Tag: lanterns

Lanterns “The Weenie” Review

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Hey, hey, Geekly Gang! Kyra Kyle here with another reaction/review of this week’s episode of Lanterns, “The Weenie.” If you’d like to see our thoughts on last week’s episode “OutKast,” check it out here. This post will only cover “The Weenie.” “The Weenie” goes back to the 2016 timeline, and while the episode is entertaining (Lanterns is a bingeable show), “The Weenie” illustrates why stories shouldn’t feature too many flashbacks: knowing the future (to some extent) can lessen a story’s tension.

I’ll get right to it. Spoiler warning is in effect. Again, I don’t know why someone who hasn’t seen Lanterns at all would want to read a reaction/review of the show’s fourth episode, but hey, you do you. And you’ve been warned about spoilers.

Lanterns‘ pilot ends in 2026 with Hal Jordan dead, and John Stewart checking Hal’s hand for the power ring. Much of “The Weenie’s” main tension exists between Hal and John. Sinestro insists Hal call John by what John really is: Hal’s replacement. The guardian we met last week (during John’s flashback episode) returns this week (in 2016) and tasks John with taking the power ring from Hal. But we (the audience) already know that John didn’t recite the oath and take the ring away from Hal. Why would John check Hal’s hand for a power ring in 2026 (Hal’s death) if he took the ring from Hal in 2016? I wanted the tension to build a lot more than it did. That’s the danger of too many flashbacks or a flashback within a flashback.

I’m done picking at that nit. Despite the reduced tension (from what I would’ve liked), “The Weenie” manages to recapture Lanterns‘ momentum. Losing momentum can also occur with more flashbacks. “The Weenie” onboards viewers into the action. Continuing Hal’s conversation with Sinestro (from episode two, “Trust Fall”) helped. It served as a brief recap. We gain context for John missing his payphone call from his parents; the call was really from the Guardians. And I love Lanterns‘ ability to contrast Hal and John’s personalities. During this episode, John said that everyone, including him, was lying. Lanterns accomplishes this with great dialogue. Most characters give half-truths or at least obfuscate their true intentions.

That last element adds to Lanterns‘ intrigue. The identity of the Manhunter (the killing machine the Guardians created before forming the Green Lantern Corps.) was revealed. I had an inkling as to the Manhunter’s identity. “The Weenie” removed all doubt. I liked how Lanterns executed the reveal. The show let the characters’ nature do the work. Centering one’s narrative with its main characters is always a great choice. Kudos!

And I have to hand it to Lanterns. While the show continues to dodge Green Lantern’s costume, it showed the biggest Lantern construct to date (John’s digging device). Sure, Hal wears the costume during his brief scene with Sinestro, but for the most part, Lanterns doesn’t like to show the character in costume. Getting back to John’s digging device, its inclusion makes me excited for more Lantern constructs in future episodes. Lanterns kept its special effects budget low during the first half of its first season, but the second half of the season should splurge a little.

The town of Rushville continues to be a great setting, almost its own character. “The Weenie” reveals that the Manhunter prevents people in Rushville from getting sick or dying. That explains the hospital’s unpacked equipment and the fact that Hal was the only patient to sign the log. This will cause some future tension between the city of Rushville and the aliens who want to hunt down the Manhunter. The aliens plan to blow up Rushville if Hal and John don’t deliver the Manhunter to them, but the Manhunter means a lot to the town of Rushville. It’s a lose-lose situation, and we do see some demolished buildings in Rushville during John Stewart’s return to the town (in 2026). Something explodes, but what? How? Unlike John’s refusal to take the ring from Hal, we know less about Rushville’s fate.

We didn’t see much of Rushville in 2026. The sheriff talks to John as if life continued for the town of Rushville…in some capacity. I like that Lanterns is using Manhunters as its chief villain for its first season. Teasing Sinestro is a great touch. Something tells me we’ll see the Sinestro Corps. before the season finale. I’m still waiting for Guy Gardner to make an appearance. Lanterns continues to use Fillion’s Gardner as its thumbnail. The big teasers. Does this mean Gardner got the ring before Stewart? Was he the one who took the ring from Hal? Who knows? Lanterns has done a great job setting up these mysteries. Time will tell if the show sticks the landing.

