Category: Starters

Getting Into Comics: Green Lantern (Hal Jordan) Starter Stories

Published on by KyraLeave a comment

Hey, hey, Geekly Gang! Kyra Kyle here. I’m writing this post months in advance (in preparation for writing/editing novels during the final months of 2025), and Geekly doesn’t yet know when Lanterns will release on HBO Max. We only have a release date of First Quarter 2026. It doesn’t matter. Lanterns will feature at least three Green Lanterns (Hal Jordan, John Stewart, and Guy Gardner), so we’re releasing Green Lantern Starter Stories for all three characters over the next few months, just in case you want to get started reading Green Lantern comics. We’re starting with Hal Jordan.

Green Lantern is somewhat of a special case. We’ll be seeing Geoff Johns’s name show up a lot on this list. Johns did a lot for Hal Jordan as a character, but other writers contributed to Jordan’s mythos, so I listed a handful of Johns’s storylines, and then did my best to show some of the other amazing writers who have worked on the character. The result is an extra-long list of Green Lantern (Hal Jordan) starter stories. If you’re lucky, you can find the 2020 Green Lantern one-shot 80th anniversary, Green Lantern: Will. It collects a lot of incredible Green Lantern stories that may or may not have made this list. Let’s get to the stories that did make this list.

Single Issue

“S.O.S. Green Lantern” (Showcase #22; written by John Broome/art by Gil Kane; October 1959)

Per usual, we begin with Hal Jordan’s first appearance in “S.O.S. Green Lantern.” It’s a simple story. Abin Sur lands on Earth. As the alien lies dying, he commands his Green Lantern ring to find a worthy successor (one who is fearless and strong-willed). The ring finds Hal Jordan. It transports Hal to Abin, and Abin Sur grants Hal Jordan his power as the Green Lantern.

Not going to lie, “S.O.S. Green Lantern” could refer to Hal Jordan’s problematic relationship with Carol Ferris. She rejects his advances (because she needs to prove herself as a worthy successor to her father Carl Ferris, and that she can run Ferris Aircraft), but Hal pushes the issue. You’re coming on a little strong, Hal. Still, “S.O.S. Green Lantern” sets up Hal Jordan as a character, and this origin story has seen few tweaks over the decades. Maybe with less misogyny.

Storyline

“Green Lantern/Green Arrow” (Green Lantern/Green Arrow #76-89; written by Denny O’Neal and Neal Adams; 1970-1972)

“Green Lantern/Green Arrow” was my first introduction to Hal Jordan as a character. Denny O’Neal’s team-up story revolves around Hal Jordan losing any concept of what being an Earthling is. As a Green Lantern, Hal serves as an intergalactic cop (something we’ll see with Grant Morrison’s take on the character later). Green Arrow serves as a pseudo-Robin Hood. It makes sense, both characters use a bow and arrow. “Green Lantern/Green Arrow” may have done the most to show me the world is nuanced.

The first issue in our collection shows Green Lantern stopping poor people protesting outside a slum lord’s mansion. Green Lantern breaks up the demonstration, only to have Green Arrow tell him he’s misguided. The world isn’t black and white. My favorite moment must be the iconic panel where a poor black man approaches Green Lantern. He says, “I been readin’ about you how you work for the blue skins, and how on a planet someplace you helped out the orange skins, and you done considerable for the purple skins! Only there’s skins you never bothered with, the black skins! I want to know how come? Answer me that, Mr. Green Lantern!”

Hal can’t, but he spends the rest of this series figuring out how he can help the Earth become more equitable.

“Emerald Twilight” (Green Lantern Vol 3 #48-50; written by Ron Marz/art by Bill Willingham, Fred Haynes, and Darryl Banks; 1994)

We go from one iconic Green Lantern storyline to another. “Emerald Twilight” is the storyline where Parallax possesses Hal Jordan and turns him into an ultimate super villain. Hal destroys his home, Coastal City, with a smile on his face. He single-handedly dismantles the Green Lantern Corps. Dozens of familiar faces perish in Hal’s rampage through the universe.

“Emerald Twilight” introduces us to Kyle Raynor as the new Green Lantern. Kyle picks up the pieces and brings honor to the Green Lantern name. After Hal’s actions, can you blame anyone for not trusting anyone with a Green Lantern ring? DC Comics intended to uphold Ron Marz’s vision. Hal snapped. But fan backlash forced the creative team to retcon Hal Jordan being possessed by a separate entity named Parallax, instead of naming himself Parallax. Despite losing some of the story’s original bite, “Emerald Twilight” showed a different side of Hal Jordan, and ultimately, introduced one of Green Lantern’s greatest villains, Parallax.

“Rebirth” (Green Lantern: Rebirth #1-6 and Green Lantern Vol 4 #1-4; written by Geoff Johns; art by Ethan Van Sciver, Jesus Merino, and Carlos Pacheco; 2004-2005)

“Rebirth” is where Geoff Johns made his mark on Green Lantern. The Green Lantern Corps is in a state of disrepair, but Johns fixes Hal Jordan’s backstory. Johns is the one who retconned Parallax as one of the Green Lantern Corps’ greatest enemies. Ironically, Green Lantern: Rebirth did as much to rewrite Hal’s history and keep all the remaining Green Lanterns relevant. Without this story, the Lanterns television show wouldn’t be possible.

Before “Rebirth,” only one Green Lantern was allowed to exist at one time. “Rebirth” changed that. This story turned the Green Lantern character into the Green Lantern Corps.

“Secret Origin” (Green Lantern Vol 4 #29-35; written by Geoff Johns; art by Ivan Reis; 2008)

As the name may suggest, “Secret Origin” recontextualizes Hal Jordan’s origin. You may even decide to skip reading the 1959 issue and read “Secret Origin” instead. “Secret Origins” features one of Hal Jordan’s earliest starts as a Green Lantern. Abin Sur and (modern classic Green Lantern villain) Atrocitus play a role in turning Hal Jordan into the hero we know today.

Not only does “Secret Origin” manage to say something new with Hal’s origin, it sets up the next story on our list, “Blackest Night.” Geoff Johns was on a roll with Hal Jordan and the Green Lantern Corps as characters. This almost decade-long run may be the best Green Lantern run.

“Blackest Night” (Blackest Night Vol 1 #0-8; written by Geoff Johns; art by Ivan Reis; 2009-2010)

“Blackest Night” resurrects Nekron, the Lord of the Unliving, and watches him create the Black Lantern Corps. During Johns’s run of Green Lantern, he established the Emotional Spectrum of the DC Universe. The emotional spectrum, based on colors of the rainbow, added a unique twist. The Black Lantern Corps is an extension of the Emotional Spectrum. The Black Lantern Corps resurrects heroes and villains across the galaxy and consumes their still-beating hearts.

“Blackest Night” combines zombie elements with the Green Lantern mythos. This storyline brought an underused DC Comics villain, Nekron, back into the spotlight. This DC Comics crossover event was epic. It may be one of the greatest crossover events DC Comics has ever seen, and Hal Jordan is at its center.

“Green Lantern: Earth One” (Green Lantern: Earth One #1-2; written by Gabriel Hardman and Corinna Bechko; art by Hardman; 2018-2020)

In a world where humans have made their way to space, Hal Jordan is a space miner for Ferris Industries when he runs across a spaceship that changes his life forever. “Green Lantern: Earth One” is a major departure from what we think of Green Lantern. I struggled with including this story in this list, but “Green Lantern: Earth One” is a phenomenal stand-alone story. DC Comics offers plenty of Elseworlds stories (stories that diverge from the main storyline), and “Green Lantern: Earth One” is a must-read. It may be one of the best.

“Green Lantern: Earth One” recasts the Green Lantern Corps in the role of freedom fighters, battling against the more powerful Manhunters (the same ones who would slaughter Atrocitus’s people, leading him to a path of mayhem). The Manhunters have all but conquered the universe. “Green Lantern: Earth One” is a gripping tale from beginning to end. While I can only see elements of this story used in the DCU, it’s worth the read, and with any luck, DC Studios will give us a version of this story.

“Intergalactic Lawmen” (The Green Lantern #1-12; written by Grant Morrison; art by Liam Sharp; 2019-2020)

Writer Grant Morrison has a knack for taking characters in bizarre directions. Handing him the reins of Green Lantern could only lead to some of the craziest Hal Jordan stories. “Intergalactic Lawmen” brings Hal Jordan back to his roots. Jordan travels from case to case (like a space cop), across the multiverse as he takes down criminals, fighting against conspiracies, and taking powerful cosmic threats head-on. Composed of two volumes and an interquel miniseries (of the main Green Lantern line of comics), “Intergalactic Lawmen” is for Green Lantern fans who want cosmic fun.

This Green Lantern universe feels strange in the best ways. “Intergalactic Lawmen” reinvents Hal’s adventures, the Green Lantern Corps, and the planet Oa. Yes, few of the storylines on this list tackle the idea of the Planet Oa (home world and base of operations of the Guardians of the Universe). “Intergalactic Lawmen” pulls away from the rigid rules of the Geoff Johns era. The Green Lantern ring was once again capable of the impossible, like storing an entire universe.

Those are the Hal Jordan Green Lantern stories that made our list. We’ll be covering John Stewart and Guy Gardner’s starter stories in the next two months. Are there any Hal Jordan Green Lantern stories you would add to this list? Let us know in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Getting Into Comics: Wonder Man Starter Stories

Published on by KyraLeave a comment

The Wonder Man television series got us excited to make a Wonder Man post. Geekly may have bitten off more than we could chew with a Wonder Man Starter Stories. I remember reading a lot of Wonder Man in West Coast Avengers—that’ll make an appearance on this list—but Wonder Man may be one of Marvel’s most sporadically published characters, especially in his early years. This is partially due to Wonder Man’s origin story (he died), but the character was a sore spot between Marvel and DC Comics. DC Comics had Wonder Woman as an established character and wanted the ability to write a Wonder Man character, but Marvel beat them to the punch. Lawsuits ensued. As a result, Wonder Man appeared in storylines but was rarely a key contributor until the mid-1970s.

