Tag: music

Geekly Tunes: September 2025

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Today, our writers share what they’ve been listening to over the past month. Feel free to share what you’ve been listening to this past month in the comments. We’re all part of the Geekly Gang. I’ll get us started.

Kyra’s Tunes

In terms of music, this past month was an odd one for me. Nuke-Con (Omaha’s board game convention) is right around the corner–I hope to see some of you there next week–and Nuke-Con reminded me of a battle cry one of my friends said during one of last year’s games: Holy Fish Heads! I had to listen to Dr. Demento. There was no choice. But I didn’t listen to any Weird Al Yankovic tunes. No offense, Weird Al. “Fish Heads” by Barnes & Barnes made the rotation, as did The Firm’s “Star Trekkin,” and Ogden Edsl’s “Dead Puppies.” Fun fact: Ogden Edsl was from Omaha. Pour one out for my cornies.

Sometimes you need a good laugh. “Fish Heads” regales us with all the things severed fish heads can’t do: play baseball, play drums, or wear sweaters. “Star Trekkin”–obviously a Star Trek spoof–is the first novelty song to ever reach number one on the UK charts. “There’s Klingons on the starboard bow, starboard bow, starboard bow. There’s Klingons on the starboard bow, starboard bow, Jim.” And “Dead Puppies” laments how deceased pets aren’t much fun. I love how “Dead Puppies” ends with a mock religious tone. Cue the cathedral organ. None of these songs–or musical acts–take themselves too seriously. I needed that. The world is serious enough, bring on the levity.

Brian David Gilbert (BDG) may be one of the few modern acts who remind me of classic Dr. Demento. Not enough songs feature the recorder. Throw in some absurd existential dread, and “there is a rock in my house” has you covered. BDG contradicts himself in “Husky Voice.” You should also check out “i wish that i could wear hats,” but clearly BDG can wear hats. And I love teasing my spouse with “Don’t Tell Your WIFE About This Game!,” which serves as a warning about neglect. There’s a reason “Don’t Tell Your WIFE About This Game!” (pictured above) is Brian David Gilbert’s most popular song. Despite being a comedy song, the lyrics are brilliant.

Considered a one-hit wonder, Dishwalla’s debut album, Pet Your Friends, had plenty of other great tracks besides that one hit. Oddly enough, a handful of these tracks could also be considered novelty songs, and they happen to be two of my favorites: “Miss Emma Peel” and “Charlie Brown’s Parents.” When I first listened to Pet Your Friends (in the Nineties), I was rewatching Avengers episodes–not the Marvel kind of Avengers–so “Miss Emma Peel” chose the right subject matter. It doesn’t hurt that J. R. Richards has a hypnotic voice. Like “Don’t Tell Your WIFE About This Game,” “Charlie Brown’s Parents” may have some of the most clever novelty–or novelty-adjacent–song lyrics. “Charlie Brown’s Parents” adheres to lines and imagery from Peanuts and manages to say something greater than the sum of its parts.

“Counting Blue Cars” is Dishwalla’s one big hit, and it’s still a bop decades later. But “Haze” allows Richards to explore his vocal range, and “Give” features Dishwalla’s best groove. Post Pet Your Friends, Dishwalla had a few modest hits like (2002) Opaline’s “Somewhere in the Middle,” but Pet Your Friends remains the band’s best collection of tracks.

That’s all I have for music this month. Let’s check in with Skye.

Skye’s Tunes

Hooked on Classics is a love letter to well-known classical music compositions with a twist. Louis Clark and the Royal Philharmonic Orchestra give a modern take on timeless classical pieces by increasing the tempo, jazzing up the beat, and modernizing the music. To some, I can understand how a modern rendition of Mozart, Beethoven, Chopin, Tchaikovsky, Prokofiev, and other renowned classical composers’ works could be considered blasphemy. With me, I say, “Let’s just have fun.” I’ve never been a purist, and I don’t plan on starting now.

