Geekly Tunes: October 2025

Happy Wednesday, Geekly Gang! Kyra Kyle here. Today, our writers share the music they’ve been listening to over the past month. Feel free to share what you’ve been listening to over the past month, because we’re all part of the Geekly Gang. I’ll get things started with my geekly tunes for October.

Kyra’s Tunes

I’ve been revisiting Gorillaz’s catalog after their recent announcement of their upcoming ninth studio album, The Mountain. Gorillaz’s early stuff is phenomenal. Their first three albums resonate today. I’ll throw on Gorillaz, Demon Days, and Plastic Beach, while cleaning or doing some other chore. I giggle at “Clint Eastwood’s” beat. I had a Casio keyboard with the same “Rock” beat. All one had to do was hold down the drum break at the beginning to create the intro. So good.

Demon Days and Plastic Beach allowed Damon Albarn to stretch his creative muscles. And he got political. “Dirty Harry” tackled The War on Terror, while most of Plastic Beach addressed climate change. “Superfast Jellyfish” may be the catchiest song about destroying oceanic wildlife. But hey, the jellyfish left behind taste just like chicken. Yum.

Despite The Fall’s interesting premise (most songs were written and recorded while Gorillaz was touring in different cities), it may just be Gorillaz’s weakest album. It’s a quieter version of what the Foo Fighters would try a few years later in Sonic Highways (easily the Foo’s weakest album). Writing and recording music during a road trip sounds like a good idea, but I haven’t heard it done well recently. Let me know if another band does a great job with this concept.

While Humanz has some catchy tunes, it shows the band leaning heavily into featured artists and collaborations. I’ll still jam to “Saturn Barz” or “Strobelight.” Heck, “We Got the Power” is a catchy tune for positive change. Albarn admitted to rushing The Now Now with B-sides from Humanz, so the two albums have similar sensibilities. Several critics trashed The Now Now for not taking enough risks, and I can see that, but there are plenty of great tracks like “Humility” and “Tranz” from The Now Now. And I love that Ace (from Powerpuff Girls) filled in on bass for Murdoc. The Now Now is Gorillaz at their most optimistic. I liked this change of pace.

And then we get to my favorite modern Gorillaz album: Song Machine. “Aries” was my COVID-19 anthem. It’s so good, and it differs from “Momentary Bliss” and “Désolé,” which are both amazing. The latter may be my favorite track from this album. Featured artist Fatoumata Diawara is a queen. Gorillaz stretch their artistic muscles with Song Machine. The group ventures into world music, reggae punk, new wave, RnB, and even bossa nova. With so many music styles, I’m certain you’ll find your favorite Gorillaz deep-cut on Song Machine.

Cracker Island is more of a mixed bag. The singles are probably the best tracks from the band’s latest album, so they knew which ones to release. The title track is a bop. “Skinny Ape” lives rent-free in my head. And “New Gold” is synth-pop warmth. But many of the other tracks fall flat. Still, there’s enough to like from Cracker Island that I’m excited for The Mountain, which is scheduled for a March 2026 release. We should be hearing plenty of singles in the coming months.

I took longer with Gorillaz than I thought. While I have listened to many more artists, I’ll save those for later and check in with Season to see what she’s been listening to over the past month.

Season’s Tunes

I decided to go back in time for this month’s tunes, Geekly Gang. I watched a live (recorded) performance of “Runaround Sue” on YouTube, then listened to it for the rest of the week on repeat. No wonder “Runaround Sue” has so many covers. If you’re looking for an older bop, “Runaround Sue” is definitely worth a listen. Fun fact: Two years after “Runaround Sue” was released, Dion married Susan Butterfield. Coincidence?

“Sukiyaki” or “Ue o Muite Arukou/上を向いて歩こう” (“I Look Up When I Walk”) was released the same year as “Runaround Sue”: 1961. “Sukiyaki” didn’t break into the U.S. Billboard Hot 100 until 1963. Sukiyaki is a type of Japanese hot-pot dish that contains beef. They called the song “Sukiyaki” in English because it was easier for English speakers to recognize as a Japanese word.

Kyu Sakamoto performed “Sukiyaki,” but Rokusuke Ei wrote the song. Rokusuke Ei would write another of Sakamoto’s songs in 1963, “Miagate Goran Yoru no Hoshi wo/見上げてごらん夜の星を” (“Look Up at the Stars in the Night”). There’s a lot of looking up in Rokusuke Ei’s songs. Sadly, Kyu Sakamoto passed away in a plane crash in 1985.

Okay. So, I had a theme, but this song threw my theme out the window. Let’s get into some weird ’90s bubblegum pop with “Candy” by the K-pop boy band H.O.T.. They knew what they were doing with that band name. I originally saw a clip of a “Candy” cover by NCT Dream on Instagram and thought the lyrics were wacky. So, I watched the original music video. I recommend watching with the closed captions on, because this song is toxic. LOL. In a nutshell, they sing about waking up and wanting to break up with someone, then deciding to stick around because their lover smiles. What?

