supergirl woman of tomorrow

Whatcha Reading, Geekly? June 2026

Published on June 10, 2026June 9, 2026 by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here, and today, our writers share what they’ve been reading over the past month. Feel free to share what you’ve been reading over the past month because we’re all part of the Geekly Gang. I’ll get things started with what I’ve been reading this past month.

Kyra’s Fiction

Yes! In preparation for the upcoming Supergirl movie (releasing later this month), I read Supergirl: Woman of Tomorrow, and I’m glad I did. I like the addition of Ruthye. Ruthye serves as a Nick Carraway-style narrator (The Great Gatsby). The story may be Supergirl’s, but it’s told in Ruthye’s voice. While Ruthye has a tendency to monologue, I love it when Supergirl’s actions contradict Ruthye’s narration. For example, “Many view Supergirl as soft,” and Supergirl swears while beating someone to a pulp, to which Ruthye will add, “In my experience, that was not the case.” Instant chuckles.

Tom King wrote Supergirl: Woman of Tomorrow. I figured I would enjoy the title, because I enjoyed Tom King’s (sometimes maligned) run on Batman. Honestly, I don’t know why some readers didn’t care for King’s Batman run. I blame it on King killing off Alfred Pennyworth during the City of Bane (2019), and Batman’s faithful butler has yet to return. The fact that Alfred has remained dead shocks me. Good on DC Comics. I mention King’s work on Batman to suggest that he takes risks, and Supergirl: Woman of Tomorrow takes risks. Future authors codified Supergirl Kryptonian with PTSD in future Supergirl stories, but King took the first leap.

And this is a heck of a first leap. I can’t wait to see what Season thinks of Supergirl: Woman of Tomorrow. After I was done reading the story, I shared it with her, and she finished it in one sitting. Yay! And after Season was finished, she handed the book to Skye. We may have a three-way crossover this month. Woo hoo!

As you can see, I went on a DC Comics kick this month. Comic book writer Greg Rucka is another favorite. I liked his runs on Wonder Woman, so I was excited to try out Batwoman: Elegy. We begin in medias res (in the middle), and I appreciate Batwoman: Elegy refusing to hold the reader’s hand. But I was confused. Some context could’ve helped, but the story flows. Super fast. I blew through Batwoman: Elegy, and I don’t recall Rucka’s Wonder Woman reading that quickly. In short, Rucka made the right choice. Batwoman moved through this story so quickly, as if she were trying to run away from something. Turns out, it’s her past.

The context I complained about not having at the beginning reveals itself toward the middle of Batwoman: Elegy. This story’s speed gets the reader to those ah-ha moments faster. Only one thing bothered me in Batwoman: Elegy. The story overcommits to linking Batwoman to Batman. While I appreciate Batwoman: Elegy trying to link its character with the rest of Bat Family, at times it felt forced, and other times it was downright confusing. Evidently, Batman had a similar case to Batwoman’s, and Batwoman: Elegy remixes the two events. Batwoman: Elegy is a great origin story for the character, but at times, it get turned around.

This is my final DC Comics entry, I swear. I didn’t know what to expect from Harley Quinn and the Gotham City Sirens. Paul Dini (writer of Batman: The Animated Series) is another excellent comic book writer, and Harley Quinn and the Gotham City Sirens serves as a source material (of sorts) for the Harley Quinn: Animated Series. The final product reads like a series of odd occurrences, some of which make their way into the Harley Quinn series. I expected a comical tone. Harley Quinn and the Gotham City Sirens took itself far more seriously than I imagined.

The stories were engaging. Short, but engaging. Dini tends to write short-form comic book stories. If you’re expecting a longer narrative like Supergirl: Woman of Tomorrow or Batwoman: Elegy, you won’t find it with Harley Quinn and the Gotham City Sirens. This is the third graphic novel I read this month, and frankly, I needed a change of pace. Harley Quinn and the Gotham City Sirens fills that role. Don’t enter reading this story thinking it’ll be as comical as the Harley Quinn: Animated Series.

