comic books – Page 10

My Favorite Storytelling Element: Spider-Man “The Kid Who Collects Spider-Man”

Published on December 20, 2018September 8, 2024 by KyraLeave a comment

Superheroes visiting terminally ill children may be a reality in the 2010s—Spider-Man: Homecoming’s Tom Holland has even visited children in the hospital—but in 1984 when “The Kid Who Collects Spider-Man” was first published (The Amazing Spider-Man #248), the Make A Wish foundation was barely three years old.

The story had some exploit of Spider-Man’s, but no one remembers what battle Spidey fought. Readers latched onto a kid named Tim who suffers from leukemia and only has a short time left. All Tim wants is to meet his hero. Spider-Man gives him his wish.

Part of what makes “The Kid Who Collects Spider-Man” great is Tim’s wish fulfillment. It’s a short human-interest story that writer Roger Stern made Will Eisneresque, and that is a fantastic element of the story, it dwarfs any battle, but I what I liked most happened after Spider-Man sees all the memorabilia the kid has collected (kinescopes of Spidey’s early TV appearances, a whole album of The Daily Bugle’s retractions, and bullets from a crime foiled by Spider-Man), and the kid asks Spidey who he is as Spider-Man’s about to leave. This kid loves him.

Spidey hesitates but figures the kid won’t tell anyone his identity, so he takes off his mask and identifies himself as Peter Parker. What Spidey didn’t expect was that by doing this it would lead to him telling the kid how he became Spider-Man. Part of him wants the kid or someone to know his secret.

He imagines the kid will hate him after he tells him how his negligence led to his uncle’s death, but it doesn’t. The kid hugs him and a reassures him. It’s okay for a hero to make mistakes. For a moment, it’s okay for Spider-Man to be Pete.

During this holiday season, I hope you know that it’s okay to make mistakes so long as you learn from them. It’s also okay to take off any mask you may wear and be yourself. Take care and be nice to each other.

Superman Starter Stories

Published on December 18, 2018September 8, 2024 by Jim1 Comment

Standard Issue Comic Book Geek Jim—that’s SICBG Jim to you—is back for another Starter Stories article. He rambled on about “truth, justice and the Geekly way,” and I told him he could commandeer the site if he didn’t preach Superman to me. Okay. Superman—the Standard Issue Comic Book Superhero—doesn’t get enough love. Shine on, you Crazy Kryptonian.

Superman is my favorite superhero. It’s hard to come up with a starters list for him, though, because so many of his best books are retellings of his origins, or Elseworlds stories that can’t be considered canon. With that in mind, here are the titles I recommend for approaching the character and better understanding where he is today.

Birthright (written by Mark Waid/art by Leinil Yu; 2003-2004)

Superman: Birthright is a good place to start with Superman. It’s a reimagining of Superman’s origin that includes a lot of what’s part of canon today. Maybe most notably, the idea that the “S” on his chest isn’t an “S,” as “Man of Steel” famously told us. Birthright sets the stage for Krypton to be used as more than a passing point of interest in Superman books. Mark Waid is always a good bet.

What’s So Funny About Truth, Justice, and the American Way? (written by Joe Kelly/art by Doug Mahnke and Lee Bermejo; 2001)

I love this one because it wrestles directly with so much of what people say is wrong with Superman. It’s a defense of his optimism and an example of how his real powers aren’t in his strength, speed, or invulnerability, but in what he has the power to show humanity about itself. It’s not an attempt to retrofit the character to make him more interesting to modern audiences, but an exploration of what everyone seems to overlook about him now. Lee Bermejo is also one of my favorite creators, so that doesn’t hurt.

Kingdom Come (written by Mark Waid/art by Alex Ross; 1996)

This book builds on what I’ve said about our second entry. Kingdom Come contrasts Superman with a lot of the more edgy characters in recent comics and makes a case for why Superman is not only relevant, but necessary. Mark Waid does what he does, rendering a faithful depiction of the character, and Alex Ross offers some of the definitive Superman art in recent history.

Whatever Happened to the Man of Tomorrow? (written by Alan Moore/art by Curt Swan; 1986)

This book is meant to put a cap on the story of Superman. It’s told by Lois Lane ten years after the supposed death of the hero. It’s gloomy, especially by the standards of Superman comics, but there’s a bittersweet quality in seeing the character’s legacy laid out on the page.

The Death of Superman (written by various/ art by various; 1992-1993)

This arc was written and drawn by various creators, as it encapsulates a pretty long arc. I’ll be honest here and say it isn’t one of my favorite stories in Superman lore, but it’s on this list because it’s iconic, and it’s too important to comics history to leave off. This is the story of how Superman died defeating Doomsday. The image of Lois cradling Superman’s broken body, Jimmy Olsen in the background pleading for him to be okay is one of comics’ great panels. Of course, this was the moment that broke death in comics, as the resurrection of Superman set a trend and lowered the stakes moving forward.

All-Star Superman (written by Grant Morrison/art by Frank Quitely; 2005-2008)

This is my personal favorite. The story that gets to the heart of what makes Superman so special, that even in the face of his own mortality, he protects the people of Metropolis. He stops to comfort a troubled teen on the verge of suicide in another of recent comics’ great panels. Quitely’s art is serene, and Grant Morrison’s affection for the character comes through without making the story saccharine.

SICBG Jim has given your uncle Geekly the honor of writing a closing statement. I hope I can live up to the great example he set. Here it goes.