Hey, hey, Geekly Gang! Kyra Kyle here, and today we’re going to cover Wonder Man starter stories. Today’s post will differ from most starter stories. Wonder Man will have a ton of single-issue stories, so I’ll do my best to include Wonder Man Omnibuses that should collect many of these stories, and you may get several extra stories to boot. Yay! We’ll begin with single issues, and after the single comics, we’ll list which comic book collection includes the comic. Let’s begin.

Single Issues

“The Coming of The…Wonder Man” (Avengers #9; written by Stan Lee/art by Don Heck; August 1964)

“The Coming of The…Wonder Man” storyline may hold the secret as to why Wonder Man doesn’t show up that often in his earlier years. Spoiler alert: Wonder Man dies. And it’s a death that stuck for years, according to Stan Lee.

Brief Synopsis: Wonder Man (Simon Williams) gets arrested for embezzling Tony Stark’s money. The Masters of Evil break him out of jail, give him powers, and send Wonder Man to destroy The Avengers. Zemo ensures Wonder Man’s allegiance by poisoning him. Wonder Man gains The Avengers’ trust, but The Avengers do the same with Wonder Man, because they want to help him (get unpoisoned), even though they don’t know him. Wonder Man has a change of heart and sabotages Zemo’s plot.

Yeah! Wonder Man may die at the end, but he dies for a good reason. I can see why writers wanted to honor this sacrifice…for like three or four years.

“Wonder Man” (Wonder Man #1, One-Shot; written by David Michelinie/art by Kerry Gammill; December 1985)

The “Wonder Man” One-Shot shows Wonder Man at his conflicted best. By this point, Wonder Man has been an Avenger and an actor—we should see some of this play out in the Wonder Man television series—and he tries a new occupation: science tech trouble-shooter. What does that even mean? Wonder Man finds out in this action-packed one-shot adventure.

Omnibus Listing

Marvel-Verse: Wonder Man (March 12, 2024)

This recent comic book collection includes Wonder Man’s first appearance, his one-shot adventure, and a couple more issues (Marvel Two-In-One, 1974; Avengers #14, 1998).

Single Issues

“A Force of Two” (Marvel Premiere #55; written by David Michelinie and Bob Layton/art by Ron Wilson; May 1980)

While the Wonder Man one-shot above may be the flashiest Wonder Man solo adventure to date, “A Force of Two” (Marvel Premiere #55) was his first proper solo adventure. Michelinie pens this issue as well. “A Force of Two” explores Simon Williams’ corporate background, which includes a brief rivalry with Stark Enterprises. In fact, “A Force of Two’s” main antagonist is none other than Madame Masque, one of Iron Man’s greatest villains who hasn’t made their way to the MCU. (Quick note: There was a character named Whitney Frost, Madame Masque’s alter ego, who served as a Black Widow assassin in the Agent Carter series, but a proper Madame Masque has yet to make her MCU debut.) Wonder Man fights Madame Masque and her super criminal ring, Maggia, as she tries to take over Wonder Man’s company, Williams Innovations.

“…The Trial” (Avengers #160; written by Jim Shooter/art by George Perez; June 1977)

“…The Trial” features a major revelation: Simon Williams has a brother. Gasp! I’m cheating a bit with this entry. Honestly, this storyline goes back a couple of issues with Avengers #158, but fortunately, the collection I selected (listed below) includes the entire storyline. Spoiler Alert, I suppose, for an almost five-decade-old comic book. Lol. Antagonist Grim Reaper, one of the best Avengers villains to not yet make their MCU debut, has been a thorn in the Avengers’ side for years. We learn that Eric Williams (Grim Reaper) is Simon Williams’ (Wonder Man’s) brother. “…The Trial” also reminds us that Vision’s mind was originally built from Simon Williams’ brainwaves (like Simon’s consciousness was downloaded from the cloud). Hmm. I wonder if this could influence the MCU.

Wonder Man releases a year or two before VisionQuest. Could VisionQuest include at least a reference to Vision’s original comic book origin (and include Simon Williams)? The MCU has leaned into its darker characters, and Grim Reaper’s aesthetic matches this shift. Could we see Grim Reaper in the not-so-distant future? We’ll have to see. “…The Trial” is another iconic Avengers comic book and worth reading.

“On the Matter of Heroes!” (Avengers #181; written by David Michelinie/art by John Byrne; December 1978)

I mentioned the MCU a lot in previous entries—mostly because Wonder Man is around the corner—and “On the Matter of Heroes!” is yet another story that could factor into the MCU. In the comics, Wonder Man and Beast (one of the original X-Men) are close friends. “On the Matter of Heroes!” has the pair watching The Adventures of Robin Hood starring Errol Flynn. Wonder Man and Beast discuss the psychological role heroes play for the public. Beast and Wonder Man share a similar sense of humor and are plagued by self-doubt about their place in the Avengers. Beast questions his place because he’s a mutant, while Wonder Man struggles with his mortality. He’s afraid of dying again.

“On the Matter of Heroes!” muddies the water when Wonder Man and Beast return to the Avengers Mansion. Ultimately, due to government influence, Wonder Man is out of the Avengers, and Beast remains. I must mention it. Could Wonder Man introduce Simon Williams’s friend, Hank McCoy (Beast)? The X-Men near their MCU debut.

Omnibus Listing

Wonder Man: The Early Years Omnibus (December 20, 2023)

“A Force of Two,” “…The Trial,” and “On the Matter of Heroes!” are collected in Wonder Man: The Early Years Omnibus. Numerous other comics are also included. This collection is over a thousand pages. Yikes!

Storyline

West Coast Avengers Limited Series (West Coast Avengers #1-4; written by Roger Stern/art by Bob Hall; 1984)

West Coast Avengers began as a limited series in 1984. Eventually, it became a monthly title for over a decade. Vision wants to increase the Avengers’ reach, so he creates the Avengers’ first offshoot team, the West Coast Avengers. At this time, Wonder Man has a side hustle as an actor, so a Los Angeles-based Avengers made sense. Simon clashes with almost everyone on the team, especially Iron Man (James Rhodes during this series), as Williams struggles to balance crime fighting with an acting career. Wonder Man features Simon Williams as an actor; West Coast Avengers may play a role.

Single Issues without an Omnibus (as of this post)

“Even An Android Can Cry” (Avengers #58; written by Roy Thomas/art by John Buscema; September 1968)

While you get the gist of Vision’s origin in “…The Trial” (listed above), “Even An Android Can Cry” is the first telling of this origin story. Somehow, Ant-Man recorded Wonder Man’s brain patterns before he died during his debut (in Avengers #9). Ultron finds these brain patterns and uses them to create the perfect android in Vision. In a roundabout way, Wonder Man and Vision are brain brothers.

“New Faces” (West Coast Avengers #45; written and art by John Byrne; February 7, 1989)

“New Faces” explores the heartbreaking, bizarre, and fascinating relationship between Wonder Man and Vision. After the government dismantles Vision, the android is left a blank slate. “New Faces” is the comic that introduces a White Vision (like the one found at the end of WandaVision). Scarlet Witch asks Wonder Man to contribute his brain waves to bring back her husband, Vision. Wonder Man refuses.

Wonder Man didn’t have a choice the first time. Vision and Wonder Man shared a rocky relationship because Wonder Man has feelings for Wanda, too. “New Faces” packs an emotional punch and is well worth a read. And check out the top, right-hand corner of “New Faces'” cover: VisionQuest Continues. Yep. This is the comic book version of VisionQuest.

Those are the stories that made our list. Are there any you would add to the list? Let us know in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Getting Into Comics: Black Panther Starter Stories

Published on by KyraLeave a comment

Black Panther has existed since the mid-Sixties, but Marvel produced some of the best Black Panther stories after 2000. Which Black Panther stories should you read first?

Hey, hey! Kyra Kyle here. As you can guess, we’re talking about Black Panther starter stories today. Like we’ve been doing for the past few entries in this series, we’ll split these stories into single issues and story arcs. Today, we’ll begin with single comic book issues. Enjoy!

Single Issues

“Introducing The Sensational Black Panther” (Fantastic Four #52; written by Stan Lee/art by Jack Kirby; 1966)

I considered including this issue and a few others as part of a story arc. The next issue would include vibranium’s first mention and sets the stage for Ulysses Klaw to make his first appearance, but I chose to stick with Black Panther’s first appearance. “Introducing The Sensational Black Panther” centers around the Fantastic Four being invited to Wakanda. The enigmatic leader sends a hover car to take Marvel’s family to his homeland. The Fantastic Four agree, and when they arrive in Wakanda, they must survive a robotic jungle and the Black Panther himself. By themselves, the Fantastic Four are no match for Black Panther, but the team joins forces and unmask their assailant.

It turns out that T’Challa (Wakanda’s leader who invited the Fantastic Four to Wakanda) and Black Panther are the same. Black Panther says he only wanted to test the fours’ abilities and meant no harm by his attack. “Introducing The Sensational Black Panther” does a good job of showing Black Panther as formidable. Like I said, many key Black Panther elements are revealed in future issues, but “Introducing The Sensational Black Panther” is a great place to start reading.

