Your Friendly Neighborhood Spider-Man: “Hitting the Big Time” Review

Season’s Thoughts

Last episode, Peter waffled back and forth between partnering up with Norman Osborn. This episode, they go full swing into a partnership—with a twist ending.

“Hitting the Big Time” had quite a bit of Lonnie. We get to see his encounter with the Scorpions. Lonnie didn’t seem to fully understand the gravity of his situation until his chat with Big Donovan after this encounter. I’m thinking he’ll take down Big Donovan in the coming episodes then continue to run the gang as the ringleader if we’re to go by his comic book counterparts.

We get to see Spidey go through a myriad of costume changes. We won’t talk about the individual suits here, but this segment provided a pseudo identity crisis for Spidey. I say “pseudo” because Osborn pressured him into trying the different suits that didn’t fit. Spidey knew who he was from the beginning. Getting to see the different suits in action was a goofy treat.

Toward the end, Spidey’s identity gets revealed to Harry Osborn by mistake. Oops. On the plus side, Harry seems to think it’s cool. Spoilers, we also catch a glimpse of Otto Octavius. End of spoilers.

Skye’s Take

This episode was entertaining despite not having too much bearing on the story. The biggest additions in this installment involved Lonnie while Peter worked with Norman.

Lonnie deals with gang life and he’s not ready. Things get real when Lonnie meets a rival gang, led by none other than Mac Gargan. Lonnie’s reaction to this shift is believable. At first, he treats gang life as an excuse to get some study time in. After learning that belonging to a gang puts a target on his back, he reluctantly continues doing jobs for them to protect his family. Clearly, the wheels are turning for him to become what we all know who he’ll become, and it’s legit riveting. At this point, Lonnie’s my favorite character.

Back with Peter and Norman, they try out a series of different suits to see what works. It’s pretty funny. While it’s not essential to the plot, it is fun to watch and is much funnier than the humor in earlier episodes.

While I like where this series is going, I still have one problem. A lot of future villains are being teased right now. Newly added villain teasers are The Scorpion and Doc Ock, but when are they going to, you know, do something? By this point, several future villains are set up, but nothing is being done with them.

Although maybe that’s to come in the next episode. I can only hope. And I’m excited to find out. 😉

Thank you for reading. If you’d like to dive deeper into Your Friendly Neighborhood Spider-Man, follow this link for episodes 3, 4, and 5’s Secrets (Easter Eggs).

Your Friendly Neighborhood Spider-Man: “Secret Identity Crisis” Review

Season’s Thoughts

I said last week I expected to see Norman Osborn as Green Goblin within the next few episodes. Now, I’m kind of hoping that’ll be the Season 1 finale. Without watching Episodes 4 and 5 prior to this review, let’s swing into “Secret Identity Crisis.”

We didn’t linger too long on Peter’s mental crisis after Norman revealed that he knew of Peter’s identity as Spider-Man. Normally, I’d like to explore this a bit more but, for this show, it would feel out of place. That said, we got to learn a bit about Nico’s situation during this segment. She’s in foster care. If they’re going to lean into a variant of the Runaways narrative, I’m digging this backstory.

I’m not sure I cared too much for Lonnie’s kid brother joining a gang. He seemed disgruntled but, overall, a good kid. It wasn’t entirely unexpected since we saw how Lonnie was followed by the cops (among other things) in “Amazing Fantasy.” This felt a bit forced. However, Lonnie turning himself over to the gang to save his brother does make sense for his character. I’m curious to see how he’ll become Tombstone later.

One last thing. I thought it was endearing to see Peter save Uncle Ben’s camera. The camera backstory isn’t something I’ve seen much of. I found myself saying, “Aw.”

Skye’s Take

While I started having doubts in the last episode, the show is back on track with this one. At first, I thought the show was moving too fast and I couldn’t tell where they wanted to take the show. Their intentions are now clear. In fact, this episode was kinda cute.

I latched onto each character. Not gonna lie, I was surprised to see how caring and positive each character is, especially Norman Osborn. Considering how the previous episode ended, I expected him to go into full Goblin mode real soon. However, he’s far from that. Norman seems genuinely pleasant and willing to help Spider-Man after learning his identity, and that’s a nice spin on the idea. The Spider-Man stuff is getting more interesting as Spider-Man’s “Guy in the Chair” is literally the Green Goblin.

I agree with Season on the Lonnie stuff. His brother Andre joining a gang was out of left field, but the show needed to get Lonnie into a gang somehow. It also makes Lonnie a more complex character. Knowing his future as Tombstone, seeing him vulnerable around his family sets him up as a tragic character. I’m looking forward to the episode when they rip my heart out with him becoming Tombstone.

With minimal gripes on this episode, and prior to watching the other two, I’m back on board. Let’s keep this Spider-Train a rollin’ with more great episodes.

Thank you for reading. If you’d like to dive deeper into Your Friendly Neighborhood Spider-Man, follow this link for episodes 3, 4, and 5’s Secrets (Easter Eggs).