Superman’s portrayal in the DC Extended Universe—and I blame the writing and directing more than Henry Cavill—leaves a lot to be desired. The DCEU may be one of the largest targets Jim thought of when he said that creators “retrofit the character (Superman) to make him more interesting to modern audiences.”

The stories above, and especially All-Star Superman, do a great job of showing that the Man of Steel is more than a super-powered Batman in gunmetal blue tights. He represents hope, and the original comic book superhero is still one of the best. Do agree with SICBG Jim’s story selections? Let us know either way. I’ll just be in the corner doing my best Mister Mxyzptlk impersonation.

3 Lists of 3 Unfortunate Comic Book Characters

Published on December 10, 2018September 8, 2024 by KyraLeave a comment

There are several reasons a superhero or supervillain could be lame or unfortunate. Usually, it’s their name or their superpower. Some folks like to refer to these characters as morts; they aren’t long for this mortal coil. Someone take them out of their misery. Let’s take a walk on the sad side with this week’s three lists of three.

Poor Unfortunate Names

Doctor Hormone

Yeah, Doctor Hormone was a short-lived 1940s comic, and it doesn’t hold up today to say the least. First, his name is Doctor Hormone. At best that’s the name of a product someone might sell on a late-night informercial. Second, he wears a pencil moustache and tends to sport a smarmy vibe. The good doctor of hormones doesn’t look like someone you’d leave your kids alone with on a sleepover.

But enough of those nasty thoughts. Hormone is the guy’s actual last name, because it’s a normal surname you’d find anywhere. I know of about three Phil Hormones from Hastings, Nebraska. The hormones this particular Mr. Hormone uses are “youth hormones.” These are the ones everyone knows about that keep someone young and that’s what happened to the good doctor. He was eighty-something, took a youth hormone, and became a twenty-something again. Like a high school senior, he always stays the same age.

Ebony White

To be fair, Ebony White was also created in the 1940s. He played a major role in The Spirit comic books, but that role was as a less-than-intelligent buddy for the real hero to explain the story to. He also happened to chauffeur other characters.

His look was many stereotypes rolled into one. Dark skin and big lipped, his creator Will Eisner liked him so much that Ebony White would get his own solo storylines. Unfortunately, he became a vehicle for comedy and little else. I understand that he’s a product of his time and environment, but it’s hard to watch.

Pieface

Thomas Kalmaku is one of Hal Jordan’s closest friends. He knows the Green Lantern’s secret identity and keeps a journal of his deeds. When he finally receives superpowers, he improves those around him. He’s intelligent and hard working. He doesn’t deserve the nickname Pieface.

One fan theory suggests that Hal named him Pieface because he’s Inuit, and it’s a reference to Eskimo Pies. While that’s bad enough, the real reason behind the name is far worse. Pieface is a racial slur used for anyone with a round, flat face, specifically people of Asian descent and occasionally Inuits.

For decades Thomas accepts the Pieface nickname without batting an eye, and it’s only been recent incarnations of the character that have him rebel against an offensive name.

Poor Unfortunate Origins or Motives

Codpiece

This one could be filed as lame for his powers as well as his name. It’s the whole package.

Thank goodness this guy only made one appearance in Doom Patrol #70. He lamented the size of his manhood and believed bigger was better when it came to impressing women. He never felt tall enough. It’s like Randy Newman once said, “Short people got no reason to live.”

He could’ve worn stilts and compensated for his height but apparently, he felt small in other ways and attached a codpiece outfitted with a rocket cannon (pun intended, I assume), a drill (another pun I’m sure), scissors, and a spring-loaded boxing glove (because why wouldn’t you).

His codpiece doesn’t last long (again, I assume the pun is intended) and he’s thwarted by the Doom Patrol, but let’s be honest, he was doomed from the start. One of the creators had to have been going through something. Either that or they need to share what they’re smoking.

Beard Hunter

Ernest Franklin’s hatred of beards started the moment he realized that he lacked the male hormones required to grow his own beard. Again, with hormones. He began his war against beards by killing his stepdad and continued to kill other bearded men he met. He became the Beard Hunter.

Man, the writers at Doom Patrol can come up with some odd stories. The Beard Hunter is another villain, Jim and I wouldn’t want to run into. Sorry, Ernie. I don’t mean to offend you, but my hair migrated from the top of my head to my jawline.

Arm-Fall-Off-Boy

Have you ever wanted to be able to rip off your own arm, so you’d have something to bludgeon someone with? That’s idea behind Arm-Fall-Off-Boy. He can detach his arms and use them as weapons.

He makes this list because the only explanation for his power comes from Matter-Eater Lad—another “great” name—who claimed Arm-Fall-Off-Boy was careless when holding anti-gravity metal Element 152. He may have been kidding, but having your arms pop off by grabbing a strange metal makes about as much sense as any other reason your arm may have for spontaneously detaching.

Poor Unfortunate Powers

Zeitgeist

Zeitgeist made it into the X-Force roster in Deadpool 2 and died in a woodchipper. Oddly enough, he died quickly in another mission during the X-Statix run of X-Force, but not before he had one of the worst dates in comic history.

Zeitgeist’s power is super stomach acid; he barfs caustic acid. He discovers he has this power after he drunkenly vomits on his then-girlfriend, burning off her face. That’s one way to end a relationship.

Longneck

Jonah van Helsing has a 6-foot long neck and can wrap it around people and throw them. Yeah, he’s a human giraffe.

What’s worse is that Marvel’s “Decimation” event that aimed to reduce the universe’s number of mutants had Longneck lose his powers. His neck tried to revert to normal but snapped in the process. Ouch!

