Flash: “The Once and Future Flash”


Jim’s Thoughts

“The One and Future Flash” didn’t exactly burst out of the proverbial gate. It offered another look at another timeline, and since we all know Barry will achieve “the impossible” in stopping Savitar, it’s not even a timeline I can take all that seriously.

My problems with this episode are pretty much in line with the problems I’ve had with the entire direction of the show. I don’t care about the Barry/Iris romance, and it’s trying to force me to care. Maybe I’m in the minority here, but their efforts to do that undermine every member of the team.

In the future, when Iris dies, Barry grows his hair out and fronts a My Chemical Romance reunion. He stops caring about anyone or anything, and all the members of team flash pull away from one another.

First, I don’t believe Iris is that important to the dynamic of the team. Remember, Wally has known the West family for all of, what? A year? He wouldn’t have a normal sibling relationship with Iris. If his mother’s death didn’t break him, why would that of his estranged sister? Then again, he fell in love with Jessie Quick faster than a fart floods an elevator, so maybe normal human emotions never apply.

Second, if Barry going into seclusion means none of the other team members stay together, hell, none of them even stay in touch with one another, how tight can their individual bonds really be? Would Barry really retreat so far into self-pity that he’d stand by and watch Central City crumble? If so, he’s not a hero and never was. All of this boils down to two things. The CW writers don’t understand what the decisions they’re making say about the characters they’re working with, and that they’re burning the cast’s dynamic to the ground to manufacture higher stakes for a bad storyline.

Kyle hit the nail on the head when he said the outlying problem with this season is that its leaning on the mystery of who Savitar is, and Savitar hasn’t been made interesting. Nobody cares who Savitar is, and no revelation is going to be enough of a payoff to satisfy being strung along as far as we have been. Ending the episode with the teaser only reminded me of how annoying all this has been.

Kyle’s Take

The teaser at the end was insulting. Flash explained Savitar is someone Barry knows, and we learned earlier in this episode Killer Frost knows his identity when she joined him. The episode told and then showed. The teaser added nothing.

The timeline “The Once and Future Flash” presented had the same issues as the Earth-2 versions of Flash characters. A lot happened, the script dumped years of info through dialogue, and this reality won’t matter after this week. Jim’s right with his assessment that Barry will do the impossible and save Iris. Flash couldn’t kill off Iris any more than Arrow could kill off Felicity.

I sell this reality for all the reasons Jim does. Wally shouldn’t go catatonic after his estranged sister dies (he didn’t for his mother who raised him), and Barry isn’t much of a hero if he could sit back and let Mirror Master and Top overtake Central City. Seriously, he’s going to let The Rogues Light ruin his city? And where was he when Cisco and Caitlin needed him? I question Cisco’s sincerity when he said, “I missed my friend.” Barry changed time so Cisco’s brother would die, wouldn’t change it back, and left him alone to suffer for eight years. Barry hasn’t been much of a friend.

I’m not sure if Flash can recover from its missteps and I don’t care who Savitar is. “The Once and Future Flash” built up nothing. The finale is looking like a whole lot of nothing.

Thanks for reading.

iZombie: “Wag the Tongue Slowly”


Kyle’s Thoughts

iZombie hasn’t figured out how to integrate its story arcs. Come to think of it, the CW may not know how to integrate its story arcs. For the second week in a row—I didn’t review last week’s “Eat, Pray, Liv” for reasons I’ll explain later—iZombie front loaded its episode with the weekly mystery, rushing the process, so it could focus on something else the second half of “Wag the Tongue Slowly.”

The solution to this week’s mystery left a lot to be desired: everyone’s involved. No one likes a gossip so it made a little sense that more than one person would plan the victim’s murder. iZombie even offered that the murderers didn’t know they were killing her either by giving her Utopium. That almost makes sense, too. But if Cheryl’s coworkers wanted to teach her a lesson, a laxative in her pudding would’ve worked as well as, if not better than, an illegal street drug. I can’t buy into the coworkers’ ignorance. Headlines like thousands of people die from Utopium overdose would make me reconsider putting it in someone’s food as a prank.