Harley Quinn: “Floronic Man” Review

Season’s Thoughts

Last week, I thought Ivy’s secrecy would come back to bite her. Boy. It really came back to bite her this week. Ready to enter the Green?

As denoted by the title, Dr. Woodrue (Floronic Man), chose to enact his revenge on Poison Ivy. This was foreshadowed at the end of “Back to School,” but I wasn’t sure if they were going to focus on a different story in Episode 3 and circle back to Floronic Man. This episode also incorporated dramatic shifts from the darker parts of the story with Ivy and ridiculousness with Clayface.

Clayface going to Metropolis after getting a negative review from the Daily Planet made the episode for me. I enjoy Ivy’s edgy backstory, but, like, it’s Clayface. Harley Quinn does a good job of shifting the narrative drastically throughout an episode while keeping the audience engaged. I try to avoid spoilers, but I do have one here. Harley “killed” Floronic Man at the end of the episode. I say “killed” in quotes because Ivy thought she killed him at the end of “Back to School.” I feel like he’d need to be burned or something. Then again, Scarecrow didn’t make it past Season 1. End of spoilers.

We’ve gotten some more foreshadowing for the next episode. Will the big baddie who made an appearance at the end of “The Big Apricot” be featured or will we have to wait a bit longer? Personally, I’d like to see him at the season finale.

Kyra’s Take

While I could also wait a bit longer for this season’s big bad to make a full appearance, I don’t think Harley Quinn will stay in Metropolis for more than one season. And this season’s big bad makes little sense outside of Metropolis. I’ll stop avoiding spoilers and just name the season’s big bad: Brainiac. Brainiac needs Metropolis, and Superman must feature in the story.

Harley Quinn has taken its time to move characters from Gotham to Metropolis. I love a good Clayface B Story, and this week’s Clayface B Story delivered. It doesn’t hurt that Bane joined in on the Clayface goofiness. This story thread does more than offer the laughs, while Ivy’s story grew dark. Clayface promotes his career. He does so in the most Clayface way possible, over-the-top. He kidnaps the Daily Planet’s editor-in-chief Perry White, and infiltrates the newspaper disguised as White. This was a clever way for Harley Quinn to introduce larger story elements. The big bad makes moves in Metropolis. We learn about some of these machinations through pitched Daily Planet headlines, but Clayface only cares about his review. Love this. It’s brilliant.

Ivy’s backstory gets a satisfying end. Floronic Man may be little more than a villain of the week. I got Arrowverse vibes from how Harley Quinn treated him, but that works in an animated series like Harley Quinn. As Season said, Harley Quinn killed off Scarecrow in Season 1. It did the same to multiple major Batman villains. I like how no one’s safe, not even someone who usually factors into one of the main cast’s origins.

The show does a good job of maintaining forward momentum and giving the impression that there’s a satisfying ending for this season’s story while keeping the audience guessing. I like how the show could go in multiple directions. Heck, Harley Quinn could stay in Metropolis for a second season. There are plenty of Superman villains to explore.

Your Friendly Neighborhood Spider-Man: “The Parker Luck” Review

Season’s Thoughts

Two episodes in one day? Did I win the lottery? Disney decided to give us big bucks this week. Joking aside, “The Parker Luck” kept the momentum of “Amazing Fantasy” and catapulted the story forward.

There was a recap at the beginning of “The Parker Luck,” which I normally wouldn’t mind if I knew the episodes were aired one week after the other. “The Parker Luck” and “Amazing Fantasy” dropped on the same day, so the recap felt unnecessary. It also needlessly padded the runtime (which is three minutes shorter than “Amazing Fantasy”) with this addition. That said, I’m digging the intro. I refuse to skip that intro.

Since he was introduced at the end of Episode 1, I’ll name drop him here. I’m loving the arc of Norman Osborn approaching Peter to offer him an internship, followed by another turn at the end of the episode. Once again, they wasted no time in propelling the story forward. However, I wasn’t a fan of Peter making plans with Nico then not showing up because of his other obligations. It’s overdone and trope-y. This is a kids’ show, so I won’t nitpick too much, but that trope gets old real fast.

I’m expecting to see Norman Osborn as the Green Goblin within the next few episodes, if not Episode 3 next week. We may see the counterparts of other characters during that time, too.

Skye’s Take

While the pilot episode proved to be a solid opening, this second episode got more mixed feelings out of me. “The Parker Luck” does have good things in it, but it left me asking “What’s the goal of this show?”

Since the episode ended with one of the main characters discovering Peter’s identity, I’m not sure where else this show can go from here. Sure, Spider-Man: No Way Home also dealt with Peter living with his identity going public, but at least that Spider-Man had been established for some time. Once again, I’m still not sure if I like this Spider-Man yet. It seems to me that the show is throwing a lot of major plot developments in the first few episodes to encourage viewers to keep watching. Given the show is still in its infancy, it’s moving way too fast.

