Silver Surfer in Earth 616 (or some other Marvel universe). And Galactus is terrifying.

Galactus reminds me of the Reapers in Mass Effect: part living being and part machine. This visual effects decision makes sense. It allows for Galactus to look like his comic book counterpart. I cheered when I saw him onscreen. Galactus’s look is another great comic book accurate element. Johnny Storm figuring out Shalla-Bal’s history and pleading with her to save Earth was another classic comic book moment. Both Radd and Shalla-Bal sacrificed themselves to save their planet (Zenn-La) from Galactus, only to become Galactus’s pawns and destroy other planets.

I even liked the montage at the beginning of Fantastic Four: First Steps. It shows the team has been in the superhero/explorer/adventuring business for years, while not bogging down the film with extra runtime. While I would’ve liked to have seen John Malkovich’s Red Ghost, it made sense for Fantastic Four: First Steps to cut his scenes from the movie. Fantastic Four: First Steps had a tight 114-minute runtime. Just under two hours. That’s unheard of with modern blockbusters. Rumors swirled a few months ago that Fantastic Four: First Steps had a runtime of over two and a half hours, which would’ve made it one of the longest MCU films before edits. Fantastic Four went from being one of the longest MCU films to the fifth shortest. The audience got what it needed in that runtime. Kudos to Fantastic Four for cutting unneeded scenes.

Fantastic Four: First Steps is just what the MCU needed. Just like Superman (2025) got me excited for DC Comics movies again, Fantastic Four: First Steps got me excited for the MCU again. And like Superman, I have some notes for Fantastic Four: First Steps. The biggest is Galactus’s timeline. While Galactus does lumber through the universe on his never-ending quest for sustenance, it doesn’t make sense that Earth prepares for the titan’s visit when he’s already in our solar system. Galactus passes Jupiter by the time the Fantastic Four share their plan with the world, a plan that would take months to prepare. When the team’s first plan fails, they don’t switch to their second plan until Galactus is passing the moon. What? That timeline makes little sense.

Galactus entering our galaxy when the Fantastic Four share their first plan, and then reaching Jupiter when the Fantastic Four pivot to another plan, would make more sense. This is a nitpick, but I chuckled at this timeline’s absurdity. Invisible Woman giving birth in space with no bodily fluids is another one of my silly nitpicks. I get why Fantastic Four: First Steps chose not to include a zero-gravity placenta, but I figured I’d mention the lack of bodily fluids. Don’t get me wrong, I just finished a jumbo-sized popcorn and pretzel bites before the birth scene. My stomach appreciated the lack of floating bodily fluids. Still, Franklin Richards’s birth was the most sterile birth I’ve ever seen.

I could mention another nitpick or two, but those are smaller nitpicks, and they didn’t detract from Fantastic Four: First Steps. This is the Fantastic Four film I’ve waited for decades, and I’m so glad I got to review it on Geekly. I watched the 2015 Fantastic Four in the theater and reviewed it. Fantastic Four: First Steps was a huge upgrade. This film features the most comic book accurate Fantastic Four. And I hope Fantastic Four: First Steps begins a new trend for the MCU: less MCU homework for each project and cutting out unnecessary scenes for tighter runtimes. Fantastic Four: First Steps continues the MCU’s upward trajectory. Thank you for reading, and wherever you are, I hope you’re having a great day.