Outside of that, the outfits are bizarre. They’re in a mall theme park for part of this video, and most of them sport a single fuzzy mitten on one hand. I think the target audience for the music video was supposed to be tweens, but it came off as Sesame Street gone wrong.

That’s all from me. What are you listening to this week, Skye?

Skye’s Tunes

I’ve been revisiting the oldest records in my collection. Whenever I listen to Californication, I remember opening presents with my folks, who were all too eager to feed my vinyl hobby. My family’s discriminating musical taste has exposed me to all kinds of music, and some of my favorite memories come from the soft-rock tracks found on Californication. Notable tunes like “Scar Tissue,” “Otherside,” “Porcelain,” “Road Trippin’,” and the title track (my favorite) “Californication,” make appearances on Californication. Good times.

Transformer was also among the first records in my collection. I hadn’t heard of it before I received it as a present. In fact, at the time, my knowledge of Lou Reed was limited. My family provided me a quick history lesson, which piqued my interest, resulting in Transformer becoming a classic album in my record case. I listened to Transformer on repeat that Christmas Day. Songs like “Perfect Day,” “Hangin’ Round,” “Walk on the Wild Side,” “Satellite of Love,” and “Wagon Wheel” quickly became favorites, and now I can’t imagine life without Transformer. Thanks, fam.

Hey, hey! Kyra Kyle here again. Those are the tunes our writers have been listening to over the past month. Feel free to share the music you’ve been listening to over the past month, Geekly Gang. Thank you for reading, and wherever you are, I hope you’re having a great day.

Whatcha Watching, Geekly? May 2025

Hey, hey, Geekly Gang! Kyra Kyle here. It’s another Wednesday, and Geekly will be discussing the shows and movies we watched over the past month. I won’t be including Thunderbolts* in this post because I’ve already written a review about that movie. And as usual, we’re all part of the Geekly Gang. Feel free to share what you’ve been watching over the last month.

Kyra’s Shows

Ten minutes into watching Love & Death, it dawned on me that I had already watched a show with this same premise, Candy. So, I decided to do something a little different with this month’s Whatcha Watching. I rewatched Candy after finishing Love & Death and compared the two shows. Candy and Love & Death differ in two key ways: narrative structure and whose side of the story is told.

Candy (released in 2022 on Hulu) and Love & Death (released in 2023 on Max) follow Candy Montgomery, who was charged with the murder of Betty Gore in 1980. Candy pleaded not guilty based on self-defense. Both mini-series (with some alterations) share the basic details of the case. Candy Montgomery and Allan Gore (Betty’s husband) had an affair that ended amicably. Betty finds out about the affair a year later and accosts Candy with an axe, and Candy defends herself. Both shows also share specific details, such as Candy’s attorney quoting John Steinbeck in his closing arguments, but the two shows couldn’t be any more different.

Love & Death frames its story chronologically. This happens, and then this, and then this. It’s easy to follow. The structure and the time Love & Death spends on developing characters provide a window into who the characters (or real-life people) are and why they may do what they do, and when we finally see the death scene (which happens beyond the halfway point), the murder scene carries a lot of weight.

Conversely, Candy uses non-linear storytelling, bouncing from the present to the past and back again. I’m unsure why Candy chose this style of storytelling. Non-linear narrative structure is often nicknamed the narrative structure of trauma. Perhaps that was what they were going for. Candy shows the murder weapon within the first fifteen minutes and a glimpse of the murder within the first thirty minutes. It’s easy to get lost when something is supposed to happen because Candy shifts timelines.

Narrative structure isn’t the only way these shows differ. Love & Death attempts to stay neutral for all parties involved but leans toward sympathy for Candy Montgomery. Candy leans further into siding with the victim, Betty Gore. Betty’s ghost is even present during the reading of Candy’s verdict. What? There are some head-scratching choices made with Candy, but the show is still a good watch.

Before we move on, I have one other note: Candy uses the commonly seen “Based on a true story” at the beginning of each episode, while Love and Death uses the less common “This is a true story.” I didn’t know where to discuss this; it’s odd. The producers of Love & Death must be wagging their fingers at the producers of Candy. Tsk tsk. I’m unsure how I feel about Love & Death’s assertion, but I am sure that I prefer Love & Death slightly more than Candy.

Both are solid shows, and it was fun watching them back to back. Even though I watched Candy years ago, I forgot the show’s particulars. Watching Love & Death first before rewatching Candy allowed me to keep the timeline straight.

Candy’s narrative structure doesn’t help the story. There were scenes where I wondered if Candy’s husband was distant (like he was in Love & Death), and that’s why Candy cheated, or that Candy cheated on a man trying to make their marriage work (which seemed to be the direction Candy had gone). Candy’s non-linear narrative makes it difficult to track Pat Montgomery (Candy’s husband). Pat learns things about Candy, and he changes over time. Love & Death shows this well. Candy makes it unnecessarily murky at times.