However, I still feel satisfied with the relationship between Peter and his friends. Despite my other complaints, I enjoy seeing Peter hang out with Nico and Lonnie. This is also why it was so frustrating when he didn’t make it to the party in the episode. Believe it or not, this Spider-Man show is hooking me with its Peter Parker content more than its Spider-Man content. There were a few characters that appeared in the episode which are clearly being set up for future episodes. Dr. Connors and, of course, Norman Osborn who’re soon to be The Lizard and The Green Goblin respectively, but there’re undoubtedly more to come. As a Spider-Man fan, I can’t deny that there’s a novel feeling to seeing these characters appear knowing what they’ll eventually become.

Despite some reservations, I’m excited for this show and look forward to more surprises.

Thank you for reading. If you’d like to dive deeper into Your Friendly Neighborhood Spider-Man, here’s a link to the Secrets (Easter Eggs) page for the first two episodes.

Your Friendly Neighborhood Spider-Man: “Amazing Fantasy” Review

Season’s Thoughts

Whoa! Spider-Man got aged down again in his new show on Disney+. Not going to lie, the thirty-one minute runtime intimidated me at first. Despite this, the episode didn’t feel like a thirty-one minute long pilot. Grab your web shooters and let’s swing through Episode 1 of Your Friendly Neighborhood Spider-Man.

First impression: the art style. This was jarring for me when I looked at promotional materials for the show. I don’t dislike it, but it does take some getting used to. There were a few scenes at the beginning of the show depicting Peter getting ready through animated comic book panels, which was cute. I hope they do more of this in future episodes.

In the opening paragraph, I mentioned the runtime. I anticipated the spider bite scene to be at the end of the episode, but they wasted no time getting into it. The opening sequence of Peter getting ready/being late on his first day of school dragged a bit. He spent a lot of time telling Aunt May how much he appreciated her, which was heartwarming, but I don’t think it warranted two separate scenes within the first ten minutes. There were several characters who got introduced right off the bat, some of whom will likely become villains later on down the line. I won’t name drop, but there is a major Spider-Man villain who gets introduced at the end of “Amazing Fantasy.”

One last thing before I let Skye take the wheel—toward the end of “Amazing Fantasy,” real-world problems were showcased. The most notable examples are Lonnie getting followed by a cop on his walk home and someone who stole cash after losing their job. I won’t hang on this for long, I appreciated the inclusion of these moments. It makes the show more grounded.

Skye’s Take

Thank you for the stirring introduction, Season. I must say, after watching the first episode of this new Spider-Man series, I was pleasantly entertained. For the most part, it seemed to combine both old and new concepts we’ve seen in Spider-Man stories before. In the process, it created a world that looks familiar yet still feels fresh.

Regarding Season’s comment on the animation, I thought it was good with some noticeable imperfections. Overall, it’s pleasing to the eye, but it isn’t as good as Into or Across the Spider Verse. Part of me wonders if the animators were attempting to imitate that style by blending hand-drawn and CG animation similar to what those films did.

Despite that, this show proved to me that it was on the right track. The action was energetic and well-paced. We were introduced to a bunch of characters, but each of them seems likable with room to grow. Even the voice acting was pretty solid. There were some notable exceptions with some of the extraneous characters, but what can you do? If I were to harp on anything: the jokes aren’t that funny. The jokes got no more than a chuckle out of me, but comedy is subjective.

I’ll piggyback off another of Season’s comments. While I’m not opposed to including a moment like Lonnie getting racially profiled in a kid’s show, the moment comes out of nowhere. Suddenly, we’re supposed to feel bad for a character we barely know, and it comes across as Disney just trying to earn brownie points with minorities. Disney has a history of pandering to minorities on-screen, while behind closed doors, it’s a different story. If this story beat returns, I may have different thoughts.

Ultimately, this was a good start to a (potentially) good series.

Thank you for reading. If you’d like to dive deeper into Your Friendly Neighborhood Spider-Man, here’s a link to the Secrets (Easter Eggs) page for the first two episodes.

Harley Quinn: “Back to School” Review

Season’s Thoughts

Last week’s episode had some darker moments, but was fairly lighthearted. This week’s episode got gritty, gory, and introduced another new adversary in the final scene. Contrary to “The Big Apricot,” “Back to School” didn’t have as many slice-of-life moments. It either swung into the dark details of Poison Ivy’s origin or went full goofball with Harley and the baby sharks.

I didn’t mind the extreme shifts in “Back to School” since it was engaging and had good pacing. Ivy not telling Harley about her day will probably come back to bite her later given what we learn at the end of the episode. So far, Harley Quinn has had good continuity.

“Back to School” introduced more new characters, but I count the baby sharks (aside from Shaun) as one entity. Harley Quinn has introduced several new characters consecutively in the past, but not all of them stick around. I’m curious to see which characters they decide to keep for Season Five. Harley Quinn isn’t shy about killing off characters.

Speaking of characters, this is the first time we see King Shark in Season Five. He’s moved to Metropolis. I had a feeling they’d find a way to incorporate him in Metropolis since he’s featured in the artwork for Season Five. However, his appearance with his kids on Harley and Ivy’s doorstep did feel a bit forced. Since it’s the only thing that slightly annoyed me in this episode, I’ll give it a pass.

