Hulk Starter Stories

Despite his superhero persona, the Hulk is often viewed as a monster and many of his stories range between Hulk as a hero and as the hunted. He’s one of the rare Marvel heroes who started with their own solo series and then got absorbed into an anthology series (Tales to Astonish), only to receive a solo series again. Marvel often doesn’t know how to handle the green goliath, so it can be difficult to find which stories to read first.

Hey, hey! Kyra Kyle here with a guide of starter Hulk stories.

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Hulk: Gray (written by Jeph Loeb/art by Tim Sale; 2003-2004)

Loeb and Sale usually do a great job showing a hero’s formative years, and Hulk: Gray is no exception. For those who don’t know Hulk’s origin as well as other Marvel character’s this series delves into the accident that created him and his early struggles and failures to control his powers.

Hulk: Gray only ran for six issues, but readers get a good understanding on how at odds Banner is with his counterpart. It’s a quick and must read.

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Planet Hulk (written by Greg Pak/art by Carlo Pagulayan and Aaraon Lopresti; 2006-2007)

Yes! This story should look familiar for Thor: Ragnarok fans. Humanity deems Hulk too dangerous to remain on Earth, so he’s jettisoned on an alien planet Sakaar. Once there, the locals enslave him and force the Hulk to fight in gladiatorial combat against other aliens. Planet Hulk is one of the wildest and best Hulk stories.

The story builds intrigue on who sent Hulk to the planet—I won’t spoil it here, but it’s eye-opening—and watching the Hulk battle to liberate Sakaar from the Red King is satisfying. Throw in Hulk getting married and a Hulk baby and you have a romp that’s well worth the read.

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World War Hulk (written by Greg Pak/art by John Romita Jr.; 2007)

Remember the intrigue from Planet Hulk? Yeah, World War Hulk shows what happens when the Hulk discovers who sent him to Sakaar and the subsequent war. While this mini-series displays some intricate combat, it also manages to show a mindful Bruce Banner who remains trapped inside all the Hulk’s rage.

It’s a side of the Hulk that readers don’t get to see that often and it’s refreshing.

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Indestructible Hulk (written by Mark Waid/art by Leinil Francis Yu; 2012-2014)

This story may seem out of place as it was published a good five years after World War Hulk, but Indestructible Hulk does a great job of showing why humanity may fear the Hulk enough to send him to another planet.

The Hulk chooses to do some good and allies with S.H.I.E.L.D.. This partnership leads to some of the Hulks battles, but as the title implies, the Hulk gains so much strength that he becomes indestructible. I won’t spoil the shocking reveal at the end, but this series shows how the Hulk struggles to be a hero, but he’s ultimately a force of nature.

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Hulk: Destruction (written by Peter David/art by Jim Muniz; 2005)

The Hulk doesn’t have as many villains as other heroes in comics, but the Abomination (featured in the movie The Incredible Hulk) must be one of the key few, and Hulk: Destruction does a great redefining the two’s relationship.

Peter David also happens to be a long-time The Hulk writer and this mini-series does a good job showing what he can do with the character.

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Ultimate Wolverine vs. Hulk (written by Damon Lindelof/art by Leinil Francis Yu; 2005-2009)

The infrequent schedule of this mini-series left a lot of readers miffed at the time of its original run, but the six issues have been completed, and no collection of Hulk stories would be complete without including at least one battle between Hulk and Wolverine. Heck, Wolverine was first introduced as a Hulk foil.

Ultimate Wolverine vs. Hulk shows how insane these battles get. It opens with Wolverine torn in half, his legs on top of a mountain. Yikes!

I could have done with so many flashforwards and flashbacks in a short series like this (Lindelof is one of Lost’s co-creators, so I guess he likes using a lot of these), but Ultimate Wolverine vs. Hulk gives insight to the brutality of these two primal beings.

That’s my list for new Hulk readers. Did I miss any stories or include some that I shouldn’t? Send me a smoke signal atop a mountain—preferably not the one the Hulk traveled to—or let us know in the comments. And wherever you are, I hope you’re having a great day.

Batman Starter Stories

With wave after wave of comic book movies hitting theatres, interest in superhero characters has probably never been higher in the mainstream. Some people who’ve familiarized themselves with the big screen versions of the Avengers or the Justice League may be tempted to delve into the comics, but that can be intimidating. Most of the iconic superheroes in the industry have decades of stories behind them, so new readers may have no idea where to begin. With that in mind, Kyle and I have decided to publish recommendations for new comics readers, jumping-off points, so-to-speak, for understanding the basics of the characters in question.

This week, we’ll cover Batman. With three-quarters of a century’s worth of history, there’s a lot to know about the character, but the good news is most of the truly important moments in Bat-canon aren’t that old, comparatively speaking. Here’s my list of graphic novels and/or story arcs you can read to get all you need to about Batman and the world of Gotham.