I didn’t review “Eat, Pray, Liv” because iZombie turned full CW: insta-romance. I got invested in Blaine’s reform. He didn’t need a love interest in Peyton. Ravi pining for Peyton was okay. His jumping in bed with a character reintroduced for the sole purpose of Ravi jumping into bed with her and ruining his chances with Peyton was pointless. Major and Liv work as friends. They haven’t expressed feelings toward each other in years. Again, it makes some sense he’d have feelings for her, the two were engaged before they turned zombie, but iZombie didn’t need it, and “Wag the Tongue Slowly” dropped the story the next week. Enough with insta-romance.

And insta-romance during “Wag the Tongue Slowly” was the main plot point that rushed the week’s mystery. Major discovers Natalie. He forgot about Liv when he fell in deep, like-like for her and gave her his only zombie cure dose. Unless Ravi has another dose hanging around, Major just sacrificed his life for Natalie’s. The two characters have known each other for a few days. That’s a huge leap, especially since Major fell in like-like with Liv last week. Enough with insta-romance.

The zombie-topia showed up during the last five minutes this week. The moment at the end presented and interesting angle but iZombie has added a lot of plots to juggle. The show has a history of juggling plots better than any other CW show, season two had several plotlines on the stove to boil at different temps, but iZombie’s third season is playing out a lot like Supergirl this season. Let’s backload the final fifteen minutes of episodes with romance or an ongoing plot. It’s clumsy.

iZombie’s season is still young. The show just needs a few strong episodes to right itself. Let’s hope we’ve seen the last of insta-romance for a while.

Thanks for reading.

Supergirl: “Ace Reporter”


Kyle’s Thoughts

“Ace Reporter,” as the episode’s name suggests, focused on Kara as a reporter. I haven’t spent much time discussing Kara’s reporter story arc because Supergirl hasn’t put a lot of time into her non-superhero career.

This week’s episode rushed the process of building Kara as an ace reporter. Snapper Carr is too forgiving for a guy who was betrayed one week prior and he’s putting a lot of trust in a fledgling reporter who’s shown on multiple occasions that she doesn’t understand the business. The CW throws in a few buzz words like “alternative facts” and they expect their audience to buy it. They may be right in that assumption.

I may not have liked how Supergirl handled Kara as a mild-mannered reporter but I’m glad the show shifted its focus to Kara’s career. Romance derailed Kara’s life as a reporter.

Speaking of romance, it dominated the other half of “Ace Reporter.” We’re not talking true love. We’re talking the all too common like-like that occurs on CW shows. None of the “romances” this week have lasted longer than a few episodes, one was even introduced this week and dropped. To be fair, iZombie’s Rahul Kohli guest starred as Lena Luthor’s love interest and there was no way he’d continue as a show regular, but I suffer from insta-romance fatigue. Just add water.

The weekly villain also revolved around an insta-romance. Nanorobots attacked National City. This isn’t the first time this villain type has taken on a CW hero: Queen Bee on Arrow. Lena’s tragic romance added a little twist to a familiar storyline, but it was a weekly villain married to a weekly romance. It didn’t add that much.

Dialogue has never been the CW’s strongest asset but the dialogue in “Ace Reporter” was particularly cringe-worthy. A line like “I’m a black belt in karate” can’t be followed by “I’m a Luthor.” They may as well have said, “I can kill you with one thumb.” “I have money.” What’s worse was any scene involving Lyra. She’s supposed to not know how Earthlings speak—her lines and delivery worked—but the human cast around her acted as if they were aliens.

The stinger at “Ace Reporter’s” end could lead to something interesting. I’m not invested in Mon-El’s mom (Teri Hatcher) and her revenge but I care for Mon-El and Kara’s relationship even less. If Supergirl handles the story well, the finale could shake up things. But a line delivered by Mon-El (Chris Wood), “Nothing can stop romance,” leads me to believe Supergirl will continue its Mon-Kara melodrama.

Thanks for reading.

Archer: “Berenice”


Kyle’s Thoughts

I continue to enjoy Archer Dreamland. It’s fun watching Sterling in a film noir and how the characters retain their unique personalities. “Berenice” was a tip of the hat to Weekend at Bernie’s. I lost count of how many times I belly laughed at Sterling and Charlotte Vandertunt (Cheryl) carrying a dead maid, pretending she’s alive.