Kyra’s Take

This week’s episode of Harley Quinn, “Back to School,” added some deep cuts into DC Comics lore and Harley Quinn’s spin-off series Kite Man: Hell Yeah!. While these inclusions can be a lot as Season mentioned, they work within the fabric of Harley Quinn and the greater DC Comics. I like that about Harley Quinn. It reinterprets DC Comics characters while staying true to their roots.

Bane and Goldilocks return from Kite Man: Hell Yeah!. I just finished watching Harley Quinn’s spin-off series. It doesn’t hold up as well, but Bane was one of the show’s standout characters and it’s nice seeing him return to Harley Quinn. I could do without Goldilocks. There’s a reason Queen of Fables doesn’t like her. The third thing of a set one gives Goldilocks will usually be “just right.” Ugh! You don’t need to know much more about the character (or watch Kite Man: Hell Yeah! before watching this episode), and you can imagine the long-suffering Bane having to please this petulant child.

This next section could be considered spoilers. Season avoided mentioning this character. If you’d like to see the episode yourself before reading this take, skip to “end of spoilers.” You’ve been warned.

It didn’t don on me that Harley Quinn has gone four seasons without mentioning Dr. Woodrue until I heard his name. Floronic Man (Dr. Woodrue) frequently serves as a foil to Poison Ivy. “Back to School” casts him as Ivy’s college professor and that works. Woodrue attempting to steal Ivy’s life’s work (namely her plant-sidekick Frank) and claim it as his own has plenty of dark undertones. Harley Quinn doesn’t play it off for laughs either. That’s why these scenes get cut by kid shark antics. As soon as I heard Dr. Woodrue’s name, I got excited. “Back to School” does the character justice.

End of spoilers. I agree with Season that “Back to School” had a lot of severe shifts in tone, but these shifts worked. Harley’s kid shark antics undercut the Ivy’s brooding narrative. “Back to School” does a good job of weaving old Harley Quinn characters into the Metropolis setting while setting up a juicy antagonist for the season.

Harley Quinn: “The Big Apricot” Review

Season’s Thoughts

The Gotham City Sirens break up, Supes is out of a job, Harley and Ivy move to Metropolis and Aisha Tyler appears. Whoa!

I’ll admit I wasn’t sure where they were going to take this season since many major events have already occurred inside Gotham. I won’t say I’m surprised they’re dipping their toes in Metropolis, but it wasn’t at the forefront of my mind. The sudden shift keeps things fresh.

I like the slice-of-life sections that showcase Harley and Ivy doing normal couple things. It helps ground them as characters. Harley mentioned that she was worried her spark with Ivy would fade away, which is a valid fear to have. This want for excitement by attending the Superman Gala in Metropolis is also something Harley would want to do regardless of her relationship status. She thrives off excitement.

The current state of Metropolis is the calm before the storm this season. I won’t spoil the end of “The Big Apricot,” but an iconic character rears their head. I said Supes was out of a job at the beginning of this post. Who knows? He may have a job again very soon. I need to make some phone calls for my neck appointment.

Kyra’s Take

I could’ve used more time with the Gotham City Sirens. The end of Harley Quinn Season Four set up this team dynamic as the Season Five focal point. The Sirens only get a flashback that lasts less than five minutes. That said, “The Big Apricot” is a return to form. Harley Quinn lost its way last season; it finished strong and that included the Gotham City Sirens’ introduction. I’ll take the trade-off of losing this team for Harley Quinn’s original creative team returning.

Furthermore, the Gotham City Sirens were destined to fail. Season Five didn’t waste any time. The show’s move to Metropolis makes sense. That same creative team has done a lot with Gotham City. They sprinkled in a couple of episodes under the sea (King Shark) and in Themyscira (Wonder Woman). A few characters like Lex Luthor hail from Metropolis, but we haven’t yet seen a Harley Quinn episode set in Metropolis.

The shift in cities reminds me of Archer midway through its run. The change for Archer was also needed. Hey! Aisha Tyler was in Archer, too. Tyler portrays Lena Luthor. During this episode, Lena has a positive bend. This could change; Lena Luthor’s morality is malleable. I can’t wait to see what Tyler will do with this role.

I’ll echo Season’s sentiment about the slice-of-life segments. Harley and Ivy may be one of the most relatable couples on television right now. I never thought I would say that, but it’s true. Harley and Ivy are one of the best television couples right now.

We haven’t yet seen Clayface, King Shark, or Bane this season, but each of these characters has been featured in Season Five’s promotions. With Superman gone, there may be more Gotham City transplants in the future. I don’t expect Metropolis to stay pristine.

I won’t spoil the ending either. Let’s just say that it looks like Harley Quinn Season Five will explore Superman’s rogues as much as it did Batman’s rogues in its previous four seasons, and that’s exciting.

All Friends Thanksgiving Episodes Ranked

Hey, hey! Kyra Kyle here. Happy Thanksgiving, to everyone who celebrates the holiday. For everyone else, Happy Thursday!