Those are my thoughts on Lanterns “The Weenie.” What are yours? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “OutKast” Review

Published on by Kyra1 Comment

Happy Friday, Geekly Gang! Kyra Kyle with a review/reaction of this week’s Lanterns episode, “OutKast.” If you’d like to see our review of last week’s Lanterns episode “Trust Fall,” check it out here. I have mixed feelings about Lanterns “OutKast.” I watched the episode three times and went back and forth with how I read this flashback episode, and “OutKast” is a flashback episode, and this episodes use of the chosen one cliche. Let’s start this discussion with “OutKast’s” use of flashbacks.

I figured Lanterns “OutKast” would feature plenty of flashbacks. The pilot took place in 2016, showed glimpses of the Nineties, and ended with Hal Jordan dying in 2026. Oh! Spoiler alert is in effect. I don’t know why anyone reading a review/reaction of the third episode in a television series would not have seen the show’s pilot, but I’m sorry to the one or two readers who haven’t yet seen Lanterns “Pilot.” This review will contain spoilers. Consider yourself warned. While last week’s episode “Trust Fall” continues the 2016 storyline, “OutKast” recounts John Stewart’s past. While watching “OutKast” the first time, I kept hearing my writing instructors in my ear. No! Not a flashback episode. If you need to write a flashback episode, it probably means you didn’t start your story where it should’ve started.

But I enjoyed “OutKast.” After I pushed away those critical voices in my head, the episode explored themes I hoped the episode (and the show as a whole) would explore. John Stewart’s upbringing fascinated me. You could tell there was a lot going on behind the scenes during the show’s pilot. The fact that John’s father was a Green Lantern candidate with Hal Jordan added some nice depth. The scenes between John’s parents (specifically his mother) and a Guardian harkened to classic Green Arrow-Green Lantern comic book storylines. I love the following interaction:

Bernadette (Johan’s Mother): Do you understand how unfair it is to ask a Black man in America if he’s afraid?

Lianna (Guardian): By “Black,” you mean… brown skin?

Bernadette: We are terrified daily of persecution and still show up, sometimes better, than everyone around us. Did you know that?

Lianna: I did not.

Bernadette: Even in space, y’all don’t consider us.

I can’t help but make a connection between this scene, and the one found in Green Lantern (Vol 2) #76, where a black man confronts Hal Jordan’s Green Lantern:

I been readin’ about you…how you work for the blue skins…and how on a planet someplace you helped out the orange skins…and you done considerable for the purple skins! Only there’s skins you never bothered with! The Black skins! I want to know how come?! Answer me that, Mr. Green Lantern.

Ah! I don’t care that scene is a little hokey by today’s standards, but I love it. That scene is one of the first images that pops into my head when I think about Green Lantern (Hal Jordan). As soon as I heard Lanterns would include Hal Jordan and John Stewart, I hoped the show would lean in, at least a little bit, to some of those classic 1960s Green Arrow-Green Lantern issues. The scene between Bernadette and Lianna paid homage to this classic Green Lantern comic book scene, but it took it in an interesting direction. Bernadette directly tells a Guardian. This causes the Guardian (and by extension, the audience) to recontextualize fear. I love the idea of Hal Jordan not having fear because he was a white man, and John Stewart Senior had fear because of his race, but he overcomes that fear.

Ultimately, I’m of two minds in regard to “OutKast’s” use of flashbacks. Yes, Lanterns could’ve woven these flashbacks throughout the rest of the season. Conventional storytelling teaches writers to do that. But Lanterns only has a handful of episodes remaining. A flashback-heavy episode was bound to happen. You might as well have one flashback episode in full instead of multiple episodes littered with flashbacks. Funnily enough, “OutKast” had a flashback (John’s past) inside of a flashback (John meeting with a Guardian), which was a flashback to the flashback (the events of 2016 with Hal and John). Wait. I’m confused. Despite a lot of flashbacks, “OutKast” was easy to follow and a fun ride. I love John Stewart’s backstory in Lanterns.