“Death Calls for the Arch-Heroes” (Avengers #52; written by Roy Thomas/art by John Buscema; 1968)

“Death Calls for the Arch-Heroes” is another issue that sets up Black Panther; this time, it’s Black Panther’s first appearance as an Avenger. Until this issue, Black Panther served as an occasional Avengers ally. “Death Calls for the Arch-Heroes” begins with Black Panther visiting Avengers HQ to find the Avengers dead. They aren’t actually dead; they’re in a coma. Since Black Panther is an outsider, he gets blamed and taken into custody. Black Panther breaks out of jail, learns that the Grim Reaper (who wants revenge for the death of his brother, Wonder Man) is behind the plot. The two fight, Black Panther wins, reverses the effects of Reaper’s coma weapon, and then becomes a full-fledged member of the Avengers.

“Death Calls for the Arch-Heroes” marks an important milestone in Black Panther’s development. Prior to this issue, Black Panther seldom left Wakanda for long. This issue turned Black Panther into a global figure, and it put Wakanda on the map.

Story Arcs

Panther’s Rage (Jungle Action #6-18; written by Don McGregor/art by Rich Buckler, Billy Graham, and various others 1973-1974)

It took a while for Marvel Comics to see potential in Black Panther. Sure, Black Panther showed up in plenty of Fantastic Four comic books. He was even a card-carrying member of the Avengers for half a decade by this point, but he was relegated to the edges of comic book stories and didn’t have his own title. At the same time, there was another Marvel comic book named Jungle Action that rubbed proofreader (at the time) Don McGregor the wrong way. Jungle Action featured white people saving Africans or white African people being threatened by black African people. McGregor demanded that Marvel feature a black African hero. He turned to the seldom-used Black Panther.

McGregor’s initial run on Jungle Action #6-18 (Panther’s Rage) is the birth of who we know as Black Panther. T’Challa returns to Wakanda to find his homeland torn by civil war. A revolutionary leader and terrorist named Erik Killmonger had returned to Wakanda and threatened T’Challa’s claim to the throne. Yes! Panther’s Rage is the first appearance of Killmonger. To say Panther’s Rage was groundbreaking is an understatement.

More than a decade before Watchmen, Panther’s Rage was the first graphic novel. It’s been collected and reprinted numerous times, and it’s worth the read. Writer Don McGregor was no stranger to pushing boundaries. Years before Panther’s Rage, he wrote a story that featured comic books’ first interracial kiss. If you want to know Black Panther better, Panther’s Rage is a great place to start.

Panther’s Quest (Marvel Comics Presents #13-37; written by Don McGregor/art by Gene Colan, and various others 1988-1989)

After his legendary run on Jungle Action, McGregor left Black Panther for over a decade. He returned to the character with Marvel Comics Presents. The Marvel Comics Presents title was an odd throw-back to early Marvel titles. Anthology series like Tales of Suspense (which featured Iron Man’s first appearance) and Journey into Mystery (which included Thor’s first appearance) had fallen out of favor. Marvel Comics Presents featured stories for multiple characters. We’re interested in the Black Panther storyline, Panther’s Quest.

Panther’s Quest is another McGregor epic. Following rumors that his mother (whom he had never known) may still be alive, T’Challa conducts a stealth mission in South Africa. What unfolds is a harrowing tale of social injustice mixed with intrigue and plenty of action. Always willing to broaden comic books’ horizons, McGregor tackled story elements like Apartheid and the discrimination someone who looks like Black Panther faces. In short, Panther’s Quest is another Black Panther must-read.

The Client (Black Panther vol 3 #1-5; written by Christopher Priest/art by Mark Texeira 1998)

The Client marks the first entry for Christopher Priest on this list. Priest is another writer synonymous with Black Panther. Priest is also the first black writer and editor in mainstream comics. He’ll show up time and time again on this list. We couldn’t include all of Priest’s works. The two series of his that didn’t quite make our list are both named Enemy of the State. You should give them a read as well. Getting back to our entry, The Client makes this list because it introduces several key Black Panther figures like Okoye, Zuri, and Nakia. And the story does a great job of balancing the odd space Black Panther occupies.

Black Panther sets up refugee camps and offers political asylum for people fleeing ethnic wars, but at the same time, he pushes for systematic change and battles street crime. T’Challa is a man attempting to do it all. But that’s why a lot of Black Panther’s key support system (like Okoye) are introduced. Within The Client’s pages, Priest develops what it means to be Wakandan.

Killmonger’s Rage (Black Panther vol 3 #16-20; written by Christopher Priest/art by Sal Velluto and Bob Almond 2000)

Christopher Priest pushed the Black Panther forward, but he also paid homage to what came before. Killmonger’s Rage is a fitting spiritual successor to Panther’s Rage. Priest honors McGregor’s story by exploring T’Challa and Killmonger’s relationship. Priest’s Killmonger is a Wakandan corrupted by Western values. He’s the antithesis of T’Challa and Wakanda. Black Panther must face an intriguing mirror version of himself. Killmonger’s Rage shows what would happen if T’Challa rejected his Wakandan roots. 2018’s Black Panther uses a storyline or two from Killmonger’s Rage.

Sturm Und Drang (Black Panther vol 3 #26-29; written by Christopher Priest/art by Sal Velluto 2000-2001)

The world is on the verge of World War III, and Black Panther serves as mediator. Sturm Und Drang shows why T’Challa is different from most superheroes. He’s the leader of a country. Tension exists between the underwater nation of Lemuria and the surface world. Klaw works behind the scenes to stir up tensions among various nations; his machinations unnecessarily draw other countries into the mix. Black Panther advocates for peace, but at the same time, he refuses to back down or show any signs of weakness.

Sturm Und Drang explores Black Panther’s leadership during wartime. He must deal with group leaders like Namor, Magneto, and Doctor Doom. Sturm Und Drang is also the final Priest story arc on this list. He had an amazing run on Black Panther. You can’t go wrong if you see Black Panther and Christopher Priest. If you’re interested in reading Black Panther, Priest did more than anyone in shaping this character and showing his many facets. Priest’s run is chef’s kiss good.

See Wakanda And Die (Black Panther vol 4 #39-41; written by Jason Aaron/art by Jefte Palo 2008)

See Wakanda And Die might be a slight understatement of a title. This story acts as a standalone story and a tie-in for Marvel’s 2008 event, Secret Invasion. I know. I know. The Secret Invasion television series almost ruined the MCU. Believe me, the comic book story was handled with more care. But we’re talking about See Wakanda and Die. An army of Skrulls has come to Wakanda to claim all the country’s vibranium. But Wakanda won’t go without a fight.

This action-packed story shows two complementary sides of the Black Panther. First, he’s a leader, shown through tactical decisions and care for his people. Second, he’s a hero, placing himself on the frontlines. These two sides merge to make a satisfying read with excellent pacing.

A Nation Under Our Feet (Black Panther vol 6 #1-12; written by Ta-Nehisi Coates/art by Brian Stelfreeze, Chris Sprouse, and Karl Story 2016-2017)

A Nation Under Our Feet is the most philosophical story on this list. It explores Wakanda’s identity, tensions, traditions, and where they fit in modern society while looking toward the future. This examination extends to the monarchy. Does Wakanda still need the Black Panther?

These topics make sense, considering A Nation Under Our Feet’s writer Ta-Nehisi Coates. Coates is an American journalist and activist who often writes about cultural, social, and political issues, specifically African Americans and white supremacy. Coates authored “The Case for Reparations,” so Wakandan story that examines its past while looking at how to move forward is something that Coates has immense experience.

But A Nation Under Our Feet also features the art of Stelfreeze and Sprouse, who present a brilliant Afrofuturism that has a touch of science fiction but is steeped in African art and culture. The result is A Nation Under Our Feet becoming a comic you can lose yourself in as you explore the different parts of Wakanda.

Those are the stories that made our list. Like I said, I could’ve included many more Priest Black Panther stories, and anything by Coates is a great read. Let us know which Black Panther stories you’d add to this list in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Doctor Strange Starter Stories

Getting Into Comics: Doctor Strange Starter Stories

Published on by KyraLeave a comment

Doctor Strange stories venture into the weird and psychedelic. It’s difficult to know where to begin reading Doctor Strange comics. Fortunately, Geekly has you covered.

Hey, hey! Kyra Kyle here. Marvel Comics had its renaissance in the Sixties. No other character screams the Sixties than Stephen Strange. During this decade, mysticism enjoyed a comeback. I’m sure fans attempted some of the spells depicted in Doctor Strange comics. Safety notice: don’t try the spells you find in Doctor Strange comics at home. Artists like Steve Ditko and Barry Windsor-Smith elevated Doctor Strange to another level. Within Doctor Strange, you’ll find some of the most vibrant art in Marvel.

But we’re talking about stories today, and Doctor Strange has had some of the best writers in the business write for him. Like we’ve been doing for the past few entries in this series, we’ll split these stories into single issues and story arcs. This week, we’ll begin with single comic book issues. Enjoy!

Single Issues

“Face to Face with the Magic of Baron Mordo!” (Strange Tales #111; written by Stan Lee/art by Steve Ditko; 1963)

The follow-up to Strange’s debut in Strange Tales #110, “Face to Face with the Magic of Baron Mordo” pits Doctor Strange against one of his most iconic enemies: Baron Mordo. Mordo is a fellow student of the Ancient One and plans to murder his master and gain the ultimate power. Doctor Strange learns of Mordo’s plan and stops him. Strange and Mordo share a sibling-like rivalry. “Face to Face with the Magic of Baron Mordo” establishes Doctor Strange, the Ancient One, and Mordo as characters. I can’t wait to see what the Marvel Cinematic Universe plans to do with Baron Mordo, portrayed by Chiwetel Ejiofor. Mordo is too good of a character not to see in Doctor Strange’s future.