Goldballs

Fabio Medina is another student at Xavier’s School for the Gifted. His gift is to project gold-colored balls made of an unknown substance and of different sizes from any part of his body at high speeds.

He uses these balls as concussive weapons. He can also reabsorb the balls into his body. So. Many. Jokes.

There are plenty more unfortunate comic book characters; these nine are only the beginning. Guess what, your uncle Geekly poops cat nip. That explains the stoned cats in our neighborhood. Do you know of a hero or villain with a worse power? Let us know in the comments.

Flash Starter Stories

Published on December 4, 2018September 8, 2024 by KyraLeave a comment

Let’s face it. Many new fans of The Flash were most likely introduced to the character with the CW show. Even if you weren’t, the concepts presented in the television show—at least the first two or three season—are a good place to get to know The Flash and more specifically Barry Allen.

Your uncle Geekly may have grown up leaning more Marvel than DC, but he dabbles with DC Comics. This week I hope to show you where to beginning reading The Flash comic books, starting with an emphasis on stories that may look and sound familiar for CW fans and moving toward other great tales of the Scarlet Speedster.

Flash Rebirth (written by Geoff Johns/art by Ethan Van Sciver; 2009)

Barry Allen returned to the DC Universe after years of being thought dead with Flash Rebirth. Readers are treated to an updated origin story, the history of the Speedforce, and Professor Zoom’s backstory.

It also happens to be the chief inspiration of the CW show as writer Geoff Johns is also one of the show’s producers. Rebirth is a great place to start for any new Flash reader and fantastic for The Flash TV fans.

Flash: The Dastardly Death of the Rogues (written by Geoff Johns/art by Various; 2010)

This entry is a little off when compared to the rest of the ones on this list. Bear with me, and I promise that it makes sense as a starter Flash story.

The Dastardly Death of the Rogues gives new readers a crash-course on the time-jumping nature of The Flash. Yes, characters often go back and forth through time to varying effect and this time it’s a future rogue warning Barry of another rogue’s plans for domination. And this is the first way the story turns odd.

Barry is also accused of killing rogues in the future and may have to answer for his future crimes—I smell a Minority Report—but it’s the focus of Barry as a CSI that has this story make the list. Previous Flash tales cast Barry Allen as a forensic scientist or cop but few capture Barry’s job aside superheroing like this one.

Flashpoint (written by Geoff Johns/art by Andy Kubert; 2011)

If you haven’t noticed, you’re going to see a lot of Geoff Johns’ work here because he defined The Flash of the 2000s and continues to do so with the TV show. Like the title before it on this list, Flashpoint has a character time travel. This time it’s Barry Allen going back in time to save his mother from being murdered.

The consequences are dire as the DC Universe is flipped upside down. It’d take a lot of time to explain everything that happened, but her are some highlights: Bruce Wayne dies instead of his parents and his parents become Batman and The Joker, Captain Cold is Central City’s greatest hero, the Justice League was never established, and Superman doesn’t exist. All this because Barry wanted to save his mom. Flashpoint does a great job of showing why a hero can’t be selfish. It’s also one of the watershed crossover events in recent DC Comics history and reshaped the comic giant’s status quo for the publisher’s 2011 relaunch, the New 52.

Flash New 52 Volumes 1-3 (story and art by Francis Manapul and Brian Buccellato; 2011-2014)

The artwork here is amazing. No other artist captures the feel and look of The Flash running at top speed than Manapul. Barry Allen gets reintroduced here—so it’s another good place to get started for fans of the TV show—and most of his greatest enemies make an appearance in the first few volumes. You’ll meet plenty of the rogues and get to know Gorilla Grodd, too.

Crisis on Infinite Earths (written by Marv Wolfman/art by George Perez; 1985-1986)

This one’s a big one. The Flash isn’t the main character, but he factors into this crossover event and the odd thing is that Crisis on Infinite Earths was conceived to get rid of the multiverse, which is something The Flash instigated.

It’s a must read for anyone who wants to know more about Barry Allen as a character, because he makes the ultimate sacrifice. In an iconic scene, he literally runs himself to death and becomes one with the Speedforce. New readers could say spoilers were in order, but even being armed with that knowledge won’t prepare you for watching happen. This is Barry showing how and why he’s a hero.

The Flash Chronicles Volume 1 (written by various/art by various; 1956-1959)

I’m going with a collection of older comics here because it’s nice to see where everything began. Barry Allen’s Flash harkened comic book’s Silver Age. If it wasn’t for Barry streaking across the page, DC may not have ever brought back other great heroes from its Golden Age and Marvel may have never gotten back into the superhero business. These stories had to make the list and fortunately, the first several years are collected in a single volume of The Flash Chronicles.

All these stories hold a special place in comic history, but here are some highlights:

Showcase #4 marks Barry Allen’s first appearance and the first instance of the ongoing gag where Iris complains that Barry is always late because he moves so slowly.

Flash #110 Iris’s nephew Wally West happens to be The Flash’s biggest fan, and this happens to be his first appearance.

Flash #123 is where the multiverse is first introduced when Barry inadvertently travels to a parallel Earth and teams up with his Golden Age counterpart Jay Garrick. It’s a simple team-up story here, but the multiverse is an essential part of many Flash stories.

Flash #139 showcases The Flash’s greatest foe Eobard Thawne (aka Professor Zoom/Reverse Flash). Thawne goes down quickly in this story, but he’ll be a thorn in Barry’s side for many decades.