And we get to the chosen one cliche. I mentioned it in the opening, and I have to deliver here. Again, I’m of two minds. Using an unkind reading of the story, “OutKast” is guilty of using the chosen one cliche. Lianna (the Guardian) mentions that John Stewart (Senior) was chosen for a reason and his “worthiness” could be inherited, and she mentions that John’s mother (Bernadette) was formidable in her own right. One could easily read the chosen one cliche from this interaction. I certainly did the first time I watched Lanterns “OutKast.” But John Stewart (Junior) corrects Lianna by saying that humans aren’t programmed, they’re raised. A kind reading of this story leans toward a battle between nurture versus nature.

I go back and forth with Lanterns “OutKast.” On one watch, I may view the episode through an unkind reading. On another, I switch to a kinder reading. Regardless, Lanterns has been surprisingly rewatchable. I’d still like to see more costumes and powers, but the show holds my interest. On a completely different note, I love the reference to Atlanta Hip Hop stars OutKast. And I love the closing track, “Gasoline Dreams.” Ah! So good and it fits.

Those are my thoughts on Lanterns “OutKast.” Let me know yours in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “Trust Fall” Review

Published on by Kyra1 Comment

Hey, hey, Geekly Gang! Kyra Kyle with a review/reaction of this week’s Lanterns episode, “Trust Fall.” If you’d like to see our review of last week’s Lanterns episode “Pilot,” check it out here. “Trust Fall” builds on “Pilot’s” great foundation. Like I said in the previous review, Lanterns “Pilot” does almost everything you’d want a first episode to do. And my concern of Lanterns avoiding the superhero genre expectations (costumes and powers) has waned. Again, I can see why Lanterns doesn’t want to blow its entire effects budget in the first episode or two, and “Trust Fall” shows us more of Hal Jordan and John Stewart in action.

If you haven’t yet watched Lanterns “Trust Fall” and you don’t want any spoilers, you may want to watch the show first and then return to this review/reaction to see what you agree or–most likely–disagree with in this post. I’ll wait. Are you done? Great! Let the spoilers commence. I mentioned it in the opening paragraph, but I like how Lanterns is easing the audience and its budget with the Green Lantern’s larger universe. Hal Jordan dons the uniform, travels to the Planet Oa (The Guardians’ home planet), and even meets with Sinestro. And of course, all this happens in the final five minutes of “Trust Fall’s” runtime. But it counts. I don’t need much, just a taste of Green Lantern goodness, and Lanterns‘ second episode delivers on some of these promises.

After watching this episode (twice), I have hope for the rest of the season/series. I meant what I said last week. Lanterns is a fantastic show. I enjoyed every minute of the pilot episode, but last week’s episode could’ve been the pilot for a show set outside the DCU. “Trust Fall” made the show feel as if it belonged in the DCU. I love Hal Jordan and John Stewart’s relationship. Sinestro hints that John may be more of a danger to Hal than the big bad alien threat developed during this episode (more on the Manhunters later). This rings true. It would make sense if Hal was nervous about John becoming Green Lantern soon. Jordan did say in the pilot that the Green Lantern job was his until the day he died. And Hal Jordan has been cagey about The Guardians. When John Stewart asks what The Guardians thought about what’s happening in Rushville, Hal Jordan dodges the question. It’s obvious Hal and The Guardians aren’t on speaking terms.

Through two episodes, Lanterns has done an excellent job of answering some questions but posing more. During “Trust Fall,” the name Manhunters gets introduced. Ah! The Manhunters are one of Jack “King” Kirby’s DC Comics creations. Kirby is best known for cocreating the Marvel Comic Book Universe, but he had several gems with DC Comics. Kirby had a knack for science fiction themed stories. His work on Fantastic Four is iconic, but Kirby also created Darkseid and The New Gods. It made sense for Kirby to build on Green Lantern’s lore. The Manhunters were the android precursors to the Lantern Corps. I won’t spoil too much of The Manhunters’ backstory here, just in case Lanterns uses a healthy dose of this comic book lore, but John Stewart has a history with The Manhunters, and I like the direction Lanterns is taking its first season. A Manhunter makes for a fantastic first season villain.