I’ve had Pink Moon in my vinyl collection for a while and have listened to it many times. However, it wasn’t until last month I truly started appreciating it. There are albums in my collection that give me a sense of calm and comfort, but none of them are quite like Pink Moon by Nick Drake. Pink Moon feels like hanging out with close friends while camping or watching a sunset with a lovable extended-family member. If I close my eyes, I can almost drift into another dimension while listening to Nick Drake’s Pink Moon, and that’s my favorite part.

Hey, hey! Kyra Kyle here again. That’s all our writers have for Geekly Tunes this month. Let us know what you’ve been listening to in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: August 2025

Published on by KyraLeave a comment

Happy Wednesday, Geekly Gang! Kyra Kyle here. This week’s Whatcha post is Geekly Tunes. Our writers will be sharing what they’ve been listening to over the past month. Feel free to share the music you’ve been listening to as well, because we’re all part of the Geekly Gang. I’ll get us started.

Kyra’s Tunes

Last month, I listened to the latest Wet Leg album, Moisturizer. I’m still listening to that album on occasion. But I mentioned in the write-up for Moisturizer that PJ Harvey was one of their influences, which led me to To Bring You My Love. I owned a cassette of PJ Harvey’s To Bring You My Love and listened to it on repeat in my first car, a jade Dodge Neon. At the time when I purchased To Bring You My Love, I didn’t know what to expect from PJ Harvey. Folks described her as grunge. The label didn’t fit. Harvey’s music occupies a space between punk, rock, blues, and folk. One can’t pin it down to one genre. And To Bring You My Love is one of her best albums. It earned countless perfect ratings from multiple music critics and continues to inspire.

I first caught Chappell Roan’s “The Subway” during a live performance stream. No offense to any of Roan’s other tracks, but “The Subway” was excellent. It was easily her best song in the set. There was no way Roan’s best song wasn’t on her album The Rise and Fall of a Midwest Princess. Yeah. “The Subway” was kept off Roan’s album because she wanted it to be a live performance-only song. I get it. “The Subway” brings down the rafters when Roan performs it live. Pirating led to “The Subway” being released as a single this past month. I got to rediscover this song all over again, and I love it.

We go from a couple of acts that hit the big time (Chappell is the current Queen of Pop) to another that didn’t quite make it, Jellyfish. This Nineties band is one of the internet’s favorite what-ifs. Jellyfish would’ve fared much better in a decade that wasn’t dominated by torn jeans, flannel shirts, and grunge. During that decade, no one wanted a fusion of Beach Boy harmonies over thought-provoking–and sometimes esoteric and bizarre–lyrics. Jellyfish doesn’t shy away from eclectic instruments in the service of finding the perfect blend of Wonderland-Core. While “New Mistake” was the closest this power pop four-piece got to a hit, I really like “Ghost at Number One” and “The King is Half Undressed.” The latter is a great example of lead singer Andy Sturmer at his Mad Hatter best.

I omitted some other bands I’ve been listening to lately, but I may save them for another month. It’s time to hear what Season and Skye have been listening to this past month.

Season’s Tunes

I’m back with another soundtrack. I can’t seem to get away from them. This month’s soundtrack is from Singin’ in the Rain. I’ve only watched the movie once, but it was so memorable that I can picture every dance number while listening, especially “Make ‘Em Laugh.” Even though he was bedridden after the shoot, Donald O’Connor nailed that performance. Respect.

Continuing with ’50s nostalgia, I discovered Elliot James Reay last week. The song I listened to, “Boy In Love,” blends 1950s rock ‘n’ roll with blues set in today’s world. Reay said in an interview that he wrote this song with his girlfriend, and some of the lyrics are things she’s said to him. It’s sweet, and Reay does a great job of blending nostalgia with a modern setting. Seriously. The music video had a handful of people on their smartphones in the background.