The Flash by Mark Waid Book One (written by Mark Waid/art by Greg LaRocque; 1987)

I’ve focused primarily on Barry Allen up to this point, so it’s time to talk about Wally West as The Flash. Waid does an excellent job of showing how the two Flashes differ. Wally doesn’t take to the Speedforce like his predecessor. He’s as scared of his powers as he is the enemies he fights. This book reads like The Flash: Year One.

Readers will also see Barry as he trains his protégé—much like he does in the TV show—and catch a glimpse of one of DC’s greatest friendships.

The Flash: The Return of Barry Allen (written by Mark Waid/art by Greg LaRocque; 1996)

Oddly enough, Waid does more to establish Wally as the Flash by having Barry Allen return from the dead. Comic book characters return from the dead more often than my dog poops on the floor—which is to say every other day—but Waid finds a way to turn this trope on its ear. I won’t explain how he does it here, but it’s well worth the read and an excellent case study on how to subvert a reader’s expectation.

The Flash: Dead Heat (written by Mark Waid/art by Oscar Jimenez; 2000)

No Flash story tackles the Speedforce, delves into the Flash’s sci-fi roots and explores the numerous characters who have ever had super speed than Dead Heat. A “God of Speed,” “Speed Ninjas” and all other manner of speedsters make their way in this story. It does a lot to set up the Flash’s mythos. It’s also a lot of fun.

The Flash: Blitz (written by Geoff Johns/art by Scott Kolins; 2003)

Even though several of the Flash’s rogues make an appearance, Blitz is the definitive Professor Zoom story. Wally is completely outclassed, but Zoom’s speed isn’t his greatest threat. Zoom doesn’t hesitate to put Wally’s family and friends in danger to get to him. If fans of The Flash TV show liked the twisted and menacing nature of the main antagonists in seasons 1 and 2, you owe it to yourself to read Blitz.

I think that covers it for Barry and Wally as The Flash. There are other versions of the character—not the least of which is the Golden Age’s Jay Garrick—but that may have to wait for another time. If you don’t agree with any of my selections, feel free to challenge me to a race or you could leave a comment.

Iron Man Starter Stories

Published on November 13, 2018September 8, 2024 by KyraLeave a comment

Iron Man doesn’t get the due that other Marvel characters receive. Heck, he’s the character who kicked off the Marvel Cinematic Universe. Show some respect, people. He’s also had a checkered past when it comes to the quality of his storytelling.

Some Iron Man moments are some of the best in the business. Others leave readers shaking their heads. It’s a rollercoaster of a ride for Iron Man readers, but fortunately, your uncle Geekly’s here to point you in the right direction of some of the better Iron Man titles that serve as great jumping off places for new Iron Man readers.

Tales of Suspense #39 “Iron Man’s Origin” (written by Stan Lee/art by Steve Ditko; 1963)

What better place to start than with Iron Man’s origin? What new readers may be surprised when they first read this story is the reflective nature toward communism that it takes—in 1963. We’re in the height of the Cold War. This is a story originally based in Vietnam that was published a year before the Vietnam War started in earnest.

It’s no wonder the Iron Man film obliquely addressed the War on Terror. Iron Man has a history of taking on current events and international conflict. You could spend thousands of dollars to get your hands on an original comic, but Uncle Geekly suggests that you pick up the anthology Essential Iron Man.

Iron Man: Extremis (written by Warren Ellis/art by Adi Granov; 2005-2006)

We’re going to jump several decades to this essential Iron Man story. Extremis updates Iron Man’s origin—something that’ll look familiar if you’ve seen the first Iron Man movie—and serves as the primary source material for Iron Man 3.

This story handles Aldrich Killian (the main antagonist in Iron Man 3) a lot differently than the movie, but the key story elements are present. It also updated Tony’s suit and his relationship with it that one can see in later Marvel Universe movies. Extremis is one of the best Iron Man stories and well worth the read.

Demon in a Bottle (written by David Michelinie and Bob Layton/art by John Romita Jr., Bob Layton, and Carmine Infantino; 1979)

Sorry, but we’re going back in time with this one. “Demon in a Bottle” introduces Tony Stark/Iron Man’s struggles with alcoholism. This addiction remains one of Tony’s defining characteristics.

The Marvel Cinematic Universe glossed over Tony’s alcoholism (there was a moment in Iron Man 2 where he got drunk at a party while wearing his armor), but any collection of Iron Man stories must include “Demon in a Bottle.”

Whether he struggles with his addiction or comforts someone else with an addiction, Tony Stark gained some needed personality and depth with this story, and this story happened almost by accident.

The Enemy Within (written by John Byrne/art by John Romita Jr.; 1990)

Tony’s alcoholism continues to gnaw at him. When he’s pushed over the edge with AIM, the Serpent Squad, and Diablo while fighting a corporate takeover by Obadiah Stane (main villain of the first Iron Man movie), he turns to the bottle and after several drinks, it’s obvious that Tony is in no shape to fight.

James Rhodes fills in for Tony for the first time in this story and this leads to his transformation as War Machine. Fans of War Machine will love this story. Others will find “The Enemy Within” as a fantastic character study for Tony.

Armor Wars (written by David Michelinie and Bob Layton/art by Mark D. Bright and Barry Windsor-Smith; 1987-1988)

Armor Wars has more action than most of the other titles on this list so far. It also features some of Iron Man’s greatest foes like Titanium Man and Crimson Dynamo. Tony travels to his Vault as he battles the government and infiltrates SHIELD.

But this story is more than just action. It shows how Tony can be careless, aggressive, and out of control with his armor. It’s a story about relationship—specifically ones Tony destroys—as well as who he beats up, and it’s well worth the read.