Even so, I love Candy’s set design and atmosphere. Jessica Biel looks the part of Candy Montgomery. And I like that Candy is a trippy mini-series. But I lean toward Love & Death as the better series, even if they may be reaching with “This is a true story.” Biel may look more like Candy, but Elizabeth Olsen has the space and story to embody the character…I mean, real person.

I’ve watched other shows, but I wanted to share my thoughts on these two shows about the same topic that were released a year apart. Let’s see what Season and Skye have been watching.

Skye’s Movies

Blade Runner

I’ve been catching up on my movies. After several trips to my local Barnes & Noble, I’ve gotten a few DVDs. Among them is the original Blade Runner. This is a film that’s been on my watchlist for a while, and I’m glad I watched it, but I must admit I have complicated feelings. This is a movie I want to like, but I don’t know if I can.

I’ve heard an abundance of praise for the original Blade Runner, and I was hoping it would live up to expectations. Blade Runner’s look and feel are amazing, but plot-wise, I don’t know what it’s about. A few things likely went over my head. Before solidifying my opinion, I’d prefer to watch it at least one more time. I’ll gladly give Blade Runner a second chance.

Se7en

I’ve already seen Se7en, but I didn’t own it on DVD. Since I picked it up at Barnes & Noble, I needed to recapture the magic. Needless to say, Se7en holds up pretty well. It’s one of those movies that makes me question my reality and the value we place on morality. How do we determine objectively good morals, and how do we enforce them?

Since humans are imperfect, does anyone have the right to enforce morality? I know that’s deep, but these were the questions running through my head after first viewing Se7en. Of course, they came right back when I rewatched it. If you’re in the mood for an eerie, mysterious, and brutal tale detailing the human condition, Se7en is for you. Find out what’s in the box.

The Secret World of Arrietty

I’ve been on a Studio Ghibli kick, so it’s a great time to watch The Secret World of Arrietty. My favorite thing about the film is the worldbuilding. Focusing on a family of little people living inside a normal sized house, there’s a lot of inventive gadgetry they come up with to maneuver around the place. Each item was clever and cute when I saw them on screen.

Outside of that, I couldn’t get into The Secret World of Arrietty’s story. Mostly because there wasn’t much of a story. I respect The Secret World of Arrietty for trying to embrace a non-traditional plot structure, but in the process, it lost the personal connection. This movie is very cute (one that kids will love), but there unfortunately isn’t much substance to it. Since it’s a Ghibli film, you can bet The Secret World of Arrietty has plenty of breathtaking animation.

Season’s Movie

Hey, Geekly Gang! I’ve been watching more anime than usual lately, which isn’t something I’ve done in a while. I watched The Rose of Versailles (2025) because I saw some clips on Instagram and thought it looked interesting. I had no idea what it was about. The Rose of Versailles is a period piece set during the French Revolution in which a woman leads an army and storms the Bastille (which was a pivotal moment in the actual French Revolution). The Rose of Versailles follows the themes of empowering women and romance. Apparently.

I say “apparently” for the romance because I didn’t care for it. Spoiler alert: The female lead (Oscar) dies at the end of the movie and wants to be with the man she fell in love with. It wasn’t necessarily out of nowhere because the guy she fell in love with grew up with her. But it was shoved in toward the end after she was adamant that she wouldn’t marry and live for her country.

On a different note, Aya Hirano was cast as Marie Antoinette in the Japanese version. I enjoyed watching her in something again after she’d received threats from former fans. I watched a lot of anime she was in when I was a teenager. Some of her notable work includes Fairy Tail (Lucy), The Melancholy of Haruhi Suzumiya (Haruhi), and Death Note (Misa).

Season’s Show

It was a matter of time before I started watching the Ranma 1/2 remake. I loved the original anime. This remake has a lot to live up to. Right off the bat, they faked me out with the intro song. It opened with Genma hitting a gong, but the song was completely different, so I’m docking points for that. Outside of that, the Ranma 1/2 remake stayed true to both the original anime and the manga. I’m watching the English dub first because that’s how I first watched the original when I was younger. I’ll probably re-watch Ranma 1/2 in Japanese at some point.

Speaking of the English dub, what the heck is up with Nabiki’s voice? Her voice used to be smooth and cool-sounding in the original anime, but they made Nabiki sound screechy in the remake. On the flip side, girl Ranma is more palatable to listen to this time. The original anime didn’t finish the manga’s story and ended in a weird place. I think this had something to do with the producer at the time. I hope the Ranma 1/2 remake sees the full story through to the end.

Hey, hey! Kyra Kyle again. Feel free to share what you’ve been watching over the last month, because you’re part of the Geekly Gang, too. Thank you for reading, and wherever you are, I hope you’re having a great day.