“The Origin of Doctor Strange” (Strange Tales #115; written by Stan Lee/art by Steve Ditko; 1963)

Doctor Strange’s origin story isn’t the first one on this list because we’ve been listing these starter stories in the order in which they were released. Stan Lee and Steve Ditko “forgot to supply a Doctor Strange origin,” which was Lee’s note at the beginning of this issue. “The Origin of Doctor Strange” marks the first time Marvel retroactively published a backstory. Nice!

The story itself is iconic at this point and a must-read for anyone who wants to get into Doctor Strange comics. Steve Ditko is still finding his groove, but Strange Tales #115 remains a Doctor Strange and Marvel Comics classic. You can see similarities between Doctor Strange and Ditko’s other famous comic book creation, Spider-Man. Both start as selfish and turn selfless after a tragedy.

“To Steal the Sorcerer’s Soul” (Marvel Fanfare #5; written by Chris Claremont/art by Marshall Rogers and P. Craig Russell; 1982)

Chris Claremont avoids Doctor Strange’s psychedelia. Instead, Claremont is at his melodramatic best with “To Steal the Sorcerer’s Soul.” Even though Strange’s romance with sorceress Clea is in full swing, Nicodemus West is the source of drama. After Strange’s accident, West was the colleague who performed the surgery on Strange’s hands. Filled with guilt, Nicodemus tails Strange around the world, where he would obtain magical powers for medical use. “To Steal the Sorcerer’s Soul” shows Nicodemus’s descent into villainhood.

Story Arcs

The Eternity Saga (Strange Tales #130-146; written by Stan Lee/art by Steve Ditko 1965-1966)

While a seventeen-issue comic book story is normal for comics today, The Eternity Saga was one-of-a-kind for its time. Stan Lee may have penned the dialogue, but Steve Ditko’s artwork drives this sprawling epic. The Eternity Saga may appear later in this list, but it may be THE quintessential Doctor Doom story. Strange must battle Baron Mordo and Dormammu before being stripped of his power, rendered blind, and forced to search for the being named Eternity.

Steve Ditko cut his teeth with Spider-Man but kept his most ground-breaking art for Doctor Strange. The Eternity Saga solidifies Doctor Strange’s look, his archenemies, and his mythos. If you’re a fan of Doctor Strange movies, you should read The Eternity Saga. Doctor Strange films borrow from this storyline and there are a few surprises the MCU hasn’t yet introduced. The Eternity Saga is required Doctor Strange reading.

The Shuma-Gorath Saga (Marvel Premiere #3-10; written by Stan Lee and Barry Windsor-Smith/art by Barry Windsor-Smith 1972)

We had to include part of Barry Windsor-Smith’s run on Doctor Strange. After Steve Ditko left, the comic was in good hands. As the name suggests, The Shuma-Gorath Saga borrows a lot from H.P. Lovecraft and his Cthulhu myth. The title character, Shuma-Gorath, is an Elder God who has enthralled a woman Doctor Strange intends to save. Shuma-Gorath sends their minions to stop Doctor Strange, leading to an epic battle.

The Shuma-Gorath Saga is unique because Doctor Strange seldom uses his magic. Instead, he battles Shuma-Gorath with various melee weapons to include a crucifix. If you’ve seen Doctor Strange in the Multiverse of Madness, you may believe that Shuma-Gorath has made their MCU debut when a tentacle beast interrupted a wedding, but that’s not the case. Marvel doesn’t own the rights for Shuma-Gorath. That deal is in the works. There’s no way Shuma-Gorath would only get a cameo.

A Separate Reality (Marvel Premiere #9-10 & 12-14 and Doctor Strange #1-2 & 4-5; written by Steve Englehart/art by Frank Brunner 1972-1973)

Steve Englehart is another creative who left an indelible mark on Doctor Strange. A Separate Reality redefined Doctor Strange’s rogues from the 1960s. Dormammu and Nightmare make appearances in A Separate Reality. They challenge Strange while he attempts to save the Marvel Universe from other realms.

A Separate Reality also introduces the sorcerer Clea (played by Charlize Theron at the end of Doctor Strange in the Multiverse of Madness). Clea and Doctor Strange become lovers, which I’m sure will play a role in the Marvel movies, and the journey to save all realities leads to new heights of mind-bending moments. That’s saying something for Doctor Strange.

Into Shamballa (written by J.M. DeMatteis and Dan Green/art by Dan Green 1986)

Into Shamballa rids itself of superhero and villain tropes. J.M. DeMatteis and Dan Green wrote Into Shamballa as an introspective story. Doctor Strange returns to The Ancient One’s Himalayan home. Once there, the doctor finds a portal into the Shamballa dimension. Strange is tasked with bringing about an apocalypse that will allow humankind to grow to perfection. Into Shamballa is Doctor Strange at his abstract storytelling best.

Released the same month as Alan Moore and Dave Gibbons’ Watchmen, Into Shamballa asks several of the same ethical questions. But while Moore’s story ends in moral compromise, Into Shamballa finds spiritual enlightenment. If you’ve read Watchmen, you should try Into Shamballa.

Doctor Strange and Doctor Doom: Triumph and Torment (written by Roger Stern/art by Mike Mignola 1989)

Hellboy creator Mike Mignola’s art makes this unlikely pairing work. You heard that right. Doctor Strange and Doctor Doom team up to rescue the soul of Doom’s mother. Triumph and Torment is more of a Doctor Doom story. I almost didn’t include it in this list. But Triumph and Torment is an iconic mini-series and well worth reading.

The Oath (Doctor Strange The Oath #1-5; written by Brian K. Vaughan/art by Marcos Martin; 2006-2007)

Brian K. Vaughan (Saga) pens one of the best Doctor Strange stories of the 21st century with The Oath. The miniseries showcases Strange’s patented arrogance, while his brother in Wong grounds him. The Oath is the basis for Wong and Doctor Strange’s relationship in the Marvel movies. The story itself is a mystery with a hint of the mystical.

In The Oath’s story, Wong has cancer. Aided by new love interest Night Nurse (who played a role in the Netflix Daredevil series), Strange follows a trail of clues to save his friend. The Oath has the hallmarks of some of Vaughan’s best work: nonlinear plots, nuanced characters, and thrilling twists. The Oath does a lot to modernize Doctor Strange.

We could’ve included a few other Doctor Strange stories. Let us know which Doctor Strange stories you’d add to this list in the comments. And wherever you are, I hope you’re having a great day.

Scarlet Witch Starter Comics

Getting Into Comics: Scarlet Witch Starter Stories

Published on by KyraLeave a comment

Today is Miss Kyra’s birthday. I asked her which comic book character’s history she wanted Geekly to cover today, and she picked another character with a complicated past, Scarlet Witch. Yes. Today will be covering comic books for new readers of the Scarlet Witch.

Hey, hey! Kyra Kyle here. Like many X-Men characters, Scarlet Witch has played jump rope with being a villain and a hero. Wanda Maximoff has even had moments of turning into an otherworldly being. She’s been a member of the Brotherhood of Evil Mutants, the Avengers, and Defenders. Scarlet Witch blurs the line between superpowers and magic. She has the power to bend reality.

Single Issues

We’ve split this list into single issues and longer stories. Let’s begin with single issues.

The Brotherhood of Evil Mutants (Uncanny X-Men #4, written by Stan Lee/art by Jack Kirby; March 1964)

Magneto proved a worthy adversary to the X-Men when he took on the team alone (Uncanny X-Men #1). The Brotherhood of Evil Mutants marks the team of the same name’s first appearance. Toad, Mastermind, Quicksilver, and Scarlet Witch join Magneto. But the team already shows cracks.

Quicksilver and Scarlet Witch want nothing to do with the Brotherhood. Magneto coerced them into joining. He reminds them of when he rescued the twins from an angry mob. The citizens of a small European town want to kill the Scarlet Witch for burning down a barn with her mutant powers. Magneto reminds the pair that humans would continue to hunt them for their abilities, which isn’t a complete lie.

The X-Men track down the Brotherhood to a palace in Santo Marco. The X-Men’s actions reinforce Magento’s claims that humanity will hunt down mutants. Mutants are hunting down other mutants who disagree with them. A quick battle ensues. Once the X-Men enter the palace, Magneto arms a series of bombs meant to destroy the palace and Santo Marco with it. Bystanders would be killed. Scarlet Witch and Quicksilver can’t abide by this plan, so as they escape, Quicksilver disarms the remaining bombs that would’ve taken the country. The Brotherhood of Evil Mutants shows Scarlet Witch’s tenuous relationship with Magneto.

The Old Order Changeth (Avengers #16, written by Stan Lee and Jack Kirby/art by Jack Kirby, Dick Ayers, and Carl Hubbell; March 1965)

Scarlet Witch makes good on her threat of leaving Magneto’s employ. It took her one year—almost to the day—from debuting as an X-Men villain to becoming a card-carrying member of the Avengers. The Old Order Changeth does what it says. The Master of Evil (the Avengers’ main antagonist team at the time) disbanded after burying their leader Baron “Heinrich” Zemo. (Note: the current Baron Zemo is Heinrich’s son, Helmut.) Wasp, Giant-Man/Ant-Man, Iron Man, and Thor leave the Avengers. Naturally, Hulk is missing. So, Captain America is chilling at the Avengers Mansion advertising that the team needs new members.

Hawkeye and Black Widow flip sides and join the Avengers. They had been duped into helping the Russians who wanted to disrupt the Avengers. Mission accomplished, I guess. Scarlet Witch and her twin brother Quicksilver also want to redeem their past as members of the Brotherhood of Evil Mutants and join. It may not seem like much but the Avengers changing their roster in just over a year (this issue is the sixteenth of a monthly comic) shook up the Marvel landscape.

What was Scarlet Witch’s role in this comic book issue? She doesn’t have a large role. While living in Switzerland, she learns about the Avengers needing new members. She travels by cruise ship to the U.S. and auditions for a spot with Tony Stark. The Old Order Changeth marks Wanda’s first step as a hero, and the first step is often the most important.