Kyra’s Nonfiction

I mentioned last month (I think) that I had read the Proactive Roleplaying Guide from the Game Master’s Handbook line, and I was going to start reading The Game Master’s Handbook of Collaborative Campaign Design. Phew! That is a long title. But the title’s length makes it easy to search online for the book. I love this series. I knew I’d love this book. And didn’t disappoint. Jonah and Tristan Fishel hand game masters the keys to incorporating the methods in this book into any tabletop role-playing game, even ones that are underway.

The biggest hurdle will be letting go of some authority as the game master. When the Fishels say collaborative campaign design, they mean it. The game master and the players craft the world and campaign they wish to play. Funnily enough, this leads to more buy-in by the players. Players take ownership of the game and its world. And it alleviates pressure on the game master to always come up with something. Will The Game Master’s Handbook of Collaborative Campaign Design work for every situation? No. It wouldn’t work for the two-hour session I have planned for the upcoming Comic-Con: Nebraska (stop by and say hi), but I can’t wait to try out this method with a longer campaign.

That’s all I have for what I’ve been reading. Let’s check in with Season and Skye.

Skye’s Fiction

With the upcoming release of the Supergirl DCU film, the rest of the Geekly crew has convinced me to take a closer look at the movie’s inspiration, Supergirl: Woman of Tomorrow. I am in the process of reading Supergirl: Woman of Tomorrow, but what I’ve gleaned is this is a complex tale about the emotional struggles of the title heroine following the destruction of her home planet. Kara is despondent that her people have been wiped out. As a result, she’s developed a habit of taking trips to planets with red suns to repress her powers and drown her sorrows in booze. It’s genuinely depressing to see a beloved superhero in such a state, but I look forward to seeing how the story conveys the need to rise above one’s circumstances.

Season’s Fiction

Same! I also read Supergirl: Woman of Tomorrow in preparation for the upcoming movie. As previously mentioned, I read it in one sitting. Can you tell I enjoyed it? I appreciate the story not being told from Supergirl’s perspective. I mean, she began the story wasted, so her being the narrator would have been less reliable. There is a point in Supergirl: Woman of Tomorrow when Ruthye makes conjectures about what happened when Supergirl left her on a safe planet. I’m curious whether they’ll include this in the upcoming movie.

Supergirl: Woman of Tomorrow had good pacing and evened out the heaviness of the story with goofy moments. The ending is truly something to behold and is well-earned.

The Spellshop is a popular 2024 romantasy title. It’s also my first time reading a romantasy. Kiela ran away from the city of Alyssium to the remote island of Caltrey with illegally acquired spell books due to a revolution in Alyssium. I thought most romantasies had a lot of hot and heavy moments, but The Spellshop proved me wrong. Kiela focuses on survival in her new/old home (her parents’ house before they moved to the city), and all of her neighbors want to help her. Kiela isn’t a social person, so the help is unwelcome at first. She warms up to the villagers (and a local guy) and manages to thrive on Caltrey. There are a couple of scenes with kissing in them, but acts of service are the primary love language in The Spellshop.

Did I mention Kiela’s best friend, Caz, is a talking spider plant? Honestly? Caz is the main reason I picked up the book. Tee hee!

Back in April, I mentioned The Husky and His White Cat Shizun. I’m still reading that (I’m on Volume 5), but I’ve also started reading Heaven Official’s Blessing. I watched the anime for Heaven Official’s Blessing, and the ending was abrupt. Apparently, they’re releasing a new season this year. Anyway, the light novels have a faster pace than the anime, though they’re redundant in places. Seriously, if Mo Xiang Tong Xiu cut out half of the redundant sentences, I guarantee the first volume could have been shorter by at least thirty pages. I still enjoy the story, and the characters are cute. I’m excited to see what lies beyond the anime.