Skye’s Tunes

I put my vinyl collection on shuffle this past month. I like The Who, but I don’t listen to their music often. After popping The Story of The Who back on my turntable, I felt guilty. I forgot how good The Who was. Even as I write this, several tracks are cycling through my head, including “Substitute,” “Boris the Spider,” “Magic Bus,” and “Baba O’Reilly.” Well, I knew I bought this album for a reason. Thanks, Past Me!

I couldn’t resist. I know American Idiot is a cliché album for my collection, but…come on. How could I not own American Idiot? Green Day is the kind of music I’m proud to say I grew up with. Before owning American Idiot, I had never heard every track on the album. After listening to American Idiot the way the band intended, I feel like I understand it much better. That and I’m listening to American Idiot as an adult as opposed to an oblivious child, an oblivious child who also didn’t understand swear words.

I have similar feelings about Billie Holiday as I do about Nina Simone. Both are great to listen to when I need something to wind down. As Simone’s predecessor, it’s easy to see the influence Holiday’s work had on artists like Simone. What feels especially comfy about Holiday’s music is the quality and tone. It qualifies more as “lounge music” than Simone’s, and the recording quality for each song on Lady Sings the Blues has a classic feel. That’s part of why I started collecting vinyl: albums like Lady Sings the Blues make me feel cozy.

It’s about time I talked about Queen. Don’t worry, I knew this rock band was coming sooner or later. As another band (and album) I grew up with, I have a strong personal connection with Queen: Greatest Hits. This album introduced me to amazing songs like “Bohemian Rhapsody,” “Don’t Stop Me Now,” “Another One Bites the Dust,” “Killer Queen,” “You’re My Best Friend,” and many more. I don’t say this often, but I’m so glad my parents are as cultured as they are. Because of them, I dare say: I was classically trained. I’m sorry.

Hey, hey! Kyra Kyle here again. That’s the music our writers have been listening to over the past month. Feel free to share yours in the comments, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes (Whatcha Listening To): June 2025

Published on by KyraLeave a comment

Hey, hey, Geekly Gang! Kyra Kyle here. We’re back with another Geekly Tunes post for June 2025. This post is where our writers share the music they’ve listened to over the past month. You’re part of the Geekly Gang, too, so feel free to share what music you’ve been listening to over the last month. I’ll kick off the tunes for this month.

Kyra’s Tunes

My tunes for this month are less focused than the previous month. Let’s begin with The B-52’s. Their early work is stellar. Of course, you have the track that put them on the map, “Rock Lobster.” This song defied categorization. Is it art pop? New Wave? Regardless, “Rock Lobster” (and a lot of the tracks from The B-52’s eponymous first album) took inspiration from 1950s and 1960s pop music, but The B-52’s took it even deeper. They added an element of kitsch and camp. “Rock Lobster’s” conceit is a Beach Movie with Schneider switching up gender roles and adding a flourish of comedy. Obviously, The B-52’s didn’t take themselves seriously.

The B-52’s had a run of great songs from their first three albums like “Planet Claire,” “Private Idaho,” and “Whammy Kiss.” The band took a lengthy hiatus after their lead guitarist, Ricky Wilson, passed away from complications of AIDS. But the band persevered and released Cosmic Thing in the late Eighties, and this album features The B-52’s second breakthrough hit, “Love Shack.” While “Love Shack” served as a massive exhale for the band, I also adore many of Cosmic Thing’s other tracks, where they openly mourn the loss of their bandmate. And “Roam” is another huge hit. You’ve gotta love “Roam.”

What better way to celebrate Pride Month than with a queer band like The B-52’s? Happy Pride!

I’m staying in Athens, Georgia, with this one. I grew up with R.E.M.. From “Radio Free Europe” to “It’s the End of the World As We Know It (And I Feel Fine)” to even their Nineties albums like Automatic for the People and Monster, I’ve listened to most of their catalogue. I don’t know which era of R.E.M. I like best. R.E.M. is one of those bands I can turn to during various musical itches.