“Trust Fall” splits the two lanterns into separate stories. Hal Jordan continues his investigation of Rushville, Nebraska. Turns out, a Manhunter may be behind the odd goings on in the town. The town knows aliens exist, and they’ve rigged their metal detectors to spot alien lifeforms. Yeah, Macon’s benefactor may be The Manhunter causing mayhem. But this town has layers. The hospital has equipment that’s barely used. Heck, the hospital itself is a lot larger than one you would find in most rural Nebraska towns in the Sandhills. There’s a lot happening under the surface. Oh, yeah. Macon has one of his goons shoot Hal in the shoulder (a warning shot). Seriously, I love this town and it’s seedy underbelly. The two lanterns spilt up because Hal sends John to retrieve his lantern.

Yes! We physically see a Green Lantern’s lantern. Hal keeps it in a pocket dimension (classic), and we even meet Earl, an alien man-eating plant. Like I said, Lanterns “Trust Fall” sprinkles in enough Green Lantern goodness. I even like how members of the same alien race (who infiltrated Rushville, Nebraska) abduct John Stewart. These aliens implant memories of their home world getting destroyed and family members being killed by The Manhunters. And this does play out in a John Stewart Green Lantern story. Great inclusion here. And the introduction of Sinestro to the greater story could lead to a ton of fun.

Ah, Sinestro. Seeing him in all his pink-skinned glory made me smile, and so do the layers to the town of Rushville, Nebraska. I was on the fence about grounding Lanterns to the planet Earth. When one thinks of Green Lantern stories, one pictures planet hopping and exotic locales. Lanterns following Supergirl, which had a muted color palette and a lack of planet hopping (in relation to the source material, Supergirl: Woman of Tomorrow) gave me pause. The show isn’t in the clear yet, but I like a slow introduction to Green Lantern’s larger universe. If Lanterns continues introducing more sci-fi elements at the rate it did from episode one to two, I’d call that a good escalation. And the largest use of a Green Lantern ring (John Stewart producing a bird) was adorable and showed how John and Hal differ as Green Lanterns.

One random observation: a picture Nathan Fillion’s Guy Gardner graced Lanterns “Trust Fall” banner in my HBO Max app. Was Guy Gardner in this episode? Was he supposed to be at one point? Not gonna lie, I saw the pic and got a little excited to see Fillion’s Gardner again. We may need to wait for episode three.

Lanterns continues its solid start with this week’s episode, “Trust Fall.” I can’t wait for the next episode, and my fingers are crossed for a second season. No word on that…yet. Thank you for reading, and wherever you are, I hope you’re having a great day.

Lanterns “Pilot” Review

Published on by Kyra1 Comment

Happy Saturday, Geekly Gang! The Lanterns pilot episode released this past week, and I’ve had some time to watch the show a few times. I’ve got some thoughts and if Season’s watched the episode, she may have thoughts as well. It’s time for another Geekly review/reaction of Lanterns “Pilot” episode. Before we begin, I’ll warn everyone that there will be spoilers for Lanterns “Pilot.” Okay, that’s out of the way. Let’s get into the show.

Kyra’s Take

Lanterns “Pilot” does everything a pilot episode should do for a series. It does a great job showing us the main characters (Hal Jordan and John Stewart) and their relationship, it creates intrigue (the question that must be answered by the end of the season), and the small town in western Nebraska even becomes its own character. Great work. If Lanterns wasn’t part of the DCU or based on the Green Lantern property, I’d probably give the episode a near perfect score. It is that good. But Lanterns has yet to follow through with two simple and easy genre expectations for a superhero show/movie: costumes and powers.

And this is on the heels of Supergirl (review here if you want to read it), which also featured a superhero who refused to wear her costume for three-quarters of the movie’s runtime. But at least Supergirl used her powers. Lanterns barely shows Hal Jordan using his ring, and John Stewart recounts what he does with the ring to the audience. Bubble wrap would’ve been nice to see. Superhero stories don’t have too many genre expectations, but not meeting either one (costumes or powers) is a little concerning. I’m concerned about Lanterns; we haven’t reached gripe levels yet. I could see saving money on special effects (powers), but you made the Green Lantern costume. Why not show Hal in the costume for more than fifteen seconds? I know. I know. Character reasons, but the DCU already did that with Supergirl. Will this become a trend? But I meant what I said. Lanterns “Pilot” is almost pitch-perfect.