Hey, hey! Kyra Kyle here again. Those are all the books our writers have been reading this past month. What’ve you been reading? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Getting Into Comics: Supergirl Starter Stories

Published on June 8, 2026June 8, 2026 by Kyra2 Comments

Hey, hey, Geekly Gang! Kyra Kyle here. Supergirl is right around the corner, so now may be the best time to get into reading Supergirl comics. Many of the stories mentioned in this list will come from the previous two decades because Supergirl was a girl version of Superman for many years until DC Comics decided to kill her in Crisis on Infinite Earths. Spoiler: Crisis on Infinite Earths didn’t quite make this list, but I’d recommend reading it for reasons other than Supergirl lore.

Crisis on Infinite Earths occurred in the Eighties, and Supergirl’s death would stick longer than most comic book characters. And when Supergirl returned, comic book creators took her in different directions. Finally, Kara Zor-El would break free of her cousin’s shadow. We have some interesting stories to discuss. Which comic book stories made our Supergirl Starter Stories.

We’ll start things off with our only single issue on this list.

Single Issue

“The Supergirl from Krypton” (Action Comics #252; written by Robert Bernstein/art by Al Plastino; May 1959)

Fun fact: Action Comics #252 contained three stories. The first featured the iconic Superman villain, Metallo’s first appearance in “The Menace of Metallo.” And the third was Supergirl’s origin, “The Supergirl from Krypton.”

Honestly, I only included “The Supergirl from Krypton” because it’s Supergirl’s first appearance. I like to include a character’s origin whenever possible. Very little happens in “The Supergirl from Krypton” besides Superman and Supergirl meeting for the first time and a lengthy backstory of how Kara Zor-El ended up on Earth. But Supergirl’s origin is interesting.

Her Kryptonian hometown, Argo City, was blasted free of Krypton’s destruction in a bubble of compressed air, designed by Kara’s father Zor-El (who’s also Superman’s uncle). Zor-El created a force field around the city to maintain its atmosphere, but years later, a meteor shower penetrated the air bubble, and Zor-El saved his daughter by building her a spaceship, similar to Superman’s. He sends her to Earth because somehow the Kryptonians on Argo City know about Superman. Sure. Supes can’t take on Kara as his ward (and risk his secret identity), so he sends her to an orphanage. Nice move, Supes.

“The Supergirl from Krypton” doesn’t have a lot of space to explore the cousins’ relationship, but there’ll be plenty of time to do that in the coming years.

Storylines

“Many Happy Returns” (Supergirl #75-#80 written by Peter David/art by Ed Benes; 2003)

Peter David had an excellent run on Supergirl. You should check it out if you have the time, but I’m focusing on David’s storyline, “Many Happy Returns” because David primarily wrote about Linda Danvers, the Post-Crisis on Infinite Earths’ Supergirl. This post focuses on Kara Zor-El, but Linda Danvers was a good character in her own right. Danvers is the reason Kara Zor-El in the Supergirl series had the surname Danvers.

Anyway, “Many Happy Returns” marks Kara Zor-El’s return to DC Comics continuity. A lot more happens in “Many Happy Returns,” we’re talking multiverse jumping and a romance between Earth-One’s Superman and Linda, leading to Linda needing to save Kara on her world. Long story short, Linda does something she can never come back from, renounces being a hero, and Kara Zor-El takes back the mantel of Supergirl.

“Supergirl: Girl of Steel” (Supergirl #0-10 and #12; written by Jeph Loeb, Greg Rucka, Jimmy Palmiotti, Justin Gray, and Joe Kelly; art by Ron Adrian, Rob Lea, Ian Churchill, Andy Lanning, Amanda Conner, Jimmy Palmiotti, and Norm Rapmund; 2005-2007)

Jeph Loeb’s classic run on Supergirl helped define the character. While “The Supergirl from Krypton” spun a tale of a teenage Kryptonian living on an asteroid for years before getting launched into space to join her cousin, “Supergirl: Girl of Steel” presents the more familiar story of Supergirl leaving Krypton at the same time as her then infant cousin. Supergirl was tasked with protecting Kal-El on Earth, but her ship got lost and she spent decades in suspended animation. By the time Kara Zor-El reached Earth, her cousin no longer needed her. And now, she needed to find her way.