Judy Greer’s Charlotte Vandertunt drove this week’s episode. She’s still a wealthy heiress, distrusts her family (she wants to fake her death by using the dead maid, who Archer named Berenice), highly excitable, and has a fondness for drugs. Sterling and Charlotte popped codeine like Mentos. Interesting note, Charlotte marks the sixth time in eight seasons Cheryl has had a name change (Cherlene, Carol, Cristal, and Carina). She may be the same gullible, sex maniac but Charlotte stepped into the realm of compassion, something Cheryl isn’t known for, when she expressed concern for Berenice’s dignity. It’s an odd and superficial thing (in the way she expressed concern) but this compassion is a small departure for the character and I wonder if Archer may explore it in the future. At any rate, I thought Tunt was a suggestive name but somehow, Vandertunt is worse.

“Berenice” introduced the rest of the main cast too. Krieger is the one in charge of fixing Other, Other Barry (aka Dutch)—I’m thinking steampunk cyborg. Figgis is another one of Len Trexler’s goons and they ignore him as much as Isis or the private detective agency formerly known as Isis. And Malory shows up again as “Mother.” I may have missed it the first week but it tickled me when I heard every character call Malory Archer, “Mother.” That must be an unconscious, Freudian slip.

I still like Archer’s World War II flashbacks. This week Sterling flashed to a nun nursing him to health. The image was shocking because of its juxtaposition with Vandertunt. Charlotte is as crazy in Dreamland as Carol—I mean Cheryl—is in Archer’s baseline reality. There wasn’t a lot of the real world seeping into this week’s episode but as the season progresses, I’m sure the real world will creep in. Archer has been renewed for two more seasons. There’s little chance Sterling will remain in a coma for those two seasons, is there?

Thanks for reading.

iZombie: “Zombie Knows Best”


Kyle’s Thoughts

“Zombie Knows Best” returned iZombie’s to its police procedural roots. The episode yielded mixed results.

Major as a second zombie member of Liv’s detective team didn’t work as well as I would’ve liked this week. iZombie can have its funny, or even hokey, moments but Major with teenage girl tendencies and Liv channeling a middle-aged father was so over-the-top, the show left the Earth’s atmosphere. iZombie is at its best when the brains Liv and the rest of the zombies eat influences how they react; the zombies in question retain their baseline personalities. New viewers tuning in this week wouldn’t know who Major or Liv are as people based on their bizarre actions. Unfortunately, the zombie underground/utopia is the reason Liv and Major acted out of character.

The zombietopia has concocted a brain mixture—hitting frappe on fifty or so brains and packaging them in easy to transport tubes—to counteract any mood swings or strange thoughts or behaviors. I like this concept. On the surface, it shows the zombie community adapting to their powers and condition, and it makes sense within the confines of iZombie’s world. The problem is that Major and Liv must behave more out of character than normal to sell this wonder brain tube story thread and the tube’s packaging leaves much to be desired. Each one is marked as brains.

The “Brains!” tubes are an issue because one of the major plot points this year is the underground giving zombie families living in human communities these tubes. They’re labeled as brains. The zombie families have been throwing out tubes marked brains for almost two years and the underground is surprised humans have discovered they exist. Don’t label the tubes “Brains!,” or don’t send zombie families into human communities with these cartoonish tubes.

The Wally story this week had to do a lot of heavily lifting. I’m sure Wally didn’t exist before this season, or he was minor character with little connection to Detective Babineaux. “Zombie Knows Best” squeezed a lot of background for two characters who were retrofitted into Babineaux’s past. The lost fifteen minutes didn’t do anything for the main storyline and anything work it did for the zombie underground was lost with Brains! tubes.

I did like iZombie’s return to a police procedural. The show hasn’t lost one of the elements that make it fun; it’s not your typical cop show. The mystery was a little too easy but that was due to all the other plotlines swirling around, not to mention Liv and Major’s Dawson’s Creek impersonation.

I’m hoping the Wally story has played out and there’ll be time and space for other storylines to thrive. This hasn’t been a great start for iZombie but it hasn’t been a terrible one either. I’m still digging the overall idea of a zombietopia.

Thanks for reading.

Archer: “No Good Deed”


Kyle’s Thoughts

Archer keeps the series fresh by changing up its format and this year’s Dreamland, a film noir fantasy, is no disappointment. This season marks the first time the show has time traveled and I’m digging the era appropriate references, Archer gags updated for the new timeline, and Sterling’s backstory. There’s plenty to explore this season. Dreamland has changed Archer to an almost unrecognizable state but the principle characters are intact and you can tell the creative team (direction, writing, actors, and everyone else) is having fun.