I’m putting the costume/power concerns on the backburner. Lanterns comes out with a bang. The audience can tell Jon and Hal have a long history. I love their opening scene in the car. “Why do your ‘sirs’ sound like f*** yous?” Classic. Both men come from broken homes. Hal’s father died in a plane crash, and we don’t see John’s mother. The two react differently to their circumstances and this shines through their character choices. Jon using the ring for bubble wrap meant he totaled Hal’s car. Something Hal takes offense to. We do hear why Hal no longer wears his costume. Fair. He could’ve worn the costume under a bomber jacket and jeans. Just saying. And that’s where the show shifts to western Nebraska. Like I said, the little town becomes a character, an engaging character.

I like how Hal navigates the small town politics. Again, it’s obvious this isn’t the first time Hal has visited this Nebraskan town. He even mentions that the town is close to where he gained his Green Lantern ring. This town is more than it seems. The sheriff (portrayed by brilliant character actor, Kelly Macdonald) may try to deny it, but aliens regularly visit this Nebraska town. An alien entity has infiltrated this town, and the sheriff’s father-in-law builds a militia to fend Earth from the aliens he believes will colonize the planet. Lanterns has a lot to say about the world’s current climate. Xenophobia runs rampant in parts of the United States, especially parts like rural Nebraska. I can’t wait to see more of this town and its citizens. Lanterns does a great job of creating a fascinating web.

And that’s before we talk about the alien Hal and John encounter. Extraterrestrials do want to infiltrate this Nebraska town. It’s for the power ring. It’s gotta be for the power ring. A conversation between Hal and John in a bar all but confirms these aliens’ intent. And I love the bar scene from Lanterns “Pilot.” Again, we see how these two Green Lanterns tick. John shows far more patience than his mentor. Despite Hal giving John his ring for safe keeping, John refuses to put on the ring. He believes it’s a test. And knowing what little we do about this version of Hal Jordan, it may be a test. But my favorite moment was when Hal counterfeits a $20 to flood the bar’s jukebox with Melanie’s “Brand New Key.” He pisses off the bar regulars, and they fight him. All of this was a ploy to get arrested so he could interrogate the alien the town’s sheriff has in custody. Everyone, including John Stewart, dubs this a stupid plan. So good.

How this little town works could be its own show. Aliens and Green Lanterns are just a bonus. This may be where my disconnect derives. Lanterns “Pilot” is a great episode, but is it a story unique to Green Lantern? We’ll see. Hal’s bizarre behavior deserves more exploration. He frequents this Nebraska town, and the episode ends with his passing and missing his power ring. Uh oh! Again, brilliant way to open a series. I see a handful of flashbacks in the future while John Stewart unearths who has Hal’s ring, because it’s obvious John doesn’t. When he examines Hal’s body, John looks for Hal’s ring and doesn’t find it. Lanterns “Pilot” lays down a stellar opening for the series. This episode leaves us with plenty of questions and some characters that require more digging.

Those are my thoughts on Lanterns “Pilot” episode. Let us know yours in the comments. Looks like I’m on my own this week. Season may catch up for next week’s episode of Lanterns. Thank you for reading, and wherever you are, I hope you’re having a great day.

DC Universe (DCU) 2026 Preview

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Hey, hey! Kyra Kyle here. I have signed up for HBO Max and have been catching up and keeping up on DC Universe (DCU) content, so Geekly should have plenty of DCU content going forward. After Superman (2025), the DCU is back. Woo hoo! Or at least it’s back enough for a cinematic universe to bloom. Sure, Superman’s final box office numbers may not be where Warner Bros. and DC want them to be, but superhero movies seldom crack the $1 billion mark anymore. Captain Marvel was the last solo superhero movie to reach that mark. That was in 2019. What happened in 2020? That’s on the tip of my COVID. The movie industry has yet to recover from the pandemic. But 2025 was a banner year for superhero films.