New Faces (The West Coast Avengers #45, written by John Byrne/art John Byrne; February 1989)

We jump a couple of decades to our next single issue New Faces. Surprise! The Avengers add a new member or two. US Agent (John Walker) joins the team which causes Hawkeye and Mockingbird to depart. This storyline has many layers and is worth the read, but we’re more interested in another storyline, the one between the Scarlet Witch and her husband Vision.

By the time of New Faces, Wanda and Vision have twin sons, Tommy and Billy. There’s a whole issue of Tommy and Billy going through a series of nannies who can’t manage to care for them. The nanny introduced in this issue, Mrs. Hunter, loses the twins in the nursery. We never see Mrs. Hunter again, so there’s a chance she got fired off-camera. The bigger issue rests with Vision. Vision needed to be reprogrammed. Unfortunately, while Vision has all the information, he lacks an emotional connection with that information. When Wanda hugs Vision, he asks her why. He no longer feels love.

Hank Pym explains that Vision misses one element, his brother Wonder Man’s brain patterns. Manipulated by Baron Zemo and then Black Talon, Wonder Man’s brain patterns had been used for Vision without his permission. Wonder Man refuses to help Vision because he had no control over his life for many years. While Wonder Man’s reason is understandable, Wanda is heartbroken when she sees the new Vision speaking monotonously, like he did when they first met. New Faces is the first time Vision wears all white. The MCU adopted a version of this costume with its current iteration of Vision.

Story Arcs

The Witch of Wundagore Mountain (The Avengers #185-187 written by Steven Grant, Mark Gruenwald, David Michelinie/art by John Byrne 1979)

The Witch of Wundagore Mountain is the first attempt at Scarlet Witch and Quicksilver’s origin story. The twins’ origin has been twisted and changed so many times, but this story marks the first real attempt at a Scarlet Witch origin. She wasn’t Magneto’s daughter. She even believed that her parents were the Whizzer (a Golden Age comic book hero with superspeed like Quicksilver) and Miss America. But the pair found that to be fiction.

A man named Django Maximoff claims to be her father, but she will soon learn that he’s her adoptive father. She was born on Mount Wundagore in the laboratory of the High Evolutionary. One of the High Evolutionary’s earliest creations, an anthropomorphic cow named Bova, cared for her. This is a bizarre story, and it takes many turns. Outside of flashbacks, Scarlet Witch becomes possessed by Chthon who, with the help of Scarlet Witch, holds the other Avengers prison.

We just scratched the surface with The Witch of Wundagore Mountain. It’s a harrowing tale.

Darker Than Scarlet (Avengers West Coast #56-57 & 60-62, written by John Byrne, Roy Thomas, and Dann Thomas/art by John Byrne and Paul Ryan; 1990)

After being a hero for most of her Marvel Comics tenure, Scarlet Witch hops over to the dark side during Darker Than Scarlet. She joins her would-be father Magneto, and at first, it seems like she isn’t the only one. The end of this storyline’s first issue shows Quicksilver joining Magento too. Toward the end of the story, we find that Quicksilver remained loyal to the Avengers, only joining his family to convince Scarlet Witch to reconsider and stop Magneto’s evil schemes.

While Scarlet Witch and Quicksilver have been on opposite sides before, Darker Than Scarlet is one of the few times that the twins have acted as enemies for a prolonged time. Typically, one of the twins would have a lapse of judgment before the other one eventually saved them, but Darker Than Scarlet shows Scarlet Witch reaching new levels of evil.

House of M #1-8 (written by Brian Michael Bendis/art by Olivier Coipel; 2005)

While Darker Than Scarlet was Scarlet Witch’s first big heel turn, House of M is her most infamous and had a profound impact on the greater Marvel Universe. Wanda becomes unhinged when she realizes that her children aren’t real. She loses control and uses her reality-altering powers, killing Vision, Hawkeye, and Scott Lang. These deaths cause the Avengers to fracture.

This new reality is unlike any other in the Marvel universe to that point. Wanda utters, “No more mutants,” which returns the world to the reality it had before, but with one significant change. Nearly all people who were mutants become normal humans. Only 198 mutants remain.

While Scarlet Witch plays a key role during House of M, Quicksilver works behind the scenes. He convinces Scarlet Witch to use her powers to reshape reality, and it is Quicksilver’s injuries at the hand of Magneto that inspire Scarlet Witch to wipe out most of mutantkind.

Avengers: Children’s Crusade #1-9 (written by Allan Heinberg/art by Jim Cheung; 2010-2012)

House of M and Avengers: Disassembled led Scarlet Witch into a dark period. Avengers: Children’s Crusade is Wanda’s first step to redemption. The story revolves around Speed and Wiccan, who believe they’re Wanda’s lost children. The Disney+ series Agatha All Along borrows aspects from Speed and Wiccan’s story here. Accompanying Speed and Wiccan is their grandfather, Magneto.

When the kids find their mother, she’s lost her memories and powers and is about to marry Victor Von Doom. When Scarlet Witch’s memories begin to return, she learns that her powers had overloaded when she worked with Doom to bring her children back from the dead. Scarlet Witch’s children redeem her. Once reunited, she seeks redemption for the chaos and destruction she had caused.

Rumors persist that Scarlet Witch may not have died during the events of Doctor Strange in the Multiverse of Madness. The MCU could reintroduce the character following the events of Agatha All Along and a subsequent series with Speed and Wiccan. If that happens, she will have a lot to atone.

Witches’ Road (Scarlet Witch #1-5 written by James Robinson/art by Vanesa Del Rey; 2016)

Witches’ Road has a simple premise: witchcraft is broken. Joined by Agatha Harkness’s spirit, Wanda travels the world to fix witchcraft. If this premise sounds familiar to MCU fans, a similar journey may be hinted at the end of Agatha All Along. Scarlet Witch had the moniker of witch but seldom associated herself with witchcraft until the events of Witches’ Road.

Thanks, Agatha All Along. Now all I hear when I say Witches’ Road is the song from the Disney+ series. Anyway. During the comic book storyline Witches’ Road, Wanda solves magical crimes and pieces witchcraft back together. She must solve the mystery of who broke magic.

I lost count of how many Scarlet Witch stories missed the cut. I added Witches’ Road at the last second or it could’ve been one more storyline. Scarlet Witch has had so many great stories. Let me know which Scarlet Witch stories you’d add to the list. Thank you for reading, and wherever you are, I hope you’re having a great day.

Punisher Starter Stories

Getting Into Comics: Punisher Starter Stories

Published on by KyraLeave a comment

Do you want to get into Punisher comics and don’t know where to start? Geekly has you covered. Daredevil: Born Again continues its run on Disney+ this week, and Geekly is celebrating with yet another comic book starter stories list. Today’s list features the Punisher.

Hey, hey! Kyra Kyle here. While Frank Castle (The Punisher) may not have been around as long as Matt Murdock (Daredevil), he has an extensive catalog of comic books. We’ll have a mix of story arcs (stories composed of multiple comic book issues) and single-issue stories (which will only have one comic book to the story). The Punisher has a nice split between single-issue stories and story arcs. We’ll begin with the story arcs. Enjoy!

Story Arcs

Circle of Blood (The Punisher #1-5; written by Steven Grant and Jo Duffy/art by Mike Zeck and Mike Vosburg 1986)

The Punisher spent the first decade as a side character. His first appearance (which we’ll mention in the single issues) in Spider-Man established the Punisher as a mysterious figure, but Circle of Blood established the Punisher as a character. Originally, Marvel intended to make Circle of Blood a four-issue limited series. That changed with the series’ popularity. Circle of Blood became so popular that the Punisher became a monthly comic. Within this mini-series, you’ll find the Punisher’s origins. Frank is a Vietnam veteran who watches his family die at the hands of a gang war. Motivated by anguish he becomes a one-man army of revenge.

Circle of Blood gives readers everything they need about the Punisher as a character. There’s no better place to start reading Punisher than with Circle of Blood.

War Zone (The Punisher War Zone #1-6; written by Chuck Dixon/art by John Romita Jr., John Buscema, and Joe Kubert 1992)

During the early Nineties, The Punisher had two monthly titles. The original Punisher series was strong enough, while Punisher War Journal devolved into “Punisher make things go boom and die.” Punisher War Zone’s first storyline breaks from the norm—at least the first half of the storyline does, which is why I included #1-6, instead of #1-11. The Punisher goes undercover and unearths a mob plot. Throw in someone who may or may not be Kingpin, Kingpin was in hiding at this time, and Punisher War Zone is a great place to see the Punisher working with the police on the down low and flexing his detective and heroic muscles.

Welcome Back, Frank (The Punisher #1-12; written by Garth Ennis/art by Steve Dillon and Jimmy Palmiotti 2000-2001)

Marvel produced this twelve-issue limited series in 2000-2001. First-time Punisher scribe Garth Ennis made a huge splash with Punisher Kills the Marvel Universe (which almost made this list) and this series gave him a second opportunity to write for the character. This won’t be Ennis’s last entry; Ennis will dominate this list. Welcome Back, Frank continues to depict Frank as a Vietnam War veteran. He announces his return to New York City by taking on the Gnucci crime syndicate. Publicly, the NYPD opposes Frank’s actions. Secretly, the police condone the Punisher’s actions. With the help of the police and his neighbors, Frank dismantles the Gnucci’s crime operation. Welcome Back, Frank showcases the Punisher’s tenuous relationship with the police and highlights the smaller good deeds, that I won’t spoil here, that make Frank Castle who he is. Welcome Back, Frank is a Punisher must-read.