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Year One (written by Frank Miller/illustrated by David Mazzucchelli)

Year One is pretty much what you’d expect from the title. It’s the story of Bruce Wayne’s beginnings as Batman, his first year. It covers his struggle with the crime families that predate the arrival of the supervillains, as well as his conflict with a corrupt Gotham Police Department. Parts of it aren’t really considered canon anymore, or never were, but modern canon never seems to stray too far from what Frank Miller established here. This is also a great story for understanding the dynamic between Batman and commissioner Gordon.

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The Killing Joke (written by Alan Moore/Illustrated by Brian Bolland)

This is one of the most famous Batman stories ever told. It’s a window into The Joker, and a brief insight into the dynamic between hero and villain. This one comes with a warning to readers who are sensitive to the topic of sexual abuse, as Barbara Gordon, Jim’s daughter and alter ego of Batgirl, is shot and photographed in various stages of undress by The Joker. Do you remember Christopher Nolan’s film, The Dark Knight? The Joker wanted to prove that Harvey could be corrupted, made as insane as he is. That concept is straight out of The Killing Joke, only the target isn’t Harvey. It’s Jim Gordon, and he uses his daughter to achieve that. The Killing Joke also is the jumping off point to Barbara’s time as the character called Oracle, which is often referenced in Batman comics.

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Hush (written by Jeph Loeb/illustrated by Jim Lee)

This one is a solid read, and good for beginners for a couple of reasons. First, because as Jeph Loeb is wont to do, it runs through just about the entire Batman Rogues Gallery in the course of the story. You’ll get a little bit of pretty much everyone here. Second, because this book also has an appearance by Superman, and the dynamic between Batman and Superman is one of the more fun things to consider in modern DC comics.

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The Long Halloween (written by Jeph Loeb/illustrated by Tim Sale)

This is just a great Batman book in general, but it’s also a good introduction to another one of Batman’s iconic rogues, Two-Face (Harvey Dent). This is also a great read for anyone looking to explore Catwoman as a character.

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Knightfall (written and illustrated by various)

This one is a bit of cheat as it refers to a long arc within the comics, but one that is often called upon in modern Batman storytelling. Remember when I referenced the Christopher Nolan movies? Well, this one is what The Dark Knight Rises draws from most. It’s the story of Batman having his back broken by Bane, his recovery, and his reclamation of the Batman mantle. It’s actually not one of my favorites, but it’s worth reading to get a bigger picture of the network that is The Bat Family, and why Bane holds a special place among Bruce Wayne’s enemies.

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Death in the Family (written by Jim Starlin/illustrated by Jim Aparo)

This one isn’t to be confused with Death of the Family (Snyder/Capullo). Don’t get me wrong, Death OF the Family is terrific, but it’s not for this list. Death IN the Family is an important arc for Batman because it covers the death of Robin. If you’re new to Batman Comics, you may not realize there have been many Robins. In Death in the Family, Batman’s second Robin, Jason Todd, is murdered by the Joker. In later comics, Jason Todd’s death is undone, and the character exists today as Red Hood, but understanding the history established in Death in the Family is key to understanding that dynamic within the Bat Family.

That’s my list for new readers of Batman. How do some of our seasoned Batman readers feel about it? Did I miss any? Did I include some you don’t agree with? Challenge me to a duel, or maybe just tell us in the comments.

DC Comics Universe Cities

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Arrow frequently relocates Starling City.

The first season placed Starling near Seattle because the series is filmed in Vancouver and the two cities have similar terrain. The second season flashed geographic coordinates that depicted Starling City’s airport in northern Wisconsin, somewhere north of Green Bay. Then during a Flash/Arrow crossover in the third season, they said that The Flash ran from Central City to Starling City and that Barry traveled 600 miles to do so. Even if Starling City exists in northern Wisconsin, Barry would still have had to travel more than 600 miles, so there may be a third location for Starling City. But the comics place Green Arrow in Star City and that’s in northern California.

As far as the Golden Age Flash’s home of Keystone City is concerned, it’s located across the Missouri River (in Kansas) and serves as a twin city for Central City, MO. I didn’t include it on the map because that would’ve looked crowded.

Metropolis used to be located near New York City but it got moved to Illinois. Many believe that it’s located in Chicago, and that may be, but DC Comics made a public announcement that the physical Metropolis is the official home of Superman. Perhaps I should’ve put a second Superman logo in northern Illinois to muddy up things further.

At any rate, let’s see how these locations compare in terms of population.

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I guess Smallville’s population is no more than a drop in the bucket when compared with Metropolis. Ba-dum-bump.

Note: Gotham City’s population refers to post-No-Man’s Land arc.