I’m not the biggest fan of dream sequences, especially extended dream sequences, but Archer is upfront with the plot device, calling this season “Dreamland.” The show’s also a comedy and I’m more forgiving of comedies. Sterling’s in a coma and “Dreamland” is the world his mind concocts. I like how Archer has integrated happenings in the real world (minor spoiler: Woodhouse’s death and funeral) into the dream sequence. I wouldn’t mind seeing more of that; it’d be an interesting storytelling mechanism and with Archer’s ten-episode season, it might not get old before season’s end.

Sterling has been part of a drug cartel, the CIA, and a private investigator but the show doesn’t lose sight of who he or any of the characters are at their core. Dreamland looks to continue this trend. Yes, Sterling’s not a World War II veteran, finding new life as a private eye in 1940s Los Angeles but he’s the same, lovable bastard.

My only complaint, and it’s a small one, is that “No Good Deed” does so much world building that some characters get lost in the shuffle. We’re introduced to Cheryl, Lana, and Krieger and little more. Like I said, it’s a small complaint. Archer has a huge cast and rebuilding the show as a 1940 film noir detective comedy is a tall order. I expect the show to do more than mention these characters next week. And how great was it to see Other, Other Barry?

Dreamland’s a lot of fun.

Thanks for reading.

iZombie: “Heaven Just Got a Little Bit Smoother”


Kyle’s Thoughts

iZombie’s season three premiere “Heaven Just Got a Little Bit Smoother” had the job of transitioning the show from a Max Rager/Zombie Underground story to Zombitopia/Zombie Revival tale. It’s as huge task. “Heaven Just Got a Little Bit Smoother” had plenty of bumps along the way but I like the effort.

This week’s iZombie showed why the series is unique, compared to other zombie franchises. The word zombie is synonymous with dystopia. “Heaven Just Got a Little Bit Smoother” offered a zombie utopia. Sure, utopia and dystopia tales share similarities. A utopia is typically too good to be true and cracks form, illustrating why there’s no such thing as a utopia. iZombie should, and most likely will, explore this utopia’s dark underbelly—there’s an awful lot of commando/special ops zombies (zombie in this universe take on the characteristics of the brains they eat) that make me wonder where the undead are getting their brains—and that’s part of the fun. iZombie is unlike any other zombie franchise and that’s a welcome change.

It’s not all sunshine though. “Heaven Just Got a Little Bit Smoother” took on a lot of heavy plot lifting. There were plenty of patented CW data dumps via dialogue and I vaguely remember the child zombie Warren from season two. He was reintroduced this season and his demise served as a plot device (a potential war between humans and zombies) and tried to emotionally manipulate the audience. I would’ve been more invested in Warren had I recalled him from last season. I have a hard time placing him. Regardless, his story was forced.

I also don’t buy the premise of intelligent zombies wanting to live on a private island, separate from humanity. Like vampires, humans are these zombie’s food. Give them as much intelligence as you want but these zombies are apex predators. Their existence threatens human life. And who would want to be a human (zombie food), when you can live forever as a cognizant zombie? These zombies have fewer restrictions than vampires; they can handle sunlight. It’s difficult to suspend disbelief but iZombie was always a bizarre premise and I’m willing to do that if the show maintains its mystery element. Yes, there’s the mystery of where these new zombies are getting their brains and this was the season premiere, there was plenty of plot lifting to do, but I’d like to see Liv and company solve crimes. Part of what made iZombie fun was how Liv’s abilities revealed murderers.

Even without my weekly mystery, iZombie continues to be fun and different. The series maintained most of its humor from the past two seasons and that’s a good thing too. “Heaven Just Got a Little Bit Smoother” wouldn’t cause me any concern if iZombie was on a different network but the CW doesn’t have the best track record of keeping elements in their shows that make those shows great. But I have hope that iZombie won’t lose sight of why it’s a singular zombie franchise.

Thanks for reading.

Legion: “Chapter 8”


Kyle’s Thoughts

“Chapter 8” didn’t finish Legion as strong as I would’ve liked. It was still a solid episode but there was a moment where I figured what would happen and it happened as I figured it would. Legion had a knack for keeping me on my toes and it was a little sluggish. It didn’t quite stick the landing.

There’s little chance for me to go over this episode without revealing spoilers, so consider this your spoiler alert.