Civil War (written by Mark Millar/art by Steve McNiven; 2006-2007)

This one is by no means a great Iron Man story (I have plenty of issues with it), but it’s a massive tale for the greater Marvel Universe and Tony is in the middle of it.

Like the movie Captain America: Civil War, Tony fights for power registration in his attempt to make the world safer for civilians—or normies. Oddly enough, the movie does a somewhat better job of making the story a little more even keel, but the comic book Civil War is biased in Cap’s favor and that mostly comes from the fact that Tony would never want power registration.

Still, there was a movie that uses Civil War as its source material and this event is one of Marvel’s largest. Just make sure to read the stories centered on Iron Man.

World’s Most Wanted (written by Matt Fraction/art by Salvador Larroca; 2009)

I couldn’t end this list with Civil War, so I added one extra story. World’s Most Wanted picks up the pieces of the events after Civil War—sort of.

It was a tall order to return Iron Man to his former glory after he betrayed his friends, but Fraction was up to the task and softly reboots the character. Norman Osborne has taken over HAMMER (which movie fans will remember as a huge player in Iron Man 2), and Osborne wants Tony’s knowledge of the superhero community. Tony erases his memories, so he can’t betray his friends.

This returns Tony to person we know even if he had to lobotomize himself to do it.

That’s my list for beginning Iron Man readers. I’m sure there are some omissions. You can let me know what you’d pick by message raven or just leave a comment.

Underrated or Underused X-Men Villains

Published on November 10, 2018September 8, 2024 by KyraLeave a comment

While we can, and probably will, make lists for underused or underrated characters in other superhero and superhero team books, the X-Men have so many characters in its stable that it’s easy to make a list of them. Old uncle Geekly likes easy tasks, so here’s a list of X-Men villains who are underrated or underused in the comics. I’m sure Jim will spank me with a paddle if I’m wrong.

Children of the Vault (First appearance: September 2006)
You know you have a horrifying supervillain team when they turn Sabretooth’s fur white. Seriously, if you look closely in one of the panels, you can see if Sabretooth poops in the woods. He does by the way.

These superpowered villains don’t fall neatly into a human or mutant category. They’re beings that evolved from a baseline human genome over 6,000 years or so. Think of them as an off-shoot humanoid like a Neanderthal that developed over millennia with the help of the Weapon Plus Program that also produced Wolverine. That, and they want to end humans and mutants. They’re equal opportunity murderers with Spanish codenames like Sangre, Fuego, and Cadena.

Even though they’ve been around for over a decade, the Children of the Vault and their approximately 3,000 members (X-Men #193) haven’t been used enough and that’s why they make this list.

Graydon Creed (First Appearance: April 1993)

We go from a group trying to kill Sabretooth to Sabretooth’s estranged, human son.

Creed factors into so many X-Men characters backstories that I couldn’t possibly list them all here, but I will mention that he formed a group called the Friends of Humanity, and they’ve been a thorn in the X-Men’s side for a long time.

This entry may be a tad misleading. Creed was assassinated in 2010 by Mystique during his presidential campaign. He’s since been resurrected as a human-sentinel. In classic X-Men fashion, it’s more complicated than that, but classic Graydon Creed made a great foil for the X-Men. Plenty of X-Men the Animated Series may remember him fondly as well.

He hasn’t shown up that often since his transformation, but nothing says a trip back in time couldn’t return Creed to his original form. Make it happen, Marvel.

Mastermind (First Appearance: March 1964)

This is the guy who set the Dark Phoenix Saga in motion, and it often gets overlooked and viewed as an also ran. Sure, the original Mastermind perished in 1993, but he doesn’t get the credit he deserves as a pivotal member of the Hellfire Club.

Heck, the Hellfire Club asked him to turn Jean Grey as his initiation into their Inner Circle. When that turned into the Dark Phoenix Saga, his application was rejected, and he was forced out of the group.

But that didn’t stop Mastermind. He remained a thorn in the side of Cyclops and Wolverine—tearing apart future romances. He even went toe to toe with Rachel Summers, the second host of the Phoenix force. He may have died of the Legacy Virus, but he won’t be forgotten by this fan.

Mastermind is a classic X-Men villain who doesn’t get the same recognition as his Brotherhood of Evil Mutants and Hellfire Club teammates. It’s a shame.

Sugar Man (First Appearance: April 1995)
Sugar Man hasn’t made too many appearances because he’s tied to the Age of Apocalypse storyline, but that reality gave birth to Blink, and she’s made plenty of appearances since the 90s. Sugar Man must have the most unique look of any X-Men villain: four arms, a mouth full of razor teeth, a long strong tongue, and a head for a body.

He’s a cross between a troll and a mutant and he isn’t used enough in the X-Men universe. Give us some Sugar Man.

Vargas (First Appearance: July 2001)

Yeah, Vargas takes the humans hating mutants angle and adds a Captain America bend to it. He gave himself powers, so humans can compete with homo-superiors. He had a short but interesting run where Rogue may or may not have killed him. To be fair, it was revealed some years later that she spared his life and someone else took it.

While it makes sense that Vargas hasn’t made another appearance, you’d think more humans would take the Cap route to keep up with mutants. Maybe they have, and I missed it. If so, feel free to wag your finger at me.

I could’ve added more than these five, but your uncle Geekly wants to hear your thoughts. Are there any X-Men villains you’d like to see more of or who don’t get the due they deserve? I’ll accept picket signs with your answers on them, or you could take the easy route and comment. Your uncle Geekly won’t judge.