Born (Born #1-4; written by Garth Ennis/art by Darick Robertson and Tom Palmer; 2003)

I warned you. Garth Ennis will dominate this Punisher reading list. Born is another great Punisher mini-series; a lot happens in this four-issue run. Born follows Frank Castle as he serves in the United States Marine Corps during his final tour in Vietnam in 1971. Half of Frank’s fellow Marines are addicted to heroin. Their commanding officer is an apathetic alcoholic who pretends he has malaria whenever the superiors plan an inspection of the base, Valley Forge. Of course, we see military combat. One by one, Castle’s unit falls, and he finds himself surrounded by the enemy. I won’t spoil any more of this heart-pounding series. If you’re interested in what made Frank Castle the man he is, you should read Born.

Barracuda (Punisher #31-36; written by Garth Ennis/art by John McCrea and Steve Dillon 2003-2004)

Barracuda refers to the man who could be the Punisher’s greatest villain. Screen Rant said this about Barracuda. “Far and away the most popular villain from the Punisher MAX comics, Barracuda has become one of the most iconic enemies Frank Castle has faced.” Barracuda is every bit the Punisher’s equal. Honestly, he may be more terrifying. Barracuda didn’t need a tragedy (like losing his family) to become a killer. While in elementary school, he shoved his thumbs into a classmate’s eyes. He castrated someone while in a youth detention center. This propensity for violence made Barracuda the perfect Green Beret. So, now he has special ops training and a massive frame to back up his nastiness.

There’s no better place to start with getting to know one of the Punisher’s greatest enemies than with this comic book run. The last thing you want to see is a smiling Barracuda.

The Slavers (Punisher #25-30; written by Garth Ennis/art by Leandro Fernandez and Scott Koblish 2006)

The Slavers storyline shows Frank Castle’s softer side. As the title implies, this story revolves around slaves and the people who keep them in bondage. Specifically, The Slavers is about a forced prostitution ring. I won’t get into too much detail here. On one hand, I don’t want to spoil the story. On the other hand, The Slavers is not for the faint of heart. While this story arc is one of the Punisher’s best (and of course, it’s written by Garth Ennis), it comes with a strong trigger warning. The Slavers proves that the Punisher has a heart of gold, even if his methods are savage.

Single Issues

“The Punisher Strikes Twice!” (The Amazing Spider-Man #129; written by Gerry Conway/art by Ross Andru, Frank Giacoia, and Dave Hunt; 1974)

“The Punisher Strikes Twice!” marks the Punisher’s first appearance. Narratively, this Punisher looks very different from the one we see in any other Punisher story on this list. Punisher is little more than a hired gun. A new costumed character called the Jackal hires Punisher to slay Spider-Man. Antics ensue.

After this first appearance, the Punisher would team up with Spider-Man. Eventually, he would make cameos in other titles, teaming up with Captain America and Nightcrawler until Frank Miller would contrast Daredevil’s crimefighting style against the Punisher’s. “The Punisher Strikes Twice!” may not be the character we know of as the Punisher, but a Punisher fun should read the comic that started it all.

“The End” (Punisher: The End #1; written by Garth Ennis/art by Richard Corben; 2004)

And we’re back to another Garth Ennis-penned Punisher story. “The End” is a Punisher one-shot story set in the wake of World War III. This post-apocalyptic story is a product of its time. Frank is tasked with finding a hidden bomb shelter beneath the former site of the World Trade Center.  With the War on Terror in full swing, “The End” mirrors American fears.

“The Cell” (Punisher: The Cell #191; written by Garth Ennis/art by Lewis LaRosa; 2005)

Within the darkest corners of Riker’s prison, old men control their criminal empire. These old men are given a new neighbor on their cell block: Frank Castle. The Punisher uses a prison riot to weaken the crime lord’s defenses. When they attempt to wait out the chaos, the Punisher strikes. “The Cell” shows a Punisher who can play the long game. This Punisher bides his time and waits for the perfect moment to attack.

This list is by no means exhaustive. We could’ve added a few other Punisher stories. Let us know which Punisher stories you’d add to this list in the comments. And wherever you are, I hope you’re having a great day.

Daredevil Starter Stories

Getting Started With Comics: Daredevil Starter Stories

Published on by KyraLeave a comment

Daredevil: Born Again begins its run tomorrow, and Geekly is celebrating with another comic book starter stories list. Today may be the best day to begin reading Daredevil comics. We hope this list will help you decide where to begin your journey with the Man Without Fear.

Hey, hey! Kyra Kyle here. Daredevil has been around for a long time and has had plenty of brilliant runs throughout his time in Marvel comics. We’ll have a mix of story arcs (stories composed of multiple comic book issues) and single-issue stories (which will only have one comic book to the story). Daredevil has a nice split between single-issue stories and story arcs. We’ll begin with the story arcs. Enjoy!

Story Arcs

Punisher Versus Daredevil (Daredevil #183-184; written by Frank Miller and Roger McKenzie/art by Frank Miller and Klaus Janson 1982)

This is the first of several Frank Miller entries. Miller made his name writing for Daredevil, so it’s inevitable. This two-issue story called “Child’s Play” shows the difference between Daredevil and the Punisher. While Daredevil refuses to kill, the Punisher has no problem killing.

The pair team-up after a young girl on drugs takes a dive out of her school window and dies. Yeah. Miller’s Daredevil pushed the envelope of what the Comics Code Authority would allow in a story. Getting back to this story, with the help of the dead girl’s brother, Daredevil and Punisher track down the dealer responsible for selling her drugs. Daredevil and Punisher get into a fight over how they’ll handle the dealer after they find him. Daredevil #183’s cover showcases this fight; it’s iconic.

Born Again (Daredevil #227-233; written by Frank Miller/art by Frank Miller and David Mazzuchelli 1986)

The Disney+ series Daredevil: Born Again gets its name from a Frank Miller-penned comic book story arc, and the final season of the Netflix Daredevil series borrows a lot from Daredevil Born Again. It’s a classic.

Daredevil Born Again follows Daredevil’s descent into insanity and destitution at the Kingpin’s hands. Daredevil’s ex-girlfriend Karen Page becomes a heroin addict. Strapped for cash, she sells the information that Matt Murdock is Daredevil for a shot of heroin. This information is then sold to the Kingpin, and the Kingpin does all manner of things to destroy Daredevil’s personal life. Matt’s life becomes hell.

I hope the Disney+ series goes further than the Netflix series and dives deeper into Born Again’s storyline.

Last Rites (Daredevil #283-300; written by Ann Nocenti and Dan G. Chichester/art by Mark Bagley, Lee Weeks Greg Capullo, Kieron Dwyer, Ron Garney, Butch (Jackson) Guice, Don Hudson, Larry Alexander, June Brigman, Al Williamson, Doug Hazlewood, Fred Fredericks, Tom Morgan, and Roy Richardson; 1990-1992)

Last Rites is the longest story arc included on this list, but it’s a Daredevil essential. This storyline concludes Ann Nocenti’s epic run on the character (we’ll see more of Nocenti’s work later). Last Rites is a whirlwind. The Kingpin falls. An amnesiac Matt Murdock is no longer Daredevil. Instead, another person swings around New York wearing a red jumpsuit, committing surgically precise crimes.

Matt thinks he’s the boxer Jack Murdock, while Kingpin builds a media empire. Eventually, a reborn Daredevil is determined to deliver the last rites to Kingpin’s reign of terror. There are a heap of guest stars in this massive Daredevil story: Captain America, Taskmaster, Tombstone, Baron Strucker, The Punisher, and Ghost Rider. But at its heart, Last Rites is Daredevil and Kingpin battling to the death.

Daredevil: Man Without Fear (Daredevil: Man Without Fear #1-5; written by Frank Miller/art by John Romita 1993-1994)

If you can’t tell, Frank Miller will dominate this list. I tried to keep Miller’s number of stories at a minimum, but he will repeatedly show up. Daredevil: Man Without Fear was a miniseries from the early Nineties. The series explores Matt Murdock’s childhood, the accident that caused his blindness and powers, as well as his father’s death. The series features pivotal scenes that have become staples in the Daredevil mythos: Matt’s mentor Stick, his college flame Elektra, his best friend Foggy Nelson, and his primary nemesis Kingpin. Fans of the Netflix Daredevil show will see plenty of familiar scenes. Daredevil: Man Without Fear is a must-read.

Return of the King (Daredevil #116-119; written by Ed Brubaker/art by Michael Lark and David Aja 2009)

A story arc from Ed Brubaker’s historic run on Daredevil had to appear on this list. I chose Return of the King because it shows Kingpin—easily Daredevil’s greatest villain—at his backstabbing and conniving best. Wilson Fisk (Kingpin) flees to Europe to escape his life of crime, where he meets a woman and befriends her children. Fisk views this family as his own until they are killed by the Hand. Lady Bullseye, one of the Hand assassins, claims Daredevil sent her. And all hell breaks loose with Kingpin reclaiming his reign as king of the criminal underworld.

The Omega Effect (Avenging Spider-Man #6, Punisher #10, and Daredevil #11; written by Greg Rucka and Mark Waid/art by Marco Checchetto 2012)

Mark Waid’s run on Daredevil could be summed up in one word: fun. The Omega Effect joins this list because it features Daredevil teaming up with two of his most common allies: Spider-Man and Punisher. But you don’t get one Punisher. Frank Castle trains a second Punisher, Rachel Cole-Alves. This makeshift team crumbles when one of the members turns backstabber.

Single Issues

“Last Hand” (Daredevil #181; written by Frank Miller/art by Frank Miller and Klaus Janson; 1982)

“Last Hand” is another classic Frank Miller comic. It’s a simple concept. Bullseye escapes from prison and plots his revenge against Daredevil. But Bullseye also discovers Daredevil’s secret identity and figures the only way to hurt Daredevil worse than killing him is to go after his lover Elektra. “Last Hand” ends with Elektra’s iconic death.