“Supergirl: Girl of Steel” is an iconic story at this point. You can see its influence on the Supergirl television show, and the upcoming Supergirl film will use another story (more on that in a bit) that builds on “Supergirl: Girl of Steel’s” structure. This is a must read.

“The Hunt for Reactron” (Action Comics #881-882, Supergirl #44-50, Supergirl Annual #1, and Superman: Secret Files 2009) written by Greg Rucka and Sterling Gates; art by Jamal Igle; 2009-2010)

“The Hunt for Reactron” may take place on New Earth, but it does an excellent job showcasing Reactron, one of Supergirl’s greatest foes. And you can’t go wrong with Greg Rucka’s storytelling. On New Earth, Kara Zor-El’s father and many more Kryptonians survived Krypton’s destruction. They establish a New Krypton, and Reactron, with the help of Superman villain Metallo, disturb the peace. Okay. I soft-balled that. Reactron kills Kara’s father.

Understandably, Kara flies off in a rage. What ensues is fellow Kryptonian Thara Ak-Var (Flamebird) preventing Kara from doing something she’ll regret. Is she successful? You’ll have to read “The Hunt for Reactron.”

“Bizarro-Girl” (Supergirl #53-#57) written by Sterling Gates; art by Jamal Igle; 2010)

We go from one villain-defining story to another. Leading up to 2010, Bizarro had existed for decades. Bizarrogirl made her debut in this story, and she does so with a bang. Unlike Bizarro who’s the opposite of Superman, Bizarrogirl functions like a mirror for Kara Zor-El. Leading into this story, New Krypton falls and several Kryptonians (like Flamebird) die with it. Supergirl is in mourning.

Bizarro sends Bizarrogirl to Earth to cause trouble. While Bizarrogirl is away, Bizarro World gets attacked by giant bug-like creatures spawned by “Godship.” The insectoids overrun Bizarro World, and Bizarrogirl’s people believe she abandoned them. She blames herself for Bizarro World’s downfall just as Supergirl blames herself for New Krypton’s demise. I love how Bizarrogirl asks Supergirl if self-punishment ever ends, and Kara tells her it might not, but it’s what you do afterwards that counts. Supergirl takes her own advice, and the two start healing. “Bizarro-Girl” is a great read.

“Supergirl: The Last Daughter of Krypton” (Supergirl #1-7; written by Michael Green; art by Mike Johnson and Mahmud Asrar; 2011-2012)

The New 52 brought changes to the DC Comics Universe. This version of Supergirl has just landed on Earth. She believes she’s dreaming. She must be on Krypton (instead of Earth) and encounters Superman. Confused, Kara Zor-El attacks the man calling himself Superman. She had babysat her infant cousin Kal-El three days ago. But this is indeed a grown Kal-El. He explains to her that the Earth’s yellow sun gives them superpowers like Kryptonian Worldkillers. What’s a Worldkiller? We find out when we meet Reign for the first time.

Reign explains that Worldkillers, like her, were the result of Kryptonian scientific experiments. They were genetically altered to be killing machines. And just like Kryptonians, Reign isn’t the only Worldkiller who survived Kryton’s destruction. Kara must take on four Worldkillers alone. The Worldkillers want nothing more than to kill innocent lives. Kara manages to save the humanity and drive off the Worldkillers…for now.

“Supergirl: The Last Daughter of Krypton” introduces yet another great Supergirl villain, Reign. She made such an impression that she was featured in a season of Supergirl. Not bad for a new villain. “Supergirl: The Last Daughter of Krypton” shows Kara Zor-El as truly alone. It sows the seeds for our next entry as well.