My Favorite Storytelling Element: Iron Man “Demon in a Bottle”

Published on November 8, 2018September 8, 2024 by Kyra2 Comments

I’m not sure if I can say it any better than several other critics “’Demon in a Bottle’ is THE quintessential Iron Man story.”

Tony Stark/Iron Man’s alcoholism is one of his key characteristics, and “Demon in a Bottle” introduces this. Does “Demon in a Bottle” do as well of a job tackling this issue as other, more modern stories (in comics and other media)? Not necessarily. It’s a 1979 comic book story arc after all. Does writer David Michelinie speed through what occurs during recovery? Yes. It’s almost comical. But he does an excellent job with loss and the struggles Tony deals with, and it’s easy to see why “Demon in a Bottle” remains one of the best Iron Man stories.

Prior to “Demon in a Bottle” Iron Man was a relatively flat character. Many of the stories weren’t engaging. I like how the “Demon in a Bottle” begins as usual Iron Man fare at the beginning of the arc. The storyline ran from The Invincible Iron Man #120-128 (March-November 1979), but it wasn’t until issue 124 or so that alcohol really came into play.

It’s odd watching modern critics address this story. They’ll say things like they wished Iron Man started with Tony’s alcoholism sooner and expand on it. Do I wish, in hind-sight, that “Demon in a Bottle” did more to address alcoholism or do so sooner in the arc? Yes. A serious subject like alcoholism deserves as much space as needed.

Other storylines in the 1970s dedicated plenty of issues to drugs. Roy Harper (the original Speedy) was revealed to be a heroin addict in Green Lantern vol. 2 #85 (1971), and Spider-Man fought drugs that same year (The Amazing Spider-Man #96-98), but those two storylines showed third-person accounts of addiction. Speedy wasn’t the main character in Green Lantern. Spidey fought crime, but drugs were kept at arms’ length, in third-person. Tony is Iron Man. “Demon in a Bottle” is a first-person account of how someone slowly descends—but perhaps not slow enough of a descent—into alcoholism.

Furthermore, Spider-Man and Green Lantern knew they were making a statement with their stories. “Demon in a Bottle” came out of nowhere. The issue of alcoholism grew organically, and that tends to be the insidious thing about addiction.

The first several issues Tony started drinking occasionally. As events unfolded—I won’t spoil much here, but many people would consider what happens in the early going of this story side battles and tragedies—he drank a little more each day until his addiction consumed him.

Comic book characters change a lot through the years and decades, but one thing has remained the same for Tony Stark/Iron Man since 1979. He battles with alcoholism. For a story that had little to no intention of making a statement, “Demon in a Bottle” makes a huge one. For a character who was just another guy in a flying suit, he gains one of his most defining characteristics.

Tony’s alcoholism has been revisited in later Iron Man storylines. He may offer advice to someone else suffering with addiction or he may hit the bottle again. Alcoholism is one of the things that makes Tony Stark relatable, human.

You can even see the impact “Demon in a Bottle” had in the film Iron Man 2. Tony gets drunk during a party in his armor and mayhem ensues. Director Jon Favreau may not have wanted to delve too deeply into Tony’s addiction—Disney/Marvel wanted to keep things light—but he wanted to homage to the most important Iron Man story.

I’m not sure what else there is to say. Perhaps one of you is more eloquent than me or has more insight into this groundbreaking comic book story. If you do, please share in the comments.

Hulk Starter Stories

Published on October 30, 2018September 7, 2024 by KyraLeave a comment

Despite his superhero persona, the Hulk is often viewed as a monster and many of his stories range between Hulk as a hero and as the hunted. He’s one of the rare Marvel heroes who started with their own solo series and then got absorbed into an anthology series (Tales to Astonish), only to receive a solo series again. Marvel often doesn’t know how to handle the green goliath, so it can be difficult to find which stories to read first.

Hey, hey! Kyra Kyle here with a guide of starter Hulk stories.

Hulk: Gray (written by Jeph Loeb/art by Tim Sale; 2003-2004)

Loeb and Sale usually do a great job showing a hero’s formative years, and Hulk: Gray is no exception. For those who don’t know Hulk’s origin as well as other Marvel character’s this series delves into the accident that created him and his early struggles and failures to control his powers.

Hulk: Gray only ran for six issues, but readers get a good understanding on how at odds Banner is with his counterpart. It’s a quick and must read.

Planet Hulk (written by Greg Pak/art by Carlo Pagulayan and Aaraon Lopresti; 2006-2007)

Yes! This story should look familiar for Thor: Ragnarok fans. Humanity deems Hulk too dangerous to remain on Earth, so he’s jettisoned on an alien planet Sakaar. Once there, the locals enslave him and force the Hulk to fight in gladiatorial combat against other aliens. Planet Hulk is one of the wildest and best Hulk stories.

The story builds intrigue on who sent Hulk to the planet—I won’t spoil it here, but it’s eye-opening—and watching the Hulk battle to liberate Sakaar from the Red King is satisfying. Throw in Hulk getting married and a Hulk baby and you have a romp that’s well worth the read.

World War Hulk (written by Greg Pak/art by John Romita Jr.; 2007)

Remember the intrigue from Planet Hulk? Yeah, World War Hulk shows what happens when the Hulk discovers who sent him to Sakaar and the subsequent war. While this mini-series displays some intricate combat, it also manages to show a mindful Bruce Banner who remains trapped inside all the Hulk’s rage.

It’s a side of the Hulk that readers don’t get to see that often and it’s refreshing.

Indestructible Hulk (written by Mark Waid/art by Leinil Francis Yu; 2012-2014)

This story may seem out of place as it was published a good five years after World War Hulk, but Indestructible Hulk does a great job of showing why humanity may fear the Hulk enough to send him to another planet.