I figured Shadow King wasn’t going to be defeated; he had to find a new host. The most obvious choice was Oliver Bird and that’s who Shadow King eventually chose. Legion suggested D3 might find a mind for Shadow King to inhabit, Syd offered herself as a sacrificial lamb (Syd is essentially Karma from the comics, and Karma did combat Shadow King, so that would’ve made sense), and Carey even had Shadow King coodies for a short while, but Oliver was the clear winner. He has psychic powers. Shadow King likes that. He got whammied right after he remembered his wife Melanie. That’s not at all manipulative. And he’s off kilter. Oliver’s mental state is the closest to David’s. Oliver as Shadow King’s new host isn’t a bad thing. This development ensures Shadow King and Oliver will be in future episodes. I’m not shocked by it. It felt like the easy way out, and Legion seldom hits the easy button.

I could’ve done without frontloading “Chapter 8” with the D3 officer’s backstory. It was unavoidable but it threw off Legion’s rhythm, and not in the good ways Legion’s found in the prior episodes.

“Chapter 8” also teased David as too powerful a being. I hope Legion explores this in the future because he is. The X-Men spoke to me when I was young because they were outsiders and as a mixed kid from the south, I was an outsider. The team’s roster holds some of the most powerful characters in the Marvel universe because folks want the outsider/underdog to win. But can you be the underdog when you’re more powerful than your oppressors? Some of the best X-Men stories are the ones that challenge Apartheid (a minority oppressing a majority) and the various waves of Civil Rights movements (combating institutional racism, sexism, orientation, and identity). Legion scrapped the surface of these subjects and with everything that happened during the season finale, it could dig deeper into these issues organically.

“Chapter 8” may not have been the perfect ending but it did enough to get me excited for a second season.

Season’s Take

Yeah, Shadow King taking Oliver Bird as his new host didn’t come as a surprise. He lived in the astral plane for twenty years.

I wasn’t a fan of learning the backstory of the D3 officer. Like Kyle said, it was unavoidable, but it was also unnecessary. Not every character needs a known backstory. Although, I will admit, he reminded me of Harvey Dent from Batman: Animated Series and Joker from Tim Burton’s Batman when I saw the doctor cutting off his bandages.

“Chapter 8” was interesting and I like Shadow King being David’s nemesis (aside from himself). The scenes when Shadow King takes the form of Lenny Busker were the best. It wouldn’t surprise me if David has a showdown with Shadow King sometime down the road.

I’d like to see how Legion handles David and the astral plane in the future. I’m looking forward to Season Two next year.

Thanks for reading.

Arrow: “Disbanded”


Jim’s Thoughts

Last week’s episode of Arrow showed us that Oliver was never really a hero, that he was really a dangerous sociopath who used vigilantism as a way to exercise his love of killing. Mental illnesses are a difficult thing to write about in fiction, so rather than try, Oliver rubbed some dirt on it and walked it off. I knew this would happen last week, and this week’s episode proved me right.

Oliver did the same song and dance he’s done all along where he pushes his friends away. Diggle did the same thing he always does where he talks him out of isolation, and now we’re supposed to forget that Oliver skinned a man alive in Russia for “practice,” and go right back to rooting for him.

This week also asked the recruits to carry a lot of the story, and none of the characters are developed enough to do that. Felicity’s story with Helix bored me, as it is wont to do, but it at least pushed the story with Prometheus forward. I wish it moved forward toward a more satisfying end, but we all know it’s not over. Chase escaped because there was no way two nameless SCPD cops are going to be the ones to arrest him. They may as well have been wearing red shirts in an episode of Star Trek: The Original Series. Nothing surprised me there.

There is one glimmer of hope moving forward, and that’s Anatoly. The flashbacks sequences have been empty this season, but if Anatoly becomes the next big baddie for Oliver, they can capitalize on their history the way they did with Slade in season 2. You may realize I said something similar about Flash with Killer Frost, and I’m hoping it’s all evidence that the CW is beginning to remember what made these shows strong. It’s a lot to hope for. Once again, we’re rooting for a serial killer now, folks.

Kyle’s Take

My take on “Disbanded” is going to sound a lot like my take on this week’s Flash. The thing that gives Jim hope is something in which I have no hope. The flashbacks haven’t worked in the last several seasons because they struggle to tie into current events and serve as a panacea for ineffective storytelling. They’ve outlived their usefulness.