“Red Daughter of Kryton” (Supergirl: #26-#33; Green Lantern #28; Red Lanterns #28-34; written by Various; art by Various; February 2014-October 2014)

Surprise. Worldkillers return in “Red Daughter of Krypton.” But before we get there, Supergirl fights off Cyborg Superman and H’el in space. H’el is another great Supergirl villain. We don’t get too much of his backstory here, but in short, he tempts Kara Zor-El with turning Earth into a New Krypton. While this pitch wouldn’t do much for Superman, Supergirl has more of an attachment to Krypton. Regardless, after Supergirl finishes this fight she returns home to find Lobo antagonizing her. All this leads to a red lantern ring finding its way to Kara. Red Lanterns feed off anger, and in “Red Daughter of Krypton,” we see Kara Zor-El give into her rage.

Even though most Red Lanterns, like Atrocitus, who does make an appearance, can be viewed as villains. We do see heroes take on a red lantern ring. Here’s looking at you, Guy Gardner. In the end, Supergirl manages her rage. She retains the moniker of a superhero. But “Red Daughter of Krypton” reveals a new side of Supergirl that writers will explore.

“Supergirl: Being Super” (Supergirl: Being Super #1-4; written by Mariko Tamaki; art by Joelle Jones; 2017)

We get another origin story of sorts with “Supergirl: Being Super.” In this one, Kara Zor-El becomes Kara Danvers. This is an obvious nod to the Supergirl television show in the middle of its run on the CW. “Supergirl: Being Super” remixes details of the original Supergirl origin. She lives in Midvale, which is where Superman dropped her into an orphanage. But she also discovers her powers, similar to Kal-El. The Supergirl in “Supergirl: Being Super” drops the Supergirl as Superman protector for a moment and explores what it would be like if Supergirl were a novice.

“Supergirl: Woman of Tomorrow” (Supergirl: Woman of Tomorrow #1-8; written by Tom King/art by Bilquis Evely; August 2021-April 2022)

“Supergirl: Woman of Tomorrow” was the first comic I knew would make this list. If you were to search against this title, you’ll find the Supergirl 2026 movie as a top result. Simply put, “Supergirl: Woman of Tomorrow” is the basis for the upcoming DCU Supergirl film. Yay!

Written by Tom King (who had just finished an iconic run on Batman), “Supergirl: Woman of Tomorrow” returns Kara Zor-El to Superman’s would-be protector. Only a grown Superman doesn’t need a babysitter. So, she’s on a foreign planet (Earth) with no purpose and gives in to her baser instincts. This is a lost Kara Zor-El. The ending of the DCU’s Superman (2025) does a great job of setting up her character. Kara gets wasted. She’s aimless. She struggles to find purpose, but eventually, she finds herself. The award-winning “Supergirl: Woman of Tomorrow” received widespread acclaim. I can’t wait to see how the DCU interprets this story.

Those are the Supergirl stories that made our list. Are there any Supergirl stories you would add to this list? Let us know in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

DC Universe (DCU) 2026 Preview

Published on January 5, 2026January 1, 2026 by KyraLeave a comment

Hey, hey! Kyra Kyle here. I have signed up for HBO Max and have been catching up and keeping up on DC Universe (DCU) content, so Geekly should have plenty of DCU content going forward. After Superman (2025), the DCU is back. Woo hoo! Or at least it’s back enough for a cinematic universe to bloom. Sure, Superman’s final box office numbers may not be where Warner Bros. and DC want them to be, but superhero movies seldom crack the $1 billion mark anymore. Captain Marvel was the last solo superhero movie to reach that mark. That was in 2019. What happened in 2020? That’s on the tip of my COVID. The movie industry has yet to recover from the pandemic. But 2025 was a banner year for superhero films.

