Happy Wednesday, Geekly Gang! Kyra Kyle here. This week’s Whatcha post is Geekly Tunes. Our writers will be sharing what they’ve been listening to over the past month. Feel free to share the music you’ve been listening to as well, because we’re all part of the Geekly Gang. I’ll get us started.
Kyra’s Tunes
Last month, I listened to the latest Wet Leg album, Moisturizer. I’m still listening to that album on occasion. But I mentioned in the write-up for Moisturizer that PJ Harvey was one of their influences, which led me to To Bring You My Love. I owned a cassette of PJ Harvey’s To Bring You My Love and listened to it on repeat in my first car, a jade Dodge Neon. At the time when I purchased To Bring You My Love, I didn’t know what to expect from PJ Harvey. Folks described her as grunge. The label didn’t fit. Harvey’s music occupies a space between punk, rock, blues, and folk. One can’t pin it down to one genre. And To Bring You My Love is one of her best albums. It earned countless perfect ratings from multiple music critics and continues to inspire.
I first caught Chappell Roan’s “The Subway” during a live performance stream. No offense to any of Roan’s other tracks, but “The Subway” was excellent. It was easily her best song in the set. There was no way Roan’s best song wasn’t on her album The Rise and Fall of a Midwest Princess. Yeah. “The Subway” was kept off Roan’s album because she wanted it to be a live performance-only song. I get it. “The Subway” brings down the rafters when Roan performs it live. Pirating led to “The Subway” being released as a single this past month. I got to rediscover this song all over again, and I love it.
We go from a couple of acts that hit the big time (Chappell is the current Queen of Pop) to another that didn’t quite make it, Jellyfish. This Nineties band is one of the internet’s favorite what-ifs. Jellyfish would’ve fared much better in a decade that wasn’t dominated by torn jeans, flannel shirts, and grunge. During that decade, no one wanted a fusion of Beach Boy harmonies over thought-provoking–and sometimes esoteric and bizarre–lyrics. Jellyfish doesn’t shy away from eclectic instruments in the service of finding the perfect blend of Wonderland-Core. While “New Mistake” was the closest this power pop four-piece got to a hit, I really like “Ghost at Number One” and “The King is Half Undressed.” The latter is a great example of lead singer Andy Sturmer at his Mad Hatter best.
I omitted some other bands I’ve been listening to lately, but I may save them for another month. It’s time to hear what Season and Skye have been listening to this past month.
Season’s Tunes
I’m back with another soundtrack. I can’t seem to get away from them. This month’s soundtrack is from Singin’ in the Rain. I’ve only watched the movie once, but it was so memorable that I can picture every dance number while listening, especially “Make ‘Em Laugh.” Even though he was bedridden after the shoot, Donald O’Connor nailed that performance. Respect.
Continuing with ’50s nostalgia, I discovered Elliot James Reay last week. The song I listened to, “Boy In Love,” blends 1950s rock ‘n’ roll with blues set in today’s world. Reay said in an interview that he wrote this song with his girlfriend, and some of the lyrics are things she’s said to him. It’s sweet, and Reay does a great job of blending nostalgia with a modern setting. Seriously. The music video had a handful of people on their smartphones in the background.
Skye’s Tunes
I put my vinyl collection on shuffle this past month. I like The Who, but I don’t listen to their music often. After popping The Story of The Who back on my turntable, I felt guilty. I forgot how good The Who was. Even as I write this, several tracks are cycling through my head, including “Substitute,” “Boris the Spider,” “Magic Bus,” and “Baba O’Reilly.” Well, I knew I bought this album for a reason. Thanks, Past Me!
I couldn’t resist. I know American Idiot is a cliché album for my collection, but…come on. How could I not own American Idiot? Green Day is the kind of music I’m proud to say I grew up with. Before owning American Idiot, I had never heard every track on the album. After listening to American Idiot the way the band intended, I feel like I understand it much better. That and I’m listening to American Idiot as an adult as opposed to an oblivious child, an oblivious child who also didn’t understand swear words.
I have similar feelings about Billie Holiday as I do about Nina Simone. Both are great to listen to when I need something to wind down. As Simone’s predecessor, it’s easy to see the influence Holiday’s work had on artists like Simone. What feels especially comfy about Holiday’s music is the quality and tone. It qualifies more as “lounge music” than Simone’s, and the recording quality for each song on Lady Sings the Blues has a classic feel. That’s part of why I started collecting vinyl: albums like Lady Sings the Blues make me feel cozy.
It’s about time I talked about Queen. Don’t worry, I knew this rock band was coming sooner or later. As another band (and album) I grew up with, I have a strong personal connection with Queen: Greatest Hits. This album introduced me to amazing songs like “Bohemian Rhapsody,” “Don’t Stop Me Now,” “Another One Bites the Dust,” “Killer Queen,” “You’re My Best Friend,” and many more. I don’t say this often, but I’m so glad my parents are as cultured as they are. Because of them, I dare say: I was classically trained. I’m sorry.
Hey, hey! Kyra Kyle here again. That’s the music our writers have been listening to over the past month. Feel free to share yours in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.
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