Whenever Thanksgiving rolls around, I think of the sitcom Friends. The show had a tradition of Thanksgiving episodes. What started as a network mandate became a labor of love. Friends Thanksgiving episodes were some of the best, but I’ve never ranked them before. I never thought about doing that before. It’s Thanksgiving. Let’s give it a whirl.

10: Season 1, Episode 9 “The One Where Underdog Got Away”

Season One’s Thanksgiving episode is low-hanging fruit. It’s the ninth-ever episode of Friends. The actors haven’t settled into their characters yet. The writers and directors haven’t either. And the studio demanded a Thanksgiving episode. The cast and crew still turn out a solid episode with “The One Where Underdog Got Away.”

Monica’s plans for a quiet Thanksgiving quickly fall apart as all the characters end up at her apartment. Each of the friends wanted a different type of potato, and Monica didn’t want to cook Thanksgiving dinner in the first place. Monica’s headspace parallels the writers and directors. The episode earns its title when the Underdog float breaks free during the parade, and the gang accidentally locks themselves out of their apartment.

Best Moment: I feel Monica’s growing frustration in this episode and appreciate Chandler’s speech in the episode’s closing moments: “I’m thankful that all your Thanksgivings sucked.” The moment is earned and finally lets Monica off the hook for a ruined Thanksgiving dinner.

9: Season 7, Episode 8 “The One Where Chandler Doesn’t Like Dogs”

“The One Where Chandler Doesn’t Like Dogs” falls flat. I don’t know if it’s because the guest at the table—outside the core six characters—mostly shows up in only Season Seven (Rachel’s assistant Tag). Or it could be that Rachel only invited Tag to Thanksgiving dinner because she wanted to hook up with her subordinate; that’s not a good look. It might even be the reason why “Chandler Doesn’t Like Dogs.” He’s afraid of them?

That could work but the reasoning Chandler gives doesn’t make a lot of sense. They’re jumpy and needy and you don’t know what they want most of the time. I was expecting that a dog attacked him when he was younger. Ross’s reason for not liking ice cream makes more sense. It’s too cold. Fair. Weird but fair.

Best Moment: Chandler wearing the pink fuzzy sweater Monica bought for him. The guy in the catalog may have pulled off the look; Chandler did not.

8: Season 2, Episode 8 “The One with the List”

I forgot “The One with the List” was a Thanksgiving episode. Season Two is early enough in Friends’ existence to claim that Thanksgiving episodes were a studio request and not yet a labor of love. The gang doesn’t even sit down for Thanksgiving dinner. That may be why I forget this episode’s status as a Thanksgiving episode. More likely, it’s the A Story. The main plotline (A Story) centers around a list of pros and cons Ross wrote about Rachel and Ross’s then-girlfriend Julie. This episode steers heavily into melodrama territory. Friends does a good job of skirting melodrama most of the time, but “The One with the List” gets a little too heavy, especially for a Thanksgiving episode.

Ironically, it’s the B Story that feels more at home in a Thanksgiving episode. Monica attempts to incorporate “Mockloate,” a synthetic chocolate, into Thanksgiving recipes. The B Story does all it can to lighten the A Story’s high drama. It doesn’t quite work.

Best Moment: The roll credits scene. The same company that wanted Monica to make Mockloate recipes has created another unholy food alternative, Fishaschios. They’re like pistachios. Michael McKean (as the sleazy corporate exec) is brilliant.

McKean (as he hands Monica a Fishaschio): You aren’t allergic to anything?
Monica: Just cat hair.
McKean: Oh. You shouldn’t eat that.

7: Season 4, Episode 8 “The One with Chandler in a Box”

“The One with Chandler in a Box” is another Friends Thanksgiving episode that tries to balance drama and comedy. The story’s titular Chandler in a Box comes from Chandler kissing Joey’s then-girlfriend Kathy. The drama with this storyline doesn’t hurt the episode as much as the Ross and Rachel one from Season Two. Ross and Rachel had a way of sucking out all the oxygen in early Friends episodes. And you knew Chandler and Joey would make up in the end. They were the ones who instigated the term bromance.

The issue this time comes with the B Story. Monica injures her eye while preparing dinner. She meets her eye doctor Timothy, who happens to be the son of her ex, Richard. Monica invites Timothy to Thanksgiving dinner, and the two share a kiss. Unfortunately, the kiss reminds Monica of Richard, and she doesn’t want to pursue the relationship. That’s understandable; this even puts a nice bow on Monica and Richard’s relationship. Good stuff. The headscratcher happens when Timothy says that Monica’s kiss reminds him of his mom. What? I repeat. WHAT?!

Best Moment: Another roll credits scene. The gang sits on the couch. Monica remembers the kiss she shared with Timothy, and she shivers. I’m with you, Monica.

6: Season 8, Episode 9 “The One with the Rumor”

This one will be controversial. So many people rank “The One with the Rumor” as the best Friends Thanksgiving episode. There’s one reason for this: Brad Pitt guest stars. Clearly, Pitt has fun on the set as do the rest of the cast. But Pitt is out of his element. He can’t keep it together. It’s almost like watching Jimmy Fallon cracking up on every skit during his stint on Saturday Night Live.