Slade’s flashbacks worked because they revealed Ollie’s actions that caused him guilt and tied directly into the current action. On the bright side, this season’s flashbacks gave Ollie agency for his guilt the past two weeks, but Ollie must’ve repressed his flaying a man alive. Ollie skinning a man destroyed him as a character and Anatoly was a part of that. No one ever said the Titanic’s maiden voyage could’ve used an encore performance from the iceberg.

Anatoly isn’t even the first suggested big bad from this year’s flashbacks. Chase was trained by Talia Al’ Ghul, another plot device. This year’s flashbacks offered her up as a potential big bad and nothing has come from it–yet. Anatoly screams “filler” this year because Prometheus will be the final showdown and even if he is the big baddie next season, he’ll scream “fill-in for Putin” in future “political” episodes. If Arrow handles foreign policy and affairs like it handles mental illness and gun control, count me out.

But why are we lamenting Ollie as a character? The Green Arrow hasn’t been Arrow’s main character for a couple of seasons. Felicity is top dog. She and her hackivist friends are the ones who unmasked Prometheus. That’s another villain felled by Felicity: the all wise and powerful.

I agree with Jim that Chase killing his captors was inevitable, but they were U.S. Marshals, not SCPD cops. Still, it’s nice to see how well two of our Marshals stack up to a member of The League of Assassins.

Rub as much dirt on story flaws as you can, Arrow. I’m not sure even Predator levels of dirt could fix what ails this show. Arrow’s looking more like a series I won’t be tuning into next season. I did like the music choice at the end of “Disbanded.” That’s something.

Thanks for reading.

Flash: “Abra Kadabra”


Jim’s Thoughts

This week’s episode of Flash worked well enough as a way to pass an hour. Abra Kadabra was hokey and over the top, but that’s the sort of thing Flash’s rogues gallery lends itself to.

Once again, relationship drama dragged things down. Everything was filtered through the lens of romance. We had Barry and Iris’ ongoing Savitar story, Cisco chasing Gypsy, and Julian courting Caitlin. It’s starting to look like CW doesn’t know how to tell any other kind of story.

The big problem is we’re still being strung along with Savitar. Abra Kadabra teased his identity, but there was no payoff to it. We keep hearing Savitar is Flash’s greatest nemesis, but so far he’s just boring me.

The big development at the end with Caitlin offers some potential. I’m actually hoping Killer Frost is here to stay. She’s an established character we’ve come to care about. She and Barry have chemistry, and so having her be a central villain later, down the road could do for Flash what Ollie and Slade’s faceoff did for Arrow in season 2. It wasn’t great this week, but there’s reason to be somewhat optimistic.

Kyle’s Take

Yes. Abra Kadabra was hokey and unbelievable as a stone-cold killer, and yes, the CW uses romance like my brother Tim uses Siracha. We’re having peanut butter and jelly sandwiches? I’m adding Siracha. It goes with everything. No, Siracha doesn’t go with everything and neither does romance. “Abra Kadabra” suffered from a lot of what Jim and I have been complaining about this season.

At this point in last season’s storyline there was heated speculation as to who Zoom was. Just check YouTube or any other social media. Fans don’t care about Savitar. I’m not talking about critics, they’re a fickle bunch, fans don’t care. Part of this indifference must stem from fatigue. Flash has used this trick (of who’s the big, bad guy) the past two seasons and it’s doing it again. Flash also dropped hints last season as to who Zoom was but Savitar gets a vague “he’s someone from Barry’s past,” which most likely will lead to a groan-inducing rewriting of history.

An impending rewriting of history is why I can’t invest into this season or potentially Flash going forward. Savitar’s existence is offensive. I can’t get too excited about Caitlin as Killer Frost. I said at the beginning of the season Flash would turn Caitlin into Killer Frost, have a big showdown between her and Team Flash, and the show would change her back. I was wrong on the timing—I thought Flash would pull the trigger on a big Killer Frost battle midseason—but the show’s back on track for a showdown and reverting Caitlin back to her normal self, late this season. Lather, rinse, repeat.

Caitlin was Killer Frost for half an episode before the midseason break. “Abra Kadabra” marks the last episode before Flash’s late season break. Guess what? We get Caitlin as Killer Frost. Lather, rinse, repeat.

Thanks for reading.