I’m writing this post early (super early, as I take a break from writing posts for the final four months of the year to write a novel). As I’m writing this, the final box office numbers have yet to be reported. There’s the slimmest of chances Superman reaches a $1 billion. Even if it doesn’t, Superman is a success in the modern film landscape, and it did enough to get me excited for the DCU’s upcoming projects. Let’s talk about the DCU’s 2026 slate of films and shows.

Quick update: I revisited this post closer to its release date and adapted the proposed release dates.

Supergirl: Woman of Tomorrow (June 26, 2026)

Supergirl: Woman of Tomorrow is scheduled for a June 26, 2026, release. We caught a glimpse of Milly Alcock’s Supergirl in Superman (2025). Alcock’s portrayal and the upcoming film’s title, Supergirl: Woman of Tomorrow, suggest that the movie will follow the events of Tom King’s run of Supergirl. If you haven’t yet read Supergirl: Woman of Tomorrow, you should. It’s an excellent read, and this film sounds amazing.

Quick spoiler warning. I will delve a little into the Supergirl: Woman of Tomorrow graphic novel. If you want to go into the Supergirl: Woman of Tomorrow film blind, feel free to jump to the next entry. Superman was launched as a baby from Krypton. Kara (Supergirl) was a teenager and watched her world fall apart. Neighbors and loved ones were swallowed by earthquakes and explosions. Her father managed to build a barrier around Argo City (Kara’s home city), only to see Krypton’s remaining residents die as the now asteroid turned into kryptonite. Kara lost her world twice. So, the DCU’s Supergirl will struggle with PTSD and will claw her way out from rock bottom. This should make for a very different Supergirl and a riveting story.

Lanterns (Late Summer 2026)

I’ve been waiting for a Green Lanterns show for years. The DCEU teased one for almost a decade, promising to take the bad taste of Ryan Reynolds’s Green Lantern out of our mouths, and never delivered. Rejoice, because the DCU made Lanterns a priority. It should be the third or fourth DCU project (depending on whether you count Krypto shorts), and I’m here for it. Teaming Hal Jordan and John Stewart together in a buddy cop way gives me classic 80s Green Lantern/Green Arrow vibes.

Lanterns showrunner Chris Mundy has described the show as a “huge HBO-quality event” in the style of True Detective. Yes, please. Nathan Fillion will return as Guy Gardner–I loved his hair in Superman–and there’s a chance we could see more Green Lanterns in this series. But that’s not a guarantee. Lanterns will be an Earth-based detective story, so alien Green Lanterns may not fit in the first season’s narrative. I may have to wait for Kilowog. I’m unsure if Lanterns was affected by the Netflix sale or if some other issues occurred, but Lanterns has been bumped from an early 2026 to a late summer 2026 release. My guess is that the DCU wants to continue the momentum of Superman (2025), being followed by the second season of Peacemaker.

Clayface (September 11, 2026)

We know little about the upcoming Clayface film, and that may be for the best. I love that DC Comics doesn’t shy away from films based on villains. I doubted Joker after it was first announced, but I’m holding back any judgment with a Clayface film. Mike Flanagan penned the script; he’s best known for his work on Netflix horror series: The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass, The Midnight Club, and The Fall of the House of Usher. Clayface director James Watkins has a history of horror with The Woman in Black, Speak No Evil, and one of the most disturbing episodes of Black Mirror, “Shut Up and Dance.”

While I would’ve liked to have seen Clayface in a Batman movie, I’ll take Clayface getting a stand-alone film. James Gunn’s right-hand man, Peter Safran, likened Clayface to the classic horror film, The Fly. I can see that working. We’ve heard conflicting reports as to whether Clayface will exist within The Batman’s universe. Time will tell if Clayface truly is a stand-alone film or part of a larger universe. Considering who’s behind the project and Clayface’s premise, I can’t wait to watch.

That’s all we have for DCU projects that should release in 2026. We could see other DCU shows crop up, like the animated series My Adventures with Green Lantern. We’ll keep you posted. Which one of these DCU projects has you the most excited? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.