The A Story revolves around Pitt’s character, Will Colbert. It works well enough. Colbert used to be overweight in high school, and Rachel (Jennifer Aniston’s character) bullied him. Come to think of it, Aniston didn’t keep her composure in any of her scenes with her then-husband Brad Pitt either. Strangely enough, Pitt has better moments with Joey, who features in the B Story. Joey single-handedly eats a 19-pound turkey.

Best Moment: Any time Joey talks about his Mount Everest of a turkey. I especially like the introduction of the turkey. Joey: How big is that? Monica: Nineteen pounds. Joey: That’s like me when I was born.

5: Season 3, Episode 9 “The One with the Football”

“The One with the Football” is problematic. Most of this comes from the B Story. Chandler and Joey trying to woo the same woman. Many of these jokes haven’t aged well.

The A Story works and generates a lot of unforgettable moments. The group plays a not-so-friendly football game, which brings up memories of the Geller Bowl for Monica and Ross. The sibling rivalry overtakes the game, and the two continue to wrestle over the ball long after the rest of the gang leaves to eat dinner. That all works. I especially like the inclusion of Monica’s competitive nature.

Up to this point, Friends played with Monica’s competitive streak. “The One with the Football” removes all doubt. It even makes her competitive nature a family trait. Ross is no better.

Best Moment: The Geller Bowl had a trophy named the Geller Cup, and I love the reveal.

Chandler: Is everyone else seeing a Troll doll nailed to a 2×4?

4: Season 10, Episode 8 “The One with the Late Thanksgiving”

“The One with the Late Thanksgiving,” like many of these Friends’ Thanksgiving episodes, is difficult to rank. I didn’t care for it for the longest time because I knew the show was coming to an end. But it’s a solid episode that has 3 storylines. To be fair, two smaller plotlines branch from the main one, but Friends usually goes with two plotlines, not one. The main plot centers around Monica and Chandler getting furious with the rest of the group for showing up late to Thanksgiving dinner.

Ross and Joey go to a Rangers game, while Phoebe and Rachel enter Emma (Rachel and Ross’s child) in a baby beauty contest. I prefer the Phoebe and Rachel story arc more, but the Ross and Joey has its moments, too. The episode comes to a head when Ross, Joey, Phoebe, and Rachel show up 45 minutes late for dinner. A rapid-fire exchange ensues. Eventually, Joey crashes into the dinner. But, Monica and Chandler’s mood quickly changes when they receive the news they’ve been selected to adopt a baby.

So, you could say there’s a hidden fourth storyline added to “The One with the Late Thanksgiving.”

Best Moment: Phoebe, Rachel, Ross, and Joey sticking their heads in the door as far as the chain will allow. Classic!

3: Season 9, Episode 8 “The One with Rachel’s Other Sister”

The final two seasons of Friends had stellar Thanksgiving episodes. I don’t typically like guest stars (unless they’re recurring characters; we’ll see a couple in the next entry), but Christina Applegate as Amy Green is a delight. She starts a fight over who gets Emma if anything happens to Rachel and Ross. The crux of the fight stems from Ross and Rachel being willing to give Emma to Monica, even if Chandler was no longer in the picture, but refusing to do so if Chandler was around but Monica wasn’t. Applegate adds a great dynamic to the group. Amy Green shows who Rachel Green used to be before almost a decade of living on her own. Amy Green shows Rachel’s growth.

Best Moment: Chandler breaking Monica’s good china and saying, “Well, what do you know, I guess, I’ll be the one who dies first.” Still a great line. But I’ve got to admit, the quote hits differently now. Rest in peace, Matthey Perry. Thank you for the laughs.

2: Season 6, Episode 9 “The One Where Ross Got High”

Christine Pickles and Elliott Gould as Jack and Judy Geller join the group for Thanksgiving in “The One Where Ross Got High.” The Gellers don’t know that Monica and Chandler are dating. Monica’s parents don’t like Chandler. Chandler attempts to impress the Gellers but finds out they think he’s a pothead based on Ross’s lie in college. That’s the first of the silliness, but “The One Where Ross Got High” doesn’t stop there.

Ross and Joey want to go to a second Thanksgiving dinner with Joey’s new dancer roommate and her friends, Phoebe had a sex dream with Jack Geller the night before, and Rachel makes a questionable trifle with a layer of beef. All of this comes to a head with the episode’s best moment.

Best Moment: Everyone blurts out their inner secrets/desires at the Gellers. Monica spills the beans about Ross smoking pot, and Ross comes clean.

Monica: Dad, do you know that mailman you got fired? He didn’t steal your Playboys. Ross did.
Ross: Yeah, well Hurricane Gloria didn’t break the porch swing. Monica did.
Monica: Ross hasn’t worked at the museum for a year.
Ross: Monica and Chandler are living together.
Monica: Ross married Rachel in Vegas and got divorced. Again!
Phoebe: I love Jacques Custeau. (She switched crushes from Jack to Custeau, because Jack dream cheated on her.)
Rachel: I wasn’t supposed to put beef in the trifle.
Joey: I want to go.
Judy Geller: That’s a lot of information to get in 30 seconds.