Ironically, Kate Pierson (of the B-52’s) provided backing vocals for R.E.M.’s “Shiny Happy People.” Michael Stipe insisted that “Shiny Happy People” was about Chinese propaganda posters, to which Pierson replied, Okay then, “Love Shack” is really about the plight of tenant farmers in Georgia. Don’t get it twisted. The two bands loved each other. R.E.M. frequently thanked The B-52’s for paving the way for them. In fact, one of the songs I mentioned about The B-52’s and their fallen bandmate featured night swimming (or skinny dipping). R.E.M. has a fantastic track called “Nightswimming.” I’ve always wondered if the two bands sang about the same moment. Both bands are close. It’s possible.

Despite liking most of R.E.M.’s catalogue, Automatic for the People is the perfect moment. Stipe shows maturity in his lyrics, and the band is at the height of their power. Whenever I get on an R.E.M. kick, I’ll usually throw in Automatic for the People for good measure.

The Replacements were a band that could never get out of their own way. I love the music we got from this band, but they should’ve been bigger. They should’ve been huge. The Replacements have a sordid history with drugs and alcohol. The band’s name is a testament to their past. They could no longer get gigs with their original band name and couldn’t think of a good replacement name, so they called themselves The Replacements.

Sonically, The Replacements bridged the gap between punk and alternative rock. Many cite The Replacements as the first alternative rock band. “Can’t Hardly Wait” often gets stuck in my head. I love both versions, the electric guitar one from Tim and the second version from Pleased to Meet Me. Tim’s version of “Can’t Hardly Wait” follows someone bored in heaven, while Pleased to Meet Me’s version sounds more like someone trying to get sober. Except for one or two lines, the lyrics couldn’t be any more different.

When they weren’t embarrassing themselves on Saturday Night Live, The Replacements were dropping gems like Let It Be (which The Replacements deliberately named after The Beatles album to piss off their label) that included the hit “I Will Dare,” which also happens to feature a Peter Buck (R.E.M.) guitar solo. I didn’t plan that. I swear. Let It Be and the subsequent Tim are two albums that have gotten near-perfect scores on music review sites, and for good reason. They’re incredible. Pleased to Meet Me is a huge departure, but still great. With Pleased to Meet Me, The Replacements explored various music genres (some of which would influence future bands like Nirvana) right before the band dissolved.

Ah! The Replacements are at (or near) the top of those bands where you wonder what could’ve been. That’s all I have for music this month. Let’s see what Season and Skye have been listening to.

Season’s Tunes

I also went back in time this past month. I know Queen is a well-known band, but I’ve been on a kick of listening to some of my favorite tracks. Specifically, “Hammer to Fall,” “The Invisible Man,” and “Radio Ga Ga.” These tracks strike more of a chord with me than many of their other songs. I can listen to those songs on repeat for hours. Okay. I can listen to various songs on repeat for hours, which is normal for me. I’m trusting all of you with this secret, Geekly Gang. Eh-heh.

I had a friend in high school who had no idea who Queen is. I took it upon myself to rectify that. Don’t worry. She’s been saved. >:)

Okay. This is technically a movie, but I love the soundtrack. K-Pop Demon Hunters dropped on Netflix less than a week ago, and I’ve been listening to the soundtrack constantly. I don’t listen to a lot of K-pop, but I’d be lying if I said I didn’t enjoy the earworms and choreography in the music videos. I did the same thing when the soundtrack for Barbie (2023) dropped. The soundtrack for K-Pop Demon Hunters is available on Spotify. What have you been listening to, Skye?

Skye’s Tunes

I’ve been trying to expand my musical tastes lately. I’m not familiar with Rage Against the Machine from my youth (on account of it being my youth), but I recall hearing several good things about their music. Also, having caught a couple of their songs off and on in my adulthood convinced me to dive in. Now I see what I’ve been missing. Over time, I’ve learned the different ways music genres can express specific ideas. Rage Against the Machine’s debut album reflects my feelings toward global news at the moment. Maybe it won’t someday, but Rage Against the Machine remains relevant.