The Hulk chooses to do some good and allies with S.H.I.E.L.D.. This partnership leads to some of the Hulks battles, but as the title implies, the Hulk gains so much strength that he becomes indestructible. I won’t spoil the shocking reveal at the end, but this series shows how the Hulk struggles to be a hero, but he’s ultimately a force of nature.

Hulk: Destruction (written by Peter David/art by Jim Muniz; 2005)

The Hulk doesn’t have as many villains as other heroes in comics, but the Abomination (featured in the movie The Incredible Hulk) must be one of the key few, and Hulk: Destruction does a great redefining the two’s relationship.

Peter David also happens to be a long-time The Hulk writer and this mini-series does a good job showing what he can do with the character.

Ultimate Wolverine vs. Hulk (written by Damon Lindelof/art by Leinil Francis Yu; 2005-2009)

The infrequent schedule of this mini-series left a lot of readers miffed at the time of its original run, but the six issues have been completed, and no collection of Hulk stories would be complete without including at least one battle between Hulk and Wolverine. Heck, Wolverine was first introduced as a Hulk foil.

Ultimate Wolverine vs. Hulk shows how insane these battles get. It opens with Wolverine torn in half, his legs on top of a mountain. Yikes!

I could have done with so many flashforwards and flashbacks in a short series like this (Lindelof is one of Lost’s co-creators, so I guess he likes using a lot of these), but Ultimate Wolverine vs. Hulk gives insight to the brutality of these two primal beings.

That’s my list for new Hulk readers. Did I miss any stories or include some that I shouldn’t? Send me a smoke signal atop a mountain—preferably not the one the Hulk traveled to—or let us know in the comments. And wherever you are, I hope you’re having a great day.

Batman Starter Stories

Published on October 16, 2018September 8, 2024 by Kyra1 Comment

With wave after wave of comic book movies hitting theatres, interest in superhero characters has probably never been higher in the mainstream. Some people who’ve familiarized themselves with the big screen versions of the Avengers or the Justice League may be tempted to delve into the comics, but that can be intimidating. Most of the iconic superheroes in the industry have decades of stories behind them, so new readers may have no idea where to begin. With that in mind, Kyle and I have decided to publish recommendations for new comics readers, jumping-off points, so-to-speak, for understanding the basics of the characters in question.

This week, we’ll cover Batman. With three-quarters of a century’s worth of history, there’s a lot to know about the character, but the good news is most of the truly important moments in Bat-canon aren’t that old, comparatively speaking. Here’s my list of graphic novels and/or story arcs you can read to get all you need to about Batman and the world of Gotham.

Year One (written by Frank Miller/illustrated by David Mazzucchelli)

Year One is pretty much what you’d expect from the title. It’s the story of Bruce Wayne’s beginnings as Batman, his first year. It covers his struggle with the crime families that predate the arrival of the supervillains, as well as his conflict with a corrupt Gotham Police Department. Parts of it aren’t really considered canon anymore, or never were, but modern canon never seems to stray too far from what Frank Miller established here. This is also a great story for understanding the dynamic between Batman and commissioner Gordon.

The Killing Joke (written by Alan Moore/Illustrated by Brian Bolland)

This is one of the most famous Batman stories ever told. It’s a window into The Joker, and a brief insight into the dynamic between hero and villain. This one comes with a warning to readers who are sensitive to the topic of sexual abuse, as Barbara Gordon, Jim’s daughter and alter ego of Batgirl, is shot and photographed in various stages of undress by The Joker. Do you remember Christopher Nolan’s film, The Dark Knight? The Joker wanted to prove that Harvey could be corrupted, made as insane as he is. That concept is straight out of The Killing Joke, only the target isn’t Harvey. It’s Jim Gordon, and he uses his daughter to achieve that. The Killing Joke also is the jumping off point to Barbara’s time as the character called Oracle, which is often referenced in Batman comics.

Hush (written by Jeph Loeb/illustrated by Jim Lee)

This one is a solid read, and good for beginners for a couple of reasons. First, because as Jeph Loeb is wont to do, it runs through just about the entire Batman Rogues Gallery in the course of the story. You’ll get a little bit of pretty much everyone here. Second, because this book also has an appearance by Superman, and the dynamic between Batman and Superman is one of the more fun things to consider in modern DC comics.

The Long Halloween (written by Jeph Loeb/illustrated by Tim Sale)

This is just a great Batman book in general, but it’s also a good introduction to another one of Batman’s iconic rogues, Two-Face (Harvey Dent). This is also a great read for anyone looking to explore Catwoman as a character.

Knightfall (written and illustrated by various)

This one is a bit of cheat as it refers to a long arc within the comics, but one that is often called upon in modern Batman storytelling. Remember when I referenced the Christopher Nolan movies? Well, this one is what The Dark Knight Rises draws from most. It’s the story of Batman having his back broken by Bane, his recovery, and his reclamation of the Batman mantle. It’s actually not one of my favorites, but it’s worth reading to get a bigger picture of the network that is The Bat Family, and why Bane holds a special place among Bruce Wayne’s enemies.

Death in the Family (written by Jim Starlin/illustrated by Jim Aparo)

This one isn’t to be confused with Death of the Family (Snyder/Capullo). Don’t get me wrong, Death OF the Family is terrific, but it’s not for this list. Death IN the Family is an important arc for Batman because it covers the death of Robin. If you’re new to Batman Comics, you may not realize there have been many Robins. In Death in the Family, Batman’s second Robin, Jason Todd, is murdered by the Joker. In later comics, Jason Todd’s death is undone, and the character exists today as Red Hood, but understanding the history established in Death in the Family is key to understanding that dynamic within the Bat Family.