“Roulette” (Daredevil #191; written by Frank Miller/art by Frank Miller and Terry Austin; 1983)

The title “Roulette” may come from Daredevil playing Russian Roulette with a helpless Bullseye (he’s paralyzed from their previous battle), but the reason for Matt Murdock playing Russian Roulette stems from another encounter. “Roulette” uses Daredevil torturing a hospitalized Bullseye with an empty gun as bread in a narrative sandwich. This narrative’s filling comes from Daredevil’s interactions with a father and son.

The father is bullied at work just as the son is bullied at school. There’s a hint that the father may be abusing his child at home, too. The kid idolizes Daredevil, even pretending that he is Daredevil at school, but he becomes disillusioned when his father pulls a gun on a coworker who’s blackmailing him, and Daredevil beats up the kid’s dad before he can shoot. This traumatizes the kid. Later, the kid brings his father’s gun to school and when he gets picked on again, he shoots the kid who’s bullying him. “Roulette” is a bleak story. But it’s a story that may have even more relevance today than it did when it was first published.

“A Beer with the Devil” (Daredevil #266; written by Ann Nocenti and John Romita Jr./art by John Romita Jr.; 1989)

“A Beer with the Devil” is easily the oddest entry on this list. Ann Nocenti’s run on Daredevil is one of the most daring. Pun intended. She takes plenty of risks and takes Daredevil to some bizarre places. She’s the one who introduced the antagonist Typhoid Mary (Daredevil #254, which almost made this list) and the demon Blackheart (Daredevil #270, which is another standout issue). But we’re going with “A Beer with the Devil.” It puts the devil in Daredevil. Matt Murdock spends Christmas in a seedy bar with Satan’s cousin Mephisto.

The stories on this list are just the tip of the iceberg. Daredevil has seen so many reboots and stellar story arcs that we’re bound to miss one or two of five hundred. Let us know which Daredevil stories you’d add to this list in the comments. And wherever you are, I hope you’re having a great day.

Sam Wilson Starter Comics

Getting Into Comics: Sam Wilson (Falcon/Captain America) Starter Stories

Published on by KyraLeave a comment

Hey, hey! Kyra Kyle here. Captain America: Brave New World was released yesterday, so we figured we would compile a list of Sam Wilson (Falcon and Captain America) starter stories if you were interested in getting to know Sam better as a character. Today’s post will feature one story with a single comic book issue. The rest will be story arcs composed of multiple comic books. Enjoy!

Single Issue

Sight Unseen (Avengers #64, written by Geoff Johns/art by Ivan Reis; 2003)

The events of Sight Unseen mostly take place in Avengers #64. Falcon has recently been drafted into the Avengers. Sam Wilson serves as a diversity hire—the rest of the Avengers more or less make him feel this way—so Sam never truly feels like he’s part of the team. Sight Unseen shows Sam finding his voice and cementing himself as a member of the Avengers. He gains a lot of respect, and this becomes a defining moment in his Avengers career. I don’t want to spoil too much of the plot, but let’s say that Henry Gyrich and Scarecrow make an appearance.

Story Arcs

The Coming of…The Falcon (Captain America #115-119, written by Stan Lee/art by Gene Colan; 1968)

The Coming of…The Falcon technically starts in Captain America #115, but Falcon doesn’t make his first appearance until #117. Before Falcon steps into the action, there are some Cosmic Cube shenanigans where Captain America and Red Skull have a Freaky Friday situation and swap bodies. Sam Wilson sees beyond the exterior and teams up with the Red Skull body-trapped Captain America. Cap teaches Sam some fighting skills and encourages Sam to take on a hero identity. Sam impresses Captain America enough that he becomes Cap’s new sidekick Falcon.

Falcon Miniseries (written by Jim Owlsey/art by Paul Smith; 1983-1984)

The Falcon Miniseries marks the first time Falcon stepped out of the sidekick role. Sam Wilson returns home. He witnesses a peaceful march resulting in protestors dying. Incensed, Sam shows the world that he is a hero to everyone, even those the government and police refuse to protect. Though written in the 1980s, the Falcon Miniseries remains culturally relevant.

The Burden of Dreams (Captain America #31-36, written by Ed Brubaker/art by Steve Epting; 1990)

Relationships aren’t the only thing that breaks in the wake of Civil War. Despite surrendering, a gunman kills Steve Rodgers before he can stand trial. Afterwards, Sam Wilson registers his identity per the Superhuman Registration Act, but that’s immediately followed by a new Captain America program, and the person tasked to fill this role is Bucky Barnes. But no one knows where Barnes is; Wilson must find him. When he does, he finds the Winter Soldier in the grip of the Red Skull and Doctor Faustus. It’s up to Falcon to rescue Bucky.

American Psycho (Captain America and The Falcon #13-14, written by Christopher Priest/art by Dan Jurgens; 2005)

Sam Wilson usually assumes the role of a hero in Marvel Comics, but in 2005’s American Psycho, his loyalty gets called into question. During much of this series, Sam gets involved in criminal activities when something happens that reverts him back to his pre-hero way of life. As one of Captain America’s greatest allies, Steve tries to stop Sam but can’t. When someone shoots Falcon, he snaps out of his trance. The damage has been done, and Sam begins a redemption arc.

Not My Captain America (Captain America: Sam Wilson #1-6, written by Nick Spencer/art by Paul Renaud; 2010-2011)

Not My Captain America is the first storyline that features Sam Wilson as the new Captain America. Much like the end of Avengers: End Game, Steve Rodgers rapidly ages and can no longer continue as Captain America. Sam Wilson is the obvious choice to replace Steve as Cap. Throughout the story, fewer and fewer people accept Sam, adopting the slogan, “Not My Captain America.” Like many other great Sam Wilson stories, Not My Captain America didn’t flinch when addressing racism in America.

Falcon and Winter Soldier Miniseries (written by Derek Landy/art by Federico Vincenti; 2019)

The Falcon and Winter Soldier Miniseries was released in 2019 to prepare fans for the 2021 Disney+ series of the same name. It serves as a fun buddy cop series. While Falcon and Bucky don’t tend to click as well as Bucky and Hawkeye, the Falcon and Winter Miniseries provides a great look at the odd couple. An assassination attempt on Winter Soldier prompts Bucky to call Sam Wilson for help. The two seek out the new leader of HYDRA before the organization can regroup.

I’m sure I missed a story or two on this list. Let me know which Sam Wilson stories you’d choose instead and make sure you note whether the Sam stories are ones of him as Cap or Falcon. And wherever you are, I hope you’re having a great day.

Cassandra Nova Starter Stories

Getting Into Comics: Cassandra Nova Starter Stories

Published on by KyraLeave a comment

Hey, hey! Kyra Kyle here. Tomorrow is my oldest daughter’s birthday. Happy 27th birthday! She’s one year closer to 30. Eek! Anyway, I asked her which comic book character she’d like me to cover this week in our ongoing series of “Getting into Comics,” and she answered Cassandra Nova.

Yep. Yet another villain for the comic book starter stories. And yes, she first learned about Cassandra Nova in the recent Deadpool and Wolverine movie. We covered the movie a while back, here’s the link. Cassandra Nova is one of the newer X-Men villains, so she won’t have as extensive of a reading list. Here it goes.

Story Arcs

We’re continuing the trend of separating single issues stories from story arcs. This time, we’ll start with story arcs that consist of multiple comic books and then move on to single-issue stories. We’re doing it this way because Cassandra Nova’s first appearance was in a story arc.

E Is For Extinction (New X-Men #114-116; written by Grant Morrison/art by Frank Quietly and Ethan Van Sciver 2001)

E is for Extinction was the first story arc from Grant Morrison’s run on the New X-Men. Morrison insisted the series be renamed New X-Men; it retained the original series’ numbering, but he revamped the team so much that the series needed a new name. Morrison catapults the X-Men into the 21st century.

Cassandra Nova discovers a long-lost Master Mold A.I. and Sentinel production facility in Ecuador. She uses the last surviving relative of Bolivar Trask to gain control of the wild sentinels and has the man order the Sentinels to massacre the entire population of the mutant nation Genosha. The X-Men locate her by using the newly created mutant detection machine Cerebra and put an end to her reign of terror, but they’re too late. Cassandra Nova almost wipes out the entire population of the island.

If this sounds an awful lot like a plot line from the recent X-Men ’97 cartoon, you’re right. And if you haven’t yet seen X-Men ’97, what are you waiting for? E is for Extinction shows how diabolical Cassandra Nova can get. It’s no wonder that she earned the distinction as “Villain of the Year” by Wizard Magazine in 2001.

Torn (Astonishing X-Men #13-18; written by Joss Whedon/art by John Cassaday 2005)

Joss Whedon continued Grant Morrison’s New X-Men run with Astonishing X-Men. Most of the cast (heroes and most of the villains) remain the same. With that said, the Dangerous story arc that proceeds this one ties up some loose ends with E is for Extinction. Another Sentinel attacks and the culprit behind the attack is (spoilers) the Danger Room itself. The reason why this ties up loose ends found in E is for Extinction is that the Sentinel who destroyed Genosha becomes aware of its actions and ceases to attack the X-Men. It’s also revealed that Emma Frost works with the newly formed Hellfire Club. Enter Cassandra Nova.

Nova has joined this new version of the Hellfire Club. To be exact, Emma imprisoned Nova’s mind into a biological “slug.” Not all is what it seems. Cassandra Nova out mind tricks Emma Frost into doing her bidding. Nova even forces the X-Men to face their greatest fears and childhood trauma. This all leads to Shadowcat mimicking the classic pose Wolverine took in Uncanny X-Men #132.