Y’all know I love the classics. I’ve collected a few rap albums over the years, but 2Pac: Greatest Hits was inevitable. My favorite thing about 2Pac: Greatest Hits is how comprehensive it is. When I first bought it, I thought it was a double LP (like most large albums). However, I was surprised to learn it was a quadruple LP. Not 2 records, but 4?! Now you’re speakin’ my language. Naturally, if you’re a fan of OG 90’s rap, this album should speak for itself. I imagine I’ll probably be collecting more Tupac records over time, but I’m happy with this start.

The Beach Boys’ Pet Sounds has been comforting and depressing for me this past month. I’ve loved Pet Sounds since I received it as a Christmas gift. Being another album with zero tracks I dislike, my love has remained strong across several listens. I’m sure I’m not the only one feeling saddened by Brian Wilson’s passing. So, as a faithful tribute to him, I should only appreciate the art he gifted us with, arguably his best album. Rest in peace, Brian. We truly lost a legend.

Kyra Kyle here again. Agreed. Rest in peace, Brian Wilson. Let us know your favorite Brian Wilson song in the comments. Thank you for reading, and wherever you are, I hope you’re having a great day.

Geekly Tunes: Whatcha Listening To for April 2025

Published on by KyraLeave a comment

Today’s post is a little different than our previous Wednesday posts. Geekly Tunes is our sound track from the previous month. Skye buys at least one vinyl every month, so this one might be right up her alley. Hey, hey! Kyra Kyle here. Let’s kick off Geekly Tunes by having the Geekly Gang share the music they’ve listened to in the previous month. Feel free to share your tunes, too. We’re all part of the Geekly Gang.

Kyra’s Tunes

Early March 2025 was dominated by Focus’s “Hocus Pocus,” specifically the live Midnight Special version of the single. Focus is a prog rock band from the Netherlands. Their hit single “Hocus Pocus” originally ran for over seven minutes. After The Midnight Special asked them to play a different song, they insisted on performing their hit. They played it faster, and it worked. “Hocus Pocus” is a prog rock gem that includes yodeling. What’s not to love?

I listened to “Hocus Pocus” on repeat while I worked. Its up-tempo beat kept me focused (hey, like the band name) and revved up to get work done. Since the song uses yodeling, “Hocus Pocus” had few discernable lyrics to color my words if I was working on a Geekly project or a rulebook for one of my six board game prototypes. Six games? What was I thinking?

Okay. There was a period when I was listening to Miley Cyrus this past month. It started by listening to Lou Reed’s “Sweet Jane,” and then I was suggested Cowboy Junkies’ cover of the song. I love both versions of “Sweet Jane,” and then Miley Cyrus’s Backyard Session of “Sweet Jane” popped on my suggested song list. I listened to it, and they did a great job on “Sweet Jane.” Miley’s version follows the Cowboy Junkies’ cover. I gave Miley’s “Sweet Jane” a like, and then I was suggested their entire Backyard Session playlist. Most of Miley’s Backyard Session performances are candid, stripped down from their studio sheen, and a joy to listen.

The picture above is of Miley Cyrus and Ariana Grande’s cover of “Don’t Dream It’s Over” (by Crowded House). Nine years ago, they performed the song as part of a Happy Hippie tribute. Happy Hippie is a nonprofit organization that helps youths (specifically LGBT and BIPOC youths). Typically, I don’t care for Ariana Grande’s music, but these two’s cover is sweet and silly as evidenced by the onesie pajamas they wear. Not going to lie, I may need to add these onesies to the ones that already hang in a closet.

Finally, I went on a Moby Play kick. Like “Hocus Pocus” above, Moby’s music allows me to work with minimal lyrics. The soundscapes in Play soothe my frazzled head. “Find My Baby,” “Why Does My Heart Feel So Bad?,” and “Porcelain” are standout tracks, but Play is one of those few albums I don’t bother to skip a single song. Despite the controversy, I adore “My Weakness.” A quick history and full disclosure: Moby had heard “Nyinewaco” from a film and sampled it in “My Weakness.” “Nyinewaco” is a Tiga Island song about the island’s founding and drinking water. “My Weakness” loops “Nyinewaco” as stringed instruments swell. It’s a haunting track. I always thought of the music as returning home. A Tiga Island creation myth song makes sense.