That’s my list for new readers of Batman. How do some of our seasoned Batman readers feel about it? Did I miss any? Did I include some you don’t agree with? Challenge me to a duel, or maybe just tell us in the comments.

X-Men Starter Stories

Published on October 2, 2018September 8, 2024 by Kyra1 Comment

Comic book movies have flooded Hollywood and that’s led to new comic book readers, but there’s too much history for a lot of these characters that newbies to the hobby can get lost. Not to worry your uncle Geekly and Big Bad Jim have you covered. We’ll make recommendations for newcomers to various aspects of geekery.

Keep in mind that these are recommendations. You can read our list and disagreeing with it. We won’t hold that against you, but we may have to challenge you to a leg wrestling match.

We’ll start this ballgame with one of the largest superhero teams in comics: The X-Men.

The X-Men have had plenty of various lineups, eras, and variants, so they prove difficult to follow, especially if you’re new to the comic books.

Over the course of its history the X-Men have grown and expanded more than any other Marvel property. Time travel, group dynamic changes, and characters losing their minds don’t help matters much.

Hi, everyone. This is good, old uncle Geekly with a group of starter stories that feature everyone’s favorite Marvel mutants the X-Men.

X-Men: First Class (written by Jeff Parker/art by Roger Cruz; 2006-2007)

No. This story doesn’t mirror the movie by the same name; it’s a reimagining of the original class of students to don the uniform: Scott Summers (Cyclops), Jean Grey (Marvel Girl), Robert Drake (Iceman), Warren Worthington III (Angel), and Hank McCoy (Beast).

The X-Men can get overly convoluted. X-Men: First Class strips down the original characters to their teenage roots. It’s a light-hearted and fun series, and the one quality that puts it on this list is that the reader doesn’t need to know much about the series find enjoyment. It’s a great jumping off point.

Giant-Size X-Men #1 (written by Len Wein/art by Dave Cockrum; May 1975)

This one predates Chris Claremont’s fabled run on Uncanny X-Men (1975-1991) and introduces readers to the second wave of X-Men: Storm, Colossus, Nightcrawler, and Wolverine. It opens in medias res with Professor X recruiting this new team to rescue the original X-Men, and it’s this group of mutants who defined the group for a generation. It’s also arguably the most diverse team roster, something in which the X-Men prides itself.

X-Men: Dark Phoenix Saga (written by Chris Claremont and John Byrne/art by John Byrne; 1980)

This one is iconic. Jean Grey had been reborn as the Phoenix after becoming a being of pure thought. This new persona made her a target for Mastermind (of the Hellfire Club) and what follows is a long descent into madness. One could liken it to a superhero version of The Exorcist.

The Dark Phoenix Saga is required reading for anyone wanting to get into X-Men comics. Readers get a good look at the Hellfire Club, the Shi-ar, and even throws in the Kree and Skrull empires. The Dark Phoenix Saga is a who’s who of Marvel aliens.

This story was adapted for the X-Men Animated Series. X-Men: The Last Stand contained story elements, and the upcoming Dark Phoenix film should be a direct, live-action adaptation of the story that has been inducted into Columbia University’s library. Yeah, Xavier’s school isn’t the only one that views The Dark Phoenix Saga highly.

X-Men: Days of Future Past (written by Chris Claremont and John Byrne/art by John Byrne; 1981)

This story marked the end of Claremont and Byrne’s run on the X-Men, and this is also where the X-Men’s time travel stories begin. While the series may have done time travel to death, in Days of Future Past it was refreshing, novel, and easy to follow.

The story alternates between the present year of 1980 and the future year of 2013. Wow. We’ve already lived beyond the fictional year for this story. The story’s 2013 paints a bleak existence for mutants. They’re killed one by one and must send one of their own back in time to stop the dystopia.

Kitty Pride, the one who’s chosen to go back in time, becomes a full-fledged member of the team, and this story is the first one to promote Mystique to the Brotherhood of Evil Mutants’ leader. Both characters come into their own here, so this classic is a must read.

X-Men: God Loves, Man Kills (written by Chris Claremont/art by Brent Anderson; 1982)

So many X-fans would call God Loves, Man Kills the defining X-Men arc, and they may be right. The main antagonist doesn’t wear tights or have powers. Humanity is at war with itself.

This is a realistic portrayal of how the world may react to the dawn of mutants and how those mutants would react to that world. It’s an analogy of bigotry and small mindedness. It also showcases how tenuous allegiances can be in the series as Magneto joins forces with the X-Men to rescue Professor X, who is forced to mentally kill all mutants on Earth.

Some fans may notice elements of this story in X2: X-Men United.

Fatal Attractions (written by Fabian Nicieza and Scott Lobdell/art by various; 1993)

It’s difficult to pick an X-story from the 1990s and beyond without listing a bunch of other stories one would have to read to get most of the references. Fatal Attractions requires very little background info. It recasts Magento as the X-Men’s chief antagonist. This crossover event also features Cable’s return to X-Force (good for Deadpool 2 fans) and one of the most desperate fights between Magneto and Professor Xavier.

There’s even an iconic battle between Wolverine and Magneto that left some fans squeamish.

That’s my list for readers new to X-Men. Did I miss any stories or include some that I shouldn’t? You could send me a message via telepathy, but I’m telepathetic. Leaving a comment would be more effective.