1: Season 5, Episode 8 “The One with All the Thanksgivings”

The only Friends Thanksgiving episode that can dethrone the previous one is “The One with All the Thanksgivings.” Ross complains about his divorce and eviction and that prompts the others to tell their stories of their worst Thanksgivings. Chandler reminds everyone of the Thanksgiving when his parents told him they were getting a divorce. Phoebe tops his story by recounting a past life where she lost an arm, and Ross disqualifies her story. “In this life, Phoebe.” Rachel claims that she knows Monica’s worst Thanksgiving. The rest of the episode has everyone guessing which Thanksgiving was Monica’s worst.

The stories include one absurd twist after another. Joey has a turkey stuck on his head, and Chandler has his toe severed when Monica accidentally drops a kitchen knife on his wicker shoe. Monica and Chandler take turns getting upset with each other, but it all ends well with what I believe is this episode’s best moment.

Best Moment: Monica puts a turkey on her head and dances for Chandler to cheer him up. The ruse works, and Chandler tells Monica for the first time that he loves her.

Thank you for reading this far. Since it’s Thanksgiving, I’d like to send out a few thank yous:

Happy Thanksgiving

I’m thankful for my family first and foremost. I’m also thankful for tabletop games and the return of JK Geekly. We are so back. I’m thankful for the Omaha Writers League (OWLs); they’re a local writing group. And I’m almost done with the first draft of this year’s National Novel Writing Month (NaNoWriMo) novel. So, thank you, NaNoWriMo. Even though the organization behind NaNoWriMo hasn’t done the best this past year. Again, thank you so much, my fellow OWLs.

I’m also thankful for getting further than I’ve ever gone before with my literary agent submissions and the submissions to publishers with my tabletop games. If I haven’t heard from them yet, it doesn’t matter. I’m enjoying every part of this writing and board game design journey. I should hear back soon. Fingers crossed.

I’ll cut off the list here because I could go on for paragraphs. Getting back to the list of Friends Thanksgiving episodes, did we get the list right? Let us know in the comments. I hope you’re having a great day even if you don’t celebrate Thanksgiving. And if you do, Happy Thanksgiving!

My Favorite Elements: Werewolf By Night

Hey, hey! Kyra Kyle here. We’ve reached the halfway point of Scary Season. I hope you’ve enjoyed your various pumpkin flavored food and beverages. I decided to return to the My Favorite series and this week’s post will cover the Disney+ Marvel Special Werewolf by Night. JK Geekly was on hiatus when Werewolf by Night first released, but I had a few things that I really liked about the special and would like to share them, even if it’s belatedly. Wow! This special is two years old at this point. Yikes!

First, Werewolf by Night is a one-shot special. I loved it. Marvel Cinematic Universe (MCU) properties have become bogged down by the weight of its extended world-building, and Werewolf by Night gave that storytelling a shot in the arm. It said screw it, let’s get away from the four or five annual movies that require viewers to do homework (watch hours of other content before viewing) and the Disney+ television shows that function like bloated movies and do something else. I wished the MCU continued their specials. To date, the MCU has only had one other special: The Guardians of the Galaxy Holiday Special.

I don’t know if the Guardians of the Galaxy Holiday Special tanked—Disney/Marvel doesn’t share their statistics—but it couldn’t have done that well. It played like a corny Christmas Special. So many of the actors looked as if they phoned in their performances. I got strong Star Wars Christmas Special vibes.

But getting back to Werewolf by Night and the special that should’ve begotten a series of MCU specials, it’s a shame we haven’t seen a Howard the Duck special or Deathlok special or even another one of the Midnight Suns. They could’ve brought in Doctor Strange, Ghost Rider, Iron Fist, Man-Thing, or even Blade. Moon Knight could’ve benefited from being a two-part special. It didn’t have enough story to be a series but had more than enough for a couple of specials. So many of the latter MCU television shows on Disney+ would’ve done better as specials. They’d cost less and Marvel could see what viewers wanted to watch more of. This was a missed opportunity. Werewolf by Night made me excited for new Marvel content.

Second, I liked the cinematography. I stop shy of saying that I loved it. I would’ve preferred an analog recording of the show, rather than the digital one we got with a weathered effect thrown over the top. Some moments had a touch of the uncanny valley, and they were too crisp for the feel they wanted to convey. But overall, Werewolf by Night channeled the Universal movie monsters that inspired the original comic book characters. And the choice of showing it in black and white was brilliant.

I can honestly say that I’ve watched Werewolf by Night multiple times each year around this time ever since it came out two years ago. Two years ago? Where is our Elsa Bloodstone follow-up special? My goodness, Disney/Marvel could’ve released a new special in this series every year, and I would’ve gladly gobbled it up. Some Marvel characters don’t necessitate a drawn-out series, those same characters could easily headline a special.