That’s enough out of me. I listened to far more this past month, but I want to hand the floor over to Season and Skye. Thank you for reading.

Season’s Tunes

Keeping with my personal tradition that began with our local rock station, I listened to 311 on 3/11 at 3:11pm. I revisited the songs “Transistor” and “Beautiful Disaster” since I hadn’t heard them in years. Normally, I listen to “Amber,” which I did, of course. I enjoyed listening to these songs while I played my daily missions in video games. They’re interesting and I recommend them.

Two side notes. 311 is also originally from Omaha, NE. Also, I had no idea Transistor was released in Japan. The picture I chose is the Japanese cover for their CD release in 1997.

Moving seventeen years in the future, I jammed out to G.R.L.’s “Ugly Heart,” released in 2014. “Ugly Heart” showed up in my feed while I was scrolling through YouTube Music. You’d think I’d have heard it before because it was released while I was in high school and was very popular at the time. For some reason, I hadn’t. “Ugly Heart” was one of G.R.L.’s big hits, and people thought they’d keep it pushing after “Ugly Heart.”

Warning for those sensitive about death/depression. Three months after “Ugly Heart” released, the singer in the middle of the image, Simone Battle, succumbed to depression and took her own life. The group dedicated a single, “Lighthouse,” to her, and never made a full comeback after her passing.

Last July, Denzel Curry released King of the Mischievous South Vol. 2, and I’ve been listening to it off and on ever since. I don’t listen to much rap, but I love the way he incorporates soft sounds into his music. His voice is oddly soothing, and I enjoy listening to him on repeat. When Melt My Eyez See Your Future dropped back in 2022, I paid attention to the lyrics and listened to that one on repeat. I still listen to Melt My Eyez See Your Future on repeat.

The picture I posted with this one is from the repackage album cover and the picture Spotify uses, but it’s not the original album cover. Denzel looks a lot calmer in this picture.

Skye, what have you been listening to this past month?

Skye’s Tunes

Guess what? I have my own vinyl record collection. Even though I enjoy visual artistic mediums such as film, my first love is music. Some of my favorite childhood memories involve sitting in a car and listening to homemade CDs with my family. Good times!

My vinyl record includes 66 albums. Let me tell y’all about the ones I’ve been listening to lately.

Costello Music by The Fratellis is a childhood favorite. It was a no-brainer for my collection. The upbeat and hypnotizing melodies stick in my head years later. Even to this day, I can’t say there’s a single track on this album I dislike. Each of them is infectious, and recently, I’ve been listening to it on repeat for a couple weeks.

Simon and Garfunkel’s Greatest Hits is a new addition to my collection. This album helps me find my center. Folksy music like Simon and Garfunkel mentally transports me to a peaceful place that few other albums can. The classic melodies are so calming, lovely, and hummable. I’ve wanted to pick up a Simon and Garfunkel album for a while, and I’m glad I finally got around to it.

Kendrick Lamar’s Damn. is another newcomer to my record case. Damn. reminds me why music is important; there are several rap albums in my collection that do that. Not only does Damn. contain bops that make you want to get up and move, it also has messages that modern music has lost. When you listen to the lyrics, it’s clear what smart writing and clever wordplay went into making something the U.S. desperately needs to hear.

I loved Nina Simone’s Feeling Good: Her Greatest Hits to death the moment I got it. While I wasn’t familiar with the artist, this record soon became one of my favorite albums in my collection. Feeling Good was the first vinyl record I received, but it never fails to get me jamming. Such soul, passion, and artistry in Simone’s voice keep me coming back, and her music remains relevant.