X-Men: Red, Volume 1 (X-Men: Red #1-11; written by Tom Taylor/art by Al Ewing 2018-2019)

X-Men: Red follows the events from the December 2017 miniseries Phoenix Resurrection: The Return of Jean Grey written by Matthew Rosenberg with art by Leinil Francis Yu. Yes. Jean Grey died a second time, but at least this time she stayed dead for about a decade. Way longer than her first death after the Dark Phoenix Saga. Anyway, X-Men Red was promoted as part of Marvel’s Fresh Start. Part of this fresh start is the X-Men trying to create a new mutant nation.

The heroes of X-Men: Red shake up the norm. Jean, Nightcrawler, and Wolverine serve as the old guard, but new editions Honey Badger, Gentle, Trinary, and even Namor round out the rest of the X-Men.  They use Atlantis as their headquarters in part because Jean is framed for the murder of an English congresswoman. In truth, the congresswoman died at the hands of a resurfaced Cassandra Nova. Nova uses the politician’s death to alienate Jean from the public eye. This forces Jean’s team to work underground.

Marauders, Volume 2 (Marauders Vol 2 #1-12; written by Steve Orlando/art by Eleonora Carlini 2022-2023)

Not to be confused with several other versions of Marauders, this most recent group of Marauders is led by Captain Kitty Pryde. They rescue mutants, wherever they may be and no matter how dangerous the odds. The final member of her crew is none other than Cassandra Nova.

This is the first time that Cassandra Nova has been cast as a hero, albeit a reluctant one. Most of the Marauders, who were victims of Nova’s cruelty to Genosha, would rather not depend on her, and they do depend on her abilities quite a bit. The group depends on her for a while, until they plan for Nova’s eventual heel turn. Marauders is a strange read. It ends its arc with Nova being stranded 2 billion years in the past, with a mass extinction event on the horizon. That’s one way to exact your revenge.

Single Issues

“Silence: Psychic Rescue in Progress” (New X-Men #121; written by Grant Morrison/art by Frank Quietly and Ethan Van Sciver; 2002)

Charles Xavier’s mind lies imprisoned in the comatose body of Cassandra Nova. Jean Grey and Emma Frost team up on a telepathic journey into Cassandra’s consciousness to rescue Charles. The psychic trip is one for the ages. Beyond vast oceans rests a suspiciously fortified tower. Phoenix builds a bridge to cross the divide, but the tower’s defenses destroy Jean’s construct.

Traveling deeper into Cassandra Nova’s consciousness, the two learn that Cassandra Nova and Charles Xavier are twins. They engaged in psychic combat inside their mother’s womb. The fight led Charles and Cassandra’s mother to tumble down a flight of stairs. Jean and Emma learn that Charles intended to kill his sister inside the womb. Cassandra Nova left the womb stillborn.

This sequence gives much-needed context to why Cassandra Nova sicced the Sentinels on the nation of Genosha. She wants to destroy what Charles Xavier holds dear. She wants to make him pay for not showing her the same love he shows others.

The beginning of this issue’s title “Silence” holds special significance. This issue is part of the “Nuff Said” month in which no comics released at the time were allowed to use any words. The only words uttered were by Jean during the story’s conclusion.

There aren’t that many Cassandra Nova stories to choose from, but I may have left off one or two. Let me know which Cassandra Nova stories you’d choose instead. And wherever you are, I hope you’re having a great day.

Magneto Starter Stories

Getting Into Comics: Magneto Starter Stories

Published on by KyraLeave a comment

Hey, hey! Kyra Kyle here. Today is my youngest daughter’s birthday. Happy 24th birthday! One more year and you can rent a car. Is that still true? Anyway, I wanted to bring back the comic book starter stories and asked her which character she’d like me to cover this week. She answered Magneto.

You heard the girl. Geekly will be covering its first comic book starter stories for a supervillain. We may have some growing pains with this topic. Villains are a little more difficult to recommend starter stories for, but I’ll do my best. The following list should give you an idea of which stories you should read to get to know Magneto better.

Single Issues

We’re doing this list a little differently than prior starter comic book stories. We’ll start with single issues and then move on to story arcs that consist of multiple comic books.

Uncanny X-Men #1

(written by Stan Lee/art by Jack Kirby; 1963)

This first entry cheats a little bit. Uncanny X-Men #1 is the first appearance of Magneto and the X-Men. Since the issue does double duty and sets up Magneto and the X-Men, there’s less of a focus on him as the main villain, but Uncanny X-Men #1 does a great job of showing Magneto as a formidable foe.

You don’t have to break the bank to read the first X-Men story. Marvel has reprinted it plenty of times. You should even be able to read Uncanny X-Men #1 for free online. If you did want to own a physical copy, Uncanny X-Men #1 would cost you hundreds of thousands of dollars. X-Men didn’t have the warmest of receptions when it first launched. This makes the comic rare and valuable. Ka-ching!

I, Magneto

(Uncanny X-Men #150, written by Chris Claremont/art by Glynis Wein, Dave Cockrum, Dan Crespi, and Tom Orzechowski; 1981)

Magneto started out wanting a world where mutants dominated over inferior homo sapiens, but in “I, Magneto,” Magneto sets out for what he wanted all along, to become everyone’s leader. In this story, Magneto wants no less than the planet making him the world’s leader.

Magneto enlists the help of a series of supercomputers, but when those computers begin to explode, Magneto becomes furious. Kitty Pryde has been blowing up his computers by phasing through them. In a fit of rage, Magneto nearly kills her. Magneto sees a lot of himself in Kitty Pryde, since they have a similar heritage. When Magneto sees himself as the monster he’s turned into, he realizes that he isn’t fit to lead the world.

The Trial of Magneto

(Uncanny X-Men #200, written by Chris Claremont/art John Romita Jr.; 1985)

Claremont does a great job with the Uncanny X-Men’s bicentennial issue. As the name suggests (“The Trial of Magneto”), Magneto is on trial for former acts as a “mutant terrorist.” While he stands trial, unknown terrorists leave behind a calling card, “Free Magneto – X-Men.” Professor X sees this message and suddenly falls ill. Cyclops believes Charles is possibly dying.

The terrorist acts serve as a distraction so the Von Strucker twins can attack the court and exact vengeance against Magneto. This puts everyone in the courtroom in danger. Magneto saves everyone in the building. This shows the judge Magneto’s humanity. The scuffle results in Professor X suffering a heart attack. Magneto saves Charles, but Charles insists that he can no longer care for the X-Men. He asks Magneto to take his place.

If you’ve seen the X-Men ’97 cartoon on Disney+, many of these story elements will sound familiar in “The Trial of Magneto.” This story showcases Magneto’s propensity for being a hero.

Story Arcs

X-Men: Magneto Testament #1-5

(written by Greg Pak/art by Carmine DI Giandomenico 2008-2009)

Magneto Testament fleshes out Magneto’s childhood story. This five-issue miniseries doesn’t pull any punches. It shows us Magneto as a young boy surviving the Nazi death machine. As a result, Magneto Testament is one of the bleakest stories Marvel Comics has ever published. It’s also poignant.

Magneto Testament explores what made Magneto the man he is today. X-Men: First Class may dip its toe into this origin, but Magneto Testament digs deeper. This is one of the best Magneto stories ever written and a must if you want to understand Magneto.

X-Men: God Loves, Man Kills

(written by Chris Claremont/art by Brent Anderson; 1982)

I know this story also made our “X-Men Starter Stories” post years ago (here’s a link to that list if you’re interested), but Magneto is an X-Men villain, so there’s bound to be some crossover.

Many consider God Loves, Man Kills the defining X-Men arc, and they may be right. Humanity is the main villain. Humans, through the machinations of William Stryker, launch a scheme to rid the world of mutants. Magneto learns this while investigating the deaths of two mutant children. Magneto then joins forces with the X-Men.

God Loves, Man Kills establishes Magneto’s willingness to do anything to protect mutantkind, even if that means joining forces with his enemies. Stories like God Loves, Man Kills do a lot to deepen Magneto as a character.

Mutant Genesis

(X-Men #1-7, written by John Byrne and Chris Claremont/art by Jim Lee; 1991)

Before Mutant Genesis, Magneto lost his way. He even ran the X-Men and New Mutants for a time. (See the above write-up for “The Trial of Magneto.”) While these storylines helped to humanize the X-Men’s greatest villain, Mutant Genesis brings Magneto back to his roots. He has returned as a powerful villain. During this arc, we see how Magneto’s powers are slowly driving him insane.

But Magneto isn’t alone in his insanity. Mutant Genesis introduces Magneto’s team of Acolytes. These Acolytes pose a huge threat to humanity and even mutant-kind. It also doesn’t help that long-time X-Men begin questioning their loyalty to Professor X’s cause. Mutant Genesis is the final story seminal X-Men scribe Chris Claremont wrote for the series. Without Claremont, the X-Men would not have become the household names they are today.

Planet X

(New X-Men #146-150, written by Grant Morrison/art by Phil Jimenez; 2003-2004)

Magneto disguises himself as Xorn, one of the X-Men’s most trusted members at the time. The X-Men had thought that they had rescued Xorn from a Chinese prison, but it was a ruse. Magneto worked with the Chinese government to infiltrate the X-Men. At the time Magneto was believed dead, making this reveal even more shocking. Planet X shows how clever Magneto can be when putting an elaborate plan into action. This story did a lot for Magneto’s legacy.

As Magneto is the X-Men’s oldest enemy, no one could imagine that he could disguise himself well enough to fool his enemies. In classic mastermind fashion, Magneto didn’t reveal his identity until the time was just right.

There are so many other stories that I could’ve included here. I’m sure I missed one or two, or three hundred. Let me know which Magneto stories you’d choose instead. And wherever you are, I hope you’re having a great day.