Third, I’m going back to Werewolf by Night as a special, but I’ll go a different route. Marvel could explore stories they would never attempt on the big screen (because they aren’t financially viable) but may be great fan-service. I mentioned Howard the Duck and Deathlok. There are countless others like Squirrel Girl or even X-Statix. If enough viewers watch the special, Marvel could find their next franchise without breaking the bank.

Marvel could also follow through with certain story threads like Black Knight (at the end of The Eternals) and Hercules (at the end of Thor: Love and Thunder). They could revisit these characters in the movies later, but it’s unlikely. And movies like Blade that have been in production limbo may find a quicker time getting greenlit, produced, and finished with a special. One-shot—or even two-part—specials make too much sense for Marvel to abandon. I’m left scratching my head.

What are your favorite elements of Werewolf by Night? Which Marvel specials would you like to see? Let us know your thoughts in the comments. And wherever you are, I hope you’re having a great day.

My Favorite Storytelling Elements of Breaking Bad

Hey, hey! Kyra Kyle here. Like I said a few weeks ago, I’ve sprinkled in new posts with the old stuff, but we’re running out of the older posts. This one’s about Breaking Bad and my favorite storytelling elements from that show may be our final older post. Yay!

There are so many places to go in terms of storytelling elements that work in Breaking Bad. The characters grow and change over time. The strong narrative stayed on point, tension increased during each show, it explored concepts of storytelling, and didn’t over stay its welcome like other popular shows during its run. Despite the show’s groundbreaking nature, one of my favorite storytelling elements of Breaking Bad is the show’s adherence to a famous storytelling precept: Chekhov’s Gun.

Essentially, Chekhov’s Gun states that every element in a story must be necessary, irrelevant elements should be removed, and no element should appear to make false promises. Everything must have a purpose. Chekhov used a gun for his analogy. If a gun is mounted on the wall during a play’s first act, it must go off in the second act. Otherwise, why have the gun?

I’m all for subverting traditional storytelling precepts, but there is a reason they exist, and storytellers should know the time and manner to subvert these practices. Readers and viewers will assign meaning to something a storyteller shows them. The more elements a storyteller shows that don’t matter, the more likely they’ll lose their audience because their audience will start assigning meaning to things that don’t matter. The best example of a Chekhov’s Gun fail is Star Wars: The Last Jedi.

The bit of dialogue in the previous Star Wars film (The Force Awakens) concerning the origin of Rey’s lightsaber dubbed it Luke Skywalker’s and his father’s before his. This suggest that Rey is part of the Skywalker bloodline. If she was Luke’s former pupil (a popular fan theory prior to The Last Jedi), the line could include Luke, but not his father. If Rey had no connection at all to the Skywalkers, then don’t mention the Skywalker name.

Okay. Let’s get back to Breaking Bad and how it uses and subverts Chekhov’s Gun.

Breaking Bad is brilliant at assigning meaning to elements it shows. Viewers may find an odd camera angle that brings an electrical outlet into the forefront. Don’t worry there’s a reason to show said electrical outlet. A bit a dialogue that feels like it should be throw away banter will make an impact later in the episode or series. Why are they beginning an episode with a crawl space? There’s a reason. Even a Roomba has purpose.

But Breaking Bad subverts Chekhov’s Gun as well. Up to this point I’ve stayed as vague as I could. I’ll try not to spoil anything with this next example, but it’s difficult not to with this type of write-up. Consider yourself warned.

Let’s talk about the Ricin Incident of season 4. We’ll start with a rundown of what happened. Walter White plans to have Jesse give Gus a ricin-laced cigarette. Walt chooses the nerve agent ricin because it’s difficult to detect. Jesse chooses not to poison Gus because he doesn’t trust Walt at this point and has grown closer to Gus. Later, Brock (the son of Jesse’s girlfriend) falls ill from an unknown cause. Jesse finds that he had lost the ricin cigarette and blames Walt for giving the poison to Brock. Walt convinces Jesse that he couldn’t have poisoned Brock; it was Gus. Eventually, doctors find out that Brock ingested the berries of a Lily of the Valley. At the end of the episode, the camera zooms in on a Lily of the Valley in Walt’s backyard.

Phew! That’s a lot to get through. The upshot is that Walt poisoned Brock and turned Jesse against Gus. Breaking Bad uses Chekhov’s Gun the entire time, but it layers each element and nests them together like Matryoshka dolls. The lilies were mentioned in dialogue earlier while Walt and his wife Skyler discussed landscaping. It’s banter that most viewers dismissed, but there’s a reason for everything in Breaking Bad. Viewers could also dismiss the ricin cigarette as a red herring, and it was to a point, but it returns later in the series and serves in this episode (or two episodes) as character motivation. It also does a lot for character development. If there was any lingering hope for Walt’s soul, and it’s debatable, it was lost here.

Oh, man. That ricin vial got around in this series. That Roomba makes an appearance as does the electrical outlet. I won’t say how, even though I’ve spoiled quite a bit already. Oh, well. You should watch Breaking Bad.

If you’ve watched Breaking Bad, what are your favorite storytelling elements? You could pass it to me, hidden in a marzipan strawberry or you could let me know in comments. And wherever you are, I hope you’re having a great day.