I’m writing this post early (super early, as I take a break from writing posts for the final four months of the year to write a novel). As I’m writing this, the final box office numbers have yet to be reported. There’s the slimmest of chances Superman reaches a $1 billion. Even if it doesn’t, Superman is a success in the modern film landscape, and it did enough to get me excited for the DCU’s upcoming projects. Let’s talk about the DCU’s 2026 slate of films and shows.

Quick update: I revisited this post closer to its release date and adapted the proposed release dates.

Supergirl: Woman of Tomorrow (June 26, 2026)

Supergirl: Woman of Tomorrow is scheduled for a June 26, 2026, release. We caught a glimpse of Milly Alcock’s Supergirl in Superman (2025). Alcock’s portrayal and the upcoming film’s title, Supergirl: Woman of Tomorrow, suggest that the movie will follow the events of Tom King’s run of Supergirl. If you haven’t yet read Supergirl: Woman of Tomorrow, you should. It’s an excellent read, and this film sounds amazing.

Quick spoiler warning. I will delve a little into the Supergirl: Woman of Tomorrow graphic novel. If you want to go into the Supergirl: Woman of Tomorrow film blind, feel free to jump to the next entry. Superman was launched as a baby from Krypton. Kara (Supergirl) was a teenager and watched her world fall apart. Neighbors and loved ones were swallowed by earthquakes and explosions. Her father managed to build a barrier around Argo City (Kara’s home city), only to see Krypton’s remaining residents die as the now asteroid turned into kryptonite. Kara lost her world twice. So, the DCU’s Supergirl will struggle with PTSD and will claw her way out from rock bottom. This should make for a very different Supergirl and a riveting story.

Lanterns (Late Summer 2026)

I’ve been waiting for a Green Lanterns show for years. The DCEU teased one for almost a decade, promising to take the bad taste of Ryan Reynolds’s Green Lantern out of our mouths, and never delivered. Rejoice, because the DCU made Lanterns a priority. It should be the third or fourth DCU project (depending on whether you count Krypto shorts), and I’m here for it. Teaming Hal Jordan and John Stewart together in a buddy cop way gives me classic 80s Green Lantern/Green Arrow vibes.

Lanterns showrunner Chris Mundy has described the show as a “huge HBO-quality event” in the style of True Detective. Yes, please. Nathan Fillion will return as Guy Gardner–I loved his hair in Superman–and there’s a chance we could see more Green Lanterns in this series. But that’s not a guarantee. Lanterns will be an Earth-based detective story, so alien Green Lanterns may not fit in the first season’s narrative. I may have to wait for Kilowog. I’m unsure if Lanterns was affected by the Netflix sale or if some other issues occurred, but Lanterns has been bumped from an early 2026 to a late summer 2026 release. My guess is that the DCU wants to continue the momentum of Superman (2025), being followed by the second season of Peacemaker.

Clayface (September 11, 2026)

We know little about the upcoming Clayface film, and that may be for the best. I love that DC Comics doesn’t shy away from films based on villains. I doubted Joker after it was first announced, but I’m holding back any judgment with a Clayface film. Mike Flanagan penned the script; he’s best known for his work on Netflix horror series: The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass, The Midnight Club, and The Fall of the House of Usher. Clayface director James Watkins has a history of horror with The Woman in Black, Speak No Evil, and one of the most disturbing episodes of Black Mirror, “Shut Up and Dance.”

While I would’ve liked to have seen Clayface in a Batman movie, I’ll take Clayface getting a stand-alone film. James Gunn’s right-hand man, Peter Safran, likened Clayface to the classic horror film, The Fly. I can see that working. We’ve heard conflicting reports as to whether Clayface will exist within The Batman’s universe. Time will tell if Clayface truly is a stand-alone film or part of a larger universe. Considering who’s behind the project and Clayface’s premise, I can’t wait to watch.

That’s all we have for DCU projects that should release in 2026. We could see other DCU shows crop up, like the animated series My Adventures with Green Lantern. We’ll keep you posted. Which one of these DCU projects has you the most